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Jacob Elordi, Safdie Brothers, Simu Liu, Josh O’Connor, Josh Gad, Sara Barielles Can All Vote for the Oscars Now

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Jacob Elordi, Safdie Brothers, Simu Liu, Josh O’Connor, Josh Gad, Sara Barielles, Lily Rabe, and Jon Bernthal can all vote for the Oscars now.

So can French actor Matthew Almaric, an actual past nominee.

They’re all part of the 529 new members of the Motion Picture Academy, announced today.

Congrats to two ladies who’ve worked hard in the business for eons and should have been in sooner: Madelyn Hammond and Teri Kane. Plus our pals, managers Jason Weinberg, and Emily Gerson Saines. 

The 529 is a lot less than in recent years when the Academy was piling people in, many from TV and with few movie credits.

Even publicists are allowed in, but still no press. God forbid!

Here are some categories:
Actors
Mathieu Amalric – “The Grand Budapest Hotel,” “The Diving Bell and the Butterfly”
Jon Bernthal – “King Richard,” “Ford v Ferrari”
Raúl Briones – “La Cocina,” “A Cop Movie”
Kenneth Choi – “Spider-Man: Homecoming,” “The Wolf of Wall Street”
Jemaine Clement – “Avatar: The Way of Water,” “What We Do in the Shadows”
Paddy Considine – “The Death of Stalin,” “In America”
David Dastmalchian – “Oppenheimer,” “Dune”
Ṣọpẹ́ Dìrísù – “My Father’s Shadow,” “His House”
Jacob Elordi – “Frankenstein,” “Saltburn”
Veronica Ferres – “The Comedian,” “Schtonk!”
Stephen Fry – “Love & Friendship,” “Gosford Park”
Josh Gad – “Marshall,” “Frozen”
Julia Garner – “Weapons,” “The Assistant”
Mia Goth – “Frankenstein,” “Pearl”
Wood Harris – “One Battle after Another,” “Remember the Titans”
Suzy Eddie Izzard – “Victoria & Abdul,” “Ocean’s Twelve”
Inga Ibsdotter Lilleaas – “Sentimental Value,” “Women in Oversized Men’s Shirts”
Simu Liu – “Barbie,” “Shang-Chi and the Legend of the Ten Rings”
Scoot McNairy – “A Complete Unknown,” “Argo”
Tig Notaro – “Am I OK?,” “Instant Family”
Josh O’Connor – “Wake Up Dead Man: A Knives Out Mystery,” “Challengers”
Jenna Ortega – “Death of a Unicorn,” “Beetlejuice Beetlejuice”
Daniella Pineda – “The Accountant 2,” “Jurassic World: Fallen Kingdom”
Lily Rabe – “The Tender Bar,” “Miss Stevens”
Anthony Ramos – “A House of Dynamite,” “In the Heights”
Miguel Sandoval – “Tortilla Heaven,” “Clear and Present Danger”
Bill Skarsgård – “Dead Man’s Wire,” “Nosferatu”
Jenny Slate – “Marcel the Shell with Shoes On,” “Obvious Child”
Teyana Taylor – “One Battle after Another,” “A Thousand and One”

Directors
Eugene Ashe – “Sylvie’s Love,” “Homecoming”
Marcelo Caetano – “Baby,” “Body Electric”
Zach Cregger – “Weapons,” “Barbarian”
Gyula Gazdag – “Hungarian Chronicles I-II,” “A Hungarian Fairy Tale”
Daniel Goldhaber – “Faces of Death,” “How to Blow Up a Pipeline”
Guan Hu – “Black Dog,” “The Eight Hundred”
Tom Harper – “Peaky Blinders: The Immortal Man,” “The Aeronauts”
Raven Jackson – “All Dirt Roads Taste of Salt”
Kim Jee-woon – “Cobweb,” “I Saw the Devil”
Oliver Laxe* – “Sirāt,” “Fire Will Come”
Rashid Masharawi – “Passing Dreams,” “Laila’s Birthday”
James Ponsoldt – “The End of the Tour,” “The Spectacular Now”
Haider Rashid – “Europa,” “It’s About to Rain”
Nicole Riegel – “Dandelion,” “Holler”
Alonso Ruizpalacios – “La Cocina,” “A Cop Movie”
Benny Safdie* – “The Smashing Machine,” “Uncut Gems”
Josh Safdie* – “Marty Supreme,” “Uncut Gems”
Julia Solomonoff – “Nobody’s Watching,” “The Last Summer of La Boyita”
Anocha Suwichakornpong – “Come Here,” “By the Time It Gets Dark”
Tusi Tamasese – “One Thousand Ropes,” “The Orator”
Fernanda Valadez – “Sujo,” “Identifying Features”

