Monday, December 22, 2025
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Spirit Awards Nominations Follow Gotham Awards, Omit The 3 Main Netflix Offerings

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The 2025 Indie Spirit nominations were announced today. Film Independent boldly replicated the Gotham Awards, only their presentation will be in a cold, rainy tent on the beach. The Gothams were held at Cipriani 55 Wall Street.

The Spirits pissed all over Netflix, snubbing “Emilia Perez,” “The Piano Lesson,” and “Maria.” They copied the National Board of Review and gave most of their attention to A24. (An A24 exec is on the board of the NBR, which helps a lot.)

Somehow they also ignored “The Brutalist” for Best Picture, but gave a nod to Brady Corbet for Best Director. Best Director of what? They obviously didn’t like it since they also snubbed Adrien Brody. How hilarious! “The Brutalist” was made for $10 million and is the definition of a great indie film.

Spirits also ignored James Mangold’s excellent “A Complete Unknown.”

Oh well. These awards mean nothing. No one watches them on streaming. They’re no longer given on Oscars weekend. They don’t even have a gift bag anymore. What good are they?

Also, these are gender neutral awards. But they total skipped the only gender fluid actress, Karla Sofia Gascon, of “Emilia Perez,” who should have been nominated. So, really, again, what is the point of all this?

BEST FEATURE (Award given to the producer)

Anora
Producers: Sean Baker, Alex Coco, Samantha Quan

I Saw the TV Glow
Producers: Ali Herting, Sam Intili, Dave McCary, Emma Stone, Sarah Winshall

Nickel Boys
Producers: Joslyn Barnes, Dede Gardner, Jeremy Kleiner, David Levine

Sing Sing
Producers: Clint Bentley, Greg Kwedar, Monique Walton

The Substance
Producers: Tim Bevan, Coralie Fargeat, Eric Fellner


BEST FIRST FEATURE (Award given to director and producer)

Dìdi
Director/Producer: Sean Wang
Producers: Valerie Bush, Carlos López Estrada, Josh Peters

In the Summers
Director: Alessandra Lacorazza Samudio
Producers: Janek Ambros, Lynette Coll, Alexander Dinelaris, Cynthia Fernandez De La Cruz, Cristóbal Güell, Sergio Alberto Lira, Rob Quadrino, Jan Suter, Daniel Tantalean, Nando Vila, Slava Vladimirov, Stephanie Yankwitt

Janet Planet
Director/Producer: Annie Baker
Producers: Andrew Goldman, Dan Janvey, Derrick Tseng

The Piano Lesson
Director: Malcolm Washington
Producers: Todd Black, Denzel Washington

Problemista
Director/Producer: Julio Torres
Producers: Ali Herting, Dave McCary, Emma Stone

JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000. (Award given to the writer, director, and producer)

Big Boys
Writer/Director/Producer: Corey Sherman
Producer: Allison Tate

Ghostlight
Writer/Director: Kelly O’Sullivan
Director/Producer: Alex Thompson
Producers: Pierce Cravens, Ian Keiser, Chelsea Krant, Eddie Linker, Alex Wilson

Girls Will Be Girls
Writer/Director/Producer: Shuchi Talati
Producers: Richa Chadha, Claire Chassagne

Jazzy
Writer/Director/Producer: Morrisa Maltz
Writer/Producer: Lainey Shangreaux
Writers: Andrew Hajek, Vanara Taing
Producers: Miranda Bailey, Tommy Heitkamp, John Way, Natalie Whalen, Elliott Whitton

The People’s Joker
Writer/Director: Vera Drew
Writer: Bri LeRose
Producer: Joey Lyons

