Thursday, December 18, 2025
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Madonna: New Album “Rebel Heart” Opens Soft on iTunes, Amazon with No Hit Single

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Madonna has not sold a lot of records in a long time. “American Life,” “Hard Candy,” and “MDNA” were stiffs on the charts, even though the Material Middle Aged Lady continued to sell concert tickets by the truckload.

Alas, her new album, “Rebel Heart,” buoyed by very positive reviews, is not taking off like a rocket. “Rebel Heart” dropped today to a luke warm greeting. Amazon has it at number 4, but that audience skews older and wants the physical CD. Over at iTunes, Madonna is at number 8. (Update: this evening the Super Deluxe “dirty” version of “Rebel Heart is number 1 at amazon and number 7 on iTunes.)

Those rankings aren’t bad considering she’s the oldest pop star in the top 40. But so far “Rebel Heart” has no radio hit, and no one single track on the iTunes top 100. She doesn’t really have a record label, which is part of the problem. Madonna is signed to Live Nation, which leases the album to Interscope. I don’t think anyone’s focused on radio, figuring instead that “Rebel Heart” is an adjunct to Madonna’s coming tour this fall. But if someone worked “Addicted” they might get a radio hit. And that would help.

“MDNA,” Madonna’s last album, premiered at number 1 with 359,000 copies. But that was a canard because most of the albums were deep discounted or given away with concert tickets (185,000 copies were sold that way). In the end, “MDNA” sold a total 539,000 copies. In its second week, “MDNA” had the biggest single drop from number 1 in history. Madonna’s team is playing it safe this time. But it may mean brutally low numbers next Monday.

Review: “Run All Night” Runs Fast, With Liam Neeson Avenging/Saving A Son This Time

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These days, Liam Neeson is usually saving/avenging a daughter and shooting a lot of people in the process. In “Run All Night,” this time it’s a son. Gotta mix it up.

The Warner Brothers action thriller “Run All Night” that stars Oscar nominees Neeson (“Schindler’s List,” “Non-Stop”) and Ed Harris (“Pollock,” “The Hours”) had a splashy premiere Monday night at the AMC Lincoln Square Theater in New York. Directed by Jaume Collet-Serra (“Non-Stop”), the film also co-stars Oscar winner Common (“Selma”) as a hit man and Joel Kinnaman (“The Killing”), as Neeson’s character’s aforementioned son.

But it was tattooed beauty Cleo Wattenstrom, who is Kinnaman’s girlfriend, who was the center of the attention. The Swedish tattoo artist and actress wore a sheer gown that plunged nearly to her waist and was cut very low in the back to display colorful and intricate tattoos that covered nearly every area of exposed flesh.

“Run All Night” doesn’t disappoint as a fast-paced thriller with bone crushing fight scenes, thrilling car chases and characters trying to outrun assassins. The story revolves around two longtime best friends, who have both seen better days. Shawn Maguire (Harris) is Brooklyn mobster trying to retire and Jimmy Conlon (Neeson) is his former hit man, once known as “The Gravedigger,” who now haunted by memories of his past which he tries to drown out with booze. He’s estranged from his son who wants nothing to do with his mobster father. Whatever they pay Neeson he’s worth it; he adds gravitas and intensity to every scene he’s in and makes the familiar storyline work.

Neeson has a worthy actor to face off with in Harris, whose scenes together are the best part of the film, apart from the terrific action scenes, which never let up. You know as soon as he says, “I’m too old for this s…t,” he’s about to demolish a dozen baddies. Neeson’s character pulls himself together to try to save his son, who witnesses a murder committed by Maguire’s only son, a druggie who gets involved in a drug scheme gone wrong. The film becomes a father-son saga with many issues to work through and to forgive. But for one long night they work as a team to try to outsmart and outrun Maguire’s army of henchmen, along with the cop (Vincent D’Onofrio), who’s been trying to put Jimmy away for the past three decades.

