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Katie Holmes: “Dawson’s Creek” Story Bogus, as Michelle Williams’s Character is DEAD

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US Magazine is busy grinding out unsourced stories on Katie Holmes and Tom Cruise like crazy. But craziest by far, so far, is that Tom Cruise wouldn’t allow Katie to make a “Dawson’s Creek” reunion movie. If it’s true, then hats off to Tom. But it’s highly UNLIKELY such a thing was ever planned or suggested beyond an interviewer once asking Katie if she’s up for such a thing.

First of all, Michelle Williams now has three Oscar nominations. She is NOT going back to the Creek anytime soon. Not even to dip her toe in the water. Also her character died in the final episode. So the biggest star of the show wouldn’t be able to return, except as a ghost. They’re not making a movie without her.

Joshua Jackson is on “Fringe” and has lots of work.

Only James van der Beek might be interested, and that’s where the story may have come from. He’s currently on a terrible sitcom and could use a visit to the Creek badly. Alas, “Dawson’s Creek” is barely in syndication anywhere. It’s not “One Tree Hill,” which ran for many more seasons.The demand for “Return to Dawson’s Creek” is minimal.

And, more importantly: as of May, when I saw Jackson at the Cannes Film Festival, he hadn’t spoken to Holmes in seven years. She has not had any interaction with anyone from the show during her time with Cruise. None of them were invited to her wedding.

Holmes left her career, manager, and publicist at a high, then went on to make a lot of crappy movies during the reign of Tom. However, she’s back with her manager and her publicist, and will work a lot if she wants to once the smoke clears. So “Dawson’s Creek” reunion? Get a grip, people.

Tom Cruise Skips Seeing Daughter Suri in New York, Flies to Los Angeles

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OK, your wife has just pulled a public exit, and taken your six year old daughter with her to a new apartment. Do you a) fly directly to New York from where you are –Iceland–to see the child or b) fly 3000 miles past New York to Los Angeles, to talk to your lawyers and your Scientology pals? Tom Cruise chose b)  yesterday even though he’s not actually divorced, has full parental rights, and many places to stay in New York. It’s not like he needs a friend’s couch to sleep on. Cruise owns an 8,000 square foot home here on West 12th St. He also is a regular customer at the Hotel Carlyle.

Cruise,too,  just stayed at the Greenwich Hotel in Tribeca when he was promoting “Rock of Ages.” There’s also a big Scientology center in the theater district. Plus, he not only needs lawyers in New York, but his own lawyers could have met him here. So what gives? Cruise hasn’t even seen Suri in almost three weeks (unless they Skype or do Face Time on iPhones).

But the press are lemmings. They pick up one story with no sources–usually from TMZ–and run with it. So today’s headlines are ‘Cruise flies home to LA alone on his 50th birthday.’ They’re also more worried about Katie Holmes being ‘stalked’ by mysterious, unknown spies– on Seventh Avenue, in building with a large supermarket, next to a big school, with two or three news vans parked outside and many other press people sitting on the sidewalk at the entrance–than ask any questions of their own.

It’s very depressing. So far neither Tom nor Katie has said a word, Holmes’s parents haven’t spoken, and not a single person is on the record about anything. But tons of “stories” have been launched. Not a single shred of fact has been included in any of them, including whether or not Katie will get any money from Tom in the divorce. (Harvey Levin of TMZ, who Alec Baldwin has fantasies of gutting like a fish, changes position on these things like a weathervane, or a puppet with unseen strings. Hilarious.)

Wikipedia Scientology Ban Seems Prescient Now

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On May 29th, Wikipedia banned any outside editing on pages having to do with Scientology. The story was under-reported at the time, perhaps because it seemed odd. But a long running dispute between Scientologists and anti-Scientologists had been going on in the Wiki world. Administrators for Wikipedia finally concluded that too many comments and editorial changes were being made, pro and con, from the same IP addresses. The main case seems to have involved a Wikipedia name whose user name is Lyncs. He/she had been banned in 2011, and then requested a lifting of the ban. They (it?) had also been banned from attacking another Wiki commenter.

