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Leather Bound, Signed Screenplays from Golden Globes and Awards Season Wash Up on Ebay for Hundreds of Bucks

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Awards season is over, and there’s no more swag.

Of course, there’s swag and then there’s swag. As a member of the Broadcast Critics, I receive copies of the screenplays for the year’s films. They’re usually just printed up as a paperback book, with no worth other than having them.
silence screenplay

SILENCE_MARTIN_SCORSESE_SIGNED_SCREENPLAY_SCRIPT_FYC_FOR_YOUR_CONSIDERATION_eBay_-_2017-03-27_20.49.20
But others really get nice stuff. The Hollywood Foreign Press ASsociation apparently receives autographed screenplays, and mostly leather bound in special embossed covers. How do we know? Well, they’re turned up on e-bay.

Right now screenplays for Martin Scorsese’s “Silence” written by Jay Cocks, Noah Oppenheim’s “Jackie,” and Barry Jenkins’ “Moonlight” are all up for auction on the site. Each one specifies that they were created for the Hollywood Foreign Press Association.
MOONLIGHT_HAND_SIGNED_MOVIE_SCREENPLAY_SCRIPT_FYC_FOR_YOUR_CONSIDERATION_eBay_-_2017-03-27_20.48.29

la la landThe highest price signed screenplay of this past season comes from “La La Land” for $499. Signature was obtained at the Vanity Fair And Barneys New York Private Dinner In Celebration Of “La La Land” Feb 22 2017 – Chateau Marmont – Los Angeles, CA

creed box setAnd the auctions are not just limited to screenplays. For $225 there’s a boxed set for 2015’s “Creed.” The ebay entree reads: THIS AUCTION IS FOR THE CREED MOVIE DELUXE BOX SET PLUS THE FYC SCRIPT AND SOUNDTRACK. THIS WAS GIVEN OUT AS A GIFT TO THE HOLLYWOOD FOREIGN PRESS FOR THE CONSIDERATION AT GOLDEN GLOBES 2016. THIS IS A LIMITED EDITION. NOT SOLD IN STORES. THE DVD WAS TAKEN OUT BY THE HFPA MEMBER AS IT WAS WATERMARKED. THE BOX MEASURES 10 X 8.5 X 2 1/4 INCHES CLOSED. ONCE THE DVD COME OUT YOU CAN OUT IT IN EMPTY SPOT.

Broadway: Lynn Nottage’s High Wattage “Sweat” Provides a Backstory for Our Current Trump Troubles

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For those still pondering how we got to Trump in the White House, “Sweat,” Lynn Nottage’s play opened last night at the Roundabout Theater/Studio 54. This Pulitzer Prize winner’s Broadway debut provides quite a backstory for our collective political plight. Nottage got high wattage too: her guests last night included Spike Lee, Alison Janney, Gloria Steinem, Kate Burton, Sandra Oh, Kristine Nielsen, Jessica Hecht, Russell Hornsby, Nicole Ari Parker, and Rose Byrne.

“Sweat” gives poignant voice to a disenfranchised microcosm of the American heartland, as if Michael Moore’s Flint, Michigan had taken center stage. A fine ensemble is featured under Kate Whoriskey’s expert direction whose mecca is a local bar where birthdays are celebrated and the closing steel mill is mourned. It’s “Cheers” with less cheer. The characters are of limited career options and a variety of ethnicities when in 2000, the doors of opportunity slam shut.

Kudos to John Lee Beatty’s set design, for a bar in inviting reds. As quality of life diminishes and houses disappear, friends begin to sneer at one another, culminating in violence. Tracey (a terrific Johanna Day) resents Cynthia’s (the excellent Michelle Wilson) rise to management inciting their sons Jason (Will Pullen) and Chris (Khris Davis) to take revenge on Oscar (a pivotal role for Carlo Alban), of Colombian origin who crosses the picket line. Oscar delivers the play’s final zinger, reminding everyone of who we are as humans.

Much of Nottage’s play is about ancestors both black and white, hardworking people, a theme of August Wilson’s magnificent Pittsburgh Cycle. It is no coincidence that Nottage’s play is set in nearby Reading, Pennsylvania.

At Sunday’s opening, at Brasserie 8 ½, the stars mingled with an array of well-wishers: Stephen McKinley Henderson, who was so great in “Fences” on Broadway, and in the recent movie, was part of the original “Jitney” ensemble and was hobnobbing with Anthony Chisholm who was in the recent “Jitney” Broadway production.