BEST DIRECTOR

Ali Abbasi
The Apprentice

Sean Baker
Anora

Brady Corbet
The Brutalist

Alonso Ruizpalacios
La Cocina

Jane Schoenbrun
I Saw the TV Glow


BEST SCREENPLAY

Scott Beck, Bryan Woods
Heretic

Jesse Eisenberg
A Real Pain

Megan Park
My Old Ass

Aaron Schimberg
A Different Man

Jane Schoenbrun
I Saw the TV Glow

BEST FIRST SCREENPLAY

Joanna Arnow
The Feeling That the Time for Doing Something Has Passed

Annie Baker
Janet Planet

India Donaldson
Good One

Julio Torres
Problemista

Sean Wang
Dìdi

BEST LEAD PERFORMANCE

Amy Adams
Nightbitch

Ryan Destiny
The Fire Inside

Colman Domingo
Sing Sing

Keith Kupferer
Ghostlight

Mikey Madison
Anora

Demi Moore
The Substance

Hunter Schafer
Cuckoo

Justice Smith
I Saw the TV Glow

June Squibb
Thelma

Sebastian Stan
The Apprentice

BEST SUPPORTING PERFORMANCE

Yura Borisov
Anora

Joan Chen
Dìdi

Kieran Culkin
A Real Pain

Danielle Deadwyler
The Piano Lesson

Carol Kane
Between the Temples

Karren Karagulian
Anora

Kani Kusruti
Girls Will Be Girls

Brigette Lundy-Paine
I Saw the TV Glow

Clarence “Divine Eye” Maclin
Sing Sing

Adam Pearson
A Different Man

BEST BREAKTHROUGH PERFORMANCE

Isaac Krasner
Big Boys

Katy O’Brian
Love Lies Bleeding

Mason Alexander Park
National Anthem

René Pérez Joglar
In the Summers

Maisy Stella
My Old Ass

BEST CINEMATOGRAPHY

Dinh Duy Hung
Inside the Yellow Cocoon Shell

Jomo Fray
Nickel Boys

Maria von Hausswolff
Janet Planet

Juan Pablo Ramírez
La Cocina

Rina Yang
The Fire Inside


BEST EDITING

Laura Colwell, Vanara Taing
Jazzy

Olivier Bugge Coutté, Olivia Neergaard-Holm
The Apprentice

Anne McCabe
Nightbitch

Hansjörg Weissbrich
September 5

Arielle Zakowski
Dìdi


ROBERT ALTMAN AWARD – Given to one film’s director, casting director, and ensemble cast

His Three Daughters
Director: Azazel Jacobs
Casting Director: Nicole Arbusto
Ensemble Cast: Jovan Adepo, Jasmine Bracey, Carrie Coon, Jose Febus, Rudy Galvan, Natasha Lyonne, Elizabeth Olsen, Randy Ramos Jr., Jay O. Sanders

BEST DOCUMENTARY (Award given to the director and producer)

Gaucho Gaucho
Directors/Producers: Michael Dweck, Gregory Kershaw
Producers: Christos Konstantakopoulos, Cameron O’Reilly, Matthew Perniciaro

Hummingbirds
Directors: Silvia Del Carmen Castaños, Estefanía “Beba” Contreras
Co-Directors/Producers: Miguel Drake-McLaughlin, Diane Ng, Ana Rodriguez-Falco, Jillian Schlesinger
Producers: Leslie Benavides, Rivkah Beth Medow

No Other Land
Directors/Producers: Yuval Abraham, Basel Adra, Hamdan Ballal, Rachel Szor
Producers: Fabien Greenberg, Bård Kjøge Rønning

Patrice: The Movie
Director: Ted Passon
Producers: Kyla Harris, Innbo Shim, Emily Spivack

Soundtrack to a Coup d’Etat
Director: Johan Grimonprez
Producers: Rémi Grellety, Daan Milius


BEST INTERNATIONAL FILM (Award given to the director)

All We Imagine as Light
France, India, Netherlands, Luxembourg
Director: Payal Kapadia

Black Dog
China
Director: Guan Hu

Flow
Latvia, France, Belgium
Director: Gints Zilbalodis

Green Border
Poland, France, Czech Republic, Belgium
Director: Agnieszka Holland

Hard Truths
United Kingdom
Director: Mike Leigh

PRODUCERS AWARD – The Producers Award, now in its 28th year, honors emerging producers who, despite highly limited resources, demonstrate the creativity, tenacity, and vision required to produce quality independent films.

