Michel Hazanavicius must think he’s living in a dream. Tonight the Directors Guiild of America awarded him Best Director of a feature Film for “The Artist.” He beat Martin Scorsese and Alexander Payne. His silent black and white film, unveiled in Paris a week before last year’s Cannes film festival, is now headed to win the Academy Award next month. Sacre bleu! But those of us who saw it then knew from the start– that when Harvey Weinstein bought the film and it won the Cannes audience prize, the deal was done. Weinstein would follow his “King’s Speech” win for a second year in a row. It’s an amazing feat and well deserved. “The Artist” is almost an instsnt classic. Now the only questions are whether its actors will get pulled along with the momentum. Of the two, Jean DuJardin and Berence Bejo, I’d say the latter has the best chance statistically. And then of course there are always the write-ins for Uggie the dog.
SOPA Surprise: Same Law Firm Reps Pro and Anti Lobbying Efforts
SOPA–it’s the hot button issue right now. Anti-SOPA. Pro-SOPA. Millions are being spent in both directions. If you’re pro-SOPA, the hacktivist group Anonymous will come after you–yesterday they took down several websites. But here’s something you may not know. The same law firm is representing both the pro and con sides. Conflict of interest? You decide.
But John Quinn, the very esteemed principal of Quinn Emanuel Urquhart and Sullivan Law Firm in Los Angeles, is representing the Academy of Motion Pictures Association–which is pro-SOPA–against companies like Go Daddy, the domain name registrar. (Full disclosure: even this website is registered with GoDaddy.)
This made us wonder: why isn’t AMPAS, or Quinn Emanuel, suing companies like Google or other portals? They’re anti-SOPA, having spent hundreds of millions to kill the bill — called Stop Online Piracy Act. That seems to be because Quinn also represents Google. Indeed, on their website they list the numerous cases they’ve won for Google just in 2011. http://www.quinnemanuel.com/search.aspx?search=google.So it’s not like Quinn Emanuel is going to sue Google. But what is going on here?
Quinn emailed me back the other day: “I really don’t see your point. Ampas has trademarks in word and academy award a copyright in the 3 d image of the oscar statuette. I am not aware of any issue ampas has with Google.”
You can see why Google wants to stop SOPA. According to one techie observer: “Google stands to signficantly lose (to the tune of billions of dollars in ad revenue) from the passage of SOPA and has done everything in their power to ensure it doesn’t pass.”
But the argument has been made that Google, Yahoo, and other portals that allow faux-sites–like, say, http://www.oscarshmoscar.com (a made up name) are the ones who make money from those clicks.
Is AMPAS aware of this? Calls to their pr rep were also unreturned.
Here are some of Quinn Emanuel’s successes for Google, taken from their website:
Google, Inc.
Our client, Google, was sued for copyright infringement when an artist sued New York Times columnist Thomas Friedman (among others) in connection with the allegedly unauthorized use of the artists’s painting on a limited number of copies of Friedman…
Perfect 10 v. Google Inc.
For our client Google, we successfully obtained summary judgment of safe harbor under the DMCA on copyright infringement claims against Google’s Web Search, Image Search and Blogger services. The decision precludes Perfect 10 from seeking any mo…
Bid For Position, LLC v. AOL, LLC and Google Inc.
We won affirmance of summary judgment of non-infringement for Google in a patent infringement litigation in which plaintiff sought in excess of $150 million in past damages and a royalty on future revenue in the billions. The litigation concerned th…
Rosetta Stone Ltd. v. Google Inc.
We won a complete summary judgment for Google Inc., by which all remaining claims that language software provider Rosetta Stone had asserted based on Google’s advertising programs and trademark policies were dismissed with prejudice. In a leng…
Bright Response LLC v. Google Inc. and Yahoo Inc.
Defending Google against a $128 million patent infringement claim brought by Bright Response LLC against Google’s AdWords advertising system in the Eastern District of Texas, we won a complete non-infringement and invalidity verdict after a six-day …
Performance Pricing Inc. v. Google Inc., et al.
On behalf of Google and AOL, we brought and won a summary judgment motion of noninfringement on all asserted claims before Federal Circuit Judge Randall Rader sitting by designation. The patent-in-suit was asserted against the Defendants in Septembe…
PA Advisors LLC v. Google Inc., et al.
