Monday, December 22, 2025
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Washington Post Loses 200K Subscribers, Jeff Bezos Defends No Endorsement Decision (Badly)

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The Washington Post has reportedly lost 200,000 subscribers over the decision to end presidential endorsements. The editorial board was ready to run their piece supporting Kamala Harris. Post billionaire owner (also of Amazon.com) Jeff Bezos killed it at the last minute. Many Post editors have resigned in protest.

Bezos has so much money, and is so insulated from reality at Amazon, that he doesn’t care. Losing 200,000 subscribers is a drop in the bucket when you’re selling buckets by the bucket load for $9.99. He doesn’t mind anything Donald Trump has done, and isn’t going to rock the boat if Trump (god forbid) gets back in office.

Bezos has written an unconvincing essay in the Post explaining his decision. No one believes it (or that he wrote it himself). He doesn’t understand the gravity of what he’s done. Neither does Patrick Soon-Shiong, billionaire owner of the Los Angeles Times, who also put the kibosh on a Harris endorsement. These are not publishers. They are cowards. They are trying to snuff more than a hundred years of journalism. They think it will work. It won’t.

Here’s Bezos’s statement:

In the annual public surveys about trust and reputation, journalists and the media have regularly fallen near the very bottom, often just above Congress. But in this year’s Gallup poll, we have managed to fall below Congress. Our profession is now the least trusted of all. Something we are doing is clearly not working.

Let me give an analogy. Voting machines must meet two requirements. They must count the vote accurately, and people must believe they count the vote accurately. The second requirement is distinct from and just as important as the first.

Likewise with newspapers. We must be accurate, and we must be believed to be accurate. It’s a bitter pill to swallow, but we are failing on the second requirement. Most people believe the media is biased. Anyone who doesn’t see this is paying scant attention to reality, and those who fight reality lose. Reality is an undefeated champion. It would be easy to blame others for our long and continuing fall in credibility (and, therefore, decline in impact), but a victim mentality will not help. Complaining is not a strategy. We must work harder to control what we can control to increase our credibility.

Presidential endorsements do nothing to tip the scales of an election. No undecided voters in Pennsylvania are going to say, “I’m going with Newspaper A’s endorsement.” None. What presidential endorsements actually do is create a perception of bias. A perception of non-independence. Ending them is a principled decision, and it’s the right one. Eugene Meyer, publisher of The Washington Post from 1933 to 1946, thought the same, and he was right. By itself, declining to endorse presidential candidates is not enough to move us very far up the trust scale, but it’s a meaningful step in the right direction. I wish we had made the change earlier than we did, in a moment further from the election and the emotions around it. That was inadequate planning, and not some intentional strategy.

I would also like to be clear that no quid pro quo of any kind is at work here. Neither campaign nor candidate was consulted or informed at any level or in any way about this decision. It was made entirely internally. Dave Limp, the chief executive of one of my companies, Blue Origin, met with former president Donald Trump on the day of our announcement. I sighed when I found out, because I knew it would provide ammunition to those who would like to frame this as anything other than a principled decision. But the fact is, I didn’t know about the meeting beforehand. Even Limp didn’t know about it in advance; the meeting was scheduled quickly that morning. There is no connection between it and our decision on presidential endorsements, and any suggestion otherwise is false.

When it comes to the appearance of conflict, I am not an ideal owner of The Post. Every day, somewhere, some Amazon executive or Blue Origin executive or someone from the other philanthropies and companies I own or invest in is meeting with government officials. I once wrote that The Post is a “complexifier” for me. It is, but it turns out I’m also a complexifier for The Post.

You can see my wealth and business interests as a bulwark against intimidation, or you can see them as a web of conflicting interests. Only my own principles can tip the balance from one to the other. I assure you that my views here are, in fact, principled, and I believe my track record as owner of The Post since 2013 backs this up. You are of course free to make your own determination, but I challenge you to find one instance in those 11 years where I have prevailed upon anyone at The Post in favor of my own interests. It hasn’t happened.

