Monday, December 22, 2025
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Ariana Grande Reportedly Settles Plagiarism Suit Over “7 Rings” with Rapper DOT, The Guy She Took it From

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Remember Ariana Grande’s song, “7 Rings”? It started with a cover of Rodgers and Hammerstein’s “My Favorite Things,” and we thought all the royalties went to that estate. If you’re too young to know what I’m talking about, R&H were the most famous Broadway songwriters. They wrote “The Sound of Music” and “Oklahoma.”

Anyway.

The rest of “7 Rings” was a rap song of some kind. A rapper named DOT aka Josh Stone sued Ariana, saying he’d pitched her an idea at a record company meeting. Well, today it was revealed that Ariana settled with Stone because, once you hear his song, “You Got It,” you’ll get it– it’s the non R&B part of “7 Rings.”

So none of “7 Rings” was original. It was all constructed from other peoples’ material.

The only people who really enjoy rap and hip hop are the lawyers.

 

 

Sunday Ratings: “Walking Dead” Nearly Deceased, Drops 25% Since February to 2.1 Million Viewers

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“The Walking Dead” faces actual death now.

The AMC show in its 10th season is seeing a quick ratings collapse week to week. Zombies remain as the only loyal viewers.

On Sunday The Walking Dead dropped 25% from its February return to 2.17 million viewers. In February they were low, but at 2.89.

Years ago, The Walking Dead had 13 to 15 million viewers and was so hot you couldn’t touch it. Now, I’m not sure why it’s on TV.

There are just three more episodes left in this season, with another season set for the summer. At this rate, there will be no one left to register their viewing for Nielsen.

This is what happens when a show goes on too long.

Let it go now, AMC.

“Grey’s Anatomy” Creator Shonda Rhimes Says Golden Globes Committee Ignored Her Shows Until They Were Hits

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Queen of a Lot of TV, Shonda Rhimes, is taking the Hollywood Foreign Press to task. She says the people who vote on the Golden Globes ignored her shows until they were hits.

Rhimes reasons: “HFPA rejected our press conference. Until it was a “surprise hit” (Grey’s, Scandal, Murder -SURPRISE!) And yet they STILL asked me to show up in person to present at the Globes. We’re not the only ones. This is why HFPA’s house is on fire.They lit the flame w/their own ignorance.”

She adds: “And I’m the lucky one. More important: think of all the great talent and shows out there that never even got a chance.”

Rhimes’ observation comes on the heels of a published report on TheWrap.com that the HFPA routinely ignored Black movies and TV shows.

The HFPA said last night they would add 13 Black journalists to their group immediately after Hollywood publicists threaten to pull their clients from Golden Globes activities.

The HFPA is really in hot water in ways I never imagined, and I criticized them a lot over the years. But this was bound to happen. Where they’re going to find 13 Black journalists living in L.A. who cover foreign countries is a mystery to me. But I nominate Wilson Morales of BlackFilmandTV. Even though he lives in New York, Morales could cover for any country and is one of the top movie journalists of any color or continent. Just a suggestion.

As for Rhimes, she’s right when she says she’s not alone. So much of TV is ignored by awards groups. I really think once a show has won Best Drama or Comedy that should be it, no more. Actors, writers, directors that’s different. But once the basic gist a show has won, that’s enough. Shows don’t need to win six times.

“Saturday Night Live” Books Oscar Nominees Carey Mulligan, Daniel Kaluuya for Hosting Gigs

“SNL” host bookings are improving thanks to the Oscars.

The late night show has engaged Oscar nominees Carey Mulligan and Daniel Kaluuya for shows before Academy Award voting ends.

Kaluuya comes in April 3rd. He’s nominated for Best Supporting Actor in “Judas and the Black Messiah.”

Mulligan follows the next week, nominated for Best Actress in “Promising Young Woman.”

Their respective musical guests will be St. Vincent and Kid Cudi.

Already booked for March 27th and Maya Rudolph and Jack Harlow.

With the pandemic, “SNL” was having a little trouble getting celebrities to commit to appearances. But Mulligan and Kaluuya are campaigning, and this should help them get votes. Mulligan’s show should be hilarious is they parody her movie and have her date and kill all the guys on the show.

Ratings for Last Night’s “The Bachelor: After the Final Rose” Drop by 400,000 for Special with Race Conversation

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Here’s a referendum for sociologists to study:

Last night’s episode of “The Bachelor: After the Final Rose” dropped by 400,000 viewers at 10pm when the talk turned from roses to race.

The first two hours of “The Bachelor,” a snore of talk about Matt James choosing between two women, scored 5.7 million viewers.