August Wilson’s widow, Consuelo Wilson, who manages his estate with a mission, was also on hand. She told me that While Denzel Washington has vowed to see all of Wilson’s plays produced, she is making sure that each one comes out in a special moment. As everyone supped on delicious beef, short rib risotto, and dim sum, Carlo Alban seemed overwhelmed. He hadn’t slept at all, he said; his mind was racing: “It’s all come to this night, and it went great!”

 

Explosive News: Samsung Bringing Back the Note 7 for as Refurbished Device for Sale or Rent

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Samsung’s website: they’re going to bring back the Note 7 for sale as a refurbished phone. They will also offer the refurbished phone for rentals. These were the phones that exploded and no one could figure out why. I guess they’ve figured all that out and they still have all those phones, so why not? Unless, of course, their site was hacked and this is just a hoax. I like the whole roulette feel of this announcement. Life is just way too boring these days! 

from the press site:

Samsung Electronics has established three principles to ensure that Galaxy Note 7 devices are recycled and processed in an environmentally-friendly manner.

First, devices shall be considered to be used as refurbished phones or rental phones where applicable.

Second, salvageable components shall be detached for reuse.

Third, processes such as metals extraction shall be performed using environmentally friendly methods.

Regarding the Galaxy Note 7 devices as refurbished phones or rental phones, applicability is dependent upon consultations with regulatory authorities and carriers as well as due consideration of local demand. The markets and release dates will be determined accordingly.

For remaining Galaxy Note 7 devices, components such as semiconductors and camera modules shall be detached by companies specializing in such services and used for test sample production purposes.

Finally, for left over component recycling, Samsung shall first extract precious metals, such as copper, nickel, gold and silver by utilizing eco-friendly companies specializing in such processes.

As part of our ongoing commitment to recycling, Samsung also plans to join the EU’s R&D and test efforts to develop new eco-friendly processing methods.

Box Office: “Beauty and the Beast” $700 Mil Worldwide, “CHiPS” $7.6 Mil Disaster

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Tomorrow Monday, around the world, Disney’s “Beauty and the Beast” will cross the $700 million. It’s been open for two weeks. As of today, Sunday, the live action musical version of the company’s animated film and Broadway show stands at $690 million. They are hard charging toward $1 billion. Quite a phenom. This weekend in the US, “B&B” made $88 million– a second weekend, no less.

On the other hand, Warner Bros. “CHiPS” adaptation is a disaster. They made $7.6 million over the weekend. The studio says “CHiPS” cost $25 million. Let’s say it cost $35 million all in. It doesn’t matter. They also say $1.9 million was made somewhere abroad. Probably in a country where English wasn’t necessary.

The lesson is that they shouldn’t have made “CHiPS.” It was a waste of money. But the damage is done.

There’s a weird relationship now between Disney, which is riding high, and Warner Bros., which is scrambling. Alan Horn left WB to run Disney. There was some perception that he wasn’t doing a good job at WB. But now he’s succeeding like crazy. He’s got Disney comprising the animation studio, the “Pirates” people, Marvel and LucasFilms. With the right resources, Horn has fashioned a powerhouse.

Warner Bros.’ DC Comics films are viewed as inferior to Marvel’s Avengers, et al. Fans loathed “Batman vs. Superman” and didn’t much like “Suicide Squad.” Now Warner’s has debuted a trailer for “Justice League” that shows some of the characters except Superman. “Justice League” looks dark and grim from this trailer.

When I was watching it I was thinking, Why do all the DC Comics films seem like work? While Marvel films look like fun? When I was a kid, DC Comics were bright and colorful. Marvel was the plodding, philosophical comic.  In the movies, they reversed roles. Batman always seems like he’s going to give you a lecture, whereas Iron Man is coming with a quip. Imagine if Robert Downey Jr had played Bruce Wayne. The orphaned millionaire would have had a much better time.

Danny DeVito Says He’s Separated from Rhea Perlman After 46 Years of Marriage

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There’s a very nice piece on Danny DeVito today by Martha Teichner on “CBS Sunday Morning.” But sadly, Danny conceded to Teichner that he and Rhea Perlman are indeed separated. They got marred in 1971. “We’re separated,” he says as the answer to Teichner’s gentle query. “We’ve been friends for over 40 years.”

The couple separated once before in 2013 and headed for divorce, but then got back together. Maybe that will happen again.

Indeed, Perlman was at DeVito’s Broadway premiere a couple of weeks ago in Arthur Miller’s “The Price.” When I asked her, sort of rhetorically, “Hey, how about Danny? Not bad!” referring to his Broadway debut, she gave me kind of a shrug and a “Yeah.”

