Tuesday, December 16, 2025
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RIP Bobby Zarem, 84, NY’s Most Famous PR Guy, Promoted The Original “I Love New York”

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I am heartbroken this morning at the news of Bobby Zarem’s passing. All his friends around the world are. He’s gone to Elaine’s in heaven. We will miss him forever.

Bobby no angel. He was a scalawag and a scoundrel with a wicked sense of humor. He also loved theater. I can’t count the times he told me he’d just been to a show “for the seventh or eighth time.”

Bobby was the PR agent to the biggest stars, the biggest people, the biggest city. Despite being from Savannah, Georgia and having a slight Southern accent, he was a real New Yorker. Even in his later years, walking with a cane, nothing stopped him from getting around the city. But eventually he retired back to Savannah, where he put that city’s film festival on the map.

Indeed, when Bobby took over the Savannah Film Festival, all you heard about was stars and executives trooping down to the southern city out of respect for him.

So many stories about Bobby. But one in particular. Maybe it was his 70th birthday at Elaine’s. The joint was jammed, and the pay phone was ringing and ringing. Gianni, the head waiter and host, asked, “Rog, can you pick that up?”

I did, a voice that sounded familiar asked me if he could talk to Bobby. I said, “Who is this, please?” The voice, nasal and sharp, said, “Tell him it’s Jack.” It was Jack Nicholson. I pulled Bobby over from his celebration. “It’s Jack Nicholson,” I said. Bobby retorted, “Of course, it is.”

Bobby helped create the “I Love New York” campaign that saved the city. The song, the commercials. It was all generated by Bobby. When the campaign was finally done, he started another similar one using Denise Rich’s song, “New York, It Ain’t Over.” Bobby turned Denise, who’d been divorced from fugitive billionaire Marc Rich, into a name songwriter and stood her apart from the scandal of her husband. (This was well before the Clinton pardon.)

The way Bobby did this was to basically write Neil Travis’s column for the New York Post. Since Bobby and Liz Smith had a deep and long running feud, Zarem had no choice but to find another outlet for stories he needed to plant. Neil was his guy. They literally sat at Elaine’s and composed the next day’s column. There was Bobby waxing furiously about this or that and Neil with the long ash of his cigarette falling into his martini.

These guys were so instantly iconic that Al Pacino played him in a movie about him called “People I Know” back in 2002 directed by Dan Algrant. There had to be a Bobby Zarem movie, you know.

Bobby had lots of feuds. He notoriously fought with his own two brothers, Howard who was a very successful doctor, and Danny, a top businessman who was also very popular in the city and at Elaine’s. Bobby fought with Liz Smith, sending out fake invites — this was decades go — to her “wedding.” (She never spoke to him again.) Peggy Siegal got her start working for him, he later accused her of stealing his Rolodexes. (She denied it, sort of.) They never spoke again. Peggy told the Hollywood Reporter back in 2015: “He had the keys to the city,” says Siegal, who gave up a career as a fashion designer at 26 to work for Zarem. “He taught me how to do events: how to conceive an event, how to do a guest list, how to do press coverage, how to put myself in the guests’ place as they walked in, about the flow of traffic, about the availability of alcohol and food, room temperature, lighting, everything.” She added, “It was just a crash course in learning about the concentric social circles of the cultural elite in New York.”

But that’s how he lived. He was a big man, and larger than life. If he liked you he was loyal to a fault. I was lucky to be counted as a friend. In early 1999, Bobby hosted a birthday dinner at the China Club for the Mamas and Papas Michelle Phillips. He seated me next to two people who became my lifelong friends, DA Pennebaker and his wife, Chris Hegedus. We wound up making a movie together. Bobby changed my life forever. He did that with a lot of people.

Now an era has ended. But Bobby Zarem’s name and life will always be of legend. I can tell you, there was nothing like getting a handwritten invite from him to book or cocktail party at Elaine’s. That was the height of status when I was coming up in the 80s. And when you got there, the place was packed like a sardine can, huge crowds in both rooms, everyone cheek by jowl, with Bobby and Elaine commanding a main table that had, let’s say, just Robert Altman and Kurt Vonnegut, all the biggest name writers and Broadway stars. And Bobby glowing, waiting for his call from Jack.

Bobby, we love you. Fly with eagles. And don’t start any fights!

 

 

Box Office: “Evan Hansen” Return to Sender with Just $7.5 Mil Opening Weekend, “Tammy Faye” Preaches to the Choir

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It ‘s curtains for “Dear Evan Hansen.”

