Friday, May 3, 2024
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Britney Spears Says Her Mother Is to Blame for Latest Scandal: “I was set up just like she did way back when !!”

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Britney Spears is blaming her estranged mother, Lynne Spears, for setting her up in her latest tabloid scandal.

Yesterday all the tabloids reported that Britney and her boyfriend, Paul Richard Soliz, had had a fight in her room at the Chateau Marmont hotel in Los Angeles. Medics were called, but no action was taken.

After the papers ran the stories, Britney said she was fine. She posted videos of her ankle to indicate she was ok, saying she had just twisted it. I guess that’s why an ambulance came.

Why was she in the hotel? How does she meet new boyfriends? All good questions. The bigger question is, Who tipped off the hounds? Britney thinks it was her mom.

Spears wrote: “I know my mom was involved !!! I haven’t talked to her in 6 months and she called right after it happened before the news being out !!! I was set up just like she did way back when !!! I wish I had grandparents !!! I can’t stand her !!! I honestly don’t care I will say it  !!!”

She added about her lawyer, Matthew Rosengart: “Psss this man is wonderful !!! He’s like a father to me and he got me through last night !!! I adore you and admire you mister Mathew !!!”

The incident came up just as Britney reportedly settled lawsuits with her third ex husband, and with her father over her conservatorship. It could be someone was trying to make her look unstable.

Taylor Swift Adding Another 450K “Poets Department” Sales This Week, Hitting 3 Million Total

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Taylor Swift is wrapping up a second, crazy week on the album “The Tortured Poets Department.”

Hitsdailydouble.com says “Poets” sold 455,000 copies including streaming. Of that, 125,000 are actual CDs, LPs, and downloads.

That would put Taylor’s total at 3 million copies, with 1 million in hard sales. This week, the streaming exceeded the so called physical numbers.

A whole generation has now been served Taylor Swift music. They’ve been influenced by it, will always remember it, quote it, and try to play it on some instrument.

Everyone wants to know, Will it last? Some of it will, yes. Not the endless volumes of break up songs. But a few things will stick and one day — aside from the inevitable box sets with more lost tracks and demos, B sides, and extra lyrics — there will be a Greatest Hits with 12 songs. And those songs will outlast the balance of it all. “Lover,” “Anti-Hero,” “Blank Space,” “Shake it Off,” “You Have to Calm Down,” “Betty,” “Love Song,” and “All Too Well” will make the grade. And, I guess, “Fortnight.”

ABC Kills “The Conners,” Sets Series Finale After Yanking Them All Over Schedule, Shoves Them Into Dead Timeslot

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I have no doubt Bruce Helford and the people who make “The Conners” are furious with ABC.

The network announced today that the hit comedy will get one more, abbreviated season with just 6 episodes.

Last night, ABC yanked “The Conners” to a death slot– 9:30pm — and the ratings fell by 31% to 2.2 million.

This should be considered murder. “The Conners” always worked best at 8pm. After the first two seasons the show was banished to 9pm, where it almost died. Two years ago, it was restored to 8pm where it flourished again.

Last night, “The Conners” was sent to 9pm so “Jeopardy” could have the prime time family hour. Then came “Abbott Elementary,” ABC’s only claim to the Emmys world. They actually did better than the previous week. But ABC knew “The Conners” was toast, so they moved it to a place where its fans couldn’t find it.

Network TV execs are cold and heartless. There’s no loyalty to anyone or anything. The people behind “The Conners” saved the network when Roseanne Barr imploded and destroyed her revived show. After that scandal, the network could have been left with rubble. But Helford and co. rose to the occasion, killed off Roseanne Conner, and created a whole new, vibrant show. ABC didn’t deserve it.

No doubt the final six episodes will get played off at midnight or something when no one’s around. Years from now, if anyone cares, they’ll remember an amazing cast led by John Goodman, Laurie Metcalf, and Sarah Gilbert, and wonder how they were on network TV in the first place.

