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Review: In “Cinderella,” Cate Blanchett’s Villainy Is a Feast to Watch

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Kenneth Branagh’s “Cinderella” is a whimsical, inventive, delightful and tons of fun movie going experience for all; from the multitudes of tiara and princess wearing little girls, to the adults that accompany them. Branagh’s is a faithful adaption, with some touches of enchanting surprises. The sumptuously stunning visuals with a fine cast, all enhance this classic fairy tale.

Lily James, Lady Rose on Downton Abbey, is a lovely and truly appealing Cinderella. Richard Madden plays the dreamy prince with a sweet sincerity. The film starts with Cinderella quickly losing both her mother, the always terrific Hayley Atwell, and her father, the equally able Ben Chaplin.

But to make matters worse, to say the least, her father stupidly married the evil Lady Tremaine, played by Cate Blanchett, who comes with two dithering daughters, comically well played by (“Downton Abbey” star) Sophie McShera and Holliday Grainger. Blanchett, natch, steals every scene she is gloriously in. Her villainy is a feast to watch. Stellan Skarsgard as the Grand Duke, Derek Jacobi as the kind King and Helena Bonham Carter as the Fairy Godmother, are all in fine form.

This Magic Kingdom is a politically correct one, with Africans, Latins and Asians. The Prince’s right hand man is played wonderfully by the black actor Nonso Anozie. The make up, hair, sets and costumes are all rich, elegant and extraordinary. Branagh’s Shakespearean skills have made this telling of “Cinderella,” a classic for the ages.

Adam Sandler Correction: “The Cobbler” Went Straight to Video, No Theatrical Release

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UPDATE: Sorry. Like “Serena” with Bradley Cooper and Jennifer Lawrence, “The Cobbler” is just playing on VOD and Amazon Prime. So bad they weren’t allowed in theaters. There will be no box office for “The Cobbler.” The shoe didn’t fit.

EARLIER: What can you say about Adam Sandler? He’s headed to Netflix for a reason. In movie theaters, he is poison. Today he opens in “The Cobbler,” which has an 8% rating on rottentomatoes so far — 36 negative reviews, 3 positive. This follows “Men, Women and Children” and “Blended” in his latest run of bad movies. And those follow “Jack and Jill,” “That’s My Boy” and other horror films.

This is in addition to the crap he’s produced, like “Bucky Larson” and “Here Comes the Boom.” Sandler is largely a purveyor of junk, hoping that it will catch on among a mentally handicapped crowd and bring him some good studio money. But the party may be over.

All that’s really left of Sandler theatrically is “Grown Ups” movies– and the title of course is ironic. The title of that series should be adults acting like very slow, stupid children.

The irony of “The Cobbler” is that was directed and polished by Tom McCarthy who until now has just made wonderful movies like “Win Win,” “The Visitor,” and “The Station Agent.” But it’s really the Sandler curse. McCarthy will be back. Sandler will yuck it up in people’s homes from now on.

Sean Penn Tells Jimmy Kimmel He and Charlize Theron Watch “The Bachelor”

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Sean Penn did an excellent interview last night with Jimmy Kimmel. It may have been scripted, but he did tell Kimmel that he and Charlize Theron, improbably, watch “The Bachelor.” It made for a humorous conversation if nothing else. Penn was very engaging as he promoted “The Gunman,” which so far no reviewer likes. The thriller, coming next Friday, has a zero rating (8 negative reviews) on Rotten Tomatoes. No discussion of Haiti this time. And a veiled reference to Penn and Madonna once going to see a Pee Wee Herman movie with Mike Tyson and Robin Givens back in the good old days. The men dozed, he said, and the women accused them of liking the leading lady too much. (Either Penelope Ann Miller or Valerie Golina.) President Obama preceded Penn on the show, and was very winning.

Exclusive: Jay Z Had Secret Pow Wow with Music Superstars Including Beyonce, Madonna, Kanye, Coldplay to Start Renegade Streaming Service

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EXCLUSIVE c2015 Showbiz411–Jay Z is taking on Spotify, Pandora, YouTube and other streaming services with his now approved $56 million acquisition of Swedish streaming service Aspiro.

Sources tell me that a few days before the Grammy Awards in February, the rap entrepreneur (real name Shawn Carter) hosted a group of music superstars at an all day meeting. The guests were like a meeting of the music version of the Avengers or Justice League of America.

They included Madonna, Kanye West, Daft Punk, Nikki Minaj, Chris Martin of Coldplay, Jack White and of course, wife Beyonce. “Rihanna came in at the end,” one source said. “They all kept saying, Where is Rihanna?” At least two country music stars attended as well.