The Broadway musical turned movie is based on a letter Evan writes to himself but is found in a dead kid’s belongings.

But it’s Return to Sender for the movie which made just $7.5 million including $800,000 in Thursday previews. Ouch!

Universal is headed for a small disaster reminiscent of Warner’s “In the Heights”  disappointment from last June. They should put Evan Hansen on Peacock or VOD right away, do something with it in schools. That’s probably their audience.

Not every hit Broadway show can translate onto the screen. “Evan Hansen” had a lot of issues on stage that no one thought about. Same with “Cats” and “In the Heights.”

The musical that won’t have a problem going back to film is “West Side Story.” Watch Steven Spielberg’s movie soar this December.

Keep refreshing… bracing for some numbers including “Cry Macho” and “Eyes of Tammy Faye”…

“The Eyes of Tammy Faye,” reports Exhibitor Relations, added 902 theaters and dropped 5% from last week. Total now just $1.5 million. As Jeff Bock points out, get this thing on Disney Plus pronto.

Clint Eastwood’s “Cry Macho” made $2 million over the weekend, another $2 mil Monday through Thursday, bringing its total to $8 million. Who knows who’s watching it on HBO Max? I loved this little film, but it’s dying quickly. With a small budget it will make money in time.

NY Film Festival? Plenty of Seats Go Begging as Audience Still Leery of Getting COVID in Theaters

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You would have thought New Yorkers, tired of being at home after 18 months, would be flocking to the New York Film Festival.

But on the festival’s website there are lists every day for available tickets. Seats at their shows are going begging apparently. Even opening night, technically sold out, had bald spots in Alice Tully Hall.

Either New Yorkers are nervous about getting COVID in theaters or they don’t care for the movie selections. Or both.

The only shows that are really sold out are for Wes Anderson’s “The French Dispatch.” Otherwise, even Jane Campion’s highly touted “Power of the Dog” has availability.

Tonight at 7pm, conveniently scheduled against the Tony Awards and the Yankees vs the Red Sox, Mario van Peebles is showing a new print of his late father Melvin van Peebles’ classic “Sweet Sweetback’s Baadasssss Song.”

Melvin died this week at age 89, so this presentation is particularly important to Mario, who adored his dad. Even if Melvin hadn’t passed, it’s curious scheduling for the Film Festival. Do they want audiences? That’s another question.

Here’s just what’s available today and tomorrow– a lot:

Sunday, September 26

The Worst Person in the World – 12pm (ATH) – $15 Rush tickets
Adoption – 12:30pm (FBT) – $10 Rush tickets
Futura – 12:30pm (WRT) – $10 Rush tickets
Amos Vogel Program 3 – 3pm (FBT) – $10 Rush tickets
Chameleon Street – 3:15pm (WRT) – $10 Rush tickets
Prism – 5:45pm (FBT) – $10 Rush tickets
The Souvenir Part II – 6:15pm (ATH) – $15 Rush tickets
El Gran Movimiento – 6:30pm (HGT) – $10 Rush tickets
Free Talk: Cinema’s Workers – 7pm (AMPH) – Tickets distributed at box office one hour before start time; first come, first served!
Sweet Sweetback’s Baadasssss Song – 7:30pm (DP) – $10 Rush tickets
Il Buco – 8:45pm (WRT) – $10 Rush tickets
The Tsugua Diaries – 9pm (HGT)

Monday, September 27

Marx Can Wait – 3:30pm (FBT)
Ahed’s Knee – 6pm (ATH) – $15 Rush tickets
The Round Up – 6pm (FBT)
Outside Noise – 6:15pm (WRT) – $10 Rush tickets
Social Hygiene – 6:30pm (HGT)
Free Talk: Mia Hansen-Løve & Joachim Trier – 7pm (AMPH) – Tickets distributed at box office one hour before start time; first come, first served!
A River Runs, Turns, Erases, Replaces – 8:15pm (FBT) – $10 Rush tickets
The Souvenir Part II – 8:30pm (WRT) – Limited tickets!

“The Price is Right” But the Story’s Missing Scandals: “CBS Sunday Morning” Whitewashes Game Show’s History

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Not surprised, but “CBS Sunday Morning” ran a whitewash piece on the 50th anniversary of “The Price is Right” today. The former gem of the CBS News galaxy, “Sunday Morning” now is more and more prone to sloppy reporting, especially when it involves something in the CBS family.