Common, fresh from his Oscar win for his song “Glory” from “Selma,” plays Mr. Price, the assassin who says he would kill Mike just for the joy of it. Common is unrecognizable in his role as a hit man obsessed with killing both father and son. On the red carpet I asked Common how he got into the head of such a brutal character. “I tried to zone in,” he told me. “ I was happy to be a part of it with Liam Neeson. I knew that I wanted to go to that dark place and I did it. I just gave my all.” He added, “It was definitely heavy training cause you’re fighting against one of the best, one of the greatest to ever do it, Liam Neeson, so for me to go toe to toe with him, man to man, I had to go through the training and the process because he has the experiences that I don’t have but it was fun. My character Price definitely challenges him.”

Kinnaman, who has a Swedish accent he manages to disguise in his screen work, raved about playing opposite Liam Neeson. “It was a great honor to play with Liam, to play his son. It was a really great time. He’s a really sweet and gentle man that’s very generous, no ego and he’s got a great sense of humor, so it’s really easy.”

(Neither Neeson nor Harris was made available for quotes, so we don’t know what they thought.)

The Swedish actor has a bunch of action thrillers coming out soon. “What’s coming is going to be even more intense,” he promised. He said he likes to mix it up in his acting choices. “The people who watch the films that I’ve done, I think they can appreciate that I try to do,” he said. “I don’t try to stick with one thing and for me that is what I aspire to do, which is to do as different roles as possible.”

After his last interview, he actor rushed over to Wattenstrom, who was at the edge of the red carpet and gave her a passionate Hollywood-type smooch, and then the exotic couple walked hand in hand into the theater.

 

photo Paula Schwartz c2015 Showbiz411

Madonna: Opening Day Ticket Sales Soft, But Excellent Album Should Help

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Monday: tickets to see Madonna at the Barclays Center in Brooklyn and the American Airlines Arena in Miami went on sale. Demand was not overwhelming. There are lots of great seats to be had in the $400 range. (Did I just write that with s straight face?) Madonna’s ducats are tres expensive. But September is a long way off; you can save up. The top ticket range for official seats is $895 on Ticketmaster.com. Yikes. Premium seats are a lot, lot more. The price may be an obstacle. The rest of the Rebel Heart tour tickets will start to go on sale shortly.

What will help ticket sales? Madonna’s “Rebel Heart” album. As I wrote in January when it was “leaked,” the album is excellent. If radio gets on it, and clubs start playing it, “Rebel Heart” should be a nice hit. It’s loaded with hit singles, from the lead off “Living for Your Love” to “Devil Pray” to “Illuminati.” There are nice mid tempo numbers, too, like “Ghosttown” and “Joan of Arc.” For dancing, you can’t beat “Unapologetic Bitch.”

A lot of the songs are about Madonna breaking up with her latest boytoy. Since teens buy albums, it will be interesting to see how they relate to a 56 year old woman singing about the problems of a middle aged celebrity. But the production is completely contemporary, and the record could not sound better. It’s also designed– Madonna is not stupid– to be produced on a stage. It will be huge fun to see these songs come alive with Madonna’s usual panache.

One issue: I love this song called “Addicted to the One that Got Away.” For some reason it’s not on the main album. But find it on the deluxe edition. It’s worth it. I hope Madonna has it on her set list in the fall.

 

Ego Show: Global Citizen Spent $7 Million on 2013 All Star Rock Concert, Gave $700K in Charitable Grants

Global Citizen? That’s the group– really a one man show– that stages those concerts the last couple of years in Central Park with big rock stars. They do it under the title Global Poverty. Everyone from Neil Young to Stevie Wonder, No Doubt, Jay Z and so on has been on the bills.

Next month, they’re planning a show in Washington DC on the Mall for Earth Day with No Doubt and more all -star acts.

But what’s this all about? In their latest tax filing, which I’ve obtained, Global Citizen, run by Hugh Evans, shows a little bit of their finances. (They are always behind a year, so this is for 2013, and the concert in the Park headlined by Alicia Keys, Kings of Leon, John Mayer and Stevie Wonder.)

According to this filing, Global Poverty spent a whopping $7 million to put on that show. They also paid $2 million to outside consultants to stage the show including almost $900,000 for rigging.

Another $100,000 was divided among three fund raising consultants. They were: More Entertainment; Zentertainment; and Riot House.

How about salaries? Global Poverty listed for salaries and compensation for $891,846 for 2013. That was an increase of about $500,000 from 2012.