Reported on The Register, at http://www.theregister.co.uk/2009/05/29/wikipedia_bans_scientology/— “Wikipedia Bans Church of Scientology.” And while this may seem highly punitive, in hindsight it was probably the right thing to do in light of the current Tom Cruise situation. In less than a week, Scientology has become highly exposed to investigation and dissection in ways never before imaginable. With Katie Holmes holed up in a very public location–an apartment building on a major thoroughfare in Manhattan–suddenly the topic of conversation has become whether or not she and her six year old daughter are safe from the clutches of these secretive people.

While Wikipedia has banned changes from its pages, discussion rages on. For a while one wondered why Holmes chose an apartment right in the middle of traffic, atop a gigantic supermarket, no less? What kind of privacy is that? But now it seems, even if it wasn’t planned, that it was the right move. She didn’t want isolation. It’s as if the whole city has become her watchdog against anything that could harm her. It’s sort of completely brilliant. Maybe it’s the reason why Tom Cruise hasn’t gotten on a plane and come back from Iceland in a New York minute. The last thing he and Scientology want is more inspection.

http://www.youtube.com/watch?v=DZC3Vs-I6wo

Andy Griffith Mourned on Twitter, Beloved by All

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The news about the death of Andy Griffith is sweeping the internet and trending high on Twitter. It’s possible that Griffith, star of his own self titled show, was the most beloved actor left in “Hollywood.” He died in his native North Carolina. But from Mayberry to “Matlock” to all his movies–including “A Face in the Crowd”–Griffith had a long and distinguished career. Director Ron Howard, who played Andy’s son Opie on “The Andy Griffith Show,” Tweeted: “Andy Griffith His pursuit of excellence and the joy he took in creating served generations & shaped my life I’m forever grateful RIP Andy.” Everyone else is gone from that show now. But its small town lessons and genial stories remain fresh as ever. RIP Andy.

http://www.youtube.com/watch?v=XaLQMs_VDLw

http://www.youtube.com/watch?v=D2iHXC1IHfI

Tom Cruise: Talking Teddy Bear and Male Strippers Make More at Box Office in One Week

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Just reading the New York Times take on Tom Cruise’s career. They’re missing the point. Cruise last had a non tentpole, non franchise hit in 2004 with “Collateral.” If you separate out the last two “Mission Impossible” movies and “War of the Worlds” (a Steven Spielberg movie, thanks), Cruise has not been a big ticket seller in the last eight years. In domestic ticket sales, Cruise failed to get near $100 million with “Valkyrie” ($83 million), “Knight & Day ($76.4 million) and “Lions for Lambs” ($15 million). “Rock of Ages” is a stiff.

This past weekend both “Ted,” a movie about a talking teddy bear, and “Magic Mike,” about male strippers, made significantly more respectively–$54 million and $39 million– than “Rock of Ages” has in three weeks–just $35 million.

In December Cruise launches a new movie that he hopes will become a continuing franchise, called “Jack Reacher.” But that may be a ‘reach’– in order to market and explain an entirely new character and franchise, Cruise is going to have do a lot of press. That means magazine and newspaper interviews, etc–all the stuff required to sell a Christmas movie. Just doing it in Europe, or running along lines of autograph hounds, will not suffice.  So this is going to get interesting, because questions are going to come up.

Irony: Paramount’s Sumner Redstone “fired” Tom, then took him back for “MI4.” Now it’s Paramount that will have to deal with Tom’s latest mess.