Writers
Jesse Andrews – “Elio,” “Luca”
Ronald Bronstein* – “Marty Supreme,” “Uncut Gems”
Cheo Hodari Coker – “Creed II,” “Notorious”
Gary Dauberman – “It Chapter Two,” “It”
Santiago Fillol – “Sirāt,” “Fire Will Come”
Dan Fogelman – “Cars 2,” “Crazy, Stupid, Love.”
Holly Gent – “Nouvelle Vague,” “Where’d You Go, Bernadette”
Tearepa Kahi – “Muru,” “Hunt for the Wilderpeople”
Alireza Khatami – “The Things You Kill,” “Terrestrial Verses”
Oliver Laxe* – “Sirāt,” “Fire Will Come”
Lee Kyoung-mi – “No Other Choice,” “The Truth Beneath”
Satoko Okudera – “Kokuho,” “Rebirth”
Vince Palmo – “Nouvelle Vague,” “Where’d You Go, Bernadette”
Shadmehr Rastin – “It Was Just an Accident,” “As Simple as That”
Klaudia Reynicke – “Reinas,” “Love Me Tender”
Benny Safdie* – “The Smashing Machine,” “Uncut Gems”
Josh Safdie* – “Marty Supreme,” “Uncut Gems”
Nader Saïvar – “It Was Just an Accident,” “The Witness”
Tarik Saleh – “Eagles of the Republic,” “Cairo Conspiracy”
Joe Shrapnel – “The Woman in Cabin 10,” “Rebecca”
Will Tracy – “Bugonia,” “The Menu”
Aslihan Unaldi – “Afloat,” “Skate Kitchen”
Anna Waterhouse – “The Woman in Cabin 10,” “Rebecca”
Christopher Makoto Yogi – “I Was a Simple Man,” “August at Akiko’s”
Nathan Zellner – “Damsel,” “Kumiko, the Treasure Hunter”
Sameh Zoabi – “Tel Aviv on Fire,” “The Idol”

Exclusive: Once Hot Lizzo Sold Only 585 Copies of New Album This Week As Fans Have Abandoned Her Since Lawsuits

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Lizzo was not so long ago the biggest music star.

She sold millions of records, and ruled the charts. She played her flute on “Saturday Night Live.” Everyone was in love with her.

Lizzo won four Grammy Awards in 2023, including Record of the Year. Her career should have been assured.

But fame is fleeting. And now Lizzo is having serious problems.

Her perfectly good album, called “Bitch,” sold just 585 copies in its this week. Of those, 210 were downloads or CDs. This was the third week of release.

Total sales, including streaming, over the last three weeks come to 7,500.

Lizzo was banking on “Bitch” being a comeback after lawsuits and scandals over weight-shaming dancers and being otherwise unpleasant to everyone around her. When her congenial facade was broken, fans just walked away.

Arrogance plays a big part here. And hubris. Instead of making amends with the public through charitable work and other signs that she was mistreated, Lizzo took the offensive. Singing “Bitch” is not the way to wiggle your way back into anyone’s hearts.

The sad part is, the songs on the album are not bad. If she’d had a real producer and A&R person who listened to, this might have gone differently.

Listen, time heals all wounds, but you have use a bandaid. She’s learning that the hard way.