“Hacks” Returns with Jean Smart, Hannah Einbinder Cracking Wise and Aiming for More Emmy Awards

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HBO and Max’s “Hacks” is back and for its legion of fans, May 2nd, when the first episode of season three drops. The series’ welcome return can’t come fast enough. HBO can only be happy — “Hacks” has gotten six Emmy Awards in its first two seasons.

At a recent press conference Variety TV editor and moderator Michael Schneider started it by exclaiming that “our long national nightmare is over because “Hacks” is back and alive!”  He then went on to introduce the panel by aptly describing Emmy award winner Jean Smart as ‘our national treasure,’ her costar Hannah Einbinder and the creative crew of Jen Statsky, Paul W. Downs, and Lucio Aniello. 

Without giving spoilers, many famous faces make appearances. The show opens up with an impromptu reunion at “Just For Laughs”’” at the Montreal Comedy festival.  After a year apart both characters — Smart’s Deborah Vance and Einbinder’s Ava — “have reached this new incredible heights of their career; and yet they realize they still need each other.  Deborah needs Ava to push her,” said Statsky. “Ava needs Deborah because there is a spark that that she doesn’t get from anyone else. That point of where they separated was always very intentional. because we wanted them to kind of go off in their separate ways to realize what they were missing in each other.”

When the inevitable age old question came up — Can women be as funny as men? Einbinder replied with a slight smirk, “The only time I ever hear that is like anonymous comments online. No one’s said that to my face. And I dare them to.” Einbinder should know, her real life Mom is the very funny Laraine Newman, best known for being part of the original Not for Prime Time Players on “SNL.” 

Smart chimed in with, “I do think there’s still that feeling a little bit. And I think women are just – can be funny about different things and men are funny about different things. Cause we’re different. But why was it funny when Milton Berle put on a dress and it wasn’t funny when Judy Garland did her little baggy pants hobo routine? I don’t know, can’t explain it. It just is. But doesn’t mean that women aren’t as funny, God knows.”  

Downs — who appears in the show, writes it, and created it — added “I think it’s a sexist thing. I think men are really threatened by women who are funny. They’re really – I think, there’s that saying, men’s greatest fear is being laughed at; and women’s greatest fear is being killed by men. So it’s like, I think it’s like – there’s a huge power dynamic that we’re dealing with that is millennia old. And it’s really hard to get beyond. But it’s like let’s get beyond it, you know.”  

Smart added “But the bottom line, again, that until we accept the fact that we all have differences and not try to pretend that we don’t, we’re never gonna get anywhere.”

“Hacks” with its singular edgy wit and biting charm is mightier and funnier than ever in its sublime third season.  

Jeff Bridges, Always “The Big Lebowski,” Given A List All Star Salute — and A Little Ribbing –at Film Society’s Chaplin Awards

The Chaplin Awards, named for its original recipient, Charlie Chaplin, was the place to be this week to honor Jeff Bridges. On Monday, the Film Society of Lincoln Center honored Oscar winner Bridges (for 2009’s “Crazy Heart”) of the famed Bridges family of actors—with dad was “Airplane!” star Lloyd Bridges, his big brother is Beau. Jeff famously would not embrace being an actor until he’d made his tenth movie (which might or might not have been Peter Bodganovich’s classic, “The Last Picture Show”. Blasé is not the word; “relaxed” was on every presenter’s lips.

Those included Barbra Streisand, videoed in to pay tribute to Bridges. She directed and starred in “The Mirror Has Two Faces” with him. Because she loved that he insisted on dancing with her every night of shooting, she made that the ending of the movie.

Beyond “relaxed, add:” “He’s a good man.” Coming from Sharon Stone, that’s a lot. At last year’s NYWFT Muse Awards luncheon, the “Basic Interest” actress spoke at length about the horrors of men in the industry back in the day. Offering only kudos to Bridges, she said she saw him in “Starman” and wondered if such a kind being would fall her way from the sky. She starred with Bridges and Nick Nolte in the 1999 movie, “Simpatico,” directed by Matthew Warchus and co-written by Sam Shepard. She declared felt lucky to be with such good men.