We represented Google in a patent infringement case against PA Advisors LLC, a patent-holding company, in the Eastern District of Texas. Plaintiff accused Google’s Search, AdWords and AdSense products of infringing Patent No. 6,199,067, involv…
Function Media, LLC v. Google, Inc. and Yahoo, Inc.
Brought in six months before trial to defend Google’s AdSense for Content and AdSense for Mobile Online advertising products against a claim of patent infringement brought by Function Media, we won unanimous jury verdict on both non-infringement and…
Did OJ Simpson Confess to “Man on a Ledge” Writer?
This week’s main offering at the movies is “Man on a Ledge”–described as “ludicrous” by some critics and certainly not an Oscar nominee. (It was a lowly 20% on Rotten Tomatoes, which is like an F.) It’s January, of course, and if you couldn’t release a movie by December 31st, you know what January means. But “Man on a Ledge” has another reason of interest. Its screenwriter is Pablo Fenjves. Don’t recognize his name? He ghost wrote O.J. Simpson’s infamous confessional book, “If I Did It,” which outlined how O.J. murdered in cold blood his ex wife Nicole Brown and her friend Ronald Goldman.
The ironic part of that is that Fenjves, creepily, was a witness in the Simpson murder trial. He was the neighbor who testified he’d heard a dog’s plaintive wail near Nicole Brown’s house in Brentwood. Did OJ do it? Well, a civil jury said he did, and of course OJ is in jail for something else. Is he metaphorically the man on the ledge in the new movie? Deciphering hidden meanings may be the only reason to see this film, which I keep confusing with a mostly unreleased film from last year called “The Ledge.”
Here’s my exclusive 2007 interview with Fenjves:
Pablo Fenjves, author of O.J. Simpson’s controversial book, “If I Did It,” says the book’s original publisher told him it was a confession.
Fenjves writes in a prologue to the book, obtained by this column exclusively, that Judith Regan, then of ReganBooks/HarperCollins, told him:
“He wants to confess, and I’m being assured it’s a confession. But this is the only way he’ll do it.”
The book, which was canceled by HarperCollins and is today being published by Beaufort Books after a court battle, now belongs to the family of Ronald Goldman. A civil jury found Simpson responsible for the 1994 slayings of Goldman and Simpson’s ex-wife Nicole Brown Simpson. A criminal jury acquitted him of murder charges.
Blood, Pregnancy and Dan Rather: Click Here for More Shocking Details From “If I Did It.”
Ironically, Fenjves, who was hired by the publisher to write the book with Simpson, had been a witness in the murder case. He was one of Nicole’s neighbors, and had heard what he describes as the “plaintive wail” of her dog that night after the murders occurred.
The book, which hit stores Thursday, is approximately 60,000 words long. But readers will be mostly interested in a 10,000-word section in which Simpson describes with brutal detachment how — “if” he did it — he killed the pair in cold blood while a companion, named “Charlie,” stood by and watched.
“Charlie,” if Simpson is telling truth, was a new friend at the time and not his best buddy A.C. Cowlings or anyone else from the parade of clowns who occupied America’s TVs and media in 1994-95.
Fenjves writes that he doesn’t believe there was a “Charlie” and that Simpson was alone on the night in question.
While Simpson’s account lines up pretty well with evidence presented in the trial, it’s Fenjves’ prologue that actually says more about the entire episode.
At one point early on in their discussions, Simpson says to the writer, “I don’t know what the hell you want from me. I’m not going to tell you that I sliced my ex-wife’s neck and watched her eyes roll up into her head.”
That Simpson could even speak so dispassionately and violently about his ex-wife and mother of two of his children should sound alarms for those who think “If I Did It” is fiction or a hypothesis.
What’s really alarming is that those two children, Sydney and Justin, now in their late teens, don’t seem to care or understand what their father did to their mother.
When Simpson first was going to sell the book and make money from it, they signed off on an agreement to form a dummy corporation in which they would profit from the proceeds.
Fenjves recalls in his prologue that at one point, Simpson wanted the chapter about the murders to come out of the manuscript. “I hate that f—ing chapter,” he told the writer, but was reminded that it was the reason he’d sold the book. Fenjves observes that Simpson never said it was untrue or imagined.
