Friday, December 19, 2025
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Beatlemania Is Back: “Get Back” Rooftop Concert Film Sells Out IMax on Sunday, Returns Next Month

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It’s 1970 all over again.

On Sunday, Peter Jackson’s Beatles Get Back: The Rooftop Concert brought back Beatlemania. The shows were sold out, with a box office take of $391k on 67 IMAX screens, $5,840 per screen. And this was a Sunday exclusive.

This was also besides the fact that the whole “Get Back” 8 hour documentary is on Disney Plus and has been for months. Also, the DVD package is being released that week.

The response was so good that IMAX will do it again February 11th-13th, with some previews on February 9th.

The Rooftop concert is just 60 minutes long, and comprises just the concert, which features in its entirety in Peter Jackson’s original docuseries “The Beatles: Get Back,” has been optimized for IMAX screens, digitally remastered into the image and sound quality of The IMAX Experience® with proprietary IMAX DMR® (Digital Remastering) technology. Beatles fans everywhere will get a once-in-a-lifetime opportunity to watch and hear their heroes in the unrivaled sight and sound of IMAX.

So what’s left? I was horrified when on last night’s “60 Minutes,” the original Michael Lindsay Hogg movie “Let it Be” was thrown under the bus. That movie is still very important. I hope we get a DVD release of that soon, too.

 

The One and Only Dionne Warwick Is Coming to New York’s City Winery in March

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That’s all you need to know.

Hallelujah!

The one and only Dionne Warwick is coming to City Winery in NYC March 22nd and 23rd. Do not Walk on By!

Not sure yet when tickets go on sale. Will let you know after I have mine!

UPDATING Spotify Stock Soars 13.5%, Closes Up 23 Bucks Today, Despite Rogan Controversy

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updated 4pm

 

 

 

 

Spotify stock price is soaring this morning despite or because of the Joe Rogan controversy.

The stock is up 12% or 20 bucks and still rising 95 minutes after the stock market opened.

Over the weekend, Spotify took a PR hit after Neil Young and then Joni Mitchell left the streamer, then Nils Lofgren of the E Street Band.

It’s all about Rogan serving up misinformation on his podcast about COVID and the vaccines.

Spotify yesterday issued a new set of guidelines for podcasts regarding COVID. Rogan also posted a video apology. (See below.)

For Wall Street the action taken by Spotify seems to have worked, for now. Keep updating. We’ll see how long this lasts…

 

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A post shared by Joe Rogan (@joerogan)

Rihanna Pregnant, Confuses Freezing Eggs with Fetuses As She Exposes Belly to 20 Degree COLD

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Rihanna’s next release will not be an album. It will be a baby.

The singer from Barbados strolled around Harlem on Saturday with an exposed, large, round belly She was possibly confusing the term “freezing eggs” with “freezing fetuses.” The outside temp was about 20 degrees.

The baby probably wore an expensive fur coat which it will charge to Rihanna’s fashion company once it is born.

The singer whose real name is Robyn Fenty hasn’t actually released an album in six years. Friday was the 6th anniversary of her album, “Anti.” The single was called “Work Work Work” and she hasn’t done any in the music business since then. Rihanna has now beaten Adele record for longest time between records.

But this is a blessed event for Rihanna and boyfriend, rapper A$AP Rocky. It’s unclear if the baby’s name will include a dollar sign or initials.

I met Rihanna during the evening before she and Chris Brown took their fateful drive in Los Angeles. It’s hard to believe she’s only 33 now. She’s really lived through a lot. This is lovely news.

But someone please, buy her a sweater or an overcoat!

 

Pop Fizz: “Encanto” Soundtrack Booms Away But Adele Suffers Bad Publicity, Drops to Lowest Numbers So Far

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The numbers are in for last week’s pop charts.

Adele is suffering from the bad publicity of her cancelled Weekends with Adele in Las Vegas.

The star’s “30” album sold just 37,000 copies, and dropped another 15% in its 8th week of release. The “30” album is a pale reminder of the singer’s “25” album in 2015. C’est la vie. Cancelling 16 shows, offering no refunds, that didn’t help. These are the lowest numbers yet for “30.”

