Sunday, December 21, 2025
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UPDATED RIP Regis Philbin, One of the Greats, Talk Show Host, Entertainer, Family Man and Friend, Dies At 88

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It is with great, great sadness that I report the death of Regis Philbin. He was 88, and wife Joy were living in California near their kids and grandkids. Regis passed away here last night in Greenwich, Connecticut. He and Joy had sold their house and were packing up. Regis, I’m told, died in his sleep, peacefully.

I was very lucky to have a long friendship with Regis, one of my heroes and a person I enjoyed so much. There will be lots of tributes to him over the weekend. I can tell you that Regis was a loyal, great friend, and as the shock of his death sets in I am tearing up. He really was one of the greatest.

The Regis story takes him from the Joey Bishop show to all kinds of hosting jobs to starting “Good Day LA” with Cindy Garvey. But it was when Regis came east and started “Live” with, eventually, Kathie Lee Gifford, that his star soared. Regis invented what we call “host chat.” He’d come on every morning live and talk with Kathie Lee or some of the women who preceded her, about his night out in New York with Joy. The stories were hilarious and Regis was mesmerizing. It was a live monologue, and it was never boring, particularly when Regis acted out what had happened to them at the theater, at movie screenings, at premieres. One of my favorite stories is when he and Joy showed up a day early for dinner at Martha Stewart’s house. Joy was co-hosting that day, and it was flat out hysterical.

No one loved Regis more than Michael Gelman, who was not the original producer– I think it was Steve Ober– but Regis liked to say he raised “Gelman” from a pup. Regis and Joy also loved Kathie Lee and Frank Gifford, and actually did socialize with them all the time up in Greenwich, Connecticut.

The thing is, no matter what a big star Regis became, he didn’t change. Honestly, he remained totally himself, a kind of savvy Mr. Magoo who’d seen it all in Hollywood and Las Vegas but was always the kid from the Bronx. He loved Dean Martin and Perry Como, he loved his kids, and most especially Joy. Years ago, some woman went to the National Enquirer with an invented story about him, I checked it out and wrote that she was a phony. He thanked me profusely. There was too much velcro between Regis and Joy for any funny business.

Twenty years ago I edited an Oscars magazine for Tina Brown, and the great publicist Norah Lawlor threw a dinner party at an Italian restaurant on the east side. Who comes in, out of nowhere, Regis, with Gelman. Regis said, “What are you kidding? I wouldn’t miss this.” They stayed all night. There was a mentalist doing tricks for entertainment, he made a lit cigarette float through the air. I’ll never forget Regis saying, Do it again. He couldn’t get over it.

The fact is, Regis and Joy — I am so lucky to say– have been a big part of my nightlife in New York the last 30 years. We’ve seen good movies and bad, same for Broadway shows. Regis always says, “Roger, come here, what was that?” I’m always shaking my head with him. “I don’t know.” When Regis left “Live” for greener pastures, we still each other and kibbitzed. It was often with Peggy Siegal, or at one of her events. She loved him, and the Philbins loved being out as her guest. Regis was great at talking up movies the next morning on the show, even if he didn’t understand them.

My head is spinning. One lucky bit was that back in the mid 90s, Regis and Joy’s daughter JJ was an assistant to us at the Intelligencer at New York magazine. We had a lot of fun. Today, she’s a big TV producer and writer, as is her sister, Joanna. Regis was bursting proud of them. We also talked about his older kids, who he was equally proud of.

He wrote a book called “I’m Only One Man!” It’s a great read. Pick it up on amazon. He was courtly and polite, an insider’s insider who knew to how a good guy could survive in a world of sharks. I really loved him, as so many people did. Condolences to Joy, the family, and the Gelmans. There was only one Regis Philbin.

Peter Green, Heart of the Original Fleetwood Mac, Dies at 73, Wrote Santana Hit “Black Magic Woman”

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Not to knock the second iteration of Fleetwood Mac with Lindsay Buckingham and Stevie Nicks but the original group featured Peter Green and Danny Kirwan. Green died today at age 73. He left the group in the early 70s and suffered from schizophrenia. Reports say he passed peacefully in his sleep.