How much went to actual poverty solving? Just over $500,000. A half million dollars. And those itemized expenses are vague notations to “increase awareness of global poverty” in Europe, East Asia, and and the Pacific. Money wasn’t spent on people who needed it. It was to tell people that poverty exists in those places.

The only specific donation listed by Global Poverty: they gave the Rotary Clubs of America based in Illinois $172,325 to “engage US Rotarians in focused grass roots polio advocacy.” Rotary International did spend $38 million last year around the world inoculating against polio. It’s unclear if Global Poverty’s donation went to medicine or just to advertising.

They also spent $328,334 advertising their “Live Below the Line” campaign, in which celebrities and others are touted for sleeping outside with the homeless.

Want to really stop global poverty? Donate money through micro financing via www.kiva.org, through the Red Cross, the United Way, or UNICEF.

Exclusive: Rocky Horror 40th Anniversary Film-Extravaganza Set for Halloween Week

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Let’s do the time warp again! Fox is planning a big 40th anniversary release this coming Halloween for “The Rocky Horror Picture Show.” Director Kenny Ortega and producer Lou Adler– who gave us “Rocky Horror” back in 1975–are preparing a new film with outtakes from the original and lots of surprises. Susan Sarandon, Barry Bostwick, Tim Curry and Meat Loaf are sure to be involved. Halloween costumes of all the characters are going to overrun the Greenwich Village parade. Look for midnight shows, lots of toast being thrown, and the whole phenomenon to start all over again. I remember when kids lined up at the Waverly Theater in the middle of the night. And it’s all harmless fun!

“The Rocky Horror Picture Show” movie, btw, has grossed $113 million since its release. The stage show and soundtrack– even more!

Oscar Producers Say Goodbye in Tweet: Who Should Produce the Show Next?

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Craig Zadan and Neil Meron have sent a Tweet: they are leaving their roles as producers of the Oscars telecast. The pair did the show for three years. It’s a thankless job, as they learned. The producers of “Chicago” gave the Oscars a lot of musical moments that won’t be forgotten, including the return of Shirley Bassey for the James Bond anniversary.

So who should the next producer be? Remember, before Zadan and Meron it was supposed to be Brett Ratner. Maybe let him try it now. And host? I say Jimmy Kimmel. Just let him do it, already. Whoever does it has to have nerves of steel, that’s for sure.

Helen Mirren Could Be First Actress to Win Oscar and Tony for Playing Same Character

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Helen Mirren is really as Queen Elizabeth II. (She’s also played Elizabeth I, mind you.) First she won an Oscar for “The Queen.” Now she’s thrown her hat in for a Tony for playing Liz in “The Audience,” directed by Stephen Daldry, written and updated by Peter Morgan. “The Audience” opened on Broadway Sunday night after a hit run in London’s West End.

Mirren could wind up being the first actress to win an Oscar and a Tony for playing the same character in different genres and different stories.

Daldry, mind you, sets a record for having plays opening in theaters next to each other– “The Audience” at the Schoenfeld and “Skylight” next door at the Golden. He could also– will also be nominated for directing each of them. “The Audience” is original, “Skylight” is a revival.

“The Audience” is much improved from its London run, a little lighter and bouncier than it had been. The changes are not purely for American audiences. The same changes go in to the new London production about to commence with Kristin Scott Thomas as The Queen.

This will be one of those productions that sets box office records, I think. Mirren is mesmerizing as she plays Queen Elizabeth from the time her father died and her first “audience” with Winston Churchill to the current PM David Cameron. The play cuts back and forth, requiring Mirren to display different textures including posture and pitch of voice. She’s done it before, but here it just seems effortless. And her costume quick changes are right up there in the record books.

Daldry and Mirren know each other so well that by now this is indeed their magic act. But kudos have to go to Judith Ivey, an unexpectedly delicious Margaret Thatcher, Dakin Matthews as Churchill. Dylan Baker gets the comedy and tragedy of John Major, and Richard McCabe is sensational as Harold Wilson, the Queen’s “favorite” PM.

What Daldry and Mirren have done is make QEII–who used to seem aloof and out of touch, enemy of Diana–sympathetic. She objected to Thatcher’s dismissal of the poor, fought with Anthony Eden over the Suez canal, and identified with Wilson’s labor instincts. Is she really an old leftie? Has she always been the friend of the little guy? Frankly, the Queen should invite Mirren and Daldry over for dinner. They’ve been her best publicists.

