Tuesday, December 16, 2025
Home Blog Page 1256

Martin Scorsese and Mel Brooks, Two New York Boys, Take Over Hollywood for the Night

0

“Avengers: Infinity War” Opens to HUGE $39 Mil Thursday Night, Biggest Ever for Super Hero Movie

0

RECORD BREAKING “Avengers: Infinity War” opened to $39 million last night in previews, the biggest ever for a superhero movie.

Since last night will be counted with tonight, it’s possible Marvel will declare a $100 million opening night when all is said and done.

It was also the second highest Thursday ever posted, behind “Revenge of the Sith.” (Only it won’t be counted as a Thursday, even though…don’t get me started).

The movie also made $95 million from international markets from Wednesday and Thursday showings. Add that to the $39 mil US. We’re off and running!

Will “Infinity War” sustain itself to beat “Black Panther”? Hard to say, but I’d wager ‘no.’ But who knows? We’ll see.

Roseanne Ticket Sales Disaster as Seats for Maryland Show Next Month Go Begging at $39

0

Roseanne Barr just finished up a short successful stand up tour in Canada while her show was booming in its reboot on ABC.

But now Roseanne is starting to book dates in the US and things are a little different. Her Vegas show for May 5th is sold out, but the venue only has 850 seats.

On May 12th in National Harbor, Maryland, it’s a different scene. The 3,000 seat MGM National Harbor is a sea of blue dots on Ticketmaster– meaning almost nothing is sold. On reseller vividseats.com you get in the door with a balcony ticket for $39. For fifty-one bucks you can sit down front and spread out. There are seats everywhere and on the reseller market, they’re dropping!

Roseanne is funny– I’d go see her for $51. But maybe the Maryland audience is tired of all the Trumpery. I don’t see why it would bother them– they did give us Spiro Agnew years ago!

I am amazed, by the way, how “real Americans” and red-staters have fallen for Roseanne’s “Republican” pitch. It’s hilarious. After the first episode build up, there’s been not one political joke or mention on the rest of the series. The show is run by people who are as anti-Trump as possible. But just that clever run up to the first episode convinced a whole daft segment of the population that “Roseanne” was going to be their savior. There were articles about how the networks would have to “reconsider” their shows. LOL.

 

 

Sting Plays Intimate Acoustic Set at The Met Museum, Is Moved Seeing His Lyrics as Part of Art Installation

0

Sting– busy lately? He’s been a press tour for about 10 days promoting his hot album with Shaggy called “44/876.” It’s been in the top 20 all week on iTunes, amazon, etc.

So why not fulfill another commitment? On Tuesday, Wednesday, and last night the rock superstar played an intimate acoustic 45 minute set at the Grace Rainey Rogers Auditorium inside the Metropolitan Museum of Art in conjunction with their Thomas Cole-Hudson River School exhibition. Needless to say, the three shows — called “Atlantic Crossing” — were sold out (the room holds about 650) and the audiences were swooning. They heard selections from Sting’s musical “The Last Ship” (currently a hit in the UK in a new streamlined version) with which he intertwined growing up in Newcastle, England among shipbuilders.

Last night, as a little flourish, he included two encores (well, he had to) for a wildly enthusiastic, cheering, standing, clapping audience. t Leading the charge was Jerry Moss, founder of A&M Records with Herb Alpert, the label that Sting has recorded on solo and with the Police since 1978. The last songs were “Message in a Bottle” and “Englishman in New York.” It was pretty deliriously great to see Upper East Side financial guys in blue blazers and ladies in pearls singing back the lyrics.

But wait– the show was introduced by landscape artist Stephen Hannock, who is so famous he has six pieces in the Met. He’s also collaborated with Sting on a limited edition book from Two Ponds Press called “The Last Ship from the Northern City.” There are only 85 copies and they cost– a lot. You won’t find it in the Strand Bookstore. It’s a work of art for collectors. Now that the books are finally starting to come off press (slowly), The Met has set up a display in their Hudson River School section where Hannock’s “Oxbow” hangs with its antecedents.

But the Met has gone a step further. To Sting’s surprise, the lyrics to “The Last Ship” are placed in a case along with a Hannock woodcut print, under a famous painting by Thomas Chambers. “It blew me away,” Sting said, unexpectedly moved. “My lyrics in the Met! I couldn’t believe it.”

And now, back to Shaggy. Listen to Sting’s “If You Can’t Find Love” here.

BREAKING Bill Cosby Found Guilty On All Three Counts of Aggravated Sexual Assault

0

Bill Cosby has been found guilty on all three charges of aggravated sexual assault in the Andrea Constand case.

It’s hard to believe but Cosby, once a role model for the world, could get up to 30 years in jail. He’s 80 years old.

Cosby has been accused by dozens of women of drugging and/or raping them. In depositions for a civil case with Constand that preceded this one, Cosby admitted to giving the women Quaaludes among other things.

The trial’s outcome is an American tragedy. Cosby was a hero– a hero– to millions. Regardless of what he’s done to these women– and no one is saying he didn’t– Cosby’s fall is a monumental blow.