Rosie Perez raised a glass from the stage, in remembrance of a drink she did not have with him when he championed her for a role in Peter Weir’s “Fearless.” He was so relaxed, “it pissed me off.” And, get this, she said, they were reluctant to have an interracial couple. “Jeff,” she addressed him, “it would be so easy for you to be an asshole. Which are not.”

Blythe Danner, who can go ditsy on cue, forgot some details about the film she did with Bridges in 1975 called “Hearts of the West.” When he shouted out the references from the audience, she was impressed by his good “projection”—given he’s a movie actor. Ditto, John Lithgow on video sang his praises. But it was Chris Pine, most hilarious, on their friendship after making the Taylor Sheridan film “Hell or High Water,” quoting some of Bridges’ signature lines.

“Ok, if I quote you?”

“Go for it man.”

So he did “The Big Lebowski” Dude speech: “Yeah, well, . . . that’s just your opinion.”

“Family is the whole thing,” said Jeff Bridges accepting the statue from Pine —especially the encouragement from mom and dad, and mom’s saying, just go and have fun. It was his “addiction to comfort,” he said about his lack of commitment to acting—even after he was nominated for an Oscar his first time out, in “The Last Picture Show.” Tonight, he said, he had fun and felt lucky and loved.

PS Also spotted around Alice Tully Hall: Kieran Culkin, Jeremy Shamos, Cynthia Erivo, Sarah Paulson, and Gloria Reuben. Conspicuously absent: Joel or Ethan Coen, John Turturro, John Goodman, Karen Allen. They were there in spirit!

Sting’s “Message in a Bottle” Finally Opens for 2 Weeks in New York, It Should Be on Broadway

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I gather Sting’s “Message in a Bottle,” directed and choreographed by the remarkable Kate Prince, has had runs in the UK, Australia, and in some US cities. Last night it arrived at City Center on West 55th St. and the big takeaway is that it should be on Broadway.

“Message in Bottle” is a surprisingly sensational mix of Kate Prince’s dance numbers in collaboration with about two dozen of Sting’s famous compositions (which he has completely re-recorded to new orchestrations), performed by Prince’s exceptional dance troupe including co-choreographer and star Lukas McFarlane. Every one of the performers is sensational, I might add.

Some reviews have called “Message in a Bottle” ‘thrilling’ but that’s an understatement. It’s certainly not what I expected, which was just to see some good modern dance acting out Sting’s hit records. This is fully not that at all, but a complete new piece from top to bottom that is moving, rich, and resonant.

I’ll start with the music, which would be miraculous to have on a CD soundtrack. Working with Alex Lacamoire, Martin Terefe, Oskar Winberg, David McEwan, and DJ Walde, Sting has deconstructed all his hits and rebuilt them for a stage show in a most unique way. His voice has never sounded this good maybe ever, brought out I think by the new arrangements. You think you know songs like “Invisible Sun” or “King of Pain,” but they are as fresh as ever in this environment. It’s a tribute to Sting’s catalog that it never gets old — much like the Beatles, Elton John, or Billy Joel.

“Message” is no slappdash jukebox musical, either. Dramaturg Lolita Chakrabarti has fashioned a story using the songs — instead of the songs using the story. There’s no dialogue. The songs speak for the dancers in new ways, re-referencing them from our memories into this world. She’s created a family suffering through a dystopian civil war — much more deeply experienced than in the current film of that name. Sting’s mesmerizing bass rhythms propel the action.

With Prince’s troupe pushing the dancing to exciting, acrobatic ballet, the show reminded me a lot the Beatles’ “LOVE” show with Cirque du Soleil — minus the extravagant costumes and sets. “Message” has a spare tone to it, and let the music and dance speak for itself. But in the same way that George Martin went back and made a jigsaw puzzle of the Beatles music, Lacamoire has done something similar here. If you know the songs, there are countless welcome surprises.

“Message in a Bottle” is a rare treat. If nothing else, I hope City Center can extend the run. Some other new Broadway shows will not last very long. But shows has legs — well, lots of them — that should keep it running and running.