Peter Green wrote “Black Magic Woman” for Fleetwood Mac, and and then Carlos Santana covered it on “Abraxas” and became an enormous classic hit forever. Green also wrote other early Mac classics like “Oh Well” and “Albatross.”

This was all before Fleetwood Mac became a soap opera in which all the members slept with each other and fought in public. These songs, and “Hypnotized,” “Bare Trees,” even “Heroes Are Hard to Find” plus all the bluesy deep album tracks were what made the group. That was my Fleetwood Mac. RIP Peter. Peace, at last.

 

Kanye West Tweets About Justin Bieber, Damon Dash Visiting Wyoming, Talking about Spray Foam Wall Prototypes

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All week Kanye West was putting up tracklists for a new album called “Donda” or “Donda with Child.” Donda was his late mother’s name.

Kanye put up tracklists in his own hand, and printed out from a computer. He certainly thought he’d made an album. He even Tweeted its release date: July 24th.

Well, July 24th has come and gone. There was no album. It’s likely there never was an album, maybe just some ideas that hadn’t come together. And titles. He even posted a special font he thought he’d designed.

But like many things with Kanye, it all went up, up, up, in a puff of smoke. And to make it worse, his arch rival Taylor Swift did release a surprise album that shot straight to number 1 and put her whole catalog on the iTunes chart.

Maybe Kanye caught wind of Taylor’s secret album through his Universal Music sources and invented an album to come out on the same day. Anything is possible.

This evening, there is no mention of “Donda” on Kanye’s social media. Instead he Tweeted about “spray foam wall prototypes on the Yeezy campus.” He was visited by Justin Bieber and Damon Dash. It was like King Arthur and the Round Table.

 

Maria Bello Leaving “NCIS” After Three Year Run, Following a Parade of Women Including Pauley Perrette, Cote de Pablo, Lauren Holly

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Women are not a long last commodity on the male-centric “NCIS.”

No, the show that is the domain of Mark Harmon isn’t particularly kind or pleasant to the fairer sex. Pauley Perrette was the exception. She made it through 15 seasons and 354 episodes. But when she left it was with bang, not a whimper.

Now Maria Bello, a fine film actress who signed on for three seasons, is exiting in November. Her contract is up, and that’s it. Her character will either find new work or wind up as fodder for a murder story. Either way, Bello will make her way back into films I hope or onto peak TV on Netflix, HBO, Showtime, etc.

Perrette and Bello aren’t the only gals who’ve come and gone from this less than Harmon-ious show. Cote de Pablo was wildly popular for many seasons before she had to take a break after 197 shows. She returned last season for special appearances, but she’s gone again. She’ll come back if the show needs her for ratings.

Lauren Holly, so great in “Picket Fences,” and many other shows, took a stab at it for 70 episodes, five more than Bello. She was happy to leave for greener pastures.

Sasha Alexander did 54 episodes. One of my all time faves, Jennifer Esposito, had 24 frames.

One survivor who’s made seven seasons is Emily Wickersham. She replaced Cote de Pablo in 2013. Her advantage right now is still being relatively young, 36, and they keep her out of Harmon’s storylines. Will she make it to the end? Time will tell.

The real long distance runner of “NCIS” is Sean Murray, who’s flown under the radar since day 1 in 2003 and is now only 42 years old. No one knows who he is, and he doesn’t care. He’s loaded. My hat is off to him. And considering how young he is, and how much he’s seen, he’s the one who will write the book. He’s the Don Galloway (“Ironside”) of “NCIS,” God bless him.

Mark Harmon turns 69 on September 2nd. Aside from Murray, “NCIS” is all about him. The show is number 1 in the ratings and the standard bearer for the 3 NCIS shows. This is his 18th season coming up, you know he’ll go for 20.

NBC’s “Days of our Lives” Actor Exodus Continues as Victoria Konefal, Hot Young Star, Joins Her Friends Out the Door

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These are the Days of our Lives but maybe not for long.

In the last two days, actors Victoria Konefal and Greg Vaughn have announced they are done.

They join what has become a gang of actors as well as executive producer Greg Meng– there for 31 years– who’ve said goodbye to the ailing soap.