Alex Coco
Sarah Winshall
Zoë Worth

 SOMEONE TO WATCH AWARD  – The Someone to Watch Award, now in its 31st year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition.

Nicholas Colia
Director of Griffin in Summer

Sarah Friedland
Director of Familiar Touch

Pham Thien An
Director of Inside the Yellow Cocoon Shell

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 30th year, is presented to an emerging director of non-fiction features who has not yet received significant recognition.

Julian Brave NoiseCat, Emily Kassie
Directors of Sugarcane

Carla Gutiérrez
Director of Frida

Rachel Elizabeth Seed
Director of A Photographic Memory

BEST NEW NON-SCRIPTED OR DOCUMENTARY SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)

Erased: WW2’s Heroes of Color
Executive Producers: Idris Elba, Johanna Woolford Gibbon, Jamilla Dumbuya, Jos Cushing, Khaled Gad, Matt Robins, Chris Muckle, Sean David Johnson, Simon Raikes
Co-Executive Producer: Annabel Hobley

Hollywood Black
Executive Producers: Shayla Harris, Dave Sirulnick, Stacey Reiss, Jon Kamen, Justin Simien, Kyle Laursen, Forest Whitaker, Nina Yang Bongiovi, Jeffrey Schwarz, Amy Goodman Kass, Michael Wright, Jill Burkhart
Co-Executive Producers: David C. Brown, Laurens Grant

Photographer
Executive Producers: Elizabeth Chai Vasarhelyi, Jimmy Chin, Pagan Harleman, Betsy Forhan
Co-Executive Producers: Anna Barnes, Brent Kunkle

Ren Faire
Executive Producers: Ronald Bronstein, Benny Safdie, Josh Safdie, Eli Bush, Dani Bernfeld, Lance Oppenheim, David Gauvey Herbert, Nancy Abraham, Lisa Heller, Sara Rodriguez
Co-Executive Producers: Abigail Rowe, Christian Vasquez, Max Allman

Social Studies
Creator/Executive Producer: Lauren Greenfield
Executive Producers: Wallis Annenberg, Regina K. Scully, Andrea van Beuren, Frank Evers, Caryn Capotosto

BEST NEW SCRIPTED SERIES (Award given to the Creator, Executive Producer, Co-Executive Producer)
Baby Reindeer
Creator/Executive Producer: Richard Gadd
Executive Producers: Wim De Greef, Petra Fried, Matt Jarvis, Ed Macdonald

Diarra From Detroit
Creator/Executive Producer: Diarra Kilpatrick
Executive Producers: Kenya Barris, Miles Orion Feldsott, Darren Goldberg
Co-Executive Producers: Ester Lou, Mark Ganek

English Teacher
Creator/Executive Producer: Brian Jordan Alvarez
Executive Producers: Paul Simms, Jonathan Krisel, Dave King
Co-Executive Producers: Kathryn Dean, Jake Bender, Zach Dunn

Fantasmas
Creator/Executive Producer: Julio Torres
Executive Producers: Emma Stone, Dave McCary, Olivia Gerke, Alex Bach, Daniel Powell
Co-Executive Producer: Ali Herting

Shōgun
Creators/Executive Producers: Rachel Kondo, Justin Marks
Executive Producers: Edward L. McDonnell, Michael De Luca, Michaela Clavell
Co-Executive Producers: Shannon Goss, Andrew Macdonald, Allon Reich

BEST LEAD PERFORMANCE IN A NEW SCRIPTED SERIES
Brian Jordan Alvarez
English Teacher

