Monday, December 15, 2025
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Sticker Shock: Low Budget Looking “Happy Gilmore 2” Cost At Least $152 Million, Most Money Ever Spent on a New Jersey Production by Anyone

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Maybe you’ve seen Adam Sandler’s “Happy Gilmore 2.”

For a couple of weeks it was the most watched film all over the world on Netflix. It spent four weeks in the Netflix top 10. It wasn’t great, but it was fan service for Sandler freaks who loved the original movie. There’s no harm in that.

Now, thanks a report from the State of New Jersey, we learn that “Happy Gilmore 2” — a comedy about golf with no special effects — cost at least $152 million. That’s the most any movie has ever spent in New Jersey.

“Happy Gilmore 2” got tax breaks, but also we don’t what they spent beyond shooting in New Jersey. Wow, that’s a lot of money. And it’s pretty high considering Sandler’s daughter and wife appeared in the film. (Daughter Sunny just wrapped a new movie for Netflix with Steve Buscemi and Max Greenfield in which the 16 year old is the central character. It’s her 21st screen credit.)

Here’s a report detailing where $152 million got spent. filmed in 31 municipalities and 9 counties across the state. They did not shoot in space or stage a “Gladiator” like fight.

According to the report:

“The exterior of the Gilmore home was filmed at a private home in Irvington and the interior was filmed at a private home in Belleville. New Jersey golf courses featured in the film included Beacon Hill Country Club in Atlantic Highlands, Fiddler’s Elbow in Bedminster, Forest Hill Field Club in Bloomfield, Closter Golf Center, Alpine County Club in Demarest, Farmview Golf Center in Hackettstown, Rockleigh Golf Course, Essex Golf Center in Roseland, and Montclair Golf Club in West Orange. New Jersey boasts over 330 golf courses in the state.”

As for the cast, besides Adam and Sunny, the few other main actors are Julie Bowen, Christopher McDonald, Benny Safdie and Haley Joel Osment — not exactly Scarlett Johansson, Timothee Chalamet, and Matt Damon in terms of deals. Otherwise, it’s stuffed with cameos from sports stars and celebrities like Bad Bunny who probably got scale and were all paid the same amount of money.

All in all, a strange story. But Netflix has deep pockets, and they’re also building a studio in New Jersey. So they probably think it was worth it to spend $152 million-plus on a movie that tops should have cost $50 mil.

CBS Settles for Five Years of Lesser Respected American Music Awards After Losing the Grammy Awards to ABC

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CBS has not a good year.

There’s been so much chaos with the Skydance merger, fighting in house at the News department, the settlement with Donald Trump, and so on.

Last fall — October 2024 — the network lost the deal for the Grammy Awards, which had been on CBS for 52 years. But they either didn’t understand the importance of the Grammys or didn’t care. So the Grammys moved to ABC.

CBS already a deal with Dick Clark Productions for the Golden Globes, considered the minor version of ABC’s Oscars. Now they’ve made a deal for five years of DCP’s American Music Awards, a much lesser music show that no one takes seriously and is usually a mess.

In May, the AMAs scored 4.9 million viewers on the day they aired. Then, counting streaming, YouTube clips, and broadcasts to Mars, CBS now says they reached a total of 10 million people also counting other Paramount networks. Whatever.

The reality is that CBS has the two minor awards shows. They still have the Tony Awards, which gives them some prestige. There’s a lot of trouble coming up with the Kennedy Center Honors. They still have no producer. They’re saddled with clown president Donald Trump as host. The honorees are terrible. And this is the last year on the contract between CBS and the Kennedy Center.

You could easily see Trump moving the Honors to NewsNation in 2026. It’s only to get worse.

The Tiffany network is fast becoming the Walmart network. What’s next, the People’s Choice Awards?

Broadway: Summer Struggles at Box Office with Fewer Tourists, Long Time Hit “Book of Mormon” Takes a Dive to Lowest Low Yet

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It hasn’t been an easy summer on Broadway.

While Times Square is filled with thousands of people milling around taking pictures with Elmo, the theater district has struggled. Tourism is way down, particularly from Canada. International visitors may worry about being deported to Sudan, or threatened by ICE. Not fun.

Last week’s box office continued the overall decline to just $29.7 million. That’s $2 million less than the same week a year ago, and $2 million less than just last week.

Some shows are booming, while others are floundering.

One of the latter is “The Book of Mormon.” The irreverent South Park musical dropped by $160,000 from the previous week to an all time low of $724,726. That’s a stunning fall off for a show without stars.

“Book of Mormon” has been on the boards for well over a decade. The musical opened in March 2011, so fatigue set in a long time ago. Is the end near? If it is, they can’t say they didn’t have an amazing run.

As usual, the most empty theater prize goes to “Chicago,” the musical, now in its 400th year. They’re waiting for Mira Sorvino to come in and gin things up. She can do it!