But then the third hour, in which James had to confront his now estranged winner, Rachael Kirkconnell, fell to 5.3 million. That’s right — 400,000 people checked out when the conversation turned to race, to plantation parties, and world reality.

Host Emmanuel Acho  kept warning viewers that the coming talk in the third hour would be uncomfortable. They took that warning more seriously than if they were about to see sex or violence, and left.

All three hours were beaten soundly by “The Voice” on NBC, with over 7 million viewers. Where did everyone go at 10pm? Either to “Bull” on CBS or to bed. The whole thing is Bull, if you ask me.

America does not want the race conversation mixed in their romantic fantasies. That audience can’t take the truth, thank you very much.

Coming soon: two back to back “Bachelorette” seasons, no Chris Harrison, if ever, until next year.

 

RIP Great Character Yaphet Kotto, 81, Star of “Homicide,” “Live and Let Die,” “Alien,” “Midnight Run”

The great character Yaphet Kotto has died at age 81, according to a Facebook post from his third wife, Tessie Sinahon.

She wrote:

“I’m saddened and still in shocked of the passing of my husband Yaphet of 24 years. He died last night around 10:30pm Philippine time.
This is a very painfall moment for me to inform you all fans, friends and family of my husband.
We still have a lot of plans honey that we discussed you have a lot of interviews waiting and you have movie offers like G.I. Joe and the movie of Tom Cruise and others. You still have plan to release your book and build a religious organization based on Yogananda’s Teachings.
You played a villain on some of your movies but for me you’re a real hero and to a lot of people also. A good man, a good father, a good husband and a decent human being, very rare to find.
One of the best actor in Hollywood a Legend. Rest in Peace Honey, I’m gonna miss you everyday, my bestfriend,my rock.I love you and you will always be in my heart.Till we meet again!”
Born Frederic Kotto in New York, and identified as Jewish on his Wikipedia page, Kotto was famous for his long run on TV’s “Homicide: Life on the Streets.” Acclaimed also for performances in movies like “Alien,” “Midnight Run,” and “Live and Let Die.”
His survivors include six children from his first two marriages. Condolences to his family and friends. He was an enormous talent.

 

Samantha Geimer, Roman Polanski’s Long Ago “Victim,” Angry with Mia Farrow Family for Misrepresenting Her in HBO Doc

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Samantha Geimer is almost 58 years old, has been happily married with a family for a long time. She was revealed in the early 2000s has having been the 13 year old girl with whom Roman Polanski had sex in 1977. He was arrested, spent a short time in jail, and fled the country, never to return.

Geimer has forgiven him over the years, and advocated for an end to his legal woes in the U.S. She’s written a book about it, and been quite eloquent in her explanations and observations of this “scandal.”

Geimer is angry, though, that she’s been lumped in with Dylan Farrow as a “victim” buy Mia Farrow and the filmmakers of “Allen v. Farrow.” She posted to Twitter on Monday Night:

“I’m upset that apparently the Farrow family decided to use a clip of me, without my permission in their film. I hear it clearly does NOT represent my feelings. Sad how so many “victims” will abuse another if they see some benefit to themselves, even a family member in some cases.” She added: “So I found the clip, me saying it was not consensual, along with Tarantino saying he believed Roman. One guilty plea and 2 apologies later, who wants to portray me as harmed, and famous men as impossible to convict. What a load of horse shit.”

On Sunday while the final episode of HBO’s “Allen v. Farrow” was airing, Geimer posted: “I’m glad when my mother believed I was sexually assaulted at 13, she asked me once, “was it true” & then called the police on the spot. She didn’t first videotape me over a series of days for proof. Worked out much better for our family that way, and that is one low f*cking bar.”

Farrow, as shown in the mini-series, did what Geimer described to 7 year old Dylan, coaching and rehearsing her on video tape about Woody Allen.

Ironically, Farrow — who has accused Allen of child molestation — defends Polanski, an old friend, and even testified for him in a libel trial in 2005.

Geimer wrote an insightful piece on her blog back in 2014 which is worth reading anew. Here is the link.

Golden Globes Promise to Add 13 Black Members as Hollywood Publicists Threaten to Withdraw Clients

The Hollywood Foreign Press Association, who run the Golden Globes, have no Black members. They haven’t had any in decades.

When this news broke, criticism came from all corners, we know. Now, under pressure, the HFPA has been forced to say they will add 13 Black members immediately. They currently have around 87 members, many of whom are not professional journalists and shouldn’t be there.