The piece on “The Price is Right” completely ignored the many lawsuits that have transpired at the game show over the years, some involving former host Bob Barker. On top of that, the piece today failed to mention if Bob Barker is even alive or where he is. (Barker is 97, almost 98, and presumably tucked into a comfortable chair.)

Even weirder was the interview with current host, Drew Carey. The show lets Carey casually mention that he attempted suicide twice, at least once when he was 18. There’s no further information, and no details of his childhood, parents, family life, or his current life. But hey, he did try to commit suicide, and now he’s the host of a moronic TV game show.

The show has indeed been sued several times. In 1988, Former model and host Janice Pennington got knocked out unconscious into the “contestants row” by a camera.She was left with a shoulder an inch lower than the other and ugly scars that prevented her from wearing the trademark show swimsuits. In 2000, Pennington was fired with no explanation as to why. That same day, on-air assistant, Kathleen Bradley, was also let go following an October taping of the show. They both received financial settlements later.

Even worse: In 1994, model Dian Parkinson, who worked on the show for 18 years, sued the game show host for allegedly forcing to her have sex with him while she worked on the game show. Barker denied the accusation but admitted they’d had an affair from 1989 to 1991. In the lawsuit, Parkinson accused Barker of forcing her to have oral sex in his dressing room twice a week for almost four years. She claimed that at first, it was forceful, but then later coercion because she was scared she was going to get fired if she refused. She also explained that she had sex with Barker six to eight times out of the same fear. Parkinson eventually dropped the lawsuit, but it’s unclear if there was a settlement.

Ten years ago, executive producer Mike Richards was sued over pregnancy discrimination. That lawsuit and other complaints recently resurfaced when Richards named himself host of “Jeopardy!” He was eventually, recently, fired. But during his decade at the show, Richards was involved in discrimination lawsuits by former models on the show, including in a 2010 complaint by Brandi Cochran. She was awarded $8.5 million in damages; after an appeal, the case was ultimately settled. A later lawsuit with another model also was settled.

None of this made the “CBS Sunday Morning” segment. The price is wrong, I’d say. Happy 50th anniversary and shame on “CBS Sunday Morning.”

“CODA” is the Under the Radar Dark Horse 2022 Oscar Candidate That’s Gotten Better With Time

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The brilliant “CODA,” currently on Apple+ TV, had a COVID safe screening and Q and A at the Edition Hotel on Sunset Boulevard Friday night, moderated by Rotten Tomatoes editor Jacqueline Coley.

“CODA” debuted last winter at the Sundance Film Festival. The title is a double play on the word that means the end of a musical passage, and the organization Children of Deaf Adults. Many in Hollywood think it’s the best movie released so far this year, but still under the radar. The film stars the stunning Emilia Jones as Ruby, a teenager discovering her knockout singing voice in a family of deaf people. Oscar winner Marlee Matlin plays her mother.

At Sundance, Apple paid a record breaking $25 million for the film. The movie has a 96 on Rotten Tomatoes.

Sian Heder, the writer and director of the film told the audience: “To be Deaf is more than sign language, it’s an experience that only Deaf people know.  This film is about that and the family that with all their issues deeply love each other.”

Talking about the challenges of doing this breakthrough film, she observed, “There is no playbook for this, no handbook.  For me, it was important to understand Deaf culture in a deep way.  I learned ASL (sign language) with a Deaf teacher and wanted to make sure I was honoring the culture.  Forty percent of this film is written in ASL, American Sign Language.”

Marlee Matlin, who won her best actress Oscar for “Children Of A Lesser God” thirty five years ago added, “ “I’ve seen so many different aspects of people that I’ve worked with.  Throughout the years, I go to work, I get into characters as I always do.  But on this set on the first day,  it was a different energy, a different vibe.  I felt like I was home, everyone signed.”

Troy Kotsur, who plays the Dad with such heart, explained: “ I was so rooted in this character, when I finished I missed the Rossi family.  I couldn’t let go, it too, me a couple of months to even shave off the beard.  My wife was not happy.” The simply wonderful Eugenio Derbez who plays the music teacher, Bernardo, noted that, “My character was maybe a failed rock star in Latin America, but his passion for music never wanes and then he realizes he loves teaching. He wants Ruby to be what he couldn’t be.”

Emilia Jones, who plays Ruby, explained how much she immersed herself in the role (and American actors wonder why so many roles are going to the Brits)  thanked Heder. She said, “Thanks for taking a risk with this young British girl who never had a singing lesson, and who never knew anything about the deaf culture.”