Richard Gadd
Baby Reindeer

Lily Gladstone
Under the Bridge

Kathryn Hahn
Agatha All Along

Cristin Milioti
The Penguin

Julianne Moore
Mary & George

Hiroyuki Sanada
Shōgun

Anna Sawai
Shōgun

Andrew Scott
Ripley

Julio Torres
Fantasmas

BEST SUPPORTING PERFORMANCE IN A NEW SCRIPTED SERIES
Tadanobu Asano
Shōgun

Enrico Colantoni
English Teacher

Betty Gilpin
Three Women

Chloe Guidry
Under the Bridge

Moeka Hoshi
Shōgun

Stephanie Koenig
English Teacher

Patti LuPone
Agatha All Along

Nava Mau
Baby Reindeer

Ruth Negga
Presumed Innocent

Brian Tee
Expats

BEST BREAKTHROUGH PERFORMANCE IN A NEW SCRIPTED SERIES
Jessica Gunning

Baby Reindeer

Diarra Kilpatrick
Diarra From Detroit

Joe Locke
Agatha All Along

Megan Stott
Penelope

Hoa Xuande
The Sympathizer

BEST ENSEMBLE CAST IN A NEW SCRIPTED SERIES
How to Die Alone
Ensemble Cast: Melissa DuPrey, Jaylee Hamidi, KeiLyn Durrel Jones, Arkie Kandola, Elle Lorraine, Michelle McLeod, Chris “CP” Powell, Conrad Ricamora, Natasha Rothwell, Jocko Sims

“Wicked” Best Picture from National Board of Review, Fan Group Leans on Fave Studios As Usual, No Netflix

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The National Bored of Review. They are predictable.

The NBR is a fan group whose members pay big annual fees and also pay to be at their annual dinner.

They chose Universal’s “Wicked” as Best Picture. They ignored “The Brutalist,” which just won Best Picture from the NY Film Critics Circle. They also completely snubbed “Dune Part Two.”

Their 10 other Best Films include Clint Eastwood’s “Juror Number 2,” which was dumped by Warner Bros and never got a proper release. The NBR’s 501 c3 loves Eastwood and has been underwriting his archives at Wesleyan University for years.

The 10 Best films include: Anora, Babygirl, A Complete Unknown, Conclave,
Furiosa: A Mad Max Saga, Gladiator II, Juror #2, Queer, A Real Pain, Sing Sing.

A24 got three Best Picture nods: Babygirl, Sing Sing, and Queer are each from A24 Films. This is no surprise since an exec from that studio has been on the NBR board of directors for years. Nicole Kidman and Daniel Craig, stars of those respective films, are Best Actress and Actor.

“The Brutalist” is also an A24 film, but I guess Annie Schulhof really didn’t like it. But A24 also got mentions for “A Different Man” and “Love Lies Bleeding” on the NBR’s Top 10 Indie Films list.

The National Board of Review is a joke. I’ve written about it for years. Like the Hollywood Foreign Press Association their choices are based purely on their own needs. But people eat this stuff up, and the studios love the attention for their films.

The NBR is really leaning on Universal Pictures. They also gave an extra award to “Wicked,” included “Conclave” as their Best Ensemble.

Best documentary went to pro-Palestinian “No Other Land.”

Completely wiped out: Netflix’s big three movies “Maria,” “Emilia Perez,” and “The Piano Lesson.” I guess Netflix finally stopped entertaining the NBR.

