Thursday, December 18, 2025
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Heather Mills Needs to Slag Paul McCartney So She Can Get Media Attention: #Cow

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Heather Mills is such a cow that she had to slag Paul McCartney last week to get attention. Otherwise, she’s just the answer to a trivia question. I thought we’d never hear her name again.

A couple of things about dear Heather that I recall. I met her a few times with Paul, before and after they married. During their engagement the couple turned up at a small press event for something or other at what was briefly the hottest club in New York– called Moomba.

Heather was accompanied by her sister, Fiona, a small, compact woman with a good sense of humor. I asked Heather what her favorite Beatle song was. Her reply: “I don’t have one, I don’t know them. Maybe Blackbird.”

Fiona let out a shriek. “Can you believe it? She doesn’t know any Beatle songs? What’s wrong with her?”

Heather then told me she was a huge fan of Colin Hay and Men at Work. This was long after “Who Can it Be Now” and “Down Under” stormed the charts. Colin Hay, I responded? Are you kidding? She went on and on, and told me she’d even taken Paul to a Colin Hay show.

“Is this true?” I asked him. He shook his head, yes, and also as in ‘don’t ask.’

Poor Heather. She didn’t care about Paul, much less the Beatles. Her whole purpose in that marriage was to use McCartney as a stepping stone. She thought she’d wind up being beloved UN ambassador or some kind of celebrity. Instead, everyone hated her. Now she can’t keep her big mouth shut.

Heather, all anyone was interested in was Paul and the Beatles, dear. And they still are.

Madonna Fans Brace For Bad News on the Charts as “Rebel Heart” Beats Slowly

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Madonna’s concert ticket sales, you don’t have to worry about. A soft start doesn’t mean a bad one, and she only has 8 dates on sale so far. Some cities are starting to add second shows, so you know, Madonna live always does well.

On the charts, it’s a different story. Legacy artists struggle, all of them. In the 70s and 80s we never had artists in their 50s and 60s pushing to stay relevant with new music. Now we have rafts of them, no room on radio, and labels like Verve being shut down. All the while, the audience for older artists increases and no one listens.

Madonna’s “Rebel Heart” is at 7 on iTunes. The physical CD at amazon is down below 100, both clean and dirty versions. The digital version on amazon is at number 2, and the Super Deluxe CD is in the top 10. Madonna is not going to debut at number 1 on Tuesday. She’ll be lucky to finish second. And that’s even with giveaway CDs that come with concert tickets.

Madonna has some big issues about transitioning to adulthood. She cannot sing like Lady Gaga, so there’s no Tony Bennett-type standards album in the future. She’s not going to cover other peoples’ songs. She has to have the songs made for her. In an interview with EdgeMedia she talks about producers coming and going on “Rebel Heart,” and how the hack of her demos caused her a lot of anxiety.

Anyway, “Rebel Heart” will go gold one day (500,000 copies) after Madonna’s toured. If only she had an executive producer to shape the album and market a single. But this is the problem when you’re not really on a label, and your CD is just a tour souvenir. Someone should make a great video for “Addicted to the One that Got Away” of all of Madonna’s ex-es.

(Watch) Aretha Franklin’s Ferocious Night in Newark: A Concert for the Ages While She Shimmies on Stage

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Oh me oh my: it’s a rare night when Miss Aretha Franklin doesn’t make three costume changes in her show. But the celebrated Queen of Soul stuck to one feathery white dress and a small boa on Saturday night at the very sold out New Jersey Performing Arts Center in Newark, New Jersey. There was electricity in the air in the grand looking but intimate auditorium, and Aretha obviously felt it. She was enjoying herself too much to waste time with different dresses. She wanted to sing and dance. And she she did.

aretha c2015 showbiz411For Newark, a svelte Miss Franklin brought the legendary HB Barnum and her entire orchestra, famed back up singers (like Vaneese Thomas) and added a big horn section of local players. Her gifted keyboardist Richard Gibbs led the charge, but it was Aretha herself who fired all the shots. Was it a special tea? Lots of rest? Good rehearsal? Whatever it was, she was a vision in white just like she sings in “Freeway of Love,” ripping through her set with a ferocity and precision that was startling. We heard versions of “Natural Woman” and “I Never Loved a Man” like it was 1968.

