The best movies of 2020 included a couple I saw but most people didn’t. They were John Krasinski’s “A Quiet Place, Part 2” and Woody Allen’s “Rifkin’s Festival.”

There was actually a premiere screening for “A Quiet Place, Part 2” right before the pandemic began. Then Paramount pulled it back, a couple of times. It’s now lost in the ether. Maybe one day the public will see it. The movie continued the saga of the Abbott family battling those aliens listening for noise. Emily Blunt is superb, so are Cillian Murphy and those kids. It’s a terrific sequel and middle part of a trilogy that will be completed one day. Soon, I hope.

I reviewed Woody Allen’s new “Rifkin’s Festival” in September before it debuted at the San Sebastian Film Festival in Spain. (It also takes place there.) Wallace Shawn and Gina Gershon are classic Woody funny in this comedy that draws on Woody’s past films and themes. Since then, “A Rainy Day in New York” has been released to streaming services and is on DVD. What a shame this one got no acknowledgment. Cherry Jones has an Oscar worthy turn here. The trio of young stars — Timothee Chalamet, Elle Fanning, and Selena Gomez — are a hit.

So, for 2020, here’s a list. This isn’t an Oscar list. Just my personal favorites. It’s soon for the Oscars list because a few films haven’t been seen yet in this odd year, like “Jesus and the Black Messiah.”

1. Nomadland
2. Minari
3. Soul
4. The Father
5. Time (documentary)
6. The Personal History of David Copperfield
7. Mangrove
8. Ma Rainey’s Black Bottom
9. The Sound of Metal
10. Let Them All Talk
11. The Outpost
12. News of the World
13. Tenet (hard to follow, brilliant to watch)
14. French Exit
15. Da 5 Bloods
16. Greyhound
17. The King of Staten Island
18. Crip Camp (documentary)
19. The Dissident (documentary)
20. Laurel Canyon (documentary)

I’m sure the average person is totally confused by Steve McQueen’s “Small Axe” series on Amazon Prime. It consists of five films made for British television. So it was sold to the US the same way. If only the first film, “Mangrove,” had been released as a standalone to theaters for the Oscars, it would have cleaned up.

The whole thing is a marketing nightmare. “Mangrove” could have gone to theaters, then released with the others for a mini series event. Instead, Amazon Prime is sending it all the Emmy Awards which is disappointing and kind of ridiculous. It minimizes the impact of “Mangrove,” which is sort of like a British counterpart to the current Netflix film, “The Trial of the Chicago 7,” which is headed to the Oscars.

All five films in the “Small Axe” series address life in Britain for transplanted West Indians in the 1960s. So you love “The Crown,” right? I do. But watching that series you’d never know there were people of color in the UK, or London, while the royal family was wringing its hands at Buckingham Palace. What a juxtaposition! McQueen is giving us the history of the people, just as August Wilson did with his play cycle. Extraordinary.

The Mangrove was a restaurant in Notting Hill (later the posh setting of the Hugh Grant-Julia Roberts movie, talk about gentrification). It was to a mecca in 1968 for West Indians, only the British police acted toward the owner, Frank Crichlow, and his community as if they were Russian soldiers on an endless pogrom. They continually broke down the doors, smashed the place up, intimidated the patrons. It was pure racism.

Crichlow and co. finally responded by staging a march, a protest, that ended in arrests and an eleven week trial. McQueen delivers us into this West Indian world of black owned businesses struggling to survive against the racism of the Notting Hill neighborhood around them and the local police with aplomb.

If this had been a movie released on its own, we’d have been talking about the three principal actors — Letitia Wright, Shaun Parkes, and Malachi Kirby, and Alex Jennings — the judge here, abdicated Uncle Dickie on “The Crown — are exceptional.

Steve McQueen– if you look at the films in the “Small Axe” series, he’s a director with an exquisite eye and a sense of purpose. Episode 3 in the series, “Red, White, and Blue” — stars John Boyega and Steve Toussaint as son and father challenging the institutional racism of the police. At 80 minutes, it’s very much a full length film, far superior than anything on television although I see why this one should go for Emmy Awards and win. Boyega and Toussaint, the whole cast, are as good as it gets.

It’s confusing but “Small Axe” — five films — are on Amazon Prime. You could do worse than watch the series this weekend.