Best Film: Wicked

Best Director: Jon M. Chu, Wicked

Best Actor: Daniel Craig, Queer

Best Actress: Nicole Kidman, Babygirl

Best Supporting Actor: Kieran Culkin, A Real Pain

Best Supporting Actress: Elle Fanning, A Complete Unknown

Best Ensemble: Conclave

Breakthrough Performance: Mikey Madison, Anora

Best Directorial Debut: India Donaldson, Good One

Best Original Screenplay: Mike Leigh, Hard Truths

Best Adapted Screenplay:

Clint Bentley & Greg Kwedar, Sing Sing

NBR Spotlight Award: Creative Collaboration of Cynthia Erivo & Ariana Grande

NBR Freedom of Expression Award: No Other Land

Best Animated Feature: Flow

Best International Film: The Seed of the Sacred Fig

Best Documentary: Sugarcane

Outstanding Achievement in Cinematography: Jarin Blaschke, Nosferatu

Outstanding Achievement in Stunt Artistry: Furiosa: A Mad Max Saga

Top Films (in alphabetical order):
Anora
Babygirl
A Complete Unknown
Conclave

Furiosa: A Mad Max Saga
Gladiator II
Juror #2
Queer
A Real Pain
Sing Sing

Top 5 International Films (in alphabetical order):
All We Imagine As Light
The Girl with the Needle
I’m Still Here
Santosh

Universal Language

Top 5 Documentaries (in alphabetical order):
Black Box Diaries
Dahomey
Look Into My Eyes
Super/Man: The Christopher Reeve Story
Will & Harper

Top 10 Independent Films (in alphabetical order):
Bird
A Different Man

Dìdi
Ghostlight
Good One
Hard Truths
His Three Daughters
Love Lies Bleeding
My Old Ass
Thelma

Bob Dylan Speaks! Endorses Biopic “A Complete Unknown,” Met with Director Over Script 5 Times (Exclusive)

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I’m telling you this story backwards:

I can tell you Bob Dylan met with writer-director James Mangold five times when the coming biopic “A Complete Unknown” was being made. Mangold himself told me so at the Gotham Awards on Monday night.

Now this afternoon Dylan himself speaks about the film, which is off the charts great and stars Timothee Chalamet as the young superstar poet and songwriter back in 1965.

Dylan Tweets:

Is Dylan writing these occasional Tweets himself? Or is someone in his office doing it? I don’t know. But this is Bob’s official account. So we’ll take it for what it’s worth.

Mangold says Dylan has not seen the finished film. But I can tell you he will be more than pleased. Mangold, Chalamet, and co. have made something great, akin at least to Mangold’s “Walk the Line” about Johnny Cash. It’s full of beautiful touches. Chalamet leads a best ensemble cast. It’s Timothee’s best work. They are tangled up in success!

Good for Bob Dylan or whomever for chiming in days before reviews are allowed to be published. “A Complete Unknown” is going to blow up the awards race!

Taylor Swift Selling Almost 400,000 Copies of Expanded “Tortured Poets” This Week at Target

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The Taylor Swift marketing continues to astound.

According to hitsdailydouble.com, Taylor is on track to sell 388,000 copies this week of her “Tortured Poets Department” album.

This is an expanded version with 35 tracks, sold only at Target. The original 31 tracks are included plus four acoustic takes only available with this collection.

Taylor’s already sold around 6 million “Poets” this year, or 12 million if you include all versions and tracks.

Rolling Stone says Swift is only the 2nd biggest music act of the 21st century, however, after selling gazillions of albums and selling out arenas around the world. They put Beyonce at number 1. Their calculations are suspect, certainly.

“Poets” thus returns to number 1 this Friday for its 17th time in 2024.

SOS: “30 Rock” Actor Grizz Chapman Loses DC Suburb Home After Truck Crashes Into It

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“30 Rock” actor Grizz Chapman is sending an SOS.

Chapman, who played Tracy Morgan’s bodyguard and assistant on the Alec Baldwin-Tina Fey comedy, has lost his home suddenly after a truck crashed into it.

According to NBC4 in Washington, Chapman’s home of two years at the Moorings of Occoquan Condominiums off of Gordon Boulevard near Woodbridge Virginia was destroyed when a freight truck slammed into it Monday morning.

