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Hilaria Baldwin Doubles Down on the Crazy, Defends Her Bizarre Insistence That She’s Spanish to the New York Times

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Hilaria Baldwin is not Spanish. Her name is Hilary. And yet, she’s doubling down on this whole crazy in today’s New York Times.

Why? I don’t get it. It was time to say, “Sorry, I went overboard, I love Spain and its culture but I can see it’s time to cool it.”

Instead she tells the Times’s Katherine Rosman this morning that she’s sticking to her story– despite not being one bit Spanish, that her parents are very white, Caucasian Americans with no Spanish roots other than liking and studying the culture, and visiting there.

So what can we do? Well, we looked up her clips last night in “Hola” magazine, where she’s presented herself as a Spanish American celebrity. So far the magazine hasn’t addressed the disconnect, but they will have to. They’ve thrived on Hilaria talking about raising a bi-lingual family, giving her kids Spanish names, and so on.

What makes no sense about this is how Alec Baldwin, her supposedly astute husband, went along with all it. Why? An Irish-American, he now has five kids with Spanish names speaking in a language among each other and to their mother who he doesn’t understand! Alec is smart, he knows his wife is not Latina. He’s met her parents. He can read their backgrounds online just as we can. So what is he getting out of this? Paella?

I felt bad for Hilaria. I thought the cover of the NY Post was cruel, and seemed like bullying. But with this Times interview, she’s cooked her own gambas.

 

 

Kanye West, Not Seen on Social Media Since Election, Dropped a Gospel EP on Christmas Day and No One Bought It

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Kanye West– voluble, omnipresent– hasn’t been seen on social media since November 4th. That was the day after his candidate, Donald Trump, lost the presidential election.

Kanye has basically disappeared from public view. He hasn’t even been included in his wife, Kim Kardashian’s, social media. Her photos are all about her kids, sisters, and mother.

On Christmas Day, Kanye dropped a surprise 12 minute EP for streaming called “Emmanuel.” It’s not by him, but by his Sunday Services choir, some of whom are now suing him for payment.

“Emmanuel” is not selling. Or doing anything. It’s not on the regular iTunes chart, but it did make it to number 12 on the Christian/Gospel chart. Of the five tracks available on YouTube, the most viewed one has 22,000 views. Basically, it’s been ignored.

And Kanye? Where is he? Wyoming? Los Angeles? In some kind of controlled situation? We wait for the inevitable explosion of tweets.

PS I’d love to hear from any of the singers on Sunday Services. Email me at showbiz411@gmail.com.

Netflix Has Really Erased Shia LaBeouf from All Promotional Materials for “Pieces of a Woman,” After FKA Twigs Lawsuit

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You’re guilty until proven innocent and your life is over. That’s the signal sent to Shia LaBeouf since his ex-girlfriend, FKA Twigs, filed a harassment and abuse lawsuit against him. (Her real name is Tahliah Debrett Barnett.)

LaBeouf was dumped from a movie he was supposed to film. But more urgently, he’s been erased by Netflix from all promotional materials for “Pieces of a Woman,” in which he co-stars with Vanessa Kirby and Ellen Burstyn. If there hadn’t been a scandal, LaBeouf would have been promoted for awards season. But that’s all gone. And even in the general advertising, he’s gone.

LaBeouf has also been wiped from the Netflix For Your Consideration campaign for all awards. He’s the only actor in the movie not mentioned at all in any capacity on the page.

“Pieces of a Woman” is not a great movie, and only Burstyn really has a shot at an Oscar nomination. But still, no one really knows the details of what went on between LaBeouf and Barnett. And there’s no way to erase him from the movie completely — although I’m sure the day is coming when that will be possible. It’s a tragic situation for everyone involved.

Review: “Soul” Has Plenty of Soul, In its Music, Story, Heart, A Rare Piece of Art in this Pandemic Year

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A few animated films I thought could get Best Picture nods– “Wall E,” “Inside Out,” now “Soul.”

Playing now on the Disney Plus channel, I missed some press stuff for “Soul” for personal reasons and I’m glad I did. I wasn’t ready for it. But tonight I watched Pete Docter’s creation, and it’s quite brilliant. It’s one of those few contemporary movies that make you feel it was all worth it.

I wrote– erroneously– some months ago that “Soul” wouldn’t have “soul music.” It’s true, it has jazz, beautiful jazz written and performed by Jon Batiste, the great talent from the Stephen Colbert show. There are two scores, really. One is by Batiste, and the other is by the Nine Inch Nails guys, Trent Reznor and Atticus Ross. The whole thing is screwed up Academy-wise and I don’t know the answer. I do know they made the mistake of putting Curtis Mayfield’s “It’s All Right,” performed by Batiste, over the end credits, thus disqualifying themselves for Best Song. But…it’s the right song. So, who knows?