Lack of credibility isn’t unique to The Post. Our brethren newspapers have the same issue. And it’s a problem not only for media, but also for the nation. Many people are turning to off-the-cuff podcasts, inaccuratesocial media posts and other unverified news sources, which can quickly spread misinformation and deepen divisions. The Washington Post and the New York Times win prizes, but increasingly we talk only to a certain elite. More and more, we talk to ourselves. (It wasn’t always this way — in the 1990s we achieved 80 percent household penetration in the D.C. metro area.)

While I do not andwill not push my personal interest, I will also not allow this paper to stay on autopilot and fade into irrelevance — overtaken by unresearched podcasts and social media barbs — not without a fight. It’s too important. The stakes are too high. Now more than ever the world needs a credible, trusted, independent voice, and where better for that voice to originate than the capital city of the most important country in the world? To win this fight, we will have to exercise new muscles. Some changes will be a return to the past, and some will be new inventions. Criticism will be part and parcel of anything new, of course. This is the way of the world. None of this will be easy, but it will be worth it. I am so grateful to be part of this endeavor. Many of the finest journalists you’ll find anywhere work at The Washington Post, and they work painstakingly every day to get to the truth. They deserve to be believed

Review: Julianna Margulies and Peter Gallagher Charm in Delia Ephron’s “Left on Tenth”

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Forget “meet-cute,” the winning rom-com trope that made writer Delia Ephron’s career. In “Left on Tenth,” Ephron’s play based on her memoir at the James Earl Jones Theater about finding love after her husband died, we get the more powerful “beshert.” As Peter Gallagher, in the role of Peter explains, it is Yiddish for fated, is much more cosmic and explosive. That’s how he defines finding love with Delia, Julianna Margulies of “ER” fame in her Broadway debut, after decades, marriages, and emails. This is more than “You’ve Got Mail.” What could go wrong?

Well, as fate would have it, Delia’s watching her blood count after losing her older sister, writer- director Nora Ephron to leukemia. Following many reassuring doctor visits, Delia’s told, it’s not looking so good today. Delia in disbelief exclaims, But I’m falling in love.

Peter Gallagher, among his many theater credits including “Guys and Dolls,” is perfect in a lover role he nailed as Jane Fonda’s younger man in “Grace & Frankie.” Here, as Peter, he helps Delia through the arduous ordeal of cancer. We should all have such a handsome and handy lover helping us through hard life passages. Still, however based on true events, this is a rom-com in high Broadway form, and with Stro directing (that’s Susan Stroman to you), Left on Tenth features dancing. Margulies does a little tap, a little soft shoe, a happy dance. And some old school ballroom dips have the audience kvelling.

And laughing. When Delia compliments the doctor’s shoes, she says she got them ages ago at a sale at Barney’s. The audience lets out a collective sigh. Barney’s! The name evokes unspeakable loss. Forget cancer! The memory of a beloved department store has us where it hurts, the very heart of elite New York City shopping. This play knows its people! Does this spontaneous expression of deep loss happen every night?

Every night, the crowds line up 800 strong, says the usher. Left on Tenth may be the hit of the season. On the night I attended Katie Couric, Tovah Feldshuh, and Brooke Shields came to cheer their friends on in superb performances. Who says the public does not want to imagine older people kissing, and yikes, in bed? This show has everything: laughs, the threat of death, and two live dogs in supporting roles. Along with Peter Francis James and Kate MacCluggage in various parts, they keep the rom-com soufflé real.

Lady Gaga’s “Harlequin” Revenge: Scores the Top Two Singles on iTunes Top 100 with “Disease,” “Die with a Smile”

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Lady Gaga had a career glitch earlier this month with her “Harlequin” album and “Joker” movie.

They bombed.

But now Gaga has her revenge. Her Bruno Mars single, “Die with a Smile,” is back at number 1 on iTunes. It’s been a smash for weeks, since before “Harlequin” came and went.

On Friday, Gaga released a new single, “Disease,” a throwback to her early dance club hits. It was number 1 all weekend until “Die” came back and knocked it to number 2.

You can’t beat that. Two different singles at the top of the charts! And they’re each very good.