Justin Bieber “Believe” Falls More than 70% While Fellow Canadian Becomes Summer Phenom

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Fame is fleeting, and teenagers do grow out of things so quickly. Last week, Justin Bieber debuted at number 1 and sold 373,000 copies of his “Believe” album to his core fans. The big problem though is no hit single. “Boyfriend” just hasn’t cut it. When the counting is finished today for Week 2, “Believe” will come in at number 3 with 115,000 copies sold. That’s a steep drop–almost 70%–from the opening week. Linkin Park’s new album is number 1–which should make Warner Music’s new owner Len Blavatnik weep with joy–and Maroon 5 is number 2.

Of the the three, Maroon 5 has the staying power because it has a hit single, “Payphone.” This is a rich summer for pop singles, almost like (dare I say it?) 1969. There’s a bunch of classically hummable songs on the radio, from Gotye’s “Somebody I Used to Know” to OneDirection’s “What Makes You Beautiful” to Carly Rae Jepsen’s “Call Me Maybe.” The latter carries it with the great irony. Jepsen, 26,  eight years older than Bieber, is also Canadian. After her music started to take off, she was signed by Bieber’s manager, Scooter Braun, to his label, Schoolboy Records, at UMG’s Interscope.

“Call Me Maybe” is HUGE–it’s the big number 1 song of the year. It may be a one off hit, the “Bette Davis Eyes” of 2012. But it’s a hit. It’s a phenom. There are HUNDREDS of covers of it on YouTube by everyone from Jimmy Fallon and the Roots with Jepsen herself to the Abercrombie & Fitch models. Jepsen’s runaway train cannot be lost on Braun or Bieber as “Believe” — also on Interscope– tumbles down the charts.

http://www.youtube.com/watch?v=lEsPhTbJhuo

“Sparkle” and “Superfly” Composer Curtis Mayfield Will Get All Star Lincoln Center Tribute

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“Sparkle” — the movie billed as Whitney Houston’s last recording, last appearance, etc– came from the music of Curtis Mayfield. The 1976 film featured five Mayfield songs. One of them became a huge hit for Aretha Franklin–“Giving Him Something He Can Feel.” Twenty years later, it was a hit again for En Vogue. Now “Sparkle” is back, opening August 17th, from Tri-Star/Sony. Jordin Sparks and Houston are the stars, with Derek Luke. On Monday the Hollywood Reporter screwed up the announcement of the soundtrack. They said, “seven songs by Jordin Sparks.” She didn’t write them, my friends. She’s a very good singer, but she didn’t write them.

Four of the songs in the new movie come from the old movie–they were written by Curtis Mayfield, who died in 1999 at the age of 57. He’d been paralyzed for years after a terrible accident: a lighting rig fell on him during an outdoor show in Brooklyn. Sometimes people forget, when an artist is dead, that they were actual people, and left behind families. Curtis Mayfield had a wonderful wife, Altheida, and a brood of lovely kids.

I’m told they haven’t heard a word from Tri Star about the “Sparkle” remake. So I will do the introductions. The Mayfields live in Atlanta. The movie premiere is August 16th in Los Angeles. It’s time for someone from the studio to pick up the phone and make “Sparkle” a good experience for the family of the man who wrote those memorable songs. No one seems to know if there’s a credit in the film that says “Original songs by Curtis Mayfield.” There should be one.

On a similar note, Mayfield wrote all the songs that became another movie: “Superfly.” The title song, “Freddie’s Dead,” and “Pusherman” were big hits on the radio. Now a Broadway show is allegedly coming together based on the movie, which was directed by Gordon Parks. The Mayfields are still waiting for a call from former Sony music Tommy Mottola– listed as a producer–or the Dodger Group, which also produced “Jersey Boys.” How completely odd. If you, dear reader, were behind “Sparkle” or “Superfly,” wouldn’t you pick up the phone and call the composer’s widow? Hmmmm…

Meantime, some people are respecting Curtis Mayfield, who also created The Impressions, and wrote dozens of hits including “People Get Ready,” “Gypsy Woman,” “Monkey Time,” “Um Um Um Um Um,” “He Don’t Love You (Like I Love You),” “Move on Up” and “It’s All Right (to Have a Good Time).”