Exclusive: Oprah Insisted Five Years Ago Whitney Houston Did NOT Fall Off Her Stage Because of Drugs — On the Record, and on Video

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I’m late to this story.

But I’m very surprised that Oprah Winfrey is declaring negative things about Whitney Houston.

Oprah made the remarks in her speech at Cannes Lion — the advertising festival in Cannes that has nothing to do with the Cannes Film Festival.

Winfrey told the crowd that Whitney was high on drugs when she fell off the stage at Oprah’s TV show in 2009.

This has set off wild arguing, with Whitney’s sister-in-law and manager, Pat Houston, saying Oprah is lying. Or perhaps, misremembering for effect.

More importantly, I can tell you definitively and exclusively that this is a far different story than Oprah told in 2021.

Oprah was the guest of the now late and beloved Clive Davis during a Zoom call to raise money for the Grammy Museum. I watched it live and reported on it in real time.

Clive had brought Whitney to the Oprah show for the taping. He was with her, as were several of her close associates.

Gossips had always surmised that the cause of Whitney’s fall was drugs.

But on May 15, 2021, Oprah agreed with Clive, on video, live, that was not the case.

Watching the live feed, I wrote: “It was not drugs,” Oprah said, and Clive agreed. She slipped, but it unnerved Whitney so that she took a break to regroup. During the break Oprah begged the audience to keep it a secret.

I continued: “To this day I’ve never read or heard anyone say it,” said Oprah. Whitney, by the way, returned to the stage and got a standing ovation. She triumphed over the accident.

So what the heck is going on here? Oprah knows her Cannes Lion statement is not true. I know where the video is, and will produce it if necessary. But every person who was on that Zoom heard it, too. She wasn’t saying it to appease Clive. They’d obviously discussed this in advance. There was no reason to make it up in 2021. And there’s no reason to lie about it now except to make headlines.

I want to say that I was close enough to Whitney and Clive during her entire career. Clive Davis did everything in his power to help Whitney. He guided her, and helped with rehab. For a long time, I had the number of Whitney’s drug counselor — provided by Clive — in my Blackberry. He really was like a father to her. But you can’t make an addict stop unless they want to do it.

As for Oprah, her reputation has mutated since she left her talk show. Her participation in showcasing the “Leaving Neverland” documentary on HBO was a fiasco. Getting involved with Prince Harry and Meghan Markle also dimmed her legacy. She’s done herself no favors by exploiting Whitney Houston in Cannes just to get headlines.

I’m very disappointed.

You can see Whitney’s performance below. She looked great at the time, and was actually ‘clean.’ This was far different than her nadir, in 2001, when she seemed like she might perish on stage at Michael Jackson’s 30th anniversary concert. In the video, she looks beautiful and her voice is outstanding.

Broadway is Coming to the Hamptons: Norm Lewis, Tony and Drama Desk Nominee, “Phantom” Star, Kicks off Cafe Carlyle Type Songbook Series

We all love Cafe Carlyle on the Upper East Side. It’s the rare gem of the city, with lots of stars performing to intimate crowds.

Now a Cafe Carlyle type experience heads to the Hamptons this Sunday. The great Broadway star Norm Lewis is the opening act for “Hamptons Songbook Series.”

A beloved Broadway vet, Norm has been nominated for the Tony and for the Drama Desk Awards. His delicious baritone has starred in 18 Broadway shows. His most important one? Norm was the first black actor to star in “Phantom of the Opera,” back in 2014. His performance drew raves.

Stephen Sondheim loved Norm Lewis so much he asked him to play the lead role in the very exclusive iteration of “Sweeney Todd” that was staged downtown in a pie shop that was set up in the Barrow Street Theater. They served hot pies during the intermission! Lewis’s remarkable voice filled the Barrow with fear as he sliced a lot of throats.

He will not be giving any close shaves this Sunday, but the audience is in for a treat. For premiere ticket holders, there’s food from East Hampton Kitchen and Champagne.

The next date for the Songbook Series brings Ann Hampton Callaway on July 11th.

But tickets click here.