I’ll turn it over to the Philadelphia Inquirer here.

 

John Legend, Discovered by Kanye West, Texts Him: “I hope you’ll reconsider aligning yourself with Trump…don’t let this be part of your legacy”

0

John Legend has texted Kanye West in regard to his Twitter meltdown yesterday that included more endorsements of Donald Trump– and Trump responding in kind to West.

Kanye posted Legend’s text to him and his response. It should be noted that Legend was discovered by West, who produced his first album, the one that made him an international star.

John Legend says to Kanye: “I hope you’ll reconsider aligning yourself with Trump…don’t let this be part of your legacy.”

West responded: “I Love you, John. You bringing up my fans or my legacy is tactic based on fear used to manipulate my free thought.” He also wrote: “I tweeted the John text to show that there are people around me that disagree with me and voice their opinion. I respect everyone’s opinion but I stand my ground.”

Legend, by the way, joked back to West in another text that as long as Kanye was publicizing their texts he — Legend– has a new single out today. Funny.

Kanye has put himself in a difficult position here after yesterday’s tsunami of Tweets and what looks like another one today. Of course, he has roped in Chance the Rapper, who immediately responded to Kanye’s endorsements of Trump by saying that not all black people had to be Democrats. A couple of hours he amended that to say they could be Independents.

But mostly Kanye’s colleagues, peers, and friends have chimed in on Twitter either denouncing him or imploring him to change his mind about Trump. That won’t happen– Kanye West is now a Kardashian, living in gated Calabasas, overcome by their shallow Republican lifestyle. Yesterday, he invited TMZ’s Harvey Levin into his studio so he could get a good plug on that website. That’s a Kardashian-Trump move if ever there was one. But this is Kanye’s world now– his mother is dead, they are his family. He’s like Patty Hearst once the SLA got her.

Mary Kay Place Gives One of the Finest Performances of Any Year in Understated Indie, “Diane”

0

Mary Kay Place became an overnight TV star as wannabe country singer Loretta Haggers over forty years ago on “Mary Hartman, Mary Hartman.” She won an Emmy award and never looked back, working all the time without interruption in “The Big Chill,” lots of movies and lots of quality TV including a recent two parter on “Grey’s Anatomy.”

Writer director Kent Jones remembered her in a 1997 Francis Ford Coppola movie called “The Rainmaker” and decided she’d be perfect to play the part of his mother in a semi-autobiographical movie that opened this week at the Tribeca Film Festival. Mary Kay plays “Diane,” the lead character in a beautifully understated, subtle indie film that should earn her a lot of awards attention this fall. “Diane” just needs the right distributor, like Sony Picture Classics, to push it along.

What a little gem “Diane” is and so is the character. Diane and her extended family live around Pittsfield, Mass. Her husband is dead– we think from cancer, after working in factory. Her grown son is battling drug addiction. Her family is quickly dying off. And there’s Diane, who does for everyone else, beats herself up over one life mistake made 20 years ago. She’s kind of an everywoman but she’s not sentimental and she’s not looking for sympathy.

Jones surrounds Mary Kay with a great group of friends including Andrea Martin, Estelle Parsons, Joyce van Patten, Phyllis Somerville, and Deirdre O’Connell (who must get her name added to the IMDB page for this movie). Jake Lacy is a standout as Mary Kay’s son who may or not make it after trying to self-destruct in so many ways.

Women of a certain age (baby boomers) who are caught between their aging children and parents will identify strongly with Diane’s life. Mary Kay doesn’t wear her as an obvious warrior, but a survivor– a do-er– who is dedicated to making it to the finish line. Diane is noble, but not overtly, and there’s a scene of her dancing to a jukebox in a bar that is really one of the triumphs of acting– you’ll never forget it. Bravo!

Ryan Gosling, Damian Chazelle May Get “La La Land” Oscar Revenge with “First Man” About Moon Landing

0

Ryan Gosling and Damian Chazelle were robbed two years ago when the actor and the movie “La La Land” failed to win their Oscars– big time.

But today the pair have returned at Cinema Con in Las Vegas with the trailer for “First Man,” their new movie. And look out– according to reports, they may yet get their revenge.

“First Man” concerns Gosling as Neil Armstrong taking the first walk on the moon. Tweets from Cinema Con are glowing with enthusiasm.

The movie will be released this fall by Universal. And value added: Claire Foy, aka The Queen from the Crown, plays Mrs. Armstrong. Bryan D’Arcy James, Corey Stoll, Jason Clarke are also featured.

We can’t wait to see this trailer! Or to hear the soundtrack! Justin Hurwitz, who wrote all that great “La La Land” music with Pasek and Paul, is the composer.

Is this the new odds-on Oscar favorite? You betcha. Chazelle is gifted. And everyone loves NASA movies. “Apollo 13” won Best Picture. “Capricorn One” was so good that people in red states think it was real!

“Roseanne” Ratings Fall to Earth as Reruns of First 4 Shows Beaten Soundly By “The Voice,” and an “NCIS” Repeat

0

“Roseanne” fell back to Earth last night.