She has a singular, monumental sound that cannot be mistaken or duplicated, whether she’s scatting a little be bop jazz or going for full throated power a week away from age 73. Classics like “Think” and Jackie Wilson’s “Higher and Higher” just lifted off as if she were 30 years younger. She hiked up the dress a bit and danced, then kicked off her shoes for gospel numbers and “going to church.” She played a song she just learned on the piano (her secret weapon because it’s so disarming how accomplished she is)– first time ever– with Fonzie Thornton singing counterpoint that drew cheers

By the time she got to “Respect” it was clear she didn’t want to stop and the audience didn’t want her to, either. The encore was sung from off stage– “The Way We Were” — the effect is to keep your mind on the voice and not worry about where the Queen of Soul is at the moment. It works as well because the arrangement gives the song– which is short — a double back for emotional effect and she can scale Marvin Hamlisch’s delicious melody to a crescendo. And she asked for prayers for Bobbi Kristina Brown, the Houston family and Bobby Brown. Little did we know that the star of Newark R&B, Cissy Houston, was in the house.

After the show, the two lifetime friends had a long meeting backstage. Also in the house, and dancing a little onstage with her when Aretha came back to shimmy and bop to the orchestra’s outro, was “The Wiz” director George Faison.

amFAR in Hong Kong: Disgraced Robin Thicke Performs, Leonardo DiCaprio Sends a Guy Named “Gatsby”

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LOL from amFar in Hong Kong: yes, they say they raised $4 million, which is average for this kind of event, maybe a little low.

But here are the kickers: Robin Thicke, fresh from losing his “Blurred Lines” plagiarism trial, was flown in, paid and performed “Blurred Lines.” Maybe some of his fee can to the $7.4 million he and his collaborators owe the family of Marvin Gaye.

Even better: Leonardo di Caprio sent someone named Gatsby. I met this guy in 2008. He’s Russian and goes by the Milutin Gatsby. You can Google him til the cows come home. He only appears at amFAR events. He invested in an indie movie called “City Island” in 2009, and was among a dozen or so “producers.” Otherwise he doesn’t exist.

Is the The Great Gatsby, whom DiCaprio portrayed a couple of years ago? I don’t know. But he auctioned off, per Leo, tickets to a gala dinner in St. Tropez this summer for the Leonardo DiCaprio Foundation. I’ve told you this before– the Foundation doesn’t exist independently and there’s no accounting for it. It’s a component fund of the California Community Fund, which has almost no transparency.

Gwyneth Paltrow, Victoria Beckham, Kate Moss, and Naomi Campbell were imported for the event. Their expenses, along with Thicke, probably came to more than $4 million. Corporate sponsors paid the bills. No sign of Sharon Stone. Macau casino billionaires Stanley and Pansy Ho were honored. The whole thing sounds like the opening of a James Bond or Mission Impossible movie.

But really: if anyone knows who Milutin Gatsby is, please give a shout.

Review: In “Cinderella,” Cate Blanchett’s Villainy Is a Feast to Watch

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Kenneth Branagh’s “Cinderella” is a whimsical, inventive, delightful and tons of fun movie going experience for all; from the multitudes of tiara and princess wearing little girls, to the adults that accompany them. Branagh’s is a faithful adaption, with some touches of enchanting surprises. The sumptuously stunning visuals with a fine cast, all enhance this classic fairy tale.

Lily James, Lady Rose on Downton Abbey, is a lovely and truly appealing Cinderella. Richard Madden plays the dreamy prince with a sweet sincerity. The film starts with Cinderella quickly losing both her mother, the always terrific Hayley Atwell, and her father, the equally able Ben Chaplin.

But to make matters worse, to say the least, her father stupidly married the evil Lady Tremaine, played by Cate Blanchett, who comes with two dithering daughters, comically well played by (“Downton Abbey” star) Sophie McShera and Holliday Grainger. Blanchett, natch, steals every scene she is gloriously in. Her villainy is a feast to watch. Stellan Skarsgard as the Grand Duke, Derek Jacobi as the kind King and Helena Bonham Carter as the Fairy Godmother, are all in fine form.