“Message in a Bottle” is a Sadler’s Wells and Universal Music UK production co-produced with Eliza Lumley, Birmingham Hippodrome and The Lowry, Salford.

Scooped Here First: Meryl Streep Will Receive Palme D’or at Cannes Film Fest Opening

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I told you this on April 17th.

Meryl Streep will receive the Palme d’Or at the Cannes Film Festival on opening night.

Cannes announced it this morning. But this was an exclusive scoop here two weeks ago. See below.

In the official press release, Meryl says she’s thrilled. “I am immeasurably honored to receive the news of this prestigious award. To win a prize at Cannes, for the international community of artists, has always represented the highest achievement in the art of filmmaking. To stand in the shadow of those who have previously been honored is humbling and thrilling in equal part. I so look forward to coming to France to thank everyone in person this May!”

Here’s the original story:

Broadway: Honorary Tony Award Given to Comedian Alex Edelman Despite One Brief Credit

Alex Edelman is the toast of Broadway this morning.

After one short run on Broadway in the summer of 2023, Edelman has been awarded an honorary Tony. “Just for Us,” which lasted two months, is his only Broadway credit.

His producer on “Just for Us,” Mike Birbiglia, has had two Broadway runs and no special Tony Awards.

Edelman, 35, makes a cameo appearance in the new Jerry Seinfeld movie, “Unfrosted,” which drops tonight.

Much of Edelman’s material centers on his Jewishness and his relationship to the LGBTQ community.

Getting a Tony with such a short resume is quite an achievement. But it runs in the family. His brother is an Olympic bobsledding athlete from Israel.

Mazel tov!

Paul McCartney Gets Bloomberg-ed in Brooklyn with Sean Lennon, Elvis Costello, Jon Bon Jovi, Stevie Van Zandt (UPDATED)

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WITH UPDATED

Paul McCartney is picking and choosing where he shows up these days very carefully.

On Monday night, McCartney was AWOL at the official screening of the remastered “Let it Be” film.

The screening, at AMC Lincoln Square, had A listers in the audience like Elvis Costello, Paul Shaffer, and famed producer Russ Titelman were all on hand to meet director Michael Lindsay-Hogg, who made the film in 1969.

“Let it Be” starts streaming on Disney Plus next week. It’s the original movie (with some key unseen footage) that inspired Peter Jackson’s “Get Back” release a couple of years ago.

Also present: Jeff Jones and Jonathan Clyde, who run the Beatles company in London.

But no Paul. He reportedly never liked the original film and may not be totally sold on it coming out now.

McCartney, however, did show on Tuesday night at a private reception for his photo exhibit at the Brooklyn Museum. Bloomberg underwrote the night and guests included Paul, wife Nancy, members of their family, as well as Mike Bloomberg and his family and corporate friends. It sounds, to paraphrase John Lennon, like a lot of rich people rattling their jewelry.

Guests included Sean Ono Lennon, Elvis Costello, Jon Bon Jovi, and Maureen and Steve van Zandt.

McCartney’s highly praised exhibition opens tonight officially with a Director’s Toast, but no Beatle on the scene.

Usher Playing the Met Ball Even Though TikTok is Sponsor– Universal Pulled His Music from Platform

Usher — who played the Super Bowl and has had a great 2024 so far — is the musical guest at Anna Wintour’s Met Ball on Monday.

This is despite TikTok sponsoring the event. Usher’s music was pulled off of TikTok in February by Universal Music because the platform wasn’t paying for licenses.

Universal’s Taylor Swift may also attend.

Meanwhile, the Conde Nast Union is still threatening to strike the event on Monday over layoffs and no contract. Wintour is editorial director of Conde Nast, which includes Vogue.

Usher doesn’t come cheap and he’s not doing this for free. He has a residency in Las Vegas to offset anemic album sales. (He only sold 587,000 copes of his recent album.)

So add his expense to the other the Metropolitan Museum will have to pay so Wintour can stage her annual Halloween show.