“Soul” is all about who you are, what you wanted to be, fulfilling your life’s dream. Don’t see it stoned, or your mind will be blown. But it’s not a lot of navel gazing or very preachy. Jamie Foxx is Joe, a jazz pianist who’s teaching middle school band. Just as he gets a chance to play with a jazz legend (Angela Bassett), he has an accident and falls into a pre-death world of gloriously inventive animation. He meets “22,” voiced with great wit and verve by Tina Fey. “22” has never found a purpose, a reason to stay on Earth, so avoids it. Joe, meantime, won’t accept death, so he and “22” find a way to sneak back to Earth, where his loved ones– including his mother (the great Phylicia Rashad)– are waiting to hear his star turn.

I’m not an animation expert, but this production sort of combines the best of Pixar and Disney. My favorite parts were heavenly characters drawn in a kind of neon with Picasso-like figures that were so fluid, I hope they’re in heaven if I ever get there.

Just as he did with “Up” and “Inside Out,” Pete Docter hits all the right notes. Adding Kemp Powers makes perfect sense. The two of them found a rare harmony. They made a classic film that will outlast all of us.

Review: Carey Mulligan’s Oscar Worthy Turn in Sensational “Promising Young Woman” is a Rebuke to all the Brett Kavanaughs Out There

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The specter of Brett Kavanaugh’s unmanly past at a frat party hangs over Emerald Fennell’s revenge fantasy, “Promising Young Woman,” as do the million microaggressions endured by girls/women finding their place in the world.

The always stunning Carey Mulligan portrays Cassie, a medical school dropout, prowling in bars at night, picking up men who see her, drunk, out of it, equating with easy prey, easy lay. Legs astride, makeup dripping, her look signals anything but control, but she’s got a trick waiting. As they undress her, she bolts up, confronts their predations and takes off, a quiet act of revolt.

And that’s just the first scene. At times “Promising Young Woman” seems dark rom com, as Cassie dates Ryan (Bo Burnham), a guy from the past her parents, the wonderful Jennifer Coolidge and Clancy Brown are relieved to see, even though she’s still spending a night or two settling scores with various men, and even women, such as a former classmate (Alison Brie) who witnessed the gang rape of Cassie’s best friend, the catalyst for Cassie’s madness.

Everyone, including a female dean, wants Cassie to get over her obsession, give in to the tired bromide, “Boys will be boys.” At an online post screening panel, Mulligan — who may very well score an Oscar nomination here — said she herself wished that things could lighten up for Cassie, that she’d end up avenged, and better off for her efforts. But, a realist, Mulligan knows: things have to go extreme for voices to matter. The film’s final scene suggests a start: Time for all the Kavanaughs of the world to man up, and apologize.

UPDATE Paul McCartney Dances a Jig as Billboard Confirms Our Prediction: “McCartney III” First No. 1 in 31 Years*

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As I told you on Friday, Paul McCartney’s “McCartney III” debuts at number 1. The numbers were confirmed by Buzz Angle on Friday.

This morning Billboard announced they’d give the album number 1 on their next chart. It’s Paul’s first number 1 in 31 years, since “Flowers in the Dirt.”

The asterisk in the headline is because McCartney’s “Egypt Station” hit number 1 in 2018, but it was sold as part of a bundle with tour tickets. “McCartney III” is number 1 on its own, a rarity these days. And in the UK, it’s also number 1 for the first time in 31 years.

“McCartney III” is that good, and deserves the accolades.

Sir Paul danced a little jig on social media to celebrate.

Lonely: Watch Justin Bieber Dance Around with a Glass of Wine While His Cook Prepares His Meal

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Justin Bieber and Hailey Baldwin have got it maid: they shoot videos for Instagram of Justin dancing around, holding a glass of white wine, maskless, while their cook makes their meal. These two yahoos can’t even make a meal for themselves. It’s quite a wonderful scene. That poor woman with her back to us has to listen to Bieber’s music while she cuts up their vegetables. She’s invisible to them.

Soaps: “Days of our Lives” Jumps in the Ratings for Younger Audience, “Young and Restless” Craters

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In the world of soaps, now is the time to pounce if you want ratings. Kids are home from school, or they’ve been home for a long time and have nothing to do.

NBC’s “Days of our Lives” seems to have caught that wave. Ratings released Sunday night for December 14th-18th show a sharp increase in younger aged viewers. For the first time since 2006, “Days of our Lives” was number 1 among 18 to 49 year olds. NBC’s ad department must be popping Champagne bottles.

Overall, the show had an increase of 128,000 viewers from the prior week. That’s big. Head writer Ron Carlivati, the most inventive of soap writers, has hit gold.

On the other hand, there is trouble at CBS’s “The Young and the Restless.” Their ratings for December 14th-18th were down year to year by 642,000 viewers. They haven’t cracked 3 million weekly viewers in a while. There are cracks in all their demo numbers. That’s not good. Their companion show, “The Bold and the Beautiful,” is also off by over 400,000 fans year to year.

It’s time for a cliffhanger or two, I’d say!

Alec Baldwin’s Wife, Hilaria, nee Hilary, Exposed On Social Media for Severe Infraction of Reinventing Herself

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Hilaria Baldwin is the wife of Alec Baldwin, and mother of their five children. Somewhere along the way she gave the impression that she was from Spain. Apparently, she said so on podcasts and in interviews. She spoke with a sort of European accent. She named her five children with Spanish names like Carmen and Romeo.

Now, the long knives out on social media as it’s revealed by enemies– this is like high school! — that her real name is Hilary Hayward Thomas, comes from Boston, went to high school in Weston, Massachusetts. If she were a criminal or a politician, this might matter. But it really doesn’t. Andy Warhol (real name Warhola, from Pittsburgh) taught all of his staff to change their names, make up fantasy backgrounds. Who cares? The whole story of people who come to New York to be celebrities is re-invention.

The facts: Hilaria’s parents live now in Mallorca, Spain where they run something called International Integrators. Her father, David L. Thomas Jr. was a lawyer at white shoe law firms in Boston for two decades according to his own bio. Thomas graduated from Scarsdale, NY High School in 1967. According to the bio, he graduated from Haverford College in 1971 with a degree in…Spanish Language & Literature! So that’s where this all started. He got his law degree from Georgetown. He got a job at Ropers & Gray in Boston, then Peabody & Brown. From 1994 to 2012 he worked for a real estate company.

Obviously, Mr. Thomas likes Spain and Spanish things. Hey, I’ve been visiting Provence almost annually since 1986. This does not make me French.

Mr. Thomas’s father, David Thomas Sr., was born in Ames, Iowa and died in Arlington, Vermont. He was raised in Nebraska, where he met his wife, and they moved to Syracuse. His obituary explains this whole identity mess:

“David became a GE traveling auditor for GE, traveling extensively within the U.S. and to Argentina on audits. A few years later, he took his family to Argentina to visit places where David had lived and worked, an experience which instilled in his children a curiosity about the wider world and inspired them to become proficient in the Spanish language.”‘

For some reason, these people like Spanish stuff. Ole!

Hilaria’s mother, Kathryn Hayward MD, was an internist at the Massachusetts General Hospital and Assistant Professor of Medicine at Harvard Medical School.

Now Hilaria– she likes to call herself that instead of Hilary– and Alec– who by the way was born Alexander Baldwin– are defending themselves on Instagram and Twitter. I say, why bother? No crimes have been committed, and no money was solicited based on the idea that Hilaria was a Spaniard. I’ve met her several times, and she was just about as nice as she could be. And maybe she makes a great paella. There are worse things!

Box Office: “Wonder Woman” Sequel Scores $16.7 Mil, Exceeds Expectations Despite Mixed Reviews and Limited Theaters

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It’s not a great movie and it can’t play in a lot of locations. But “Wonder Woman 1984” is a hit, nonetheless.

The sequel to “Wonder Woman” from 2017 made $16.7 million in theaters this weekend despite some states, like New York and California, not being open at all. It’s the highest box office total opening weekend of any movie since the pandemic started.

“WW84” even did better than Warner Bros.’ last big release, “Tenet,” right before Labor Day. Of course, the Patty Jenkins movie was easier, if less interesting, to figure out than Christopher Nolan’s. But that’s another story.

Meanwhile, HBO Max is showing “WW84” at the same time to people who have no access to theaters or are too timid to go into them. So right now we should consider the Gal Gadot super hero flick a big hit even if it has only a 65 on Rotten Tomatoes and a lot of bad reactions on social media. The audience went to see it, that’s all that matters.

“WW84” has a total of $85 million worldwide from theaters, which ain’t bad. Warner Bros, plagued by the plague, can breathe a little easier now.

Also new at the box office, two Oscar-centric films: Tom Hanks in “News of the World” and Carey Mulligan in “Promising Young Woman.” They should have been day-and-date to streaming, they’re top notch and will play very well in home theaters this winter.