Tom Hanks-Robin Wright “Forrest Gump” Reunion Film “Here” Panned by Critics, Opening Friday DOA

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“Here” is nowhere.

I am said to report that Robert Zemeckis’s film that arrives on Thursday in previews looks headed for disaster.

So far, it has a 29% on Rotten Tomatoes. The film starring Tom Hanks and Robin Wright has been advertised heavily but is not on anyone’s list of movies to see this weekend.

Miramax (the new one, not the old one) has issued ads that make “Here” look like a “Forrest Gump” reunion or reboot. It’s not. It’s based on a graphic novel and takes place over many years shot just in one room, from one point of view. Hanks and Wright are aged via the same process that was used by Martin Scorsese for “The Irishman.”

Only 17 reviewers have posed to Rotten Tomatoes, but they are mostly in accord. They don’t like it. It’s hard to say how many more reviews will be posted before preview screenings begin on Thursday. But the numbers will not improve much.

According to some reports, “Here” only cost around $50 million, so the exposure won’t be terrible. Zemeckis, who has made some brilliant films, obviously tried something here with technology that didn’t work out. But look at his resume: “Forrest Gump,” three “Back to the Future” movies, “Flight,” “Who Framed Roger Rabbit,” “Romancing the Stone,” “Contact,” “Cast Away.” His place in film history is secure.

At least we’re guaranteed there won’t be sequels to “Here” called “There” and “Everywhere.” That’s some consolation.

The Bear as The Boss: See First Image of Jeremy Allen White as Bruce Springsteen in New Film

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Scott Cooper’s “Deliver Me from Nowhere” has begun production.

Jeremy Allen White, famous for playing Carmie on “The Bear,” stars as Bruce Springsteen circa 1981. It’s the story of Bruce writing the “Nebraska” album.

I scooped news of this movie being made earlier this year.

Other characters in the movie are Bruce’s manager Jon Landau, Stevie van Zandt, Bruce’s father, guitar tech Mike Batlan.

They’re played respectively by Emmy winner and Tony nominee Jeremy Strong, Johnny Cannizzaro, Paul Walter Hauser, and Sir Stephen Graham.

“Beginning production on this film is an incredibly humbling and thrilling journey,” said Cooper in a release. “Bruce Springsteen’s ‘Nebraska’ has profoundly shaped my artistic vision. The album’s raw, unvarnished portrayal of life’s trials and resilience resonates deeply with me. Our film aims to capture that same spirit.”

Bad Bunny Endorses Kamala Harris as Trump Rally Speaker Calls Puerto Rico “A Floating Island of Garbage” (Video)

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Puerto Rican and international pop star Bad Bunny has endorsed Kamala Harris for President on his Instagram page. He has 45 million followers.

Here’s the link.

This comes as a comedian called Tony Hinchcliffe, speaking at the Trump MSG rally today, called Puerto Rico “a floating island of garbage.”

Harris and Tim Walz, with Rep. Alexandra Ocasio Cortez, immediately denounced the comedian.

Puerto Rico has 3.2 million voters on the Island, and 5.9 million in the United States.

Hinchcliffe’s response? “These people have no sense of humor. Wild that a vice presidential candidate would take time out of his “busy schedule” to analyze a joke taken out of context to make it seem racist. I love Puerto Rico and vacation there. I made fun of everyone…watch the whole set. I’m a comedian Tim…might be time to change your tampon.”

Here’s what Hinchcliffe said:

 

Trump MAGA Rally Supporters Offered Chance to Get 2 Free Machetes, Described as “Brutal Weapons”

Trump MAGA Rally Supporters Offered Chance to Get 2 Free Machetes, Described as “Brutal Weapons”

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What does being part of MAGA mean?

I signed up for two ticket to today’s neo Nazi rally at Madison Square Garden. I was approved and immediately received emails and texts I didn’t want.

Among them today was an email from something called Firearm Deals. The offer? Two free machetes, described in the email as “brutal weapons.”

The machetes are free but shipping is $12.95.