This British gal will probably wind up with a best actress nomination, as the film and all the actors in it deserve all the awards kudos they will surely get. Heder ended the night with a quip, although she did mean it when she said that, “ASL is the best set language, because you can talk while you are rolling”!

“CODA” is still available on Apple TV, and maybe with awards season it will get a small theatrical run. It deserves it.

“Dear Evan Hansen” Bombs in Box Office Debut, “Eyes of Tammy Faye” Shut, Everyone Waits for James Bond

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Dear Evan Hansen,

The movie going audience didn’t show up last night. Including previews on Thursday, you made $3.5 million on your opening. Predictions are $8 million for the weekend. Universal might do well to put you on Peacock in a couple of weeks to grab the audience that does want to see you and loved the Broadway musical. Speaking of which, it’s unclear if the movie’s disappointing returns will hurt the show.

Elsewhere, “The Eyes of Tammy Faye” are now shut. Expanding into 900 theaters, the Jessica Chastain vehicle made just $200,000 Friday night, which will give it a $600,000 weekend and spell the end out pretty clearly for Searchlight. Chastain, I predict, will survive all this and still get awards love. But no amount of preaching can get audiences into the theaters.

Everyone’s waiting for James Bond. Is this “No Time to Die” at the box office? The world premiere is Tuesday in London. The movie starts previews here on October 6th. Everyone I talk to says this is the film that will jolt people back to theaters. Tuesday at 6pm Eastern we’ll know the answer. We’d like to be stirred, not shaken.

Frances McDormand, Joel Coen Celebrate “Macbeth” at Midnight But Denzel Washington Skips NY Film Festival Party

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A second party in two days at Tavern on the Green: following the Wednesday night opening soiree for “The Many Saints of Newark,” the New York Film Festival was a little upstaged but carried on around midnight last night for “The Tragedy of Macbeth.”

Denzel Washington, who’d been doing publicity all day. skipped the whole thing. His co-star Frances McDormand, and her husband director Joel Coen, carried on without him. McDormand, a three time Oscar winner, looked stunning and actually happy for a change. Coen seemed overwhelmed and tired. It’s not easy making a masterpiece and then talking about it for 24 hours to group after group but that’s what they did.

“Macbeth” is pretty much the only movie that’s totally sold out at the New York Film Festival. Almost every movie has plenty of tickets looking for buyers. There are long lists on the festival’s website. It’s not like the old days.

At the screening, Coen Brothers regular John Turturro and his wife were seen, along with actor Delroy Lindo. At the end of the screening and Q&A, Lindo shouted out to Denzel and then made a big hop onto the stage so he could join Macbeth behind the wings. Maybe they took off together, explaining the lack of Denzel at Tavern on the Green. Also on the scene: Hamilton star and Tony winner Daveed Diggs.

At Tavern on the Green, I congratulated Ethan Coen, who had nothing to do with the movie but was in great mood. He said, “I know, I know, you liked everything I did in the movie. I didn’t do anything!” Ethan is still making movies with brother Joel, but he’s also writing plays and short stories. I told him I noticed the Coens’ infamous fictitious film editor, Roderick Jaynes, got a big credit. “No,” Ethan said, correcting me. “It’s Rodney Jaynes now. Roderick only works on movies we do together!”

Among the guests was the great actress Kate Burton with her husband and daughter. She told me she’s shot four episodes so far of “Grey’s Anatomy” and there may be more. “But you know, I’m dead,” she said, laughing. Her character, Ellis Grey, was killed off years ago. But lately “Grey’s” has become “The Walking Dead”!

Was it a better party than “Many Saints”? Well, they didn’t have the cool band that serenaded the “Sopranos” but there were better desserts. You can’t have everything!

Review: Joel Coen’s “Tragedy of Macbeth” Is Masterful Art, With Oscar Worthy Performances from Denzel Washington and Frances McDormand

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Friday night we finally got to see Joel Coen’s “The Tragedy of Macbeth” at Alice Tully Hall in Lincoln Center. I bought my tickets since the Film Society of Lincoln Center went out of their way to make my life difficult. Turns out, it was the best money I could have spent.

Apple and A24 are releasing “Macbeth” at Christmas. They’ve got their Oscar movie here, with startling performances from everyone starting with Denzel Washington, Frances McDormand a huge supporting cast of knockout actors. Chief among them is Kathryn Hunter, a theater actress who stole the show in Julie Taymor’s “Midsummer Night’s Dream” a few years ago in Brooklyn. But there’s also Corey Hawkins, Alex Hassel, Stephen Root, Brendan Gleason, Moses Ingram, Bertie Carvel, Jefferson Mays, Brian Thompson, and so many more. This movie is cast like a spectacular flower arrangement, very exactly with specific purposes.