The HFPA was forced to make this announcement after receiving a letter signed by 200 PR firms (See below) saying they would withdraw their celebrity clients from Golden Globes activities if change didn’t happen pronto. Celebrities are the lifeblood of the HFPA. They have no choice.

This has really been a disastrous scandal for the Globes. They overlooked many Black films and actors and directors this season. Today’s Oscar nominations were the absolute opposite, striving for inclusion. The HFPA must make changes quickly if they want to go on. It’s time to eject members who are not legitimate journalists, as well. It’s very peculiar that the HFPA has allowed Globes hosts like Ricky Gervais, and Tina Fey and Amy Poehler, to mock them on their own show. They thought people were laughing with them. They were laughing at them.

I know most of these undersigned publicists. I am so proud of them that they took this stand. They’ve wanted to for a long time. Bravo.

 

Here’s the letter from the PR firms addressed to

Greg Goecker, COO & General Counsel
Ali Sar, President
Meher Tatna, Board Chair
Hollywood Foreign Press Association

As publicists we collectively represent the vast majority of artists in the entertainment industry. We call on the Hollywood Foreign Press Association to swiftly manifest profound and lasting change to eradicate the longstanding exclusionary ethos and pervasive practice of discriminatory behavior, unprofessionalism, ethical impropriety and alleged financial corruption endemic to the HFPA, funded by Dick Clark Productions, MRC, NBCUniversal and Comcast.

In the last decade our industry has faced a seismic reckoning and begun to address its failure to reflect and honor the diversity of our community, yet we have witnessed no acceptance of responsibility, accountability or action from the HFPA, even as systemic inequity and egregious behavior are allowed to continue. We collectively and unequivocally agree that transformative change in your organization and its historical practices is essential and entirely achievable. We want to be part of the solution.

To reflect how urgent and necessary we feel this work is, we cannot advocate for our clients to participate in HFPA events or interviews as we await your explicit plans and timeline for transformational change.

While we stand ready to support your good faith efforts, please know that anything less than transparent, meaningful change that respects and honors the diversity and dignity of our clients, their colleagues and our global audience will result in immediate and irreparable damage to the relationship between our agencies, our clients and the Hollywood Foreign Press Association and those who sanction the institutional inequity and insular culture that currently define it.

The eyes of the industry and those who support it are watching.

Respectfully,

42 West
Advantage PR
Agence Contact
align Public Relations
American Entertainment Marketing (AEM)
Anderson Public Relations Group
Array
Ascend Public Relations Group
BazanPR
Bespoke Publicity
Carol Marshall Public Relations
Cassandra Butcher PR & Marketing
Cinematic Red PR
CLD Communications
Core PR Group
DawBell
DDA
Detail PR
E2W Collective
Elzer & Associates
Flash Forward Publicity
Forefront Media
Full Coverage Communications
Guttman Associates Public Relations
Heidi Schaeffer Public Relations
Herring PR
Hive Collective
ICON PR
ID
Image Management PR
imPRint
Independent Public Relations
Indie PR
Integrated PR
JCPR
JDS
Jill Fritzo Public Relations
Jonas PR
JONESWORKS
Joy Fehily Management + Consulting
Katrina Wan PR
Katz Public Relations
Kovert Creative
LongstreetWorks
LSG Public Relations
Luna Entertainment
Main Stage Public Relations
Marleah Leslie & Associates
Marque PR
McClure & Associates Public Relations
Meghan Prophet Public Relations
MLC PR
MPRM Communications
MRC Publicity and Marketing
Nancy Seltzer & Associates
Narrative
NMA PR
Patricola Public Relations
Paula Woods Consultants
Persona PR
Personal PR
Pinnacle Public Relations
Platform Public Relations
PMG-Platform Media Group
Polaris PR
Portrait PR
PR Machine
Premier
PRStudio USA
Presse Public Relations
Principal Communications Group
Prism Media Group
Prosper PR
Public Eye Communications
Rebel PR
Red Sea Entertainment
Relevant
Rogers & Cowan/PMK
Rosenfield Media Group
Rowe PR
Schure Media Group
Sechel PR
Shelter PR
Slash Agency
Slate PR
Strategic Heights Media
Strategic Public Relations
SYStrategies & PR
TCOPR
Tencer & Associates
The Chamber Group
The Collins Jackson Agency
The Initiative Group
The Lede Company
The Oriel Company
The Samonte Group
True Public Relations
TS Collective
VanIden Public Relations
Viewpoint
Vision PR
Wolf Kasteler
ZTPR

TV: Race Invades “The Bachelor” After All These Years and Ends The Season with A Thud and Embarrassment

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For all the years “The Bachelor” and its distaff “Bachelorette” have been on TV, race was skirted as if it did not exist.