They understand it, and it’s none of our business really. Except in our minds, they’re Carla Tortelli and Louie dePalma, respectively, from “Cheers” and “Taxi,” fictional characters who are real in our minds. We want them to be happy. But then think if Carla and Louie were really married– it would be worse than Carla with her own husband, the conniving louse, Nick. Carla and Louie would always be yelling at each other. On second thought, don’t think of it!

Meantime, Danny is like a dozen cherry bombs going off in “The Price.” He may get a Tony nomination.  And hopefully a happy ending.

Dirty Work: Fox News’ Jeanine Pirro Demands Paul Ryan “Has to Step Down as Speaker of the House” After Donald Trump Promotes Her Show All Day

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Donald Trump Jeanine PirroTonight on Fox News at 9pm Eastern Jeannie Pirro, Fox anchor, demanded Paul Ryan step down as Speaker of the House in Congress. “Paul Ryan has to step down as Speaker of the House. The reason? He failed to deliver the votes” on the healthcare bill– “the one he had seven years to work on.” Pirro blames Ryan for the whole health care vote disaster. AND —She says she hasn’t spoken to Donald Trump, but earlier today Trump PROMOTED her show on his Twitter feed.

This is absolutely extraordinary. Pirro and Trump are thisclose. He donated $20,000 to one of her political campaigns. Her real estate magnate husband and Trump are evencloser.

Here’s Trump’s Tweet at 10am or so this morning:


Here’s Pirro six minute rant this evening doing Trump’s dirty work:

Is anyone running Fox News? What the hell is going on? The weirdest thing here is that Trump hired the hit woman and then ANNOUNCED it in advance of the hit! I know Ryan is from Wisconsin but he must understand what just happened.

Keep refreshing…

Sir Elton and Queen Aretha Share a Birthday Today– Watch their Famous Duet on “Border Song”

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Sir Elton John turns 70 today, which seems unbelievable. Queen Aretha Franklin celebrates 75 years young. They are two of our greatest artists who’ve brought great pleasure to everyone around the world with not only their music but their lives.

A long time ago, Aretha recorded Elton’s “Border Song,” and had a hit with it. They were filmed performing a duet of it subsequently. What a delight. Happy Birthday, kids, and many many more1

Box Office: Ryan Reynolds’ Non Movie Doesn’t Show Much “Life” with Weak Friday Opening

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“Life,” a movie I can’t imagine anyone enjoying, had a rotten opening last night– it finished 3rd with $4.4 million. Sony-Columbia Pictures says the budget was $58 million. But the special effects seem like they’d make it more expensive. (It’s not nearly as good as the 1999 Eddie Murphy-Martin Lawrence movie called “Life.”)

This is a strange and unpleasant horror film–not at all a great space movie. Plus, Ryan Reynolds — hot off “Deadpool”– is only in it a short time, and just as audience bait. The stars are Jake Gyllenhaal and Rebecca Ferguson, who look like they’d rather be somewhere else.

“Life” is almost like a parody of itself. They’ve got three throwaway characters– a foreign woman, a black guy and a Japanese guy– who are just there to be killed quickly. Reynolds is used like a prop, frankly.

The other new release, Warner Bros. movie version of the terrible TV series “ChiPS,” is a goner. They took in $2.6 million last night. Again, was there a groundswell of interest in remaking that show? It was garbage. And the movie goes straight to planes, trains, and VOD.

“Beauty and the Beast,” meanwhile, crossed the $500 million mark worldwide today. It’s up to $541 million and counting. That’s in eight days. One billion served will soon be going up over their logo.

Writers Guild Sends Letter to Members Asking for a Strike Authorization Vote: Time for Protesters and Donuts Again?

The Writers Guild sent a letter out tonight asking members for a strike authorization note. The last strike ran from November 2007 to February 2008. It didn’t help the studios. Has no one learned a thing since then? The strike pits the writers against the Alliance of Motion Picture and Television Producers which represents 397 movie and TV producers. Carol Lombardini is their president since 2009. The current Minimum Basic Agreement expires on May 1, 2017.

March 24, 2017

Dear Colleague,

The initial two-week bargaining period agreed to by your Guild and the AMPTP concludes at the end of the day today. We do not yet have a deal. We will continue to bargain in good faith to make such a deal. But, at this point, we want to let you know where we stand.

We began the negotiations with two truths about the current state of the business at the heart of our proposals:

First, that these have been very profitable years for the companies. This past year they earned $51 billion in profits, a record.

Second, that the economic position of writers has declined sharply in the last five or so years. Screenwriters have been struggling for a long time. They are now joined by television writers, for whom short seasons are at the core of the problem. In the last two years alone, the average salary of TV writer-producers fell by 23%. Those declines have not been offset by compensation in other areas. In Basic Cable and new media, our script fees and residual formulas continue to trail far behind those in broadcast – even though these new platforms are every bit as profitable as the old model.