This Magic Kingdom is a politically correct one, with Africans, Latins and Asians. The Prince’s right hand man is played wonderfully by the black actor Nonso Anozie. The make up, hair, sets and costumes are all rich, elegant and extraordinary. Branagh’s Shakespearean skills have made this telling of “Cinderella,” a classic for the ages.

Adam Sandler Correction: “The Cobbler” Went Straight to Video, No Theatrical Release

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UPDATE: Sorry. Like “Serena” with Bradley Cooper and Jennifer Lawrence, “The Cobbler” is just playing on VOD and Amazon Prime. So bad they weren’t allowed in theaters. There will be no box office for “The Cobbler.” The shoe didn’t fit.

EARLIER: What can you say about Adam Sandler? He’s headed to Netflix for a reason. In movie theaters, he is poison. Today he opens in “The Cobbler,” which has an 8% rating on rottentomatoes so far — 36 negative reviews, 3 positive. This follows “Men, Women and Children” and “Blended” in his latest run of bad movies. And those follow “Jack and Jill,” “That’s My Boy” and other horror films.

This is in addition to the crap he’s produced, like “Bucky Larson” and “Here Comes the Boom.” Sandler is largely a purveyor of junk, hoping that it will catch on among a mentally handicapped crowd and bring him some good studio money. But the party may be over.

All that’s really left of Sandler theatrically is “Grown Ups” movies– and the title of course is ironic. The title of that series should be adults acting like very slow, stupid children.

The irony of “The Cobbler” is that was directed and polished by Tom McCarthy who until now has just made wonderful movies like “Win Win,” “The Visitor,” and “The Station Agent.” But it’s really the Sandler curse. McCarthy will be back. Sandler will yuck it up in people’s homes from now on.

Sean Penn Tells Jimmy Kimmel He and Charlize Theron Watch “The Bachelor”

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Sean Penn did an excellent interview last night with Jimmy Kimmel. It may have been scripted, but he did tell Kimmel that he and Charlize Theron, improbably, watch “The Bachelor.” It made for a humorous conversation if nothing else. Penn was very engaging as he promoted “The Gunman,” which so far no reviewer likes. The thriller, coming next Friday, has a zero rating (8 negative reviews) on Rotten Tomatoes. No discussion of Haiti this time. And a veiled reference to Penn and Madonna once going to see a Pee Wee Herman movie with Mike Tyson and Robin Givens back in the good old days. The men dozed, he said, and the women accused them of liking the leading lady too much. (Either Penelope Ann Miller or Valerie Golina.) President Obama preceded Penn on the show, and was very winning.

Exclusive: Jay Z Had Secret Pow Wow with Music Superstars Including Beyonce, Madonna, Kanye, Coldplay to Start Renegade Streaming Service

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EXCLUSIVE c2015 Showbiz411–Jay Z is taking on Spotify, Pandora, YouTube and other streaming services with his now approved $56 million acquisition of Swedish streaming service Aspiro.

Sources tell me that a few days before the Grammy Awards in February, the rap entrepreneur (real name Shawn Carter) hosted a group of music superstars at an all day meeting. The guests were like a meeting of the music version of the Avengers or Justice League of America.

They included Madonna, Kanye West, Daft Punk, Nikki Minaj, Chris Martin of Coldplay, Jack White and of course, wife Beyonce. “Rihanna came in at the end,” one source said. “They all kept saying, Where is Rihanna?” At least two country music stars attended as well.

The subject was how they could turn Aspiro — which will be known in the U.S. as TidalHifi (@tidalhifi) when it relaunches– into a streaming music and video service akin to the old United Artists pictures, in which artists would actually profit from their art and put out quality material.

In 1919, a  handful of movie stars– Charlie Chaplin, Mary Pickford, Douglas Fairbanks-– and director D.W. Griffith— banded together and started their own studio to combat what they saw as growing commercialism of the majors. I’m told that Jay Z, who can be a bit of a visionary, sees his new service just this way.