Rocker Daryl Hall, of Hall & Oates Fame, Says He’s Gotten a Kidney Transplant: Not Just His Kiss Was on ‘the List’

Not just his kiss was on the list.

So was his kidney.

Darryl Hall says he got a kidney transplant recently and he’s already feeling better.

God only knows what some rock stars’ kidneys look like on an Xray!

Hall, with former longtime partner John Oates, racked up dozens of hits in the 70s and 80s as Hall & Oates.

But they had an acrimonious break up in the last few years involving some vicious legal action. They are permanently divorced now.

So we know the kidney did not come from Oates. But it might have come from Hall sowing his wild oats!

As for the old kidney, we know She’s Gone.

Speedy recovery!


Heart of Kryponite: Debbie Harry, Chris Stein of Blondie Steal the Show at Super “Supergirl” Premiere at Brooklyn Opera House

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And so we headed to the Howard Gilman Opera House at the Brooklyn Academy of Music for the premiere of DC Comics (aka Warner Bros) for “Supergirl.”

We packed bags, got the visa and the vaccinations, pulled out the map and the compass, and we were on our way.

Seriously, even though it was a prohibitively rainy night, the voyage was not so bad. Soon we were at the beautiful old opera house on the campus of BAM, looking for celebrities in the lobby.

That wasn’t so easy because 99% of the audience was influencers, massive numbers of young people who’d been encouraged on their invites to dress “festive,” and as Superman or Supergirl. No one dressed like Perry, Lois, or Jimmy, however, because they’re not in this movie.

There was exactly one celebrity in the ornate lobby, but she was a doozy: Deborah Harry of the group Blondie. At a very youthful 81, she still has blonde-white hair and is unmistakably gorgeous. “Debbie?” I exclaimed. It was like we were back at CBGBs. Also will there was her band partner Chris Stein.

Why was Blondie at the premiere of “Supergirl”? Chris Stein explained to me later, at a very fun party in soggy Greenpoint, Brooklyn: “They used our song, Call Me, in the trailer. Also Supergirl wears a Blondie t shirt all through the movie.”

It makes sense. “Supergirl” is not a normal DC Comics movie. It’s very punk rock. It has echoes of “Mad Max” and “Harley Quinn,” grafted onto a DC Comics movie. It’s rockin’ and rowdy, but also includes clever appearances by David Corenswet as Clark Kent/Superman. The repartee between the Krypton cousins (Milly Alcock is Supergirl) was my favorite part of the movie.

DC Comics’ Peter Safran and James Gunn were in the house. They signed up the great indie director Craig Gillespie for his first exposure to action films. Gillespie’s hits include “I, Tonya,” “Dumb Money,” and “Lars and the Real Girl.” That means the wit is as dry as a martini in “Supergirl,” and the whole thing is cheerfully off kilter.

Back to the Greenpoint Warehouse, a snazzy venue for the “Supergirl” premiere after party. I ran into a cast member, David Krumholtz, who brought his young daughter. Eve Ridley, who plays Ruthie, was pointed out. No sign of Milly Alcock, who’s so good in the film and will return in the next “Superman” movie. Also no sign of “Superman” stars Corenswet or Rachel Brosnahan, who did the red carpet for photo ops but probably caught the last ship back to Manhattan before the screening started.

The influencers loved the movie, laughing and clapping at the right moments. They poured out into the street after the screening wearing all their regalia. Did you like the movie, I asked two of them? “Loved it!” was the reply, “And I’m not even supposed to be here!”

“Supergirl” opens Thursday in previews, and should be a big hit.

PS Harry and Stein told me they’re working on a new Blondie album. I saw them 100 years ago at CBGB’s, I told them. A new album is most welcome, but there’s nothing like “Heart of Glass,” “One Way or Another,” or “I’m Always Touched by Your Presence, Dear.”

(PS to the “Supergirl” music supervisor. You should have included XTC’s “That’s Really Super, Supergirl.” So meta!)