Simpson did ask for one detail to be removed, however. He originally told Fenjves that Nicole’s Akita, named Kato for their perennial houseguest Kato Kaelin, had wagged its tail when O.J. saw it greet Goldman moments before the murder.
It was a telling detail, Fenjves thought, that Simpson had noticed the dog was familiar with Goldman. No one had ever heard anything like that before. Simpson must have realized that, too.
The ex-football superstar wasn’t stupid, though. He told Fenjves after the manuscript was completed that he’d made some mistakes on purpose in the telling of the murders.
“I treated it as fiction,” he said. “I purposefully didn’t correct some of the mistakes, because if the time comes that I have to defend myself, I can say, ‘Hey look, it can’t be me because that couldn’t have happened.’”
Fenjves says Simpson cited removing his shoes but not his socks, the fact that he would have had to scale a 10-foot chain-link fence to get from the tennis court to the guesthouse and that no one had ever seen him on a golf course with a knit-cap and gloves.
He also told Fenjves he’d never known any “Charlie.” The author felt at this point that Simpson was backtracking, and reading to him over the phone from a prepared script.
It didn’t matter. The book was written, and HarperCollins was set to publish it. Of course, that didn’t happen. The book was cancelled and the Goldmans went to court and won the rights to it as part of their civil judgment against Simpson.
Thursday, with obvious reluctance and distaste, Oprah Winfrey interviewed Ron Goldman’s dad, Fred, and his sister, Kim, on her show. According to sources, she was supposed to discuss this prologue and also an afterward written by Dominick Dunne.
None of that came up. Instead, Oprah appeared to be angry with the Goldmans for publishing the book. In a later segment, she told Nicole’s sister Denise Brown that she wasn’t even going to read it.
The whole thing was very strange, and Oprah — who is usually on the side of the angels — came off badly.
One thing mentioned on Winfrey’s show — that the Goldmans would see only 17 cents per book from sales. Winfrey was skeptical and asked what kind of book deal they had gotten.
In fact, sources tell me that if the Goldmans have figured out their profits to 17 cents, it’s because over 13 years they’ve accrued mounting legal fees and debts for which they were not prepared.
“Fred Goldman was never rich,” says the source. “He works for Nordstrom.”
Winfrey, on the other hand, accepted at face value many of Denise Brown’s ridiculous statements. She didn’t ask her where all the money has gone from the charity that was set up in her sister’s name. She also didn’t bat an eyelash when Denise described Nicole as a good mother because she let her kids mess up her brand new Ferrari.
One thing about Denise … she’s not good at mustering much sympathy for her late, hard-partying sister.
Read more: http://www.foxnews.com/story/0,2933,296746,00.html#ixzz1kfQP2Dsi
Red Tails, Red Hook, Red Dawn– Red Ink?
Maybe red is not the color to have in your movie’s title. “Red Tails,” maybe one of the worst movies ever made, had a strong weekend start after mobilizing its core audience. But on Tuesday, when all the other films in the top 10 went up at the box office, “Red Tails” took a downward spiral. The next few days will determine if the audience is saturated. Word of mouth has to be bad. Meanwhile, at Sundance, Spike Lee’s “Red Hook Summer” was pretty much of a bust. Apparently they should have filmed the Q&A and forgotten the movie. I don’t know what went wrong. Lee has made some wonderful films like “Do the Right the Thing,” “Crooklyn,” “Clockers,” and “Inside Man.” But “Red Hook Summer” — which has an unpleasant secret at the end–was met with great resistanance at Sundance. And then there’s the remake of “Red Dawn.” Remember this? When Nicole Kidman and Tom Cruise’s kid, Conor, got a small role in the “Red Dawn,” he was like 14, Now he’s 16, almost 17. The film has a tentative release date of November 2012. I gather the problem is no one who made the film can decide on who the “Reds” are–Chinese, Koreans, Helen Mirren, or Mark Rothko. It’s hard to imagine China invading the US at this point–for what purpose? They make the IPads there, for goodness sake. There must be an app for that. Maybe the Koreans can invade Red Hook using CGI planes. Lesson: red is not the color for 2012.