Chapman, luckily, was not home at the time. He told NBC4, “My neighbor called screaming and crying and concerned because everybody thought that I was downstairs.”

Chapman is living in a hotel until his insurance company evaluates what was damaged. He said he has nowhere to live otherwise, and hopes he helps get soon. The apartment was filled with “30 Rock” memorabilia.

According to reports, Chapman received a kidney transplant in July 2010. The actor suffers from severe hypertension and had been undergoing dialysis treatments prior to the transplant.

“YMCA” Writer Says It’s Not a Gay Song, Trump Use at Rallies Has Made Millions of Dollars for Him

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Victor Willis, writer of “YMCA,” wants to clarify something: the song is not gay themed. “There is nothing gay about it,” he says in a Facebook post.

Willis is thrilled Donald Trump likes the song, especially since the Village People singer says he’s made millions from it since Trump started using it.

Willis also says his wife will start suing people who insist the song is gay themed. Whoever Willis’s wife is, she’s pretty busy according to him carrying out their efforts. He says “my wife” more often in his post below than the word “fiancee” is used in a famous “Seinfeld” episode.

Read here about today’s phony baloney National Board of Review winners

So Willis is raking in the dough, the song — about picking up men in the local Y — isn’t gay, and everyone should leave him alone.

His key paragraph: “The financial benefits have been great as well as Y.M.C.A. is estimated to gross several million dollars since the President Elect’s continued use of the song. Therefore, I’m glad I allowed the President Elect’s continued use of Y.M.C.A. And I thank him for choosing to use my song.”

It’s unclear what and his co-writer make from licensing “YMCA.” But Luminate indicates that the song has sold the equivalent of 265,750 copies thanks almost entirely to streaming this year. That’s not a huge number in sales, which only came to 16,383 in downloads. So his excitement should be taken with some skepticism.

Willis writes:

“To Village People fans and the media:

I am the singer and writer of the lyrics to the hit Y.M.C.A. In fact, as was adjudicated and ruled in a U.S. District Court, I wrote 100% of the lyrics, and my writing partner, Jacques Morali wrote the music.

Since 2020, I’ve received over a thousand complaints about President Elect Trump’s use of Y.M.C.A. With that many complaints, I decided to ask the President Elect to stop using Y.M.C.A. because his use had become a nuisance to me.

However, the use continued because the Trump campaign knew they had obtained a political use license from BMI and absent that license being terminated, they had every right to continue using Y.M.C.A. And they did.

In fact, I started noticing numerous artists withdrawing the President Elect’s use of their material. But by the time I said to my wife one day, hey, “Trump” seems to genuinely like Y.M.C.A. and he’s having a lot of fun with it.

As such, I simply didn’t have the heart to prevent his continued use of my song in the face of so many artists withdrawing his use of their material. So I told my wife to inform BMI to not withdraw the Trump campaign political use license. My French partners were contemplating legal action out of France. So I had my wife contact our French partners and asked them to stay out of the Trump campaign’s use of Y.M.C.A. because it is a U.S. matter, and I will make the decision on his use. Our French partners quickly backed off of their objection to his use.

Y.M.C.A. has benefited greatly from use by the President Elect. For example, Y.M.C.A. was stuck at #2 on the Billboard chart prior to the President Elect’s use. However, the song finally made it to #1 on a Billboard chart after over 45 years (and held on to #1 for two weeks) due to the President Elect’s use.

The financial benefits have been great as well as Y.M.C.A. is estimated to gross several million dollars since the President Elect’s continued use of the song. Therefore, I’m glad I allowed the President Elect’s continued use of Y.M.C.A. And I thank him for choosing to use my song.

There’s been a lot of talk, especially of late, that Y.M.C.A. is somehow a gay anthem. As I’ve said numerous times in the past, that is a false assumption based on the fact that my writing partner was gay, and some (not all) of Village People were gay, and that the first Village People album was totally about gay life.