Trump Wants to Take Control of Museums, Complains Learning About Slavery and the “Downtrodden” Is Too Negative

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Donald Trump thinks that museums shouldn’t be talking about how bad slavery was, it’s a downer like discussing how “unaccomplished” the downtrodden were in some fuzzy long ago time.

Instead, he says in a Truth Social message, museums should be telling a different story because there’s “Nothing about Success, nothing about Brightness, nothing about the Future.”

Trump, who has never set foot in any museum, is now threatening America’s museums, intimating that he will force them to change to his will as he has law firms and universities. He has no idea what a museum’s function is — to teach history — and doesn’t care.

This is a distraction from Epstein, but also frightening because this is an extension of his fascism. He wants to control the press, education, and history, and reshape it in his bizarre and untruthful vision.

Will anyone stop him? He’s already directed one of his underlings to make changes at the Smithsonian so that it’s in accord with him for the nation’s 250th birthday in 2026.

His exact interest in “Slavery” should be of concern to every American. This is insanity.

The Beatles Tease 30TH Anniversary Anthology Collection November 21st with 4th Chapter, Video and Audio UPDATED W GOSSIP

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UPDATED SEE BELOW– Release date set for November 21st.

Once upon a time, the Beatles had their “Anthology” series.

There were three double CD albums that featured outtakes and songs never heard, different takes of hits.

Now it seems they’re teasing a fourth Anthology set because you know, Christmas is coming, and they’ve run out of albums to remix and repackage. Seriously, I love the Beatles and all their anniversary box sets. An Anthology 4 would be very welcome.

Seriously, it’s the 30th anniversary of the original albums. So why not add one and promote the whole series? Plus, new vinyl versions would also be a hit.

Is there any extra material left? Quite a lot, I think, judging by all the bootlegs floating around. And Apple would be smart to fix up the original set of albums and videos for a new generation. You Tube is filled with fan made versions of an Anthology 4 with all kinds of amateur remixes including one of the whole Band — somehow – playing on John Lennon’s “Grow Old With Me.”

So stay tuned…

unofficial, from YouTube

Cynthia Erivo Getting Big Award in December as the Intense Oscar Push for “Wicked 2: For Good” Begins Today

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Awards season has begun.

“Wicked” star Cynthia Erivo is getting the Santa Barbara International Film Festival Kirk Douglas Award for Excellence in Film.

Erivo is starring in “Wicked 2: For Good,” coming in December.

Erivo deserves all awards, but the intense push is on for “Wicked 2: For Good” to win a lot of Oscars. Studios arrange with film festivals for the actors from the Oscar-buzzed movies to get these honorariums. The publicity within the Academy, they hope, will turn into gold statues.

Festivals like Santa Barbara and Palm Springs are close by Los Angeles, and that’s where all the action is. Some of these awards are genuine appreciation of an actor’s talent — as in this case. But some — beware — they’re bought and paid for.

Will Erivo win Best Actress in 2026 for playing Elphaba twice? The odds are good, and she’s worked hard for it. Will “Wicked” pull off Best Picture? That remains to be seen.

Jimmy Kimmel, Ice T, John Stamos Among Huge A List Crowd for Comic Jeff Ross’s Debut of Sensational One Man Broadway Show

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There were so many stars in the opening night audience last night for Jeff Ross’s Broadway debut that it was dizzying.

Ross, famous for being a “roast master,” pulled off a coup with his one man “Take the Banana with You.” He surprised everyone with a hilarious, sometimes raunchy but incredibly touching evening. It’s always nice when theater pulls a fast one on you.

Ross could easily now be compared to Billy Crystal and even Mel Brooks with his delivery, comic timing, his mixture of pathos with humor. We needed a big laugh and we got it, even with some tears.

But what a crowd! I sat next to Susie Essman, who told me she’s definitely joining Larry David in his new 6 episode HBO sketch series. “I’m playing a definite character,” she revealed, “Larry doesn’t want it to be like Saturday Night Live.”

In front of us, on the aisle, Billy Crudup (with long hair) sat next to Jimmy Kimmel and his wife, Molly. John Stamos was a few rows behind us. B.J. Novak was in between. Scattered through the house were Ice T., comic actor Craig Robinson, Sarah Silverman, David Schwimmer, John Mayer, Carson Daly, Dana Delany, rapper Flava Flav, and even Steve Buscemi.

Buscemi told me he didn’t even know Jeff that well, but was invited because they’d been in a project together for two minutes. Ross nevertheless gave him a shout out as he walked through the audience, along with Stamos and Flava Flav.

A big part of the show, maybe the centerpiece, is when Ross — wearing his banana yellow suit — strolls through the audience, microphone in hand, asking people to stand up if they have a personal story of survival. Then, like a genial Don Rickles, he “roasts” them with warm zingers. What does he do when there are no celebs in the audience? He told me at the after party, “You can’t believe how many people want to get up and share.”