Tilda Swinton’s Artist Boyfriend Debuts A List Skype Portraits
Former Oscar winner–but not current Oscar nominee Tilda Swinton--is just about one of our most favorite people. Last night she hosted artist boyfriend Sandro Kopp’s first American photo exhibition at the Lehmann Maupin Gallery on Chrystie Street– and it was pretty cool. I’m glad Peggy Siegal scooped us up from an early dinner at Bobby Vans in midtown–after being wowed by a knockout matinee of Audra MacDonald and Norm Lewis in “Porgy and Bess.” “Let’s see what this guy has done,” Peggy said. And away we went, where no less than another Oscar winner, Frances McDormand, and a rock star, Michael Stipe, were already enjoying the Skype manipulated photographs of a mixture of stars and others–including “Chicago” actor John C. Reilly and a large portrait of Tilda, taken while she was sleeping in front of her computer. The pictures are very clever. Fran’s portrait is comic and a little distorted. “All I know is, there was a bottle of wine involved,” declared the forthright Ms. McDormand. Michael Stipe told me that he’s essentially “retired” and figuring out the future. “My band disbanded,” he said of the legendary REM, as if we didn’t know. Kudos to Kopp for a job well done. And Tilda? Not unhappy about not being nominated for Best Actress for “We Need to Talk about Kevin.” “The fact that people are still talking about the film is great. I get to home to Scotland and not worry about it.” She has an Oscar for “Michael Clayton,” by the way.
Ken Starr, Jailed Money Manager: The Original Stories
Here are just a few links to the exclusive stories I broke about Ken Starr, the money manager who swindled his celebrity clients. CNBC and its producers have a lot of nerve–their “American Greed” story on Wednesday night about Starr wouldn’t have been possible without this reporting. It’s funny, too: I remember when Starr was arrested, I called Jane Stanton Hitchcock, whose mother had been ripped off by Starr. Hitchcock refused to get involved in the story. Her case had already been settled with Starr, she’d had restitution, she said, and had turned the case over to the Feds. Her brother, Tim, helped me a lot in the reporting. (He seemed to be absent from the CNBC piece.) What a joke. In the CNBC piece, she’s Jessica Fletcher out to uncover a mystery. And I loved it when it was mentioned casually by one of the talking heads about Starr’s wives, and the money paid out to his wife number 3, and how wife number 4 Diane Passage discovered so much about her marriage and her husband’s prior divorce. I was sitting in her living room when we read the papers together. I published the information in this column. Here are some links. What can you do? And if only CNBC knew who some of the people were who were really ripped off by Starr. But those secrets I agreed to keep a long time ago. Good sleuthing, CNBC.
http://www.showbiz411.com/2010/05/29/lois-lane-settlement-hollywood-money-manager-arrest-scandal
http://www.showbiz411.com/2010/05/31/starr-gave-no-hint-of-trouble-to-clients-day-before-arrest
http://www.showbiz411.com/2011/10/08/how-ken-starrs-wife-learned-she-was-number-4-not-number-3
http://www.showbiz411.com/2010/07/22/ken-starr-jailed-hollywood-money-manager-hidden-treasures
http://www.showbiz411.com/2010/12/16/lawyer-for-ken-starr-hollywood-money-manager-indicted-by-feds
http://www.showbiz411.com/2010/07/05/ken-starr-jailed-celeb-money-manager-gave-ex-wife-750k-a-year
http://www.showbiz411.com/2010/06/11/ken-starr-case-goes-to-59-mil-with-new-hollywood-victims
http://www.showbiz411.com/2010/07/28/ken-starrs-teen-daughters-sneaked-into-bail-hearing-exclusive
Elton John Will Foster the People, Plus Psychics Are Making Oscar Predictions
Elton John‘s annual amazing AIDS Foundation dinner for the Oscars has chosen a special guest rock group to perform for its patrons: Foster the People. That’s show no one wants to miss, believe me. I’m sure Elton will join them on a couple of numbers. The Elton John party is also moving from its tent at the Pacific Design Center across San Vincente Boulevard into a new park and tent — it’s supposed to be quite the structure. Viva Elton John AIDS Foundation. …
…Are stars consulting psychics about Oscar possibilities? If they’re not the publicists probably are. Taking off like a rocket this week is www.oranum.com where live psychics are available 24/7. Boy the internet has changed everything from the days of Dionne Warwick pitching her psychic network on infomercials…With the way things are going, I may try out this service. You never know. I am assured, however, there is no gambling involved. But I’d love to know what the psychics think is going to happen to Don Draper…