The subject was how they could turn Aspiro — which will be known in the U.S. as TidalHifi (@tidalhifi) when it relaunches– into a streaming music and video service akin to the old United Artists pictures, in which artists would actually profit from their art and put out quality material.

In 1919, a  handful of movie stars– Charlie Chaplin, Mary Pickford, Douglas Fairbanks-– and director D.W. Griffith— banded together and started their own studio to combat what they saw as growing commercialism of the majors. I’m told that Jay Z, who can be a bit of a visionary, sees his new service just this way.

Jay Z, according to my sources, chose The Fig House, an out of the way event space in northeast Los Angeles near Pasadena so that his top tier guests would go undetected by press.

In addition to the stars there were some music execs, lawyers, and a few assistants. The total group of non stars, I’m told, numbered about 20. Many of them were from RocNation, Jay Z’s company. Jay Z’s reps declined to comment.

Jay Z’s purchase of Aspiro for $56 million was finalized in Sweden on Wednesday. A formal announcement is expected as early as Friday (3/13) morning. TidalHifi is appealing to Jay Z because it’s a streaming service completely in place, and operational in the U.S. with 25 million high def digital or “lossless” tracks– much like HDTracks.com. The tracks would be playable on Sony’s Walkman A17 or Neil Young’s Pono player among others.

Jay Z– who’s using the corporate name Project Panther Bidco Ltd– is obviously after something here along the lines of Spotify, Pandora, iTunes’ Beats Music, and so on. Right now, Aspiro offers high def digital music to its customers. In the U.S. subscriptions are $19.99 a month.In the Panther prospectus, there’s a lot of discussion of international expansion of global operations and “upscaling” of Aspiro operations.

But I’m told the discussion at the Fig was more about videos, artists rights, and how music has been diminished by crass commercialism. The Daft Punk robots are said to have made the most persuasive comments on these subjects. Tidal is going to be big on curated editorial. These artists could be involved in the editorial side, too.

The meeting was pretty lively, I’m told. Kanye West can’t calm down even among friends. “Kanye,” says an onlooker, “is out of control. He blurts things out. Jay Z kept him by his side and joked that he was his ‘interpreter’.”

What all this means for this group of artists is still unclear. Madonna isn’t signed to a record label per se. But most of these people are signed to Universal Music Group, which owns Vevo video service with Sony and Google. Plus, many of them are friendly with Jimmy Iovine and Dr. Dre, who are now billionaires invested in Beats Music and Apple. A lot of loyalties may be divided soon.

But the endless battles between artists and Spotify and other digital services that pay low royalties may take a turn if Jay Z and friends can make inroads. Stay tuned…

Review: “The Wrecking Crew” In Theaters At Last, The Whole Story of 60s and 70s Pop

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Where do I begin with my love for Denny Tedesco’s “The Wrecking Crew”? It opens Friday somewhere, and probably goes to DVD and pay TV soon. You must see it if you love the music of the 60s and the 70s. These musicians played on all the biggest hits. Sometimes they stood in for the groups that were promoted to the public– like The Association and The Monkees.

They played on all of Phil Spector’s hits and created the Wall of Sound. The big names that came out of the Wrecking Crew were Glenn Campbell and Leon Russell, and Sonny and Cher. But you’ve got Hal Blaine, Bones Howe, and Tommy Tedesco, Denny’s dad, who were unsung heroes and legends among musicians.

“The Wrecking Crew” is a long time in the making– like 20 years. For a long time Denny couldn’t get clearance for all the music he included. Somehow it’s worked out. He covers almost everything and everyone, with the notable exception of the Fifth Dimension. All their records were made by the Crew, with their gorgeous voices soaring above Blaine and crew.

But everyone else is here. Fans of Cher will see just how smart and funny she is, and how well she looked when she did these interviews. (Seems like right after Sonny’s death in 1998.)

If you’re looking for relevance, and topicality, this jumped out at me because of the current Robin Thicke-Marvin Gaye lawsuit. Tedesco and friends (bass player Carole Kaye, a legend and the only woman) discuss how the sheet music meant little. It’s what they did with it that made the hits memorable.

My favorite pieces– an interview with Nancy Sinatra about recording “Something Stupid” with her dad; the whole discussion of surf music; Plas Johnson and Earl Palmer; and everything about Hal Blaine. also, I love the fact that Phil Spector is a small part of the story. Get this film.