This is how demented Trump’s fans are. They are about violence, anger, and stupidity. They only want to hurt others. That’s the “policy” that the idiot MAGA say they support. They should be ashamed of themselves or in jail.

Why free? Maybe this is for use on January 6, 2025 when they stage a new insurrection.

Want some fun? Read the complaints to the Better Business Bureau here about the company that owns this stuff, called Survival Constitution LLC. Smells like a Trumpian organization.

PS I did not use the rally tickets, and I will decline the machete offer. Thanks, goons.

Weekend Box Office Winners: A Sex Worker, a Snail, and the Pope Are Most Popular Stars

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The weekend box office has some unusual stars: a sex worker, a snail. And the pope.

The sex worker is Anora, star of the movie of that title. “Anora,” directed by Sean Baker, is shaping up as a big indie hit for small Neon movie studio.

“Anora” made $25K per screen on 34 venues this weekend. That’s huge, as it hasn’t really been released yet even mini-wide. “Anora” is headed for a lot of awards action this winter.

The snail is from IFC’s “Memoirs of a Snail.” IFC made $69,000 on just five screens or $13,800 per location.

The pope is the subject of Edward Berger’s sensational thriller, “Conclave.” Ralph Fiennes has to round up the cardinals at the Vatican to choose a new pope, and it’s not easy. Isabella Rossellini and Stanley Tucci help him. The awards bound film made $6.5 million for its first weekend. Word of mouth should be excellent. “Conclave” gets my highest recommendation.

MAGA Descends on MSG Claiming Trump Homage to Hitler Rally is “Sold Out,” No Hollywood Stars Coming

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The MAGAts are out in force in front of Madison Square Garden.

On social media, they’re crowing that the event is “sold out.” Yes, it was FREE. No one had to pay for a ticket. (Wait til they get inside and see the prices for food and drink.)

The MAGAts will claim 100,000 people came to the Garden. In reality, 19,000 people fill up the space.

The Democrats this week have had the likes of Bruce Springsteen, Beyonce, James Taylor and other superstars rallying for Kamala Harris.

Trump will have Christian shill Lee Greenwood, who’s made a bloody fortune off his song “God Bless the USA.” Greenwood’s net worth is estimated at least $12 million, and that’s a lowball figure.

The other performers on stage today — besides the usual cast of Trump misfits like Stephen Miller and Robert Kennedy Jr — you’ve never heard of. Trump didn’t even ask or couldn’t get Dennis Quaid, Jon Voight, Scott Baio, or Ted Nugent to commemorate the Nazi rally of 1939.

Yankees-Dodgers 40th Reunion Sucks All the Air Out of the Box Office: Go See “Conclave”

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If it weren’t for the World Series, “Conclave” would be a big hit at the box office.

But as someone said to me the other day, if the two biggest movie markets are home, obsessing over the New Yankees and Los Angeles Dodgers, no one is going to the movie theaters. The two teams last met in the 1981 Series!

Indeed, this morning most of the box office numbers are in well before 11am, and that’s unusual. But the numbers are low for all of last night’s receipts as a huge chunk of the public was home eating wings and hot dogs to see if Aaron Judge or Shohei Ohtani would prevail. (Sadly it was not Judge, but we’ll be back tonight!)

“Conclave,” a thriller about choosing a new pope, made only $2.5 million from Thursday previews and Friday shows. It’s one of the best movies of the year, with award winning performances from Ralph Fiennes and Isabella Rossellini, among others. Go see it this afternoon if you’re watching the Game tonight. Really.

A24 added “We Live in Time,” starring Andrew Garfield and Florence Pugh, to 2,000 theaters last night. They didn’t get much bang for their buck considering receipts only went up 3% from last Friday. I’m not so happy with Garfield right now. He’s defending Mel Gibson, who just announced he voted for Donald Trump and said Kamala Harris “has got the IQ of a fence post.”
Does Gibson even have a high school education? He’s also a neo-Nazi, a racist, a misogynist, a domestic abuser. Garfield has no facts, and should stop speaking until he does.

Again, see “Conclave” at the 5pm show. You’ll be home in time to hear “The Star Spangled Banner”