In light of all this, we sought to tackle a number of issues that directly affect the livelihoods of all writers.

–We asked for modest gains for screenwriters, most particularly a guaranteed second-step for writers earning below a certain compensation level.

–We asked for a rational policy on family leave.

–We sought to address chronically low pay for Comedy Variety writers.

–We asked for 3% increases in minimums – and increases in the residual formula for High Budget SVOD programs commensurate with industry standards.

–We made a comprehensive proposal to deal with the pernicious effects of short seasons. This included a limit on the amortization of episodic fees to two weeks, a proposal that sought to replicate the standard that had been accepted in the business for decades. It addressed, as well, the continued problems with Options and Exclusivity. And it sought to address the MBA’s outdated schedule of weekly minimums, which no longer adequately compensates writers for short terms of work.

–Finally, we sought to address script fee issues – in basic cable and streaming – but also in the case of Staff Writers. Unconscionably, our lowest paid members are now often held at the staff level for multiple seasons, with no compensation for the scripts they write.

What was the companies’ response to these proposals?

No, in virtually every case.

–Nothing for screenwriters. Nothing for Staff Writers. Nothing on diversity.

–On Family Leave they rejected our proposal and simply pledged to obey all applicable State and Federal laws – as if breaking the law were ever an option.

–On short seasons, they offered a counter-proposal that addressed the issue in name only – thus helping no one.

–They have yet to offer anything on minimums, or on HBSVOD.

–They have made some small moves on Options & Exclusivity – some small moves for Comedy Variety writers in Pay TV. But that is all.

On the last day of these two weeks, the companies’ proposal has barely a single hard-dollar gain for writers.

$51 billion in profits and barely a penny for those of us who make the product that makes the companies rich. But that’s not all.

In response to our proposal to protect our Pension and Health Plans, this has been their answer:

Nothing on Pension.

And on our Health Plan, two big rollbacks.

First, they have demanded that we make cuts to the plan – $10 million in the first year alone. In return, they will allow us to fund the plan with money diverted from our own salaries.

More, they’ve demanded the adoption of a draconian measure in which any future shortfalls to the plan would be made up by automatic cuts in benefits – and never by increases in employer contributions.

This, too, is unacceptable. The package, taken as a whole, is unacceptable – and we would be derelict in our duty if we accepted it.

Therefore, your Negotiating Committee has voted unanimously to recommend that the WGAW Board of Directors and WGAE Council conduct a strike authorization vote by the membership.

Once again, we are committed to continue negotiating with the companies in good faith to get you the deal we all deserve. We will continue to update you as things progress.

Respectfully,

The Negotiating Committee Members of the WGA West and WGA East

Chip Johannessen, Co-Chair
Chris Keyser, Co-Chair
Billy Ray, Co-Chair

Alfredo Barrios, Jr.
Adam Brooks
Zoanne Clack
Marjorie David
Kate Erickson
Jonathan Fernandez
Travon Free
Howard Michael Gould
Susannah Grant
Erich Hoeber
Richard Keith
Warren Leight
Alison McDonald
Luvh Rakhe
Shawn Ryan
Stephen Schiff
David Shore
Meredith Stiehm
Patric M. Verrone
Eric Wallace
Beau Willimon
Nicole Yorkin

Howard A. Rodman, WGAW President, ex-officio
Michael Winship, WGAE President, ex-officio
David A. Goodman, WGAW Vice President, ex-officio
Jeremy Pikser, WGAE Vice President, ex-officio
Aaron Mendelsohn, WGAW Secretary-Treasurer, ex-officio
Bob Schneider, WGAE Secretary-Treasurer, ex-officio

Drake Smashes Some Records as “More Life” Gets More than 500,000 Streams, Singles Fill Charts

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Drake– as they say on “Seinfeld,” — ‘everyone loves the Drake.’

The rapper dropped a mixtape late last Saturday and it shot to number 1 on Spotify and iTunes instantly. It’s for streaming or downloading only. There is no physical CD.

So what happened? Hitsdailydouble reports 560,000 total streams and downloads. Paid downloads only came to 230,000.

Hitdailydouble says all of their top 10 streaming singles are from the album.

Spotify reports 13 of the top 20 streamed singles since last Saturday are from “More Life.”

“More Life” is the number 1 album on iTunes. But fans haven’t done much for the individual tracks on iTunes. I guess they’re just downloading the album. It’s price to sell at $10.99.

Is it good? Oh , what’s the difference? Get over it. The song is about drunk texting Jennifer Lopez. I hope she gets a cut.

“More Life” just is.