Saturday, June 13, 2026

New Hot Singer Malcolm Todd’s Main Ingredient in Top 5 Song, “Earrings,” Sounds a Lot Like Old R&B Hit Sampled by Alicia Keys

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It’s hard to say who will be knocking on Malcolm Todd’s door first.

Could it be Alicia Keys? Or the heirs of songwriter JR Bailey?

Todd’s surprise hit, “Earrings,” has taken off on Spotify and iTunes.

The only problem is it sounds a lot like Alicia’s old hit, “You Don’t Know My Name.”

But wait — there’s a twist. Keys sampled the central theme of her song from the Main Ingredient’s “Let Me Prove My Love to You” from 1975. The song was written by Bailey with Ken Williams of the Main Ingredient (who also wrote “Everybody Plays the Fool”) and Mel Kent, according to the BMI database.

Keys’s record was produced by Kanye West, the king of samples. In the end, “You Don’t Know My Name” lists Bailey as a songwriter.

So this is a sample of a sample? May be. Or may be just a lift from Bailey. A founding member of The Cadillacs, a famous doo-wop group, Bailey wrote a lot of hits from the mid 50s to mid 60s. He had a solo career of his own, as well.

Did Malcolm Todd do this intentionally? Who knows? The Bailey part of the Keys song is incredibly catchy. It may have just been in his head. It was certainly in Kanye’s all those years ago.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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