Lincoln Center is putting together a one night only superstar 70th birthday tribute to Curtis on July 20th. (That’s right–Curtis Mayfield would now be the age of contemporary classic songwriters Paul McCartney and Carole King.)

It’s going to be amazing. Among the performers: Sinéad O’Connor, The Roots, Meshell Ndegeocello, William Bell,  The Impressions, Mavis Staples, and a 14-piece house band led by music director Binky Griptite of the Dap-Kings. The concert takes place at Avery Fisher Hall. The Mayfields will be sitting right up front. Tickets start at $35.00. For more information about the Curtis Mayfield 70th Birthday Tribute, call 212-721-6500 or visit the Avery Fisher Hall box office or http://lincolncenterfestival.org/index.php/2012-curtis-mayfield

Watch these great videos:

http://www.youtube.com/watch?v=DAh_4s_-tas

http://www.youtube.com/watch?v=W1dRiLxO950

http://www.youtube.com/watch?v=PpD8FpGpBjE

http://www.youtube.com/watch?v=1FO-DPVW0Xo


Rosie O’Donnell’s Beautiful Tribute to Nora Ephron

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Rosie O’Donnell has written a beautiful tribute to Nora Ephron on her site, www.rosie.com. Nora put Rosie in “Sleepless in Seattle” as Meg Ryan’s pal. They remained good friends, and when Ephron opened “Love, Loss, and What I Wore” off Broadway to acclaim, Rosie was in the original cast. In fact, she wrote her own monologue that Ephron incorporated into the play. PS It seems like Rosie is getting married imminently from postings on the site. Congrats, Rosie!

 

like a cyst that won’t pop
til u slice the top
i squeezed for weeks
nothing came

and now
hearing about nora
it burst
flowing over my everything

sadness i hold at bay
fears i pretend r not
love that runs deep
piercing me

my eyes r dead
i can see it in the way others see me
concern worry
i look sad – tired

depression is knocking
familiar thuds
thunder through
storm front warnings

we met in the Apthorp
the Dakota’s sister building
classic new york
just like Nora

the front room was all bookshelves
i waited on an antique bench
taking in which books
she felt worthy of keeping at hand

as i had
each one of hers
i was 21 when i read heartburn
and fell in love with her

she called me in the kitchen
black and white tiny checked floor tiles
she sat – folded her hands and smiled at me
we talked

it was 1992 – i was 30
League had been shot but not released
i was mostly a stand up comic
former VJ

i read the script
she laughed
she went into her office and handed me a new scene
she and delia had just finished writing

i did that one
she laughed again
sat back
folded her hands and smiled at me

out on the street i called my agent
i got the job – i said
no he said that was only a first audition
no – i said – i got the job

i did – and so much more
she took me inside her life
taught me so much
welcomed me

she knew about love
nora did

last night
back in her apartment
full of broken hearts
we remembered her

her brains
her beauty
her brilliance
her bravery

it feels impossible
that she is not around
unforgivable
absurd

and what now
we will gather on the 9th
and celebrate all
nora is

now
still
always
eternal

Tina Fey: Alec Baldwin Told “30 Rock” to “F” Themselves

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Alec Baldwin’s on the cover of Vanity Fair this month and it’s a doozy. Anger-enhanced Alec doesn’t come off very well. One day after his wedding, his already harshly damaged image gets worse. Todd Purdum wrote the story and these are the extracts:

Baldwin’s friend and 30 Rock co-star Tina Fey describes what she’s dubbed his “Irish Negotiating Technique,” which, as she sees it, usually boils down to his saying, “They offered me more money and I told them to go fuck themselves.”

Lorne Michaels, a longtime friend and one of the producers of 30 Rock, puts it this way: “Most people find a way to get to do the thing that is better for them. He doesn’t.”