Last week Kristian Alfonso, who’s played Hope for 37 years, announced she was leaving and not coming back. She was asked by producer Ken Corday to take a four to five month leave of absence. She was insulted, rightly so, and declined.

Soon only Deidre Hall be left, playing all the parts. Corday might pay for that but still ask for a pay cut.

These departures won’t be the last. Late last fall Corday cancelled all contracts, then made everyone renegotiate. He’s low balled even the longest running regulars as NBC and Sony squeeze him, respectively, on licensing fees.

But if NBC were to cancel “Days” what would they replace it with? No one wants to see more of the “Today” show, please, anything but that. And talk shows aren’t so easy to put together. Look what happened with Nick Cannon. A Kelly Clarkson or Tamron Hall are very hard to cultivate. But maybe they could bring back the Farm Report, or the guy who taught sketching.

All of this is no doubt a blow to headwriter Ron Carlivati, who takes his orders from the top. On Twitter as each actor leaves he Tweets a very lovely goodbye and asks them to consider returning one day. In the movie “SoapDish,” Woopi Goldberg– the headwriter of a soap– is asked to write for a character who was once decapitated. “I can’t write for a man without a head!” she cries. You can’t write for characters who aren’t there, either.

Disney’s Searchlight Takes Wes Anderson’s Much Anticipated “The French Dispatch” Off the Schedule Again

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The French Dispatch has been dispatched.

Wes Anderson’s newest creation was supposed to be released today after opening in Cannes.

Alas, all of that went away and “The French Dispatch” was moved to October 16th. Now Disney’s Searchlight has been dimmed, and Anderson and pals are off the schedule.

Here’s one quality film that I think would be swell on Netflix or VOD. Even though we always want a big screen release, the Anderson oeuvre lends itself a smaller space. Eventually it could be released in theaters.

I don’t think we’ll see any of these movies until mid January through the end of February, when the new Oscar eligibility ends. Without a vaccine it’s just not going to happen. Wait for news about the James Bond “No Time to Die” gets pushed past November 20th.

“The French Dispatch” by the way has the usual cast of Anderson characters including Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Jeffrey Wright, Mathieu Amalric, Bill Murray Owen Wilson, Liev Schreiber, Edward Norton, Willem Dafoe, Saoirse Ronan, Jason Schwartzman, and Anjelica Huston, .

Taylor Swift’s “Folklore” is Her First Release Not To Have a Physical CD, It’s Just for Downloads and Streaming

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Here’s a first that’s a little alarming for people of a certain age: Taylor Swift’s new album, “Folklore,” has no physical product. There is no CD or LP so far for this album.

“Folklore” comes only digitally– as a download or on streaming services. But if you want to pop it into your car, home stereo, or turntable, forget it.

That hasn’t stopped her fans, who may not know what those things are anyway. On iTunes, Swift’s entire catalog including the clean and explicit versions of “Folklore” are in the top 100. Most of the tracks from the album are on the singles chart as well.

It’s not like there wasn’t enough time to make CDs. There was enough time make a whole merchandise site! But CD’s are expensive. Why make them if you don’t have to?

Will there ever be a CD or LP of “Folklore”? Maybe an LP that will retail high around $20 bucks. But so far there’s no indication on amazon that one is coming, or a CD. If you want one that badly, I guess make it home from your download. (Do people still do that?)

 

Hearst Publications Ousts Top Exec Troy Young After Reports of Inappropriate Behavior, Lewd Language in Workplace

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The official word is that Troy Young, president of Hearst Publications– the company that gives Harpers Bazaar, Esquire, Cosmopolitan, Oprah’s O, Marie Claire, and Good Housekeeping– has resigned. But the truth is he was ousted after the New York Times took him down after reports of inappropriate behavior and lewd language in the workplace.

The Times story reported that Young had made suggestive comments about sex toys, emailed pornography to a senior editor and made explicit remarks to a junior employee.

There are no tears for Troy Young at Hearst. He was rude and disrespectful to all. He and his cohorts, who suddenly took over the running of the magazines because of their bs digital backgrounds, were responsible for carnage in the office suites. Since Young rose to power, great editors like Glenda Bailey, Joanna Coles, David Granger, Jay Fielden, and Ellen Levine all departed their posts and left the company. Young ripped out the heart and soul of Hearst to fulfill his skewed agenda.