RIP Clive Davis, 94, Genius Mega Music Mogul with Golden Ears Legacy from Janis Joplin to Whitney, Springsteen, Simon & Garfunkel, Patti Smith, More

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Tributes will be pouring in today for Clive Davis, the mega music mogul who has passed away at age 94.

Vital til the end, Clive leaves an incredible legacy in the culture of pop music from discovering Janis Joplin at the Monterey Music Festival to working with jazz greats like Miles Davis, putting Santana and Earth Wind & Fire on the map, not to mention successes with Simon & Garfunkel, Bruce Springsteen, and Bob Dylan — to name a few.

Of course, Clive will be remembered for reviving the careers of Aretha Franklin and Dionne Warwick at his Arista Records, where his successes also included Alicia Keys, Rod Stewart singing the classic American songbook, and his first star at that label, Barry Manilow.

My time with Clive personally goes back forty years, just before Whitney Houston took off and just as Carly Simon had her comeback with him with “Coming Around Again.” I used to pop over to his Arista office on West 57th St, where’d be sitting in his cramped office with stacks of cassettes. He played the music LOUD, and you’d have ask to him to turn it down. He would, if he could stop dancing around the room.

The same thing happened to us in 2015, when he summoned me to his offices high above Sony Music to listen to what would be Aretha Franklin’s final record, “Aretha Sings the Great Diva Classics.” We shared a mutual friendship and love of Aretha, and he wanted me to be among the first to hear what he’d made with her. Only Clive, who had the gift of golden ears, would have though to give Aretha the Adele song, “Rolling in the Deep,” which remains an unheralded gem. It was a highlight of our friendship.

Clive was a family man, almost more than my own dad or anyone I’ve ever known. He was devoted to his four children, and many grandchildren, his partner, Greg, their cocker spaniel Charlie, and beloved cousin Jo from San Francisco. He loved his friends enormously, and delighted in having big groups around for holidays, all kinds of events, and especially his Grammy parties. I’d ask, “How many people are coming to dinner tonight, Clive?” You thought he was going to say, “20, 25” but by the time you got there, there was a valet, seating cards, and 100 of his best friends.

And they were. Just since the first of this year, Clive — who was unwell — persevered. In Miami, New York, Westchester. There was the Grammy party in late January, which was itself preceded by a dinner for 120 at the Beverly Hills Hotel. Then he was off to Miami, where there were stories about dinners, and so on, one with the Bee Gees’ Barry Gibb. Back in New York, he took over the private dining room at Le Bernardin, the best restaurant in America, for a 94th birthday party. And then, three weeks ago, a last hurrah seated, catered dinner for Memorial Day at which he pushed his pal, Motown great Valerie Simpson, into singing “Ain’t Nothing Like the Real Thing.” The title meant a lot.

Clive’s last decade was lived like a grand pasha, with lots of love and fun anecdotes. But he wasn’t always a pussycat. You couldn’t be to have had that career. When he saw a fellow entrepreneur, he made a deal. Such was the case with Sean Diddy Combs, now Public Enemy number 1 but back then, just Puffy or Puff Daddy. Overnight, Puffy created a tsunami of hits, which for Clive was like catnip. He didn’t hang with him socially, or get into personal discussions. If you knew Clive, his main passion was presenting gold and platinum records to his artists. With Puffy, for a stretch, that was everything.

You have to realize the depth and range of Clive Davis. In 1974, he signed Barry Manilow — soft pop king — and Patti Smith, the edgiest ever princess of punk. Who else could see the value in each of them? And how they would last 50 years? We went to see Patti this past November at the Beacon Theater. Clive could barely walk, but he wouldn’t miss going backstage. He was overwhelmed. She was in tears. It was a crowning moment.

So much more to say, and remember, about a person who has been so important to so many people. A great life.

Future Shock: “Backrooms” Movie Studio A24 Takes $75 Million Investment from Google to Use AI Tools, Like Making Movies (Report)

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So here it is.

A24, a studio known for making independent films with auteurs and good actors, is going AI.

They’ve taken a $75 million investment from Google to start using AI tools for storyboards and eventually movies.