This assumption is also based on the fact that the YMCA was apparently being used as some sort of gay hangout and since one of the writers was gay and some of the Village People are gay, the song must be a message to gay people. To that I say once again, get your minds out of the gutter. It is not.

Sadly, when the President Elect started using the song, people attempting to brand the song as a gay anthem reached a fever pitch as many used it to say, oh, Trump don’t know the song is a gay anthem? This was done in a manner to attempt to shame the President Elect’s use of the song.

As I stated on numerous occasions, I knew nothing about the Y being a hang out for gays when I wrote the lyrics to Y.M.C.A. and Jacques Morali (who was gay) never once stated such to me. In fact, Jacques never once told me how to write my lyrics otherwise I would have said to him, you don’t need me, why don’t you simply write the lyrics.

I therefore wrote Y.M.C.A. about the things I knew about the Y in the urban areas of San Francisco such as swimming, basketball, track, and cheap food and cheap rooms. And when I say, “hang out with all the boys” that is simply 1970s black slang for black guys hanging-out together for sports, gambling or whatever. There’s nothing gay about that.

So, to the extent that Y.M.C.A. is considered a gay anthem based on the fact that gays once used certain YMCA’s for elicit activity, the assumption that the song alludes to that is completely misguided.

Therefore, since I wrote the lyrics and ought to know what the lyrics I wrote is really about, come January 2025, my wife will start suing each and every news organization that falsely refers to Y.M.C.A., either in their headlines or alluded to in the base of the story, that Y.M.C.A. is somehow a gay anthem because such notion is based solely on the song’s lyrics alluding to elicit activity for which it does not. However, I don’t mind that gays think of the song as their anthem.

But you’d be hard-pressed to find Y.M.C.A. on the play list at any gay club, parade or other gay activity in a way that would suggest it’s somehow an anthem to the community other than alluding to illicit activity, which is defamatory, and damaging to the song. But it stops in 2025.

However, you know where you-will find Y.M.C.A.? On the play list of almost every wedding, bar mitzvah, sporting organization, and the song is used in commercials and motion pictures and products worldwide.

The true anthem is Y.M.C.A.’s appeal to people of all strips including President Elect Trump. But the song is not really a gay anthem other than certain people falsely suggesting that it is. And this must stop because it is damaging to the song.”

Netanyahu Film: Doc Maker Alex Gibney Says No One Will Show “The Bibi Files” But You Can See It Here

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Alex Gibney has made dozens of terrific documentaries. So has Lexi Bloom.

But Gibney says their film, “The Bibi Files,” about the corruption and crimes of Israeli prime minister Benjamin Netanyahu, has not gotten one bite from a distributor or a streamer.

Gibney writers on Twitter:

“I want to tell a story. I was leaked never-before-seen police interrogation videos from the Netanyahu corruption case. They shed light on Bibi’s corruption – from cheap bribes to the way he has ruthlessly embarked on a forever war in Gaza. I asked Alexis Bloom to direct a film about it which she did: “The Bibi Files.” It is a scathing and coruscating behind-the-scenes look at how his venal attempts to elude judgement and stay in power have cost over 50,000 lives and are taking us to the brink of WWIII. Shocker: to date, no mainstream outlet will show the film in the US. So, we have partnered with a new outlet called http://Jolt.film, so that Americans can see the film. Jolt is an alternative that will allow independent cinema to thrive. Please check it out.”

You can watch this important film here, for just $18.

“Wicked,” Hits the Oscar Trail: Deadpool Meets Elphaba as Ryan, Blake, Brooke, Joey Pants Turn Out for NY Screening

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The cozy Metrograph Theater is at the corner of Chinatown and Who-knows-where, but a lot of A-listers showed up tonight for a screening of “Wicked” with Cynthia Erivo, Ariana Grande, Peter Dinklage, producer Marc Platt, and director Jon M. Chu.