“30” dropped to number 6 on hitsdailydouble.com’s chart and fell to about number 10 on iTunes. On Amazon, it’s still number 1, which makes little to no sense since “30” was outsold in CDs and vinyl last week by the “Encanto” soundtrack and country singer Walker Hayes.

“Encanto” was actually up by 9% last week, selling 115,00o copies total.

Other news: Meat Loaf sold over 50,000 albums last week after he died from being a COVID anti-vaxxer, What a disaster. And Fleetwood Mac’s Rumors sold another 15,900. It’s 2022, Fleetwood Mac and Meat Loaf are on the album charts. Who’d a thunk it?

 

RIP Actor Donald May, Star of Soap Opera “The Edge of Night,” Dead at Almost 95

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Back in the days when there were just five TV channels– yes, just five — afternoon soap operas had millions and millions of viewers.

Donald May, the actor who played dashing Adam Drake on “The Edge of Night,” has died a few weeks short of his 95th birthday. He was a huge daytime star. He and Maeve McGuire played Adam and Nicole, the show’s hero and heroine. Back in the 70s I was in my dorm room when I heard a girl down the hall let out a shriek. I ran down the hall. She said, “Nicole is alive!” The actress had taken a year off, now her character was back and reunited with her romantic lead.

Donald May played Adam for years, was eventually killed off permanently when “Edge of Night” switched from CBS to ABC. (May probably wanted $10 more a week. P&G was no fun to work for.) He went on to play other characters on the New York soaps, particularly owned by Proctor and Gamble. But Adam Drake was his signature role. He was a lawyer and a crime solver. When McGuire took that time off, the show introduced Dixie Carter as a character to replace her in scenes with May. Carter was such a hit she went off to “Designing Women.” But May and McGuire were the real stars.

And that’s what it was like when there were five channels, no cable, no streaming, no wifi. And somehow we lived.

Spotify’s Daniel Ek Panics Over Rock Star Defections: “Personally, there are plenty of individuals and views on Spotify that I disagree with strongly”

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click here for all Showbiz411 headlines

 

Spotify’s Daniel Ek is in panic mode over the defections of rock stars Neil Young, Joni Mitchell, Nils Lofgren, Peter Frampton and others who are speaking out against the streamer. They’re pulling their music over disinformation being broadcast by right wing podcaster Joe Rogan.

So now Ek says there will be new rules over how the disinformation will be disseminated. Spotify will still allow it, but they’ll tell you it’s wrong up front. So it will be the listeners’ decision to accept fake information. Isn’t that great?

click here for Oscar voting crib sheet

Ek says: “Personally, there are plenty of individuals and views on Spotify that I disagree with strongly.” But he’ll let them stay since he can make money off of them. And that’s what this is about.

Spotify stock price has dropped by $70 since January 3rd.

Will this stop the departure of the rock stars? I doubt it. But you can read the new Spotify proclamation here:

From Daniel Ek. You’ll note that Ek doesn’t mention the Neil Young situation or any of the musicians by name. But the panic is there between the lines.

A decade ago, we created Spotify to enable the work of creators around the world to be heard and enjoyed by listeners around the world. To our very core, we believe that listening is everything. Pick almost any issue and you will find people and opinions on either side of it. Personally, there are plenty of individuals and views on Spotify that I disagree with strongly. We know we have a critical role to play in supporting creator expression while balancing it with the safety of our users. In that role, it is important to me that we don’t take on the position of being content censor while also making sure that there are rules in place and consequences for those who violate them.

You’ve had a lot of questions over the last few days about our platform policies and the lines we have drawn between what is acceptable and what is not. We have had rules in place for many years but admittedly, we haven’t been transparent around the policies that guide our content more broadly. This, in turn, led to questions around their application to serious issues including COVID-19.

