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Mel Gibson’s Expensive Divorce Making Him Lose His Religion?

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Mel Gibson’s divorce from long suffering wife Robyn is finally settled. The loser may be his private church, the Holy Family Church of Agoura Hills, California. With money tight, and no one exactly clamoring to see Gibson screen, Holy Family only received a fraction of its usual annual donation from Mel.

In 2011, Gibson parked a measly $1.2 million with his AP Reilly Foundation, which funds the church. Most of that–about $786,000–went to paying off depreciation on the property.

In past years, Mel has put tons more into AP Reilly. In 2010, he put in about $6.8 million. In 2009, the number was closer to $10 million. Prior to that, Mel had been funneling money into AP Reilly in big clumps. The total value of fair market assets is up to $68 million.

But times have changed, and so have Mel’s financial circumstances. Robyn may have walked away with $400 million after more than 25 years of marriage and 7 children.

No one else but Mel donates money to Holy Family, which Gibson built several years ago for himself, his crazy father, and a bunch of worshipers who deny that the Pope is in charge of the Catholic church and that Vatican II ever happened back in 1965. (If there are indeed other members of this church, and they do put money in a parish plate, it never shows up in the church’s tax returns.) The Arch Diocese does not recognize Mel’s church.

Mel’s 94 year old father, Hutton Gibson, is also an avowed Holocaust denier and author of articles written for neo Nazi publications. (As I wrote in 2009: in 2003, the Pittsburgh Post Gazette reported Hutton Gibson was a featured  speaker at a conference sponsored by the Barnes Review and the American Free  Press, both of which regularly carry anti-Semitic articles and reprint writings  by Adolf Hitler and other Nazi leaders.)

Gibson may have to count his pennies a little more closely these days. His last movie, “Get the Gringo,” was shown on Direct TV before going straight to video. His next film, “Machete Kills,” with Charlie Sheen, will be distributed by 20th Century Fox.

Barbra Streisand, Aretha Franklin: A Rare Meeting of Divas for Hamlisch

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The Peter Jay Sharp theater in the Juilliard School of Music holds 900 people, and every seat was taken tonight at 7:30pm for an all star tribute to the late composer Marvin Hamlisch.. Hamlisch’s widow, the amazing Terre, organized a superstar send off for her popular husband, headlined by Barbra Streisand, Liza Minnelli and Aretha Franklin. She included many songs from “A Chorus Line,” as well as bits of scores from movies like “Sophie’s Choice” and and the upcoming Broadway musical version of “The Nutty Professor.” Brilliant young pianist Lang Lang played a piece that Hamlisch used as his audition to get into Juilliard when he was just 7 years old

It’s hard to say which group was hotter–the one on stage or the one in the audience. Among the guests: Michael Douglas and Catherine Zeta Jones, Alan Alda, Candice Bergen and Marshall Rose, Tony Roberts with Penny Fuller, longtime Hamlisch collaborator Carole Bayer Sager with husband Bob Daly, “The Way We Were” lyricists Marilyn and Alan Bergman, Tony nominee Ron Raines, Sarah Jessica Parker, Leslie Gore, Regis and Joy Philbin, Robert Klein, Lucie Arnaz, Sir Howard Stringer, “Kramer vs. Kramer” author Avery Corman, Thomas L. Friedman, Ken Auletta and Amanda Urban, Mort Zuckerman. former Yankee manager Joe Torre, writer Hannah Pakula, TV producer Fred Rappoport, composer David Zippel, Pat Schoenfeld, Paula Zahn, and so on. There were plenty of media types, too. President Barack Obama, tied up for the night, sent Valerie Jarrett. It quite an occasion.

So not to be outdone, the stage produced some incredible performances from Minnelli, Streisand, and Aretha Franklin–the latter not only sang a rewritten version of Carly Simon’s “Nobody Does it Better,” but then added a  gospel  number, “Deep River,” that gave the 90 minute show unexpected gravitas. It was one showstopper among many.

Backstage, Franklin and Streisand–maybe the two greatest living female pop singers–had a rare meeting and posed for a photo. You can see it here on this page. Streisand flew in from L.A. Franklin came by her luxury tour bus from Detroit.

Chris Botti played “What I Did for Love” on trumpet. Brian D’Arcy James sang “At the Fountain” from “The Sweet Smell of Success” with swagger. British star Maria Friedman re-created “Nothing” from “A Chorus Line,” while Dena DiGiacinto, Emily Fletcher, and Hollie Howard took on “At the Ballet.” There were classical music showcases, too: Carter Brey played the theme from “Sophie’s Choice” on cello; Itzhak Perlman regaled us on violin with “I Cannot Hear the City”; Lang Lang