I’m not surprised considering what Ross tells us about his kind of Oliver Twist life in the preceding hour. At 59, he has just survived colon cancer — this year — which was so mean feat. He grew up poor in New Jersey as Jeff Ross Lifschultz, where his family ran a catering hall. His mother died very young, and his father did, too, after a brief reverie as a single man. Ross was raised by his grandfather, who he lived with well into his 20s while he was trying to make it as a comic. It was the grandfather who used to say, “Take the banana with you,” when giving him some food for the road.

All of these people are featured in personal photos projected onto the backdrop behind Ross, including friends and relatives who stood behind him when the chips were down. He’s dated a lot, never married, and his closest companions are two German shepherds with their own stories. (One of then is in the show.) He does beautiful memorials for three famous friends who did recently around the same time, much too young: Bob Saget, Gilbert Gottfried, and Norm McDonald.

Ross is so quick on his feet and facile with language that he can tailor the improvisational part of it with ease. Of course, Ross — despite the sadness he endured and leavened with hilarity — still has some Catskills shtick in him (even though he’s two generations removed). Most New Yorkers will appreciate a section called “Don’t Mess with the Jews,” which Jackie Mason and Alan King are applauding in heaven.

Don’t miss this show. Ross is booked at the smallish Nederlander Theater for just six weeks, although I’m sure he could be persuaded to stick around.

PS Kudos to Stephen Kessler, the director who makes his own Broadway debut with aplomb.

Barbra Streisand’s “Partner 2” Duets Album Rises from the Ashes to the Top 10 After Singer Laufey Featured on CBS Sunday Morning

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Barbra Streisand’s latest duets album, “Partners II: The Secret of Life,” has zoomed back up the charts.

It’s number 7 on iTunes and number 2 on amazon.com.

The album was released June 27th and fell flat. Streisand did no direct promotion for the album, there seemed to be no marketing plan, and the result was a terrible sales disappointment.

So what’s going on?

One of Barbra’s duets is with up and coming singer Laufey. On the album they perform one of Laufey’s songs, called “Letter to My 13 Year Old Self.” For some reason, Sony/Columbia just ignored it at the time of release.

But this past Sunday, on CBS Sunday Mornings, Laufey was featured. The power of that show is enormous. Laufey’s records took off, as viewers wanted to know more about this Grammy winning young star.

The CBS Sunday piece heavily featured the Streisand duet, with a clip of the video and of Streisand saying that singing with Laufey “was like buttah.”

This evidently sent fans looking for the Streisand album. Crazy.

A year ago, Streisand’s producer, Peter Asher, mentioned to me that the Laufey/Barbra collaboration was exquisite. Now it’s come to bear fruit.

Maybe Sony and Streisand will be moved to put some elbow grease in on the project now. A door has been opened for them.

Meantime, Laufey now has 4 albums in the iTunes top 100, and several singles. Not bad! She’s an “overnight sensation”!

Breaking: Meryl Streep. Anya Taylor Joy to Play Joni Mitchell in Cameron Crowe Biopic

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Holy moly!

Cameron Crowe has found two major stars for his Joni Mitchell biopic.

Scoopster Jeff Sneider reports that “Both Sides Now” will star Meryl Streep as Joni now and Anya Taylor Joy as Joni in her heyday.

That’s a movie I want to see@

The Streep part indicates that we’ll see Joni overcome her devastating stroke only to make a triumphant return to performing. There won’t be a dry eye in the house!

Crowe is devoted to Mitchell and is certainly an expert in the field. Can’t wait@

Controversial October 7th Doc Banned, then Reinstated by Toronto Film Fest Will Show Once with No Press or Industry Screenings

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The Toronto Film Fest is looking forward to a hot run next month. But there’s a wrinkle.

Last week they rejected, then reinstated Barry Avrich’s documentary, “The Road Between Us: The Ultimate Rescue.”

Now I’m told that “The Road Between Us” will just be shown once, and there are no press or industry screenings.

All of this is great publicity for the doc which follows how on October 7, 2023 retired Israel Defense Forces General Naom Tibon sprang into action on a mission to save his family — including his two granddaughters — who were surrounded by Hamas terrorists during the attack on Israel on October 7, 2023. Tibon also rescued survivors of the music festival massacre and helped wounded soldiers on his journey to save his family.

TIFF executive director Cameron Bailey at first said pulling the film had to do with properly securing rights to footage. He insisted it was not about censorship or fear of protests.

But then he reversed his position after an outcry from many groups including the Auschwitz Jewish Center Foundation and the Creative Community for Peace.

“I want to be clear: claims that the film was rejected due to censorship are unequivocally false,” he wrote in a letter addressed to members of the TIFF community. “I remain committed to working with the filmmaker to meet TIFF’s screening requirements to allow the film to be screened at this year’s festival. I have asked our legal team to work with the filmmaker on considering all options available.”

Subsequently, Bailey and Avrich issued a joint statement agreeing the film would be shown.

Now, “The Road Between Us” will be screened once, sometime on Monday. But access for press and possible distributors will be problematic. We can only imagine security will be high and interest will be off the charts. But this is a film that must be shown and distributed, to tell the story of what happened to innocent Israelis on that terrible day.