Based on the feedback over the last several weeks, it’s become clear to me that we have an obligation to do more to provide balance and access to widely-accepted information from the medical and scientific communities guiding us through this unprecedented time. These issues are incredibly complex. We’ve heard you – especially those from the medical and scientific communities – and are taking the following steps:

Today we are publishing our long-standing Platform Rules. These policies were developed by our internal team in concert with a number of outside experts and are updated regularly to reflect the changing safety landscape. These are rules of the road to guide all of our creators—from those we work with exclusively to those whose work is shared across multiple platforms. You can now find them on our newsroom, and they’ll live permanently on the main Spotify website. They are being localized into various languages to help our users understand how Spotify assesses all content on our platform.
We are working to add a content advisory to any podcast episode that includes a discussion about COVID-19. This advisory will direct listeners to our dedicated COVID-19 Hub, a resource that provides easy access to data-driven facts, up-to-date information as shared by scientists, physicians, academics and public health authorities around the world, as well as links to trusted sources. This new effort to combat misinformation will roll out to countries around the world in the coming days. To our knowledge, this content advisory is the first of its kind by a major podcast platform.
We will also begin testing ways to highlight our Platform Rules in our creator and publisher tools to raise awareness around what’s acceptable and help creators understand their accountability for the content they post on our platform. This is in addition to the terms that creators and publishers agree to governing their use of our services.

I want you to know that from the very first days of the pandemic, Spotify has been biased toward action. We launched a variety of educational resources and campaigns to raise awareness and we developed and promoted a global COVID-19 Information Hub. We donated ad inventory to various organizations for vaccine awareness, funds to the World Health Organization and COVID-19 Vaccines Global Access (COVAX) to increase vaccine equity and supported the Go Give One fundraising campaign. And we established a music relief project to support the creative community. While this is not a complete list, I hope it gives you a sense of how seriously we’ve approached the pandemic as a company.

I trust our policies, the research and expertise that inform their development, and our aspiration to apply them in a way that allows for broad debate and discussion, within the lines. We take this seriously and will continue to partner with experts and invest heavily in our platform functionality and product capabilities for the benefit of creators and listeners alike. That doesn’t mean that we always get it right, but we are committed to learning, growing and evolving.

Daniel

RIP Howard Hesseman, aka Johnny Fever, the Coolest DJ Ever from “WKRP in Cincinnatti,” Also “Spinal Tap,” “Mary Hartman”

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Howard Hesseman has died at age 81. The popular actor played Dr Johnny Fever, ace anti-authoritarian deejay at “WKRP in Cincinnatti” for 90 episodes in the late 70s and early 80s. Hesseman was sasfely subversive comic, not quite Martin Mull, and just shy of “Saturday Night Live”‘s Not for Prime Time Players. He had his own niche, and every one of his appearances was welcome and memorable. Before he was on “WKRP,” Hesseman was on “Mary Hartman, Mary Hartman,” making him cool way before everyone else (just like Martin Mull and Fred Willard).

Laraine Newman, of the original “SNL” cast,” wrote on Twitter: “RIP Howard Hessman. What great times we had. Great laughs and fun going to see Etta James in Manhattan Beach and Joe Tex at The Parisian Room. Staying at your beautiful house in Ramatuellle. Oh god this hurts.”

Michael McKean, who starred with Hesseman in “This is Spinal Tap,” wrote on Twitter: “Impossible to overstate Howard Hesseman’s influence on his and subsequent generations of improvisors. The first time I saw him on stage (Troubadour, ’71, with The Committee) I saw that he was the real deal. He was a friend for 50 years. Howard’s character in Spinal Tap didn’t even exist until 24 hours before the shoot: we’d discovered that the musician we’d hired to play Duke Fame couldn’t improvise, so Rob said let’s give him a manager. I’ll call Howard. He blitzed it, of course. We’d go years without seeing each other (Howard and Caroline lived mostly in Europe) but when we did, he’d hilariously fill me in on the great music, dumb show biz and silly-ass humans he’d encountered. RIP Don Sturdy.”

“WKRP” had a lot of heart and wit, which is why it’s remembered so fondly now. Of course, it was produced by MTM and came from the Mary Tyler Moore world of characters over punchlines.

Katy Perry Had Her “Spinal Tap” Moment on “SNL” Last Night Because Long Time Director Quietly Retired Last Month

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Katy Perry had her “Spinal Tap” moment last night on “Saturday Night Live.”