Then came Matt James, the first Black Bachelor, and all hell broke loose.

Tonight, James’s season ended in tears. James, a good looking guy who had managed maybe never to encounter a life speed bump, was confronted with reality in a harsh way. The woman he chose to give his “final rose” to and perhaps spend the rest of life — Rachael Kirkconnell —  was revealed to be racially clueless and insensitive. She had appeared in photos back in 2018 at a plantation party, an event most of us didn’t know existed.

The rumors of these photos had been all over the internet. But then Rachel Lindsay, the first Black Bachelorette back in 2017, asked “Bachelor” host Chris Harrison about it in an interview on “Extra.” Lindsay elicited from Harrison his own cluelessness as he tried to defend Kirkconnell and said maybe in 2018 such a party would have been alright. Lindsay’s response was deadly as she asked him what role he thought she, Lindsay, might have played at such a party. Harrison’s life must have flashed before his eyes. He was toast.

Meantime, James, the “Bachelor” wrapped and waiting to reunite with Kirkconnell, got the message. He broke up with the girl. She had taken a long time to apologize before the “After the Rose” special tonight, which was hosted not by Harrison but by a Black substitute, Emmanuel Acho, who was just the right person for the job. Even though Acho was another intellectual plane than James, he made his points. Kirkconnell, dressed inappropriately for a cocktail party, came from a place of no education about the world. James, even though weeks have passed for him to process all this, was inarticulate and gobsmacked by reality. His pain was raw. It was something you never ever see on live American television. Sociologists should study this episode.

And so the two are parted for good. Acho suggested a final embrace, which was hilarious. James looked as if he was going to throw up. (It did not happen.) What Kirkconnell got from this is anyone’s guess. James, I think, had a full education distilled in short. This was a tragedy for him, but also maybe an ice bucket of reality that will just make him smarter and wiser. (Earlier in the show we’d met his mom and brother; I wish we’d heard their reactions to all this. They could sense the whole thing was a disaster.)

At the end of the show, Acho introduced two of James’s castoffs as the next Bachelorettes. Did they learn nothing from watching all this? I thought they’d say, “You know what? This is barbaric and we’re not doing it.” But, no, they each think they will “find love.” That they paid no attention to what happened in the last round is itself tragic. But as Phil Donahue always said to me, “One day we will see televised executions.” In fact, Will Forte is supposed to be in a “comedy” soon about a man planning his own suicide.

Don’t we have that already?

Academy to Nominees: You Can Only Bring One Guest to Oscars, No Parties, Governors Ball, Screenings, Nominees Lunch

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EXCLUSIVE Oscar nominees are getting a letter to dampen their spirits this afternoon. David Rubin, the fine casting director who’s running the Motion Picture Academy, sent a letter out to the freshly minted noms giving them good news and bad news: the Oscars are happening, but because of the pandemic it won’t be the same as in other years.

The good news, is there are great posters this year. And a lot of terrific movies and nominees. I have high hopes for a solid Oscar show on April 25th.

Look, they have to be realistic and take precautions. Back on the red carpet in 2022!

The letter as follows:

“Dear Fellow Academy Members,

I join you in congratulating all our Oscar nominees. We are now less than two months away from an Oscars show at the iconic Los Angeles landmarks Union Station and Dolby Theatre. A show that will undoubtedly be unique and memorable!

Though we’d hoped the pandemic would be more in our rearview mirror by the month of April, the health and safety of our members and Oscar nominees are our primary concern, so we’ve had to make some necessary decisions about some of our highly anticipated Oscar-week events.

This year, those attending the awards in person will be nominees, their guest, and presenters — with an audience of millions watching and cheering from all around the world. As a result, we will not be able to conduct our annual member ticket lottery.

We also will not hold any in-person events, including nominations screenings, the Oscar Nominees Luncheon and such beloved Oscar-week occasions as the International Feature Film nominee cocktail reception, and public programming for the Short Film, Documentary, Animated Feature, International Feature Film and Makeup and Hairstyling categories. I’m sorry to add that this year’s awards also will not include a post-Oscars Governors Ball celebration, or Oscar Night watch parties in London and New York.

In a year marked by so much uncertainty, one thing is without question: We have enlisted the ideal trio of producers—Jesse Collins, Stacey Sher and Steven Soderbergh—to put together an Oscars show like none other, to honor the extraordinary movies, memorable performances and achievements in filmmaking of the past year.

We appreciate your support and understanding, as we all look forward to an exciting show on April 25th.”