Lots of Broadway type guests at the swanky after party, from Michael Feinstein to Mirren’s husband Taylor Hackford, plus Tyne Daly, Walter Bobbie, Richard La Gravenese, actors from the upcoming “Wolf Hall” and so on. “Newsroom” star Emily Mortimer arrived a few minutes and she was made to stand at the rear of the orchestra for the whole first act in high, uncomfortable heels by the ushers. She didn’t complain. Director Kenny Ortega came from L.A. on crutches to see the show, and then walked the four long blocks to the party — with the crutches! That’s a good friend!

PS The Shuberts have this show, and chief honcho Phil Smith, whom everyone loves, liked it so much he came to the party. That’s when you know you have a winner!

Twitter: Did Rupert Murdoch Just Threaten Hillary Clinton Over the Emails?

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Rupert Murdoch tweeted at around 11:47pm on Sunday:

Is this a threat? It didn’t meet with too much enthusiasm from his followers. One of them told him to “f— off and die.” So Rupert’s going to keep this going a long time, huh? As long as the phone hacking scandal at his newspapers? I guess he doesn’t want the New York Daily News so fast. It’s unlikely he’ll get clearance to own two TV stations and two newspapers in New York. Not with that attitude.

Hollywood: Stars Falling as Sean Penn, Reese, Will, Depp, Vaughn Lose Footing with Box Office Busts

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The stars you knew may not be the stars you know. The big names we’ve been used to simply are not drawing in paid customers the way they used to.

Will Smith‘s latest, “Focus,” is a flop. Its second weekend sealed its doom as “Focus” has now made just over $30 million in ten days of release. That used to be the 1st day take for a Will Smith movie. “Focus” will peter out at about $65 million.

Reese Witherspoon won the Oscar for “Walk the Line” back in 2006. That’s NINE years ago. Her last actual hit movie was “Four Christmases” at the end of 2008 with Vince Vaughn as her co-star. This year she was nominated for “Wild,” which earned around $40 mil worldwide, and few people saw. She was in “The Good Lie,” which made under $3 million.

Coincidentally, Vince Vaughn also nose dived after “Four Christmases.” He had a lame hit in 2009 with “Couples Retreat” and then it all went downhill. His new one this week, “Unfinished Business,” is a total loss.

Johnny Depp
, we know, is a goner. “Mortdecai” is a catastrophe– $7.6 million domestic, $22.7 million U.S. Soon his list of failures may affect his “Pirates” movies. His non “Pirates” movies are walking the plank.

Hugh Grant? So charming for so many years. “The Rewrite” went straight to DVD last month. Grant next appears as Mr. Waverly in “The Man from UNCLE.” That’s a third or fourth banana spot. Once, he could have played Napoleon Solo.

The next big test? Sean Penn in “The Gunman.” The Oscar winner, political activist and philanthropist has not had anything resembling a hit since 2005 and “The Interpreter” which made only $72 million. So far “The Gunman” has a Zero rating on Rotten Tomatoes.

It’s painful when the generations of box office attractions changes. But that’s what’s going on. We all feel older because of it!

RIP Albert Maysles, The Great Documentary Filmmaker Dies at 88, Director of “Grey Gardens”

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I am sad to say that Al Maysles has died at the age of 88. With his brother David he directed “Grey Gardens,” one of the most famous docs of all time. With DA Pennebaker, Richard Leacock and Bob Drew he made countless other films, worked with the Rolling Stones on several legendary projects. I was lucky enough to call him my friend, as well. He was a sweet sweet fellow with a real air of mischief right up to the end.

I know that 88 seems old, but Al never ever seemed old. He wanted to be right in the thick of everything, at the center, in the middle of the action. Pennebaker told me just now: “We spent four months in Moscow making a film in 1960. And the thing about Al was, he was a great watcher. And that’s really 90% of the whole thing, you know?” The two old friends recently spent a day together watching “Moscow” and reminiscing.

Believe it or not, Al has a new movie coming out soon. “Iris” played at the New York Film Festival last to great acclaim. It’s all about style icon Iris Apfel. But the real icon today is Al, whose crazy tangle of white hair and wide, happy grin will live in my memory forever.

Grey Gardens: