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Behind the Scenes at “The Suicide Squad” Premiere: Margot Robbie, Jon Cena, James Gunn Tell All

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Judging from the wildly enthusiastic crowds lining the  streets of Westwood at the Regency Village theater  last night for “The Suicide Squad” premiere, Warners is sure to have a massive hit on its hands.

Director James Gunn introduced the movie and was effusive in his praise for all those who worked with him. He started with one  of the film’s producers, the noted Charles Roven, saying, “Chuck gave me my first studio movie, took me aside and taught me how to direct.  I’ll love him forever for that.” Gunn went on to thank the celebrated cast which he called, “The greatest cast in the world, they’re talented and incredible, honestly and I mean this, not a bad apple in the bunch.  I’ve never been such a part of a humongous large cast and not a single dick among them! I love you guys.”

Gunn then introduced the cast, and when it was John Cena’s turn, Cena who plays Peacemaker and was ready made dressed up in his movie costume garb, got up and got his attention grabbing moment as he playfully brandished his extra-long pistol at the audience.  Sylvester Stallone was next, he plays the man eating humanoid King Shark, Gunn noted, “I have a friend, I wrote a role for him, I called him up and said I wonder if you can this role?  He said you wrote the role for me? I said yeah?  Well what is it Sly asked? I said that it was a really dumb walking shark.  Sly said, ‘I’m in!”

Gunn then introduced Margot Robbie, who is simple scene stealing as Harley Quinn by saying, “She can do anything but sing and draw. It’s embarrassing actually.”  To which Robbie playfully got her revenge and flipped him the bird.  Gunn gave a shout out to John Ostrander, who created the modern incarnation of “Suicide Squad,”  who as he pointed out, ‘the movie wouldn’t exist without him which prompted a huge cheer from the geeks in the crowd.

I asked Gunn later at the after party what makes him so good at directing ensembles?  He explained, “I guess it’s coming from a family of six kids, you get use to navigating it all with a sense of humor!” I happened to run into Margot Robbie, looking impossibly chic in a white Chanel jumpsuit,  in the bathroom where she was her usual gracious self, thanking everyone in the loo, and telling me after at the party that, “I never had so much fun working on a movie.  Pure fun!”

New Yorkers Need to Meet Kathy Hochul, She Will Be Governor by the End of the Day After Cuomo Resigns

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UPDATE He won’t resign. It’s obvious that Gov. Cuomo isn’t leaving, doesn’t take this seriously. He just appeared on TV and refuted nothing. And I’m a fan! He just doesn’t get it!

If you’re watching CNN right now, you know what has to happen: New York Governor Andrew Cuomo has to resign today.

Cuomo is being accused by NY Attorney General Letitia James of sexual harassment in an extensive report and investigation. Her presentation on TV is chilling. Cuomo’s political life is over.

So we must acquaint ourselves with Lt. Gov. Kathy Hochul. No one’s heard of her, but she will be — or should be — governor of New York before the end of the day, if not the week.

Cuomo is a tragedy. What he’s done is unforgivable. What makes this so upsetting is that New Yorkers loved him and had no idea what he was doing to women, to his staff, to state troopers.

I have new sympathy for his ex wife, Kerry Kennedy, who knew all of this, no doubt, and was painted as a hapless victim and almost villain in their divorce. She was the opposite.

Cuomo here is pictured with former Attorney General Eric Schneiderman, who also had to resign because of sexual misbehavior.

The worst part of this is that Bill DeBlasio, who Manhattanites loathe, will now act holier than thou and run for Governor. Now I need a Xanax!

Lady Gaga- Tony Bennett Cole Porter Album Coming October 1st, Day After Grammy Eligibility

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So the Lady Gaga-Tony Bennett Cole Porter album is coming October 1st.

How do we know? From a press release? No, from a billboard in mid town. An old fashioned way of communication. Carrier pigeons are next!

I told you about “Love for Sale” in 2014, and I thought it would be released today, on Tony’s 95th birthday. Alas, the powers that be have chosen October 1st, which is also one after it could be eligible for the Grammy Awards next January.

WTH? Tony is 95 and dealing with Alzheimer’s. If he’s going to get one last set of Grammys wouldn’t it be better to do it sooner rather than later? Well, they must have some good reasons.

A video is coming Friday with the track “I Get a Kick Out of You,” on the mostly irrelevant MTV on Friday.

Well, at least today is Tony Bennett Day in New York. And he has a beautiful plaque on a bench in Central Park. And tonight he celebrates his birthday by performing at Radio City Music Hall with Lady Gaga.

It’s all good!

The track list for “Love for Sale”:

1 – It’s De-Lovely

2 – Night and Day

3 – Love For Sale

4 – Do I Love You

5 – I Concentrate On You

6 – I Get a Kick Out of You

7 – So In Love

8 – Let’s Do It

9 – Just One of Those Things

10 – Dream Dancing

11 – I’ve Got You Under My Skin (DELUXE VERSION)

12 – You’re The Top (DELUXE VERSION)

Sundance Welcoming Audiences Back This Winter, But Fully Vaccinated Only, Keeping Digital Screenings

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The Sundance Film Festival is coming back this winter. But everyone who attends must be fully vaccinated.

The festival will also be a mixture of in person and virtual, with digital screenings remaining for all the films. If you want to go to Park City, you will be welcomed— again, fully vaccinated.

Here’s a letter from Festival director Tabitha Jackson that’s gone out this morning.

My PS is that last year’s digital festival worked out beautifully. I’m looking forward to it again this year, but a lot of people– particularly skiiers — will want to get out to Park City this time around.
I do miss the Egyptian Theater and Main Street, even when the snow is coming right at you!

A message from Festival Director Tabitha Jackson on the upcoming Sundance Film Festival, January 20–30, 2022.

Dear Friends,

This time last year, I wrote to share some early thoughts about how we were approaching my first Sundance Film Festival as director — and the first Sundance to be held in the midst of a pandemic.

Since 1985, artists and audiences have gathered at the Festival to affirm the transformative power of independent film and media. And for all of those years, the Festival took place in our home state of Utah… until 2021, when we came together not in a place but in a moment, from places all around the world.

The 2021 Festival unfolded online and through Satellite Screens across the country. Bold, distinctive, expressive works met their first audiences. There were breakout hits and beautiful discoveries — and to our relief, people showed up! Last year’s Festival welcomed more young people and more people who had never been able to participate before. There was nothing “virtual” about the connections forged in the New Frontier space or the shared experience of watching films that have stayed with us ever since; all of this was real.

In other words: It was Sundance, in a new form.

In six months’ time, we will have completed another trip around the sun. So much has already happened in the course of that journey: a year of immense loss, a year of births and possibilities, a year of fires and floods, a year in which extraordinary work has been created. As we celebrate the new possibilities sparked by last year’s Festival and navigate the ongoing realities of this pandemic, we are planning how to come back together to make meaning through art and ideas.

In January 2022, the Sundance Film Festival will be the site of a new convergence.

We are delighted that the community can once again make the annual pilgrimage back to the Festival in Utah, and we also invite audiences to join us online from wherever they are. In that spirit, I want to share some details that may help shape your plans:

Submissions are open, and we are building the program. The 2022 Festival program will be larger than last year’s, but we will maintain a tight focus (somewhere in the realm of 80 features). All official feature film selections will play both in person and online. We will hold in-person screenings in Park City, Salt Lake City, and at the Sundance Mountain Resort. As always, films will premiere in the opening half of the Festival, which this year will be from Thursday, January 20, through Tuesday, January 25, 2022, with additional screenings to follow through the end of the Festival. Online premieres will follow the in-person premieres, using our custom-built online platform that was home to last year’s festival. Awards will be announced on Friday, January 28, leading to a final weekend of award-winner screenings in person and online.

Health and safety is paramount. As we plan for the 2022 Festival, one of our most important considerations is how best to safely bring together artists, audiences, volunteers, and staff from around the world. As part of our commitment to this community, we will be requiring all participants attending the Festival, or Sundance-affiliated events, in person in Utah to be fully vaccinated. We are providing this information now to ensure that all in-person participants feel comfortable attending, and can adjust their travel plans if needed. We will share our full details and processes for health precautions closer to the Festival, including theater capacity along with information on mask-wearing. We will continue to assess other elements of health and safety protocols regularly and in accordance with best practices.

We’ll keep connecting local communities across the country. Regional cinemas and arts organizations and their audiences are a crucial part of independent filmmaking, and we are grateful for the new possibilities that have come from our partnerships with Satellite Screens. The 2022 Festival will continue the program we launched in 2021, working with up to 10 partners across the United States to connect directly with local audiences and artists. Each Satellite Screen will show selections from the Festival’s official program during closing weekend: Friday, January 28, through Sunday, January 30, 2022.

The soul of Sundance has always been in the coming together of a community: around new voices, new work, new forms, and new perspectives. During last year’s Festival, even when denied the chance to gather in a single place, the power of converging in a single moment was undeniable. We were able to expand the possibility of who could take part. And as we prepare for 2022, we remain committed to this invitation to new audiences.

It’s no coincidence that our festival bursts into life at the beginning of each new year. It is a time for new beginnings, to reflect on what has been, and to imagine what might come to be. We have taken this journey around the sun 37 times since 1985, and this ritual repetition, this annual pilgrimage, has only served to affirm the urgency, vitality, and expressive power of independent film and media. By fiercely holding space for independent perspectives and media created outside the mainstream market, we as a community can spark new narratives, protect bold critiques of power, and deepen our understanding of what is possible. It has never been more essential.

So, as we complete one orbit around the brightest star and prepare to begin another, let’s ask ourselves: What will be illuminated this coming year? What new possibilities will be revealed? How will this convergence change the nature of our trajectory in ways that we have not yet imagined?

For the bold, the curious, the independent-minded everywhere, I’m looking forward to seeing you in Utah and beyond in 2022.

Yours,

Tabitha Jackson

Happy 95th Birthday, Tony Bennett! The World Class Crooning Legend Takes the Stage Tonight with Lady Gaga

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BREAKING: Gov Cuomo declares today Tony Bennett Day in New York and dedicated a bench to him in Central Park where Tony famously sits and paints.

The hardest choice I had to make in a while was whether to see Tony Bennett perform tonight, on his actual 95th birthday at Radio City Music Hall or on Thursday at what might be the last show of his insanely popular and successful long run.

I chose the birthday, tonight. I can’t wait to see him with Lady Gaga.

The first time I saw Tony live was in 1986 at the Oakdale Music Center in Connecticut, with Rosemary Clooney. I didn’t full appreciate him then. When rock came charging into the world in the 60s, singers like Tony, Vic Damone, Mel the Velvet Fog Torme, and so on– they were out of date, corny, your grandparents’ singers. Just the thought of Andy Williams was repugnant. (The only one who hung on as cool was Sinatra. Always Sinatra.)

We all had to grow up to appreciate what Tony Bennett did, how he did it, what it all meant. We also didn’t realize that as the other guys from his class of entertainer were falling by the wayside, he was getting better, stronger, richer, deeper. He was plumbing new depths of jazz, showtunes, the American songbook, even a little pop.

Tony has outlasted everyone, for a reason. Yes, his voice, but also his soul. You don’t know how he turned his life around after a bad patch, reclaimed his art. His social politics, liberal, progressive, forward thinking, had been obscured. Now as the smoke and noise of the 60s and 70s cleared, we could hear him for who he was, and see him clearly.

Tony’s son, Danny, had a lot to do with it. He lined Tony up with appreciative stars of the day. The first “Duets” album in 2006, the second one that followed, gave him his first hits in decades. Tony was in demand! And his voice– it was like a fine aged wine, the kind that go up for auction and sell for millions. Plus, there he was with his Frank Sinatra school in Queens and his arts charity. Tony Bennedetto was New York!

Stop me if you’ve heard this before: Phil Ramone produced “Duets II” in 2011. He and Tony invited Aretha Franklin to record “How Do You Keep the Music Playing.” I was one of a few who accompanied Aretha to the session at a studio on Manhattan’s West Side.

It was 100 degrees outside and one hundred and fifty degrees inside because Aretha had them turn off the AC. She wore a sleeveless white linen top. Tony sported a full suit, with matching monochromatic blue shirt and tie. After one pass at the song, they emerged from the studio into the hallway. Aretha had not broken a sweat, fanned herself and asked for a soft drink. Tony was shhvitzed from top to bottom, sweat on his brow, the shirt and tie clinging to him.

“Tony,” I said, “you can take off the jacket. And the tie. It’s too hot. Don’t stand on ceremony.”

His eyes narrowed at me. “I got dressed for Aretha Franklin,” he said in his raspy voice,beaming with pride. “I’m not taking it off.” He was drenched but he was too much of a gentleman to admit it.

I told Aretha what he said. She replied, with a chuckle, “We brought Tony Bennett to the studio and he burst into flames!”

They finished theie recording. It remains a highlight of both of their illustrious careers.

Happy Birthday, Tony. See you tonight at Radio City. It will be historic!

 

 

Tinker, Actor, Grandson: New “Days of Our Lives” Player is 26 Year Old Grandson of Legendary TV Mogul Grant Tinker

When “Days of our Lives” announced a five part streaming mini series this week, one name on the cast list rang a bell.

Zach Tinker has been hired as the re-cast character Sonny Kiriakis. The 26 year old actor’s last name sounds familiar because he’s the grandson of the late legendary TV mogul, Grant Tinker. The silver haired Tinker was famous for creating MTM Studios with his wife, Mary Tyler Moore, and launched a bunch of classic hits including her self-named show, plus Rhoda, Lou Grant, Hill Street Blues, and St. Elsewhere, among others. After that, he ran NBC successfully for several years.

Zach Tinker, 26, is the son of John Tinker, who wrote for “St. Elsewhere,” the greatest hospital show of all time, which was produced by Mark Tinker (Grant’s son, John’s brother) and Bruce Paltrow, the late great father of Gwyneth. More recently John Tinker has been writing for Hallmark’s “When Calls the Heart” and other series.

I’m told the folks at “Days of our Lives” had no idea their new actor had such a storied lineage.

Zach appeared last year on “The Young and the Restless” and has had a bunch of solid jobs on shows like “American Horror Story” and “NCIS.” He’s certainly following in the family line of work! Zach’s mom is an exec at Disney.

I love stories about Hollywood families. Talent is talent. We wouldn’t have a lot of our favorite people without this tradition, from Michael Douglas, Jane Fonda, and Candice Bergen to Lucie Arnaz, Ben Stiller, Zosia Mamet, Matthew Broderick, John David Washington, and on and on! Sigourney Weaver’s dad created the Today show!

PS Zach could not actually call MTM his stepgrandmother. Tinker and Moore were divorced in 1981. Zach was born, basically, yesterday.

 

Ten Years Later, Actress Who Had a Concussion on “Spider Man” Musical Returns to Broadway with “Moulin Rouge”

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When Broadway’s “Moulin Rouge” announced the replacement for Karen Olivo today, I thought, that name sounds familiar.

And it wasn’t who we predicted, namely Deborah Cox.

No, the new Satine in “Moulin Rouge” is Natalie Mendoza. I believe the last time she was on Broadway it was to play Arachne in “Spider Man: Turn off the Dark.” She played the role from June 2011 through January 2014.

But what you may not remember is that she was in the first preview, in December 2010. That crazy, raucous night nothing worked on stage. Everyone was flying around, getting stuck, or overshooting their marks.

Mendoza sustained a concussion that night and left the show.Her injury wasn’t from falling anywhere. She was standing offstage when she was struck in the head by a rope holding a piece of equipment. Ironically, her understudy then was another actress with a similar name to the one she’s now replacing: America Olivo.

Mendoza played one performance. On Facebook she wrote that she was grateful to be down to two nausea tablets and four painkillers a day to cope with her concussion. “Thank goodness I had such a brilliant neurologist who made sure I recovered properly,” she wrote. “Nice to be almost back to normal … almost anyway haha! Thanking God for peace, real friends, love and health and healing.”

At the time, it was said she was heading home to Australia. She’d had enough. But in time, she returned and overcame the various perils of “Turn Off the Dark.”

She’s now replacing Olivo, who bailed during the pandemic because she was upset people in other shows had been treated badly by producer Scott Rudin. She hadn’t even known him, but the whole Rudin scandal sent her off the deep end.

So welcome back, Natalie. I don’t think there’s any aerial work in “Moulin Rouge,” but if there is, I’m sure they have a net!

Last Week’s Ratings for “The Bachlorette” Dropped to Lowest Ever Numbers, 25% Down in the Key Age Group

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Are you watching “The Bachelorette” on ABC tonight?

Just asking because last week’s numbers were shockingly bad. The series in its 17th season fell by 25% in the key age group, and 17.5% in total audience.

The actual number was 3.1 million, the lowest rating ever for “The Bachelorette” or “The Bachelor.”

I don’t know what’s going on with the show. Last week, I was washing my hair and missed the latest shenanigans among these sociopaths. But I do know that since Chris Harrison was bounced, the whole thing has toppled. Over 600,000 viewers have exited since the first episode of this season. Maybe everyone’s watching “F-Boy Island,” on HBOMax, which I thought was a parody or a spin off from “30 Rock.”

Anyway, we’ll see who tunes in tonight for this claptrap, and if the numbers can somehow be spun to say ABC won the night, but lost the war.

 

Rapper DaBaby Career in Free Fall: Governor’s Ball Drops and Erases Him, Following Lollapalooza Scrub

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Rapper DaBaby is in a career free fall.

Latest news is the performer whose real name is Jonathan Kirk has been dropped from the three day Governor’s Ball festival in September in New York. They’ve scrubbed him from their posters and website.

On Twitter the festival wrote: “Founders Entertainment does not and will not tolerate hate or discrimination of any kind. We welcome and celebrate the diverse communities that make New York City the greatest city in the world. Thank you to the fans who continue to speak up for what is right. Along with you, we will continue to use our platform for good.”

This and DaBaby’s ousting from Lollapalooza comes after reports of the rapper’s incendiary homophobic comments in public last week. Elton John, Madonna and other celebrities have denounced him. He responded on Twitter with this:

“Anybody who done ever been effected by AIDS/HIV y’all got the right to be upset, what I said was insensitive even though I have no intentions on offending anybody. So my apologies But the LGBT community… I ain’t trippin on y’all, do you. y’all business is y’all business.”
That didn’t make things any better, of course. DaBaby will have to call Nick Cannon, who was briefly ostracized for being anti-Semitic last year. Cannon went on a big apology tour and wormed his way back into the good graces of people who could make money off of him. (Others, not so much.)
Who will be next to drop DaBaby? He’s set to be at the Hot97 Summer Jam at the Meadowlands is August 22nd. I would imagine they are scrambling to find a replacement right now.

 

BREAKING Kathy Griffin Says She Has Lung Cancer, Will Have Half of Left Lung Removed Today in Surgery

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Comedian and actress Kathy Griffin has just dropped a bombshell on Twitter: she has lung cancer. And she’s about to have half her left lung removed in surgery.

Griffin says she never smoked. We are sending prayers and love to her. Kathy is a delight and I know she will beat this!

She says in her note that the last four years have been rough. She got into trouble and was briefly “cancelled” for posting a decapitated, bloodied head of Donald Trump to social media. It was very funny but not to Trump supporters. Happily, Kathy came back from that debacle. But this is a gut punch. Again, send prayers and light and love, consult all experts with the universe. I know that the spirit of Joan Rivers is watching over from heaven!