Jay Z, according to my sources, chose The Fig House, an out of the way event space in northeast Los Angeles near Pasadena so that his top tier guests would go undetected by press.

In addition to the stars there were some music execs, lawyers, and a few assistants. The total group of non stars, I’m told, numbered about 20. Many of them were from RocNation, Jay Z’s company. Jay Z’s reps declined to comment.

Jay Z’s purchase of Aspiro for $56 million was finalized in Sweden on Wednesday. A formal announcement is expected as early as Friday (3/13) morning. TidalHifi is appealing to Jay Z because it’s a streaming service completely in place, and operational in the U.S. with 25 million high def digital or “lossless” tracks– much like HDTracks.com. The tracks would be playable on Sony’s Walkman A17 or Neil Young’s Pono player among others.

Jay Z– who’s using the corporate name Project Panther Bidco Ltd– is obviously after something here along the lines of Spotify, Pandora, iTunes’ Beats Music, and so on. Right now, Aspiro offers high def digital music to its customers. In the U.S. subscriptions are $19.99 a month.In the Panther prospectus, there’s a lot of discussion of international expansion of global operations and “upscaling” of Aspiro operations.

But I’m told the discussion at the Fig was more about videos, artists rights, and how music has been diminished by crass commercialism. The Daft Punk robots are said to have made the most persuasive comments on these subjects. Tidal is going to be big on curated editorial. These artists could be involved in the editorial side, too.

The meeting was pretty lively, I’m told. Kanye West can’t calm down even among friends. “Kanye,” says an onlooker, “is out of control. He blurts things out. Jay Z kept him by his side and joked that he was his ‘interpreter’.”

What all this means for this group of artists is still unclear. Madonna isn’t signed to a record label per se. But most of these people are signed to Universal Music Group, which owns Vevo video service with Sony and Google. Plus, many of them are friendly with Jimmy Iovine and Dr. Dre, who are now billionaires invested in Beats Music and Apple. A lot of loyalties may be divided soon.

But the endless battles between artists and Spotify and other digital services that pay low royalties may take a turn if Jay Z and friends can make inroads. Stay tuned…

Review: “The Wrecking Crew” In Theaters At Last, The Whole Story of 60s and 70s Pop

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Where do I begin with my love for Denny Tedesco’s “The Wrecking Crew”? It opens Friday somewhere, and probably goes to DVD and pay TV soon. You must see it if you love the music of the 60s and the 70s. These musicians played on all the biggest hits. Sometimes they stood in for the groups that were promoted to the public– like The Association and The Monkees.

They played on all of Phil Spector’s hits and created the Wall of Sound. The big names that came out of the Wrecking Crew were Glenn Campbell and Leon Russell, and Sonny and Cher. But you’ve got Hal Blaine, Bones Howe, and Tommy Tedesco, Denny’s dad, who were unsung heroes and legends among musicians.

“The Wrecking Crew” is a long time in the making– like 20 years. For a long time Denny couldn’t get clearance for all the music he included. Somehow it’s worked out. He covers almost everything and everyone, with the notable exception of the Fifth Dimension. All their records were made by the Crew, with their gorgeous voices soaring above Blaine and crew.

But everyone else is here. Fans of Cher will see just how smart and funny she is, and how well she looked when she did these interviews. (Seems like right after Sonny’s death in 1998.)

If you’re looking for relevance, and topicality, this jumped out at me because of the current Robin Thicke-Marvin Gaye lawsuit. Tedesco and friends (bass player Carole Kaye, a legend and the only woman) discuss how the sheet music meant little. It’s what they did with it that made the hits memorable.

My favorite pieces– an interview with Nancy Sinatra about recording “Something Stupid” with her dad; the whole discussion of surf music; Plas Johnson and Earl Palmer; and everything about Hal Blaine. also, I love the fact that Phil Spector is a small part of the story. Get this film.

PS Some people will say “Be My Baby” is the zenith of the Wrecking Crew. Some may say “You’ve Lost that Lovin’ Feeling” or “Wichita Lineman.” Or “Good Vibrations.” So many to choose from. Here’s one of my favorites: