Wednesday, December 17, 2025
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Taylor Swift’s “Showgirl” Streaming Monopoly on Spotify Has Been Breached by Songs by Olivia Dean, Sombr, KPop, and Charlie Brown!

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Since Taylor Swift dropped her album, “The Life of a Showgirl,” she’s had a lock on the Spotify top 12 songs.

All of the tracks from the album filled the top spots, creating a monopoly or an actual wall of sound.

But all good things must come to an end, and so they have. The wall of sound has been breached, and Swift’s reign of Taylor has come to an end.

Songs by Olivia Dean, Sombr, and two from K Pop Demon Hunters soundtrack have now all moved into the top 13, pushing out two “Showgirl” songs. The Swift spell is broken.

Meantime, the single, “The Fate of Ophelia,” has been usurped at number 1 on iTunes by Charlie Brown. “The Great Pumpkin Waltz” by jazz legend Vince Guaraldi, released in 1966, is at the top of the chart. Peanuts has scared off Taylor Swift!

Will “Springsteen: Deliver Me from Nowhere” Be Born to Run or Just Dancing in the Dark When it Hits Theaters This Week?

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One of the most anticipated movies of the year hits theaters this Thursday night.

“Springsteen: Deliver Me from Nowhere” stars the very popular actor from “The Bear,” Jeremy Allen White, giving a sensational, passionate performance as Bruce Springsteen circa 1982. Already a rock star, Bruce is depressed and questioning his career. He’s a year away from putting together “Born in the USA,” the album that will change his life. (JAW is worth the price of admission.)

In the meantime, he’s holed up in the woods writing his “Nebraska” album. Manager Jon Landau — Jeremy Strong — is his main emotional support, and he’s got a cute girlfriend played by Odessa Young.

But “Nebraska” is not an E Street Band album. It’s Bruce, alone, telling song stories acoustically. Even his record company, Columbia, is not keen on putting it out. They can’t predict that 40 years later, “Nebraska” will be considered an important work of art.

Publicity? Disney/20th has Springsteen and JAW booked on Kimmel this Thursday night, but nothing else this week. I’m crossing my fingers this will be a performance and not just an interview.

“Deliver Me from Nowhere” at theaters is looking a little iffy right now, more so than I would have thought. On Rotten Tomatoes, the movie has a positive but not stunning 67% among 44 critics. That’s not a lot of reviews, which raises the question of how the movie was shown to my colleagues around the country. Is Disney/20th waiting til the last minute?

Advance sales are not booming. There are no sell outs yet for preview shows except for a couple of instances in Bruce’s hometown area in New Jersey. In New York, there are plenty of tickets at AMC Lincoln Plaza — one of the great barometers. Ditto in Los Angeles where Century City Plaza and AMC Santa Monica 7 and other signal theaters have plenty of tickets.

A lifelong Bruce fan, I loved “Deliver Me from Nowhere” just as a great movie about the creative process. It’s not like I’m a great fan of “Nebraska,” although I’m anxious to hear “Electric Nebraska,” the never before released E Street band version which drops on Thursday night. But director Scott Cooper and the aforementioned actors have made an authentically compelling movie that I recommend without hesitation to everyone. 

Get over to Fandango!

Stay tuned…

Dreadful “Saturday Night Live” Starts Late Because of College Football, Avoids Politics Almost Completely, Snubs Veteran Players

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If Sabrina Carpenter hadn’t sung on “SNL” Last night, there would have been nothing to watch.

The show, which Carpenter hosted and was the musical guest for, was otherwise dreadful. It also began 15 minutes late because of a college football game.

You can tell how bad things were from the two minute, thirty second closing. Kenan Thompson isn’t in the picture, Colin Jost is standing out of frame, Mikey Day is making faces on the left.

The new writers simply aren’t funny. They are also not writing for Kenan or Mikey, and little for Chloe Fineman.

James Austin Johnson’s Donald Trump was stuffed into the middle of the show, in a terrible skit with “children.” He was a bright light in a dismal situation.

The episode had almost no politics except for Johnson’s cameo. The sketches had no edge. They were dull and rounded off.

The new writers are clearly emphasizing the new cast members and ditching the veteran players. Much missed are Heidi Gardner and Ego Nwodim.

Carpenter, a bright light, struggled to be a good host. But there was no buzz in the air considering she’s an incredibly popular singer with enormous hits.

This was also the first time in over two years that “SNL” had no cameos from outside stars or former players. There was some gossip that Taylor Swift would show up, but that fell flat.

Better shows are coming, with hosts like “Top Gun Maverick” stars Miles Teller and Glenn Powell, and comedian Nikki Glaser, with musical guests Brandi Carlile, Olivia Dean, and Somber (Sean Boose).

But the writing has to improve, and the cold opening must be a political jolt for the whole show. The opening sketch last night was so awful I thought we’d joined the program somewhere in the middle.

Look at this closing, though. You know things are bad when they have two minutes and thirty seconds to vamp at the end.