Demi Moore Rushed to Rehab, in the Nick of Time
Reports come from TMZ tonight that Demi Moore was rushed to a Los Angeles hospital for substance abuse. She’s likely on her way to rehab. Usually I don’t report on this sort of private matter. But I like Demi a lot. However, when I saw her last week in Los Angeles at a party, we had a long talk. Her appearance and demeanor worried me. She was painfully thin, and wobbly. She had trouble staying focused. No one likes to write about this stuff, or to confront the people in question. I certainly don’t. But I’m relieved to hear that she’s in good hands now. Recently, Demi told an interviewer–I’m paraphrasing–that she didn’t think she could be loved. Imagine that, a woman admired by so many strangers, and yet terribly alone. She told me that night she was looking to make an action adventure movie. I was shocked. She looked like a twig that might break in half. The fact is, Demi Moore — despite her antics with Ashton Kutcher, etc in the tabloids- can be a damn fine actress. She was wonderfully brittle in “Bobby.” In “Another Happy Day,” which came out this last year, she captured the sadness and resilience of a second wife who’d done a great job as a stepmother but got no credit. We can only wish her well, and convey positive thoughts and good vibes for a speedy recovery.
No “Shame” for Oscars, or Hoover, Reitman, Drive, Tattoo or Tintin
The Oscar nominations are in, and there are lots of movies and actors who got left out. Steve McQueen’s “Shame” was totally snubbed, along with actors Michael Fassbender and Carey Mulligan. Too much sex? The Academy rejected full frontal nudity, that’s for sure. A fascinating film, but depressing–and now set to become a video hit only. Clint Eastwood’s “J Edgar” never caught on at the box office, and now the actors–Leonardo DiCaprio and Armie Hammer–are out in the cold as well. “J Edgar” was very well made, but the point of the story was lost–it was not a love story that people wanted to see, but the saga of Hoover’s abuse of power.
Also gone are “Drive”–with Albert Brooks and Ryan Gosling’s terrific work, plus Jason Reitman’s “Young Adult”–simply released at the wrong time. It should have gone to Sundance and worked the festivals. Too edgy for Christmas. “The Girl with the Dragon Tattoo” produced only love for Rooney Mara. And the big shock–that the Academy didn’t want Steven Spielberg’s “Tintin” at all, and chose obscure animated films instead. Wow. Plus, only two nominations for Best Song–that’s going to be a short segment–the songs from “The Help” and “Gnomeo and Juliet” didn’t register at all.
Some congrats–in documentaries to Joe Berlinger’s “Paradise Lost 3” and to Wim Wender’s “Pina.” And in costumes, it’s nice that “Anonymous” got a nod. Even if the movie was loony, it looked great.
Oscar Noms! Artist, Descendants In-Snubs: Clint, Leo, Tintin, Albert Brooks
Best Picture nominees: The Artist, The Help, The Descendants, War Horse, Moneyball, Midnight in Paris, Tree of Life, Hugo, and the big surprise–Extremely Loud and Incredibly Close. Not nominated: The Girl with the Dragon Tattoo or Bridesmaids. Other big shocks–Albert Brooks was not nominated for “Drive,” which is s a shame in the Best Supporting Actor category. His spot went to Max von Sydow in “Extremely.” Another big shock — “Tintin” was not nominated for Best Animated Feature. This is actually shocking. Leonardo DiCaprio was not nominated for “J Edgar” in Best Actor–his spot went to Damien Bachir in “A Better Place.” The other actor nominees were George Clooney, Brad Pitt, Jean DuJardin, and Gary Oldman for “Tinker Tailor Soldier Spy.” The latter film did much better than anyone could have guessed. Best Director went to Michel Hazanavicius, Alexander Payne, Woody Allen, Terrence Malick, and Martin Scorsese. In the end their five films–The Artist, The Descendants, Midnight in Paris, Moneyball, and The Help–become the real contestants. No surprises in Best Actress with Meryl Streep, Viola Davis, Michelle Williams, Rooney Mara, and Glenn Close all expected. In Supporting Actress, the only shock was Melissa McCarthy for “Bridesmaids.” Otherwise, Berenice Bejo, Janet McTeer, Octavia Spencer, and Jessica Chastain.