SAG and the other Guilds should have a proper fit when they read this in the Wall Street Journal.

The studio has started something called A24Labs. They do not mean Labrador retrievers. They means ways to make cheap, fast movies without getting people involved.

The Journal says: “The new collaborators hope their partnership will include the studio’s roster of artists. A24 works with some of the biggest names in Hollywood including Timothée Chalamet and “Backrooms” director Kane Parsons.”

Not so fast. Maybe I’m wrong about the under 30 crowd. Are they really going to make movies with fake everything? Is this where we’re headed? (Could be.)

A24 is indeed having a fluke hit right now with “Backrooms,” which has made $277 million worldwide on a $10 million budget. But they’ve also had a long list of also-rans recently, too, including the current “Death of Robin Hood,” which made just $2.6 million this weekend, and 7 other clunkers since January 1st including “How to Make a Killing,” “Pillion,” and “The Moment.” A new one, “The Invite,” could put them back on track.

Who knows? Maybe AI could help the dull, pointless movies made by Ari Aster, like “Eddington” and “Beau is Afraid.”

Madonna Says She Had to Get Her Movie Back from Universal Because They Said It Was Too Expensive: “I bought it from them for an extortionist’s price”

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Madonna continues her PR tour for her “Confessions II” tour in Interview magazine this month. She goes over her life story (for the umpteenth time) with editor in chief Mel Ottenberg, who mostly sits and listens and sometimes says “Uh huh, go on.”

Anyway.

We do learn that Madonna — who dressed up for the cover as a character she invented called “Dee Dee” — had to buy back the rights to her biopic from Universal Pictures because they thought it was too expensive.

First she says: “I’ve had an extraordinary life. I’ve had a huge life, so I needed a big budget. You know what I mean?”

We do.

She continues “They couldn’t get their heads around it. I found a way to make it for less money in Serbia, but I don’t think they were into the idea of—I don’t know. Maybe they just didn’t believe in me. One of their first reactions was, “We don’t believe you’d stay in Serbia more than four days.” And I said, “Did you read the script?” My whole life has been survival. I’m not going there for a holiday. But anyway, I was in limbo when that fell apart, and then Netflix reached out to make a series. That was a whole other long process, because I couldn’t use the script I had with Universal unless I bought it from them for an extortionist’s price, even though I wrote it. Don’t ask.”

We won’t, and neither did Ottenberg, who doesn’t really interview Madonna but act as a silent sounding board.

Anything else? Plenty. She says for new album her daughter, Lourdes, “approached” her about writing a song together “to heal” their relationship. She makes it sound like Lourdes contacted her through management. And what had to be healed? No one asks.

The rest of it is Madonna recounting her OG story in case you’re very young or have just joined our story in progress. Did you know she was Catholic? She also practices Kabbalah. Who knew?

The interviewer does say: “I’m really having fun talking to you, Madonna. Does anyone call you Madonna? I just love calling you Madonna because I’m with Madonna.” Ottenberg also tells his subject: “I’m really star struck.”

Andy Warhol would be proud.

“Cancel Kanye Show”: San Antonio Mayor Chimes in HOURS After This Site Reported City-Funded Stadium Was Hosting Antisemitic Rapper

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You can thank US.

Yesterday, just before noon Eastern, I reported that San Antonio, Texas was hosting a Kanye West concert on July 4th.

The antisemitic rapper was booked for America’s 250th birthday. The Alamo Stadium is owned by the city.

Listen, they knew about it for quite a while at the office of Mayor Gina Ortiz-Jones.

But it wasn’t until I reported it, that the city announced they weren’t so sure that having a Hitler loving headcase taking over their historic town. click here

So SEVERAL Hours later came news from San Antonion TV stations: the mayor she would endorse canceling the show.

She wrote on social media: “I support canceling the Ye concert. Military USA should not host someone with a record of hate speech and anti-semitic comments in a city-funded facility…” see her post below…

Will the show be canceled? Or is this just political lip service?

Remember that Alamo!