Presented a low key event in out of the way place, “Wicked” turned up the Oscar heat. Ryan Reynolds and Blake Lively brought a couple of their daughters. Brooke Shields popped in, so did Joe Pantoliano, famed composer Carter Burwell, and a large contingent of Academy voters.

“Wicked” may have $266 million in the bank, but now they want nominations.

There’s no doubt they will get them, too, as this group is ready to pitch in. Big Pop Star Ariana told me that despite having a lot of pop hits she loves singing Broadway showtunes. “That’s where it all started,” she reminded. I mentioned that she sampled “My Favorite Things” in one of her songs, which rocked her memory. “Well, in a way!” she said. This is the second time I met her this year, and she is totally delightful.

I was very eager to see Cynthia Erivo, who’s staring a Best Actress nod down her broom. Her Elphaba is just a straight line from her Tony Award win in “The Color Purple” on Broadway. How does she feel about being in such a huge hit, I asked? Isn’t it time for Universal or the producers to send her a big gift marking the occasion?

Erivo joked, “I’ll take an Hermes bag! A Birkin!”

Director Chu told me he’s just started editing Part 2 for release a year from now. I complained that the Wizard in these versions has gone from affable con man to really bad guy. Can’t he do anything about that? (‘Fraid not.) Chu also told me it doesn’t look like we’ll ever see a sequel to his classic comedy hit, “Crazy Rich Asians.”

“We couldn’t a script,” he said. “We had a few versions.” Nothing with Gemma Chan picking up the baton? He said, “I don’t think people want to see a story about really rich people right now. And so much time has passed, we’d have to take a lot in.”

I did tell Peter Dinklage I watched him over the weekend in “Elf.” His review: “It’s the Citizen Kane of Christmas movies. A classic.” Did he love making it? “What do you think?” he replied.

NY Film Critics Name “The Brutalist” Best Picture, Adrien Brody Best Actor

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No surprise: the New York Film Critics Circle has given Best Picture to Brady Corbet’s “The Brutalist.”

The film’s star, Adrien Brody, is Best Actor. But Corbet, oddly, is not Best Director. That honor went to RaMell Ross for ” Nickel Boys.”

Best Actress went unexpectedly to Marianne Jean Baptiste for “Hard Truths.”

Supporting Actor went to Kieran Culkin for “A Real Pain.”

Supporting Actress went to beloved NY actress Carol Kane for “Between the Temples.”

The screenplay award went to Sean Baker for “Anora.”

Keep refreshing

Gender Neutral Gotham Awards Go Exclusively to Men, Snub Female Stars

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Monday night’s Gotham Awards were packed with A list stars, notching up the importance of the evening as the opening salvo for Hollywood prizes

Among the guests were Nicole Kidman, Angelina Jolie, Jessica Chastain, Timothee Chalamet, Demi Moore, and Colman Domingo.

But gender neutral nominations produced a tricky outcome. Only men won acting awards, leaving the women empty handed.

Here’s a list:
The winner for Best Feature was A Different Man.

The winner for Best International Feature was All We Imagine as Light.

The winner for Best Documentary Feature was presented to No Other Land.

The winner for Best Director was RaMell Ross for Nickel Boys.

The winner for Best Screenplay was Azazel Jacobs for His Three Daughters.

The winner for Breakthrough Director Gotham was Vera Drew for The People’s Joker.

The winner for Outstanding Lead Performance was Colman Domingo in Sing Sing.

The winner for Outstanding Supporting Performance was Clarence Maclin in Sing Sing.

The winner for Breakthrough Performer was Brandon Wilson in Nickel Boys.

The three acting winners all went to men. Big name actresses with knockout performances were completely overlooked.

Nevertheless the evening itself ran smoothly and on time, and tables at 55 Wall Street Cipriani were filled with movie stars and the top tier up and comers. The left field choice for Best Feature was the unexpected “A Different Man,” keeping the Gothams still the most important venue for indie films