In the end, it’s the movies with the most acting nominations that carry the day. The only exception in this case will be Meryl Streep, for “The Iron Lady.”
Nominees for the 84th Academy Awards
Actor in a Leading Role
Demián Bichir in “A Better Life”
George Clooney in “The Descendants”
Jean Dujardin in “The Artist”
Gary Oldman in “Tinker Tailor Soldier Spy”
Brad Pitt in “Moneyball”
Actor in a Supporting Role
Kenneth Branagh in “My Week with Marilyn”
Jonah Hill in “Moneyball”
Nick Nolte in “Warrior”
Christopher Plummer in “Beginners”
Max von Sydow in “Extremely Loud & Incredibly Close”
Actress in a Leading Role
Glenn Close in “Albert Nobbs”
Viola Davis in “The Help”
Rooney Mara in “The Girl with the Dragon Tattoo”
Meryl Streep in “The Iron Lady”
Michelle Williams in “My Week with Marilyn”
Actress in a Supporting Role
Bérénice Bejo in “The Artist”
Jessica Chastain in “The Help”
Melissa McCarthy in “Bridesmaids”
Janet McTeer in “Albert Nobbs”
Octavia Spencer in “The Help”
Animated Feature Film
“A Cat in Paris” Alain Gagnol and Jean-Loup Felicioli
“Chico & Rita” Fernando Trueba and Javier Mariscal
“Kung Fu Panda 2” Jennifer Yuh Nelson
“Puss in Boots” Chris Miller
“Rango” Gore Verbinski
Art Direction
“The Artist”
Production Design: Laurence Bennett; Set Decoration: Robert Gould
“Harry Potter and the Deathly Hallows Part 2”
Production Design: Stuart Craig; Set Decoration: Stephenie McMillan
“Hugo”
Production Design: Dante Ferretti; Set Decoration: Francesca Lo Schiavo
“Midnight in Paris”
Production Design: Anne Seibel; Set Decoration: Hélène Dubreuil
“War Horse”
Production Design: Rick Carter; Set Decoration: Lee Sandales
Cinematography
“The Artist” Guillaume Schiffman
“The Girl with the Dragon Tattoo” Jeff Cronenweth
“Hugo” Robert Richardson
“The Tree of Life” Emmanuel Lubezki
“War Horse” Janusz Kaminski
Costume Design
“Anonymous” Lisy Christl
“The Artist” Mark Bridges
“Hugo” Sandy Powell
“Jane Eyre” Michael O’Connor
“W.E.” Arianne Phillips
Directing
“The Artist” Michel Hazanavicius
“The Descendants” Alexander Payne
“Hugo” Martin Scorsese
“Midnight in Paris” Woody Allen
“The Tree of Life” Terrence Malick
Documentary (Feature)
“Hell and Back Again”
Danfung Dennis and Mike Lerner
“If a Tree Falls: A Story of the Earth Liberation Front”
Marshall Curry and Sam Cullman
“Paradise Lost 3: Purgatory”
Charles Ferguson and Audrey Marrs
“Pina”
Wim Wenders and Gian-Piero Ringel
“Undefeated”
TJ Martin, Dan Lindsay and Richard Middlemas
Documentary (Short Subject)
“The Barber of Birmingham: Foot Soldier of the Civil Rights Movement”
Robin Fryday and Gail Dolgin
“God Is the Bigger Elvis”
Rebecca Cammisa and Julie Anderson
“Incident in New Baghdad”
James Spione
“Saving Face”
Daniel Junge and Sharmeen Obaid-Chinoy
“The Tsunami and the Cherry Blossom”
Lucy Walker and Kira Carstensen
Film Editing
“The Artist” Anne-Sophie Bion and Michel Hazanavicius
“The Descendants” Kevin Tent
“The Girl with the Dragon Tattoo” Kirk Baxter and Angus Wall
“Hugo” Thelma Schoonmaker
“Moneyball” Christopher Tellefsen
Foreign Language Film
“Bullhead” Belgium
“Footnote” Israel
“In Darkness” Poland
“Monsieur Lazhar” Canada
“A Separation” Iran
Makeup
“Albert Nobbs”
Martial Corneville, Lynn Johnston and Matthew W. Mungle