Kim Kardashian Pays Tribute to Ex Husband Kanye West with New “Skims Head” Fashion Line At Academy Museum Gala

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Kim Kardashian knows how to promote her products.

She wore a piece from her new underwear line on her face last night at the Academy Museum Gala.

Kim, who along with her mother has an entirely new face, decided to cover it up with panties. Maybe her new face hasn’t settled in yet. So this was a wise decision.

Of course, Kardashian was really mimicking old costumes worn by her ex husband, Kanye — Where is He Now? — West. Kanye is busy probably busy warding off lawsuits from investors in his failed bitcoin, so a mask is always a good choice.

The Academy Museum gala looks like it was otherwise a classy affair, with plenty of celebrities dressed very nicely. And the host of the red carpet, a British comedienne named Amelia, showed that she’s not afraid of getting a chest cold.

Only in Hollywood, kids, only in Hollywood. I love how the people there tolerate this moronic family. 

 

Box Office: Ethan Hawke Dials Up $26 Mil in “Black Phone 2,” Keanu Reeves, Julia Roberts, The Rock Strike Out, JLo Disappears

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It was a good time, unknown time for Ethan Hawke this weekend at the box office.

Hawke wears a mask and scares people in “Black Phone 2,” which topped the list with $26.5 million. You won’t see it, I won’t see it, but horror fans did, and that’s the point. My friend, Perri Nemiroff from the website Collider, saw it, and she loved it. So there.

“Black Phone 2” pays the bills so Hawke can do high quality Richard Linklater films like “Boyhood” and his trilogy with Julie Delpy. Their “Blue Moon” is the opposite end of the spectrum from “Black Phone 2.” Just in limited release this week (the actual numbers got screwed up), “Blue Moon” is a must-see film for people who don’t want to be frightened but love cinema.

It’s a whiff for a bunch of other stars including Julia Roberts, Jennifer Lopez, and Dwayne The Rock Johnson.

Roberts stars in “After the Hunt,” which made $1.55 million and heads off to Amazon Prime soon. Roberts has not made an enjoyable “Julia Roberts” type movie now in more than a dozen years. New audiences would have to work hard to find “Pretty Woman” or “My Best Friend’s Wedding” or even “Erin Brockovich.”

“The Smashing Machine” starring Johnson will wrap up its short run with about $12 million tops. No one wanted to see it, and no one has seen it. Strangely enough, director Benny Safdie and Johnson are undeterred by this calamity and are making another movie together. How do they find investors?

“Kiss of the Spider Woman” vanished entirely over the weekend. On Friday, Roadkill Attractions reported a total of $1.3 million over an 8 day period. Neverthless– and this was weird — Lopez was still doing major press this week, like Howard Stern’s radio show. Did no one tell her this wouldn’t help? Maybe she just likes publicity for no purpose. “Spider Woman” will lose most of its theaters this coming Friday, and head off to video on demand for 20 bucks or so.

Keanu Reeves also had a rough ride over the weekend. His “Good Fortune” crumbled like a fortune cookie with $6.2 million. Seth Rogen and Aziz Ansari are involved, too. Forgettable airplane stuff. Keanu remains on Broadway in “Waiting for Godot,” a mixed bag but a heroic effort.

Still doing very well: “One Battle After Another” and “Roofman,” each proof that good movies can make money if the audience approves and tells their friends. Whew! What an old fashioned concept!

Exclusive: Diane Keaton Spent Her Last Months at Palm Springs Retreat “So Exclusive People Barely Know It Exists”

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Of all celebrity deaths — Robert Redford, Gene Hackman — just one has hit us like a depth charge.

A week ago, Diane Keaton, beloved actress and many other things, left us at 79 years old. She was an absolute delight. For a celebrity never to have a bad word said about them is a rarity. But Keaton lit up every room.

Keaton’s family says she died of pneumonia, which I’m sure is true. But I can tell you see suffered from a rare form of dementia that came on quickly and attacked her amazing brain. Her mother had also suffered from Alzheimer’s disease, so it was somehow genetic. But what a mean end of a great life.

There are lots of tabloid reports about Keaton’s final days. I know that close friends visited her and she did not necessarily recognize them.

I can tell you exclusively that Keaton spent her last months in Palm Springs, California. She stayed — with family and caregivers — at a very discreet place called Smoke Tree Ranch. The Wall Street Journal once described the rest as “so exclusive people barely know it exists” and “a western fantasy land.”

Smoke Tree Ranch actually sounds like heaven. You can read its whole, long history here. It seems like the most Diane Keaton place in the world, serene and nostalgic. I’m glad she got some peace there.

Keaton lived her life on her own terms. She was a maverick. She’ll be remembered for “Annie Hall,” “Reds,” “Baby Boom,” “Something’s Gotta Give,” and so on as the classiest of all our modern stars.

Mariah Carey’s First Album in 7 Years, “Here for It All,” Over After Three Weeks, Lowest Sales of Her Career

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Mariah Carey’s first album in seven years is dead after three weeks.