Five weeks in, ABC ran not an original episode but a two hour “marathon” of the first four episodes. They averaged 6.1 million viewers, way off from the 13 million of the last two weeks and 15 million of the premiere week.

Indeed, “Roseanne” fell spectacularly in the 9-10pm hour to “The Voice” with its 9 million pairs of eyes.

The comedy was also beaten by back to back reruns of “NCIS” at 8pm and 9pm, with nearly 7 million.

But “Roseanne” is still scoring high with women in the 18 to 49 demographic, so advertisers and ABC are happy, happy, happy.

The show returns next week with a new episode. In the meantime, here’s a look back:

 

Robert Smigel Directs Adam Sandler, Chris Rock for Netflix But Where is Triumph the Comic Insult Dog? “In a Duane Reade Bag”

0

Adam Sandler, who is always taciturn when it comes to talking to the press, told journalists on the red carpet at the premiere of his new comedy, “The Week Of,” Monday night at the AMC Lincoln Square, “Hopefully people will connect with it and why we did it.”

Sandler plays a working class dad who wants to give his daughter (Allison Strong) the wedding of her dreams. Chris Rock plays the wealthy surgeon dad of the groom who volunteers to pay for the wedding Sandler’s character can’t afford.

Rock said on the red carpet, “Adam’s the lead, I play the tambourine. I play a mean tambourine— and we got a guy with no legs (in the film) so that made for interesting banter.”

Robert Smigel, a Saturday Night Life writer, is making his feature directing debut with the film. He also co-wrote the script with Sandler.

Smigel is probably best known as the creator of Triumph, the Insult Comic Dog. He’s a sort of Don Rickles of puppets, a Rottweiller with a growly voice and a bad attitude, always chomping on a cigar. Triumph hasn’t been around for a while. On the red carpet I asked Smigel what it was like being in the director’s chair for the first time and what Triumph was up to.

What would Triumph say about this movie?

Robert Smigel: (He launches into Triumph’s scratchy voice) “I can improve on the script. Give me five minutes and a couple of drinks of water and … I read it. I’s very absorbing.”

Where’s Triumph been during all the political meshuggah?

RS: He’s been in a Duane Reade bag. I actually had to make a choice. Adam offered me this opportunity and I decided I was going to take pretty much the whole 2017 (off to do it). I was excited about this project and I felt like I got a lot of Triumph in 2016. And you know what, it became less fun the fewer candidates. I started in Iowa, New Hampshire, then it was the conventions and then it was just the last man standing. Everybody’s piling on anyway, and I didn’t feel like I had that much more to contribute from that perspective but I will try to get back into it. I’m talking to some people about an insane idea that I’m not sure I can pull off.

What inspired “The Week Of?

RS: It’s a very human, relate-able story. It’s about a father of a bride who doesn’t have a whole lot of money but too much pride to let anybody else pay for the wedding. It was Adam’s premise, but Adam and I, we bring a lot of silly things together but one of the ways we bonded at Saturday Night Life was because we both have very close knit families. We both worshiped our fathers, so you know it was easy for us to write this kind of character comedy. We never go to do it before, so it’s sort of a culmination of our friendship in a way, creatively, to finally get to write about our lives this way.

This is your first time directing a film. So what was it like directing Chris Rock and Adam Sandler?

RS: I mean I know them both so well. They’re both very good friends of mine so I felt very comfortable with them. And Adam especially really had my back. He surrounded me with amazing people. You know the director of photography was amazing, so I really felt like I really had a lot of safety nets, so it was shockingly fun. I didn’t expect it to be. I expected agony. ‘Cause usually when I work, the most fun part is coming up with the initial idea. Then the rest is just executing it. It’s agony just getting every detail right. I’m a detail freak.

It seems critics are always shocked when Adam Sandler does a film like “Meyerowitz Stories” and shows he can act.

RS: I don’t know why they’re shocked at this point. He’s done it so many times. He’s actually amazing in some of his own movies. He never gets credit for that. I think his performance in this movie is as good he was in the Meyerowitz movie. It’s a very human role.

How will this comedy stand out from the other offerings on Netflix?

RS: I hope it stands out a little bit because Adam set out when he had this idea that the movie would not look like a typical summer comedy. It would have more realism, more verite feel to it, almost like an independent film kind of style. We talked about John Cassavetes as one of the directors we admired… It’s definitely got a different energy. We didn’t write it towards one liners, we wrote it towards characters and situations. Some of the situations get very broad, but the characters always stay grounded and recognizable.

You don’t mention the inter-racial aspect of the marriage do you?

RS: I felt like it’s kind of boring at this point to make an issue of it. I wanted to look forward and think about there’s been so much progress in that regards since “Guess Who’s Coming to Dinner.” I thought it wasn’t worth commenting on. There were a couple of times when jokes were suggested that would allude to it and I tried to go out of my way to keep them out of the movie. I don’t think you miss it.

“The Week Of” premieres Friday, April 27 on Netflix.