“Harry Potter and the Deathly Hallows Part 2”
Edouard F. Henriques, Gregory Funk and Yolanda Toussieng
“The Iron Lady”
Mark Coulier and J. Roy Helland
Music (Original Score)
“The Adventures of Tintin” John Williams
“The Artist” Ludovic Bource
“Hugo” Howard Shore
“Tinker Tailor Soldier Spy” Alberto Iglesias
“War Horse” John Williams
Music (Original Song)
“Man or Muppet” from “The Muppets” Music and Lyric by Bret McKenzie
“Real in Rio” from “Rio” Music by Sergio Mendes and Carlinhos Brown Lyric by Siedah Garrett
Best Picture
“The Artist” Thomas Langmann, Producer
“The Descendants” Jim Burke, Alexander Payne and Jim Taylor, Producers
“Extremely Loud & Incredibly Close” Scott Rudin, Producer
“The Help” Brunson Green, Chris Columbus and Michael Barnathan, Producers
“Hugo” Graham King and Martin Scorsese, Producers
“Midnight in Paris” Letty Aronson and Stephen Tenenbaum, Producers
“Moneyball” Michael De Luca, Rachael Horovitz and Brad Pitt, Producers
“The Tree of Life” Nominees to be determined
“War Horse” Steven Spielberg and Kathleen Kennedy, Producers
Short Film (Animated)
“Dimanche/Sunday” Patrick Doyon
“The Fantastic Flying Books of Mr. Morris Lessmore” William Joyce and Brandon Oldenburg
“La Luna” Enrico Casarosa
“A Morning Stroll” Grant Orchard and Sue Goffe
“Wild Life” Amanda Forbis and Wendy Tilby
Short Film (Live Action)
“Pentecost” Peter McDonald and Eimear O’Kane
“Raju” Max Zähle and Stefan Gieren
“The Shore” Terry George and Oorlagh George
“Time Freak” Andrew Bowler and Gigi Causey
“Tuba Atlantic” Hallvar Witzø
Sound Editing
“Drive” Lon Bender and Victor Ray Ennis
“The Girl with the Dragon Tattoo” Ren Klyce
“Hugo” Philip Stockton and Eugene Gearty
“Transformers: Dark of the Moon” Ethan Van der Ryn and Erik Aadahl
“War Horse” Richard Hymns and Gary Rydstrom
Sound Mixing
“The Girl with the Dragon Tattoo”
David Parker, Michael Semanick, Ren Klyce and Bo Persson
“Hugo”
Tom Fleischman and John Midgley
“Moneyball”
Deb Adair, Ron Bochar, Dave Giammarco and Ed Novick
“Transformers: Dark of the Moon”
Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin
“War Horse”
Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson
Visual Effects
“Harry Potter and the Deathly Hallows Part 2”
Tim Burke, David Vickery, Greg Butler and John Richardson
“Hugo”
Rob Legato, Joss Williams, Ben Grossman and Alex Henning
“Real Steel”
Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg
“Rise of the Planet of the Apes”
Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett
“Transformers: Dark of the Moon”
Scott Farrar, Scott Benza, Matthew Butler and John Frazier
Writing (Adapted Screenplay)
“The Descendants” Screenplay by Alexander Payne and Nat Faxon & Jim Rash
“Hugo” Screenplay by John Logan
“The Ides of March” Screenplay by George Clooney & Grant Heslov and Beau Willimon
“Moneyball” Screenplay by Steven Zaillian and Aaron Sorkin Story by Stan Chervin
“Tinker Tailor Soldier Spy” Screenplay by Bridget O’Connor & Peter Straughan
Writing (Original Screenplay)
“The Artist” Written by Michel Hazanavicius
“Bridesmaids” Written by Annie Mumolo & Kristen Wiig
“Margin Call” Written by J.C. Chandor
“Midnight in Paris” Written by Woody Allen
“A Separation” Written by Asghar Farhadi