Baldwin, who recently got into an altercation with a Daily News photographer, is the first to admit he’s had a volatile past, acknowledging that he often “gave the Heisman” to people in Hollywood, sometimes “unreasonably” and “childishly.” When Purdum asks Baldwin where he thinks his anger comes from, the actor launches into a long description of the perversity of the industry he works in: “You know, Hollywood does draw some very strange characters, and then the power of Hollywood and what they can do with it becomes like a blood sport to them.”

Then he returned to the frustrations and injustices of his child-custody case. He outlined vivid fantasies of the gruesome ways in which he might have murdered his wife’s lawyer (“with a baseball bat”) or Harvey Levin, the TMZ producer who posted the embarrassing voice mail Baldwin left for his daughter: “I wanted to stick a knife in him and gut him and kill him and I wanted him to die breathing his last breath looking into my eyes..”

PS: You may think Baldwin’s anger is a new thing. But in 1990, he told writer Ryan Murph–yes, Ryan Murphy who now produces “Glee,” etc– for an article I commissioned, that Disney’s Jeffrey Katzenberg was “the eighth dwarf.” Baldwin was angry at Disney about the way he and Kim Basinger had been treated, he thought, on the movie “The Marrying Man.” Twenty two years later, not much has changed.

Tom Cruise Won’t Be Getting Any Help from Lisa Marie Presley

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I wrote this on Forbes.com on May 26th. It seems appropriate to revisit it now. Tom Cruise won’t be able to get any help from former fellow Scientologist Lisa Marie Presley. Read why:

Lisa Marie Presley and her mother, Priscilla, have long been members of Scientology. But recently things have changed. It’s been signalled in the tabloids, but suddenly Lisa Marie has made a declaration at least in song that she’s disillusioned with the notorious sect.

On her new album, “Storm and Grace,” Presley makes several allusions to Scientology that are unmistakable. In the new single, “You Ain’t Seen Nothing Yet,” she sings:

“You can think that I’m evil and I’m off the rails
You ain’t seen nothing yet
That I’m a bit transgressive and suppressive as well
You ain’t seen nothing yet
Am I a disruption to your corruption
You ain’t seen nothing yet”

She also sings:

“Lay down the truth don’t make a sound
Just a piece of fruit who has hit the ground
I don’t respond, I lost the plot
Unethical, not what I thought”

The song uses language from the Scientology lexicon. A “suppressive” is a Scientology outcast. Then she is more pointed as a “disruption to your corruption.”

There are other references to her dissatisfaction with Scientology throughout the abum produced by T Bone Burnett. In “Storm of Nails” she sings:

“It’s been a long highway
Where do I get off and drive away
I’m looking for a sign that should say
When you’ve had enough, exit this way
If only I were a gopher now
I’d dig a hole and I’d not come out”

There’s another song, too, called “So Long” that alludes to the end of her road with Scientology.

On her website, www.lisamariepresley.com, the daughter of legendary rock pioneer Elvis Presley has also wiped out almost all reference to Scientology. Where she once promoted the group’s causes, she’s now down to just one. Otherwise, her emphasis is on her own foundation and one named for her father. They are each dedicated to people and causes in Memphis.Presley said in interviews with Billboard, USA Today and “Access Hollywood” recenntly that she’d cleaned house and gotten rid of a lot of people whom she’d trusted. It does seem like it’s all associated with Scientology. If the group has lost Lisa Marie, then it’s a blow. She was one of their chief celebrities to whom they pointed, and from whom they were guaranteed some sizable coin.

Here’s the video for “You Ain’t Seen Nothing Yet,” in which the singer puts a lot of objects in a trunk then throws the objects in a lake before rowing away. There’s a teddy bear–does that represent her mother, who’s still with the group? There’s also a trumpet and a wooden doll of a man. And don’t miss the rattlesnake–that’s some imagery.

I’ve met LMP about a half dozen times over the years. She always seemed like a straight shooter, not mysterious at all, and quite straightforward. It also seemed like the one thing that separated her from the music career that eluded her so long was her connection to Scientology. Now, that may be over.