“Here for It All,” which should have been a hit, is off the charts. Gone. DOA.

The album has sold 69,000 copies including streaming since its release on September 26th.

Of those, about 31,000 were actual CDs, LPs, and paid downloads.

Carey, who used to sell millions of album, has been relegated to status of legacy performer whose old music lives on but her new material is ignored.

It’s too bad because she’s never sounded better, and the songs on the album are pretty catchy.

But “Here for It All,” didn’t even get attention from her famous fan club, the Lambs. It’s her worst selling album in a 35 year career.

But the whole thing has blown up. Coincidentally, Jennifer Lopez — Carey’s arch rival — has seen her new project, the movie “Kiss of the Spider Woman,” buried at the box office.

This is No Country for Middle Aged Stars.

Carey did a week of TV appearances, but they were all interviews, no singing of the new songs. So while her presence was registered, no enthusiasm was drummed up for the music.

Luckily, Christmas season is six weeks away, and Carey will back back promoting her evergreen hit, “All I Want for Christmas is You.”

SOS! “Blue Moon,” One of the Best Films of 2025, Is Now in Theaters Everywhere: Ethan Hawke Gives the Performance of His Life

SOS! “Blue Moon,” One of the Best Films of 2025, Is Now in Theaters Everywhere: Ethan Hawke Gives the Performance of His Life

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If you’re seeing one movie this weekend, make it “Blue Moon.”

It has 91% on Rotten Tomatoes.

Richard Linklater directs Ethan Hawke is a once-in-a-lifetime performance. If you love movies, acting, writing, directing, this is a must-see film.

Hawke plays famed classic American songbook songwriter Lorenz Hart, aka “Larry,” a Truman Capote like character who wrote some of your favorite songs like “My Funny Valentine,” “Where or When,” and the title song.

He wrote them with Richard Rodgers, as well as many musicals. When the movie takes place it’s the night “Oklahoma!” opened on Broadway. Hart is waiting for Rodgers and his new partner, Oscar Hammerstein, to come to Sardi’s to celebrate.

There’s a lot going on. Hart/Hawke is spilling his guts to a bartender played by Bobby Cannavale. A soldier on furlough is playing Hart’s songs on a piano. And then the crowd comes rushing in. If you love Broadway, or nostalgic New York, you’re going to want to join this party, too.

Margaret Qualley is sensational as a young girl who’s kind of playing Hart while trying to launch her own Broadway career.

Hart was 5 feet tall! Hawke is about 5 foot 11 inches. So how did Linklater pull this off? Movie magic!

Again, Broadway fans should not miss this extraordinary gem of a film! See it in theaters, it’s more than worth it!

Final: Taylor Swift’s “Showgirl” Album Drops 92% in Second Week of Release, “Ophelia” Single Knocked Down to Number 3

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The final numbers are in for music sales this past week.

Taylor Swift’s “The Life of a Showgirl” dropped 92% in its second week, from 4 million to 335,423 according to hitsdailydouble.com.

Only a third of the sales were physical, including CDs, LPs, cassettes, and paid downloads. Two thirds came from streaming.

One reason the paid download number fell so precipitously is because Swift didn’t allow downloading of individual tracks. It was the whole album or nothing. That seems to have pushed streaming.

Only one track is allowed for downloading — “The Fate of Ophelia,” which went to right number 1.

But “Ophelia” has been knocked down to number 3 on iTunes by new releases from Brandi Carlile and Ella Langley, respectively.

Will the other “Showgirl” tracks be allowed to travel solo on iTunes. Has “Ophelia” already peaked? Has “Showgirl” exhausted its audience in one week?

Stay tuned…

The Next Lego Movie May Feature John Wick aka Keanu Reeves — Once He’s Finished Waiting for Godot on Broadway (Exclusive)

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Godot is never going to show up in the Samuel Beckett play no matter how long anyone waits for him.

But star of the current production of “Waiting for Godot” on Broadway may find that he’s “connecting” elsewhere once his run is over.

Sources say the folks who make the Lego Movies are keen on Keanu being featured in their next film.

The Lego folks were in town last night to see “Godot” and convince “John Wick” that he would be a ‘snap’ in their next project.

There are five new Lego films in development at Universal Pictures following a run of four hits at Warner Bros. “The Lego Batman Movie” is a cult classic by now.

I’m told the new movies will have all new characters and plots. Directors writers Chris Miller and Phil Lord won’t be involved, either. They collaborated on the first two Lego movies.

Meantime, Keanu and “Excellent Adventure” pal Alex Winter are selling out the Hudson Theater with “Godot,” in their first Broadway efforts respectively. They’re introducing Beckett to a whole new world and generation, and holding their own.

But if you go, check out Brandon J. Dirden and Michael Patrick Thornton as secondary characters Pozzo and Lucky. The steal the show completely. So does the set — a tunnel that reminded me of TV’s “Time Tunnel” from the 1960s and is a unique to present this existential play.

Will we see “Waiting for Lego”? Unlikely, although a series of “Lego” Broadway shows on video would be hilarious.