I am thinking this morning of my late friend, Terry Mansfield, the eminence grise of Hearst, based in London. One of the great publishers of all time, Terry died early this spring from COVID-19.  He was a gentleman, which doesn’t mean he was out of touch. He had manners, and engaged with others as a human. He was appalled and insulted by Troy Young, which we discussed a lot. I have to think Terry’s arrival in heaven helped expedite Young’s exit.

What’s worse is that the brands’ online presences were diminished in the process. Stories are pumped out under “Esquire.com” or any of the titles that have no relationship to the magazines. They’re just tabloid regurgitations designed to use the brands as clickbait.

Of course, the most egregious thing that’s happened is the killing at Esquire of Maximillian Potter and Alex French’s detailed and lengthy investigation into “X Men” director Bryan Singer’s history of alleged crimes and misdemeanors. Hearst execs were said to have killed the story. The reporters published it in The Atlantic.

“We have been asked why a story reported and written by two Esquire writers is being published in The Atlantic,” they said. “This story began with our editors at Esquire. After months of reporting, this story went through Esquire’s editorial process, which included fact-checking and vetting by a Hearst attorney, and the story was approved for publication.”

They continued: “The story was then killed by Hearst executives. We do not know why.”

Young’s ouster should lead to the end for his handpicked people, none of whom were popular among the staff. If you have any thoughts, please direct them to me at showbiz411@gmail.com. A few years ago, when Young was simply head of digital Hearst, it was recommended we meet. To say the meeting was a failure was an understatement. He was the rudest person I ever met in publishing, and that says a lot. (He actually was ruder than the editor at Harper Collins who once said to me, “Maybe one day you’ll be a success, too” and then proceeded to take all the ideas I’d offered her.)

 

 

 

(Listen) Here’s Taylor Swift’s Surprise “Folklore” Album with Big Hit “Betty,” Fancy Video and Some Lyrics Maybe By Her Actor Boyfriend

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Well, here it is: Taylor Swift’s surprise album, Folklore, along with a video for the first single, “Cardigan.” Button up! The National are primary collaborators, along with Jack Antonoff, Bon Iver, and Taylor’s boyfriend, actor Joe Alwyn, whose pen name is William Bowery. Presented as a spontaneous project, “Folklore” is marketed within an inch of its life. You can whittle away the hours listening to it. Since there were no press links, it’s news to us.

“Folklore” will be eligible for Grammy Awards this year. “Lover” was last year, but was snubbed completely as payback for Taylor making waves about her song rights being sold. But she’s got Grammys, so hey.

The big hit on the album comes toward the end. It’s called “Betty” and you almost think it’s a girl crushing on a girl in high school. But it’s 17 year old James who is having trouble saying goodbye to Betty. Sounds like a 70s single, opens with a harmonica, and it’s a story. Fans will be singing along to this for the rest of their lives.

 

Taylor Swift’s New Album, Recorded in April, Comes with a Full Line of Merchandise And a Fancy, Expensive Video

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Taylor Swift’s new album, “Folklore,” dropping as a surprise tonight, was written and recorded just three months ago.

That was enough time, apparently, to develop a whole line of merchandise to bundle with the album, and a complete marketing plan. Not bad.

There’s also a fancy, expensive video to go with the song, “Cardigan,” that is debuting on all platforms simultaneously. Taylor wrote and directed it, but Oscar nominee Rodrigo Prieto did the cinematography.

There’s an actual Taylor Swift cardigan that you can buy on the site. It’s 100% acrylic, “Cream cable knit cardigan with black matte buttons, dark gray trim, light gray star embroidery on both arms, and light gray album title patch on left chest with dark grey font.”

Price: $49, and you get the album. There’s also a $60 hoodie, a $55 pullover, a phone case, a t shirt, a phone holder, and a black and white “lithograph” to pin up over your bed.

Carpe diem!

PS Remember when Joni Mitchell’s “Blue” came out and there was whole line of blue stuff? No, I didn’t think so. Or remember when Carole King was selling tapestries, and Carly Simon had ready make “Hot Cakes” at the supermarket? No? Maybe that’s why we took their music seriously.