PS Some people will say “Be My Baby” is the zenith of the Wrecking Crew. Some may say “You’ve Lost that Lovin’ Feeling” or “Wichita Lineman.” Or “Good Vibrations.” So many to choose from. Here’s one of my favorites:

Kathy Griffin Leaves E Entertainment’s “Fashion Police”: “My style does not fit”

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Kathy Griffin has left E’s “Fashion Police” after 7 episodes. She was supposed to be Joan Rivers’ successor. But Kelly Osbourne, who was close to Joan, has also left. This all may have to do with the stupid comment made by Giuliana Rancic a few weeks ago. Or may it have do with E! and the fact that they have not gotten rid of the people who let the comment happen.

Rancic looked at Disney star Zendaya on the red carpet at the Oscars and said she probably smelled of “weed” or “patchouli.” It’s a racist comment, and horrible. Would Joan Rivers have tried it? I don’t think so. I think she would have said the girl looked stunning. Rancic may have been trying for a Rivers-like barb, and was too stupid to pull it off.

Anyway, the Zendaya incident is the undoing of “Fashion Police,” a show, I have to say, I have never watched and know little about. Maybe they can find some more Kardashians to fill in.

Here’s what Kathy posted to Twitter. You’ll notice no mention of Melissa Rivers. This is telling.

 

kathy griffin

RIP Jimmy Greenspoon, Keyboardist on Three Dog Night Hits Like “One,” “Joy to the World,” “Never Been to Spain”

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Three Dog Night’s famed keyboardist, Jimmy Greenspoon, has died at age 67. Greenspoon’s work can be heard on all of the group’s huge radio hits from the 70s, including “An Old Fashioned Love Song,” “Never Been to Spain,” “Joy to the World,” “Celebrate (Dance to the Music),” “Shambala,” and many more.

For some reason, Three Dog Night gets no love from the music press, and has been largely omitted from all halls of fame and so on. But the group was remarkable for introducing and furthering the careers of a lot of songwriters like Hoyt Axton, Randy Newman, and many others who were not part of the group. The members of TDN therefore receive no remuneration now when their dozen or more hits are played on the radio.

Greenspoon evidently became ill last year with melanoma and started a GoFundMe campaign. I hope he was helped by MusiCares since the campaign, which had little publicity, raised only $23,230. Maybe fans and people from Classic Radio stations can donate now. Greenspoon’s wife Susie wrote this morning:

My hero, best friend , soul mate and husband and the love of my life and keyboardist extrordinaire, Jimmy Greenspoon, passed away yesterday at 12:56 PM, east coast after a short but fierce battle with metastatic melanoma. My heart is broken, but I am relieved that his suffering in the last 48 hours of his life is over. He now rests in the arms and love of God.
Thank you for your support, prayers and donations.
Peace to all, Susie

It’s hard to imagine pop music from what now supports radio as our “classic” era without Witherspoon’s contribution. RIP.

 

 

Exclusive: Robin Thicke (Very Quietly) Has Lost ANOTHER Entire Song to Marvin Gaye

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Robin Thicke blurred more lines with Marvin Gaye than those in this current lawsuit.

I’ve told you that Thicke used Gaye’s “Trouble Man” for his own song “Million Dolla Baby” in 2009. That song was credited on Thicke’s album and everywhere else to Robin Thicke and Andre Harrell. Gaye’s name was later added to the Wikipedia entry. But the song is 100% “Trouble Man.” A cursory listen by a deaf person would cinch it.

Now a check of ASCAP’s data base reveals that Thicke and Harrell’s names are off the credits. “Million Dolla Baby” has only Marvin Gaye listed as its author. The song’s numerical code is much higher than most of Gaye’s catalog, including “Trouble Man.” This means it was entered more recently.

No one mentioned any of this at the trial. But it makes sense. It also shows why the Gaye family is so emotional on this topic. They’ve really been victimized.

Exclusive: Mariah Carey Goes Home to Sony-Epic Officially, Plans Album of Number 1s

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It’s official. I can tell you exclusively that Mariah Carey has signed her deal with Sony Music and Epic Records. She’s back with L.A. Reid and Doug Morris, her ardent supporters during her triumphant run at Universal Music Group.

“She’s back where she belongs,” a source told me. And just in the nick of time. Knowing her UMG release last year was her last, DefJam let “Me I Am Mariah, The Elusive Chanteuse” album die a quick death despite very good reviews. Sales were abysmal.

Now Carey rejoins her catalog that stretches back to 1989 and “Vision of Love.” I’m told Epic’s first move will be a big release come May or June of Mariah’s 18 number 1 hits, plus some surprises. The release will coincide with her May 6th debut in Las Vegas at the Colosseum at Caesar’s Palace.

So brace yourselves for a big Mariah year– and a hopeful return to the charts.