Dressed as a mushroom, Katy danced among what many on social media described as scrotums. These also dancing objects carried signs that read “Eat Me.” Okay. Katy is trying to maybe reclaim her music career after years of coasting on “American Idol” as a judge. Did this do the trick? The single, “When I’m Gone,” zoomed up the iTunes chart to number…47.

How did this happen? Last night marked the third show in a row with director Don Roy King. King quietly retired at the end of 2021 after 15 seasons. His last show was that sadly bizarre COVID unplugged thing with Paul Rudd and Tom Hanks. King won 11 Emmy Awards over his stay at “SNL” but no said goodbye to him.

“SNL” was a desultory affair last night? How many dog shows can you do in one season? And the constant sketches about masturbation, ED, and penis size are just supremely lazy. Why was there no Dionne Warwick talk show? No mention of Kenan as the name of the big storm? No Mikey Day as Djokovic? No Tom Brady retirement announcement?

And Willem Dafoe? Not one nod to one of his movies? Just the sketch where the woman kept guessing the wrong titles? Not even a Spider Man send up?

Well, no “SNL” again until February 26th when John Mulaney returns for the fifth time as host. He will discuss his drug intervention, affair, divorce, and new child with an uncomfortable crowd. He will also be the umpteenth alumna to host the show this season because it’s so hard to get big stars during COVID.

Part 4 of Janet Jackson Documentary Utter Fiction, An Infomercial for Alternative Facts and Lies (Listen to New Song)

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Now we know why there was no press link to part 4 of the Janet Jackson documentary. It was all fiction.

What an incredible and disappointing ending after the first two parts were pretty good, and the third part couldn’t hurt anyone.

But Part 4 skipped over Janet’s marriage to and divorce from billionaire Wissam El Mana, father of her child. His name was not uttered once. They must have quite an NDA. If you watch this chapter you’d think the little boy, Eissa, just materialized out of thin air.

Then there’s the matter of Janet’s abusive father whom she hated. She despised him so much I have a witness who was in the family kitchen with her in the 1980s when Janet came into the kitchen, pulled out a butcher knife, and had to be stopped from killing him.

In 2015, Joseph Jackson went to Brazil on a trip to basically get laid and not with nice women. He had a heart attack and two strokes and had to be retrieved from Sao Paolo. None of the kids would go, but Janet went and brought him back. It was reported everywhere, including in this column.

Really. I found the first evening of the documentary entertaining. But as it split from reality, I had to say something. Sorry, Michael Jackson fans.

There’s also no mention of the incredible family scandal of 2012 when some of Janet’s siblings “kidnapped” Katherine Jackson and took her to Arizona. They wanted Katherine’s inheritance from Michael. It was little Paris Jackson who ratted them all out. Janet was at the center of that. You will note that only Tito and Randy speak in the documentary. Jermaine, Marlon, Jackie, where are they? They are glaringly absent.

A huge omission from Part 1 when Janet claims James De Barge was the first love of her life. This is not true. Janet had a serious boyfriend, three years her senior, with whom she was madly in love. I have very good sources. Joseph broke the couple up because this kid, who was 19, would not become a Jehovah’s Witness. I know this man’s name and I’ve sent him a message. I won’t reveal him name unless he lets me. He’s 58 now, and doesn’t need the grief.

Oh, and let’s not forget Janet’s role in attacking Joseph Jackson’s mistress physically when their relationship was revealed. That’s when Janet found out she was not the youngest Jackson. They all have a younger half sister, Johvanni, who for years worked at McCarren Airport in Las Vegas while the other kids were living it up.

By the way, this was the Joseph Jackson who brought a Michael Jackson imitator with him to the 2009 BET Awards, seriously. I hung out with them. This was four days after Michael died.

One last thing tonight:The new song, Luv I Luv, played over the end credits. It was neither written nor produced by Jimmy Jam and Terry Lewis. But one of the co-writers listed is Randy Jackson, Janet’s brother, who I see has feathered a nice nest for himself after nearly destroying Michael when he worked for him.