It’s also shot that way. Coen, working without brother Ethan this time, wrote and directed, used Bruno Delbonnel for cinematography and Stefan Dechant for production design. Coen edited the movie himself under the name Reginald Jaynes, a new pseudonym (Reginald’s fictitious brother Roderick edited all the other Coen brothers movies) with Lucian Johnston. They’re all getting Oscar nominations.

This “Macbeth” is shot in a gorgeous black and white that would make Woody Allen jealous. It’s like what we used to call in the magazine business “four color black and white” similar to what the Coens used for “The Man Who Wasn’t There.” It’s also shot in an old fashioned ratio, so the frame is square,not rectangular. The last contemporary movie I remember like this was “The Artist.”

What Coen has achieved is magnificent and monumental, not words to be thrown around. He’s exceeded his best past work and then some. This production is almost hybrid theater-cinema, using the best techniques of each. They’re literally going to have make a mini documentary about how Coen et al conceived these sets, the lighting, the noir-ish look of Scottish moors created on a soundstage. Some of the sets had the moody feel of the Metropolitan Opera sets for the  Ring cycle. Some of them had nods to Julie Taymor. But knitted together they form their own unique universe.

So McDormand is Lady Macbeth (a leading role, Fran, not supporting), Denzel is Macbeth, they are calmly scary and duplicitous political plotters who kill King Duncan (Gleason) and basically go mad as they overreach for power.  Denzel is understated and keenly a royal wannabe before he loses his mind. It’s a very unusual performance for him and one his most powerful. McDormand is always letter perfect. Her Lady Macbeth has one scene I really loved where her eyes are closed, she’s waking up to realize she’s achieved her goal. It’s delicious. Hunter plays the three witches in a turn that is frightening and mesmerizing.

I was a little skeptical going in tonight because “Macbeth” already had a 100 on Rotten Tomatoes. Does it have faults? I’m sure in time we’ll find some. But Joel Coen and company are working at a higher level than almost anything else this year or last or recent times. This isn’t a blockbuster. It will need the help of Apple TV. This “Macbeth” is a piece of art.

We’re going to be talking this movie a lot come the late fall. But for now, we all have something to look forward to.

Jane Fonda, Lily Tomlin Lined Up for TWO Movies After “Grace and Frankie,” Unrelated to Netflix Hit

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Jane Fonda and Lily Tomlin are so popular in their Netflix sitcom, they’re making not one but two movies when they wrap the 7th and final season this winter.

But here’s the twist: the movies have nothing to do with “Grace and Frankie.”

The first film is called “Moving On,” with Paul Weitz directing them with Malcolm McDowell and Richard Roundtree. Jane and Lily play old friends who reunite at a funeral and have take down an old mutual foe (McDowell) with the help of “Shaft.” Sounds great.

The other film for these dynamo actresses comes after “Moving On” and has an all star cast. But I’ve been sworn to secrecy for the time being. Trust me, it’s good.

Jane and Lily first collaborated, with Dolly Parton, on “Nine to Five” in 1982. They just keep rocking. PS You can watch the first four episodes of “Grace and Frankie,” season 7 right now on Netflix.

“Dear Evan Hansen” Takes in Just $800K On Preview Night, May Be 2nd Musical Disaster of Season

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So much hype about a season of movie musicals, but it’s not working out so far.

The movie version of the Tony Award winner “Dear Evan Hansen” opened in 2,700 theaters last night and was not met with enthusiasm.

The take was just $800,000, or just $296 per theater. Universal will be lucky to score $10 million for the weekend.

“Dear Evan Hansen” has received mixed to poor reviews, with most critics saying that the show’s glaring flaws are magnified on the movie screen. Evan was a hero on stage, but close up he seems like a creepy liar. It doesn’t help that Ben Platt just seems too old now to play the role.

All the performers are excellent, however. You can’t fault them, or the score. But this recipe apparently doesn’t always work when it’s cooked for a big number of diners.

This would not be the first Broadway musical with problems transferring to film. “In the Heights” was a bust last June after a lot of hype and high expectations.

But I’m holding out for Steven Spielberg’s updated “West Side Story” in December. I have a feeling this is our big Oscar winner for 2021. It doesn’t hurt that the original show is perfection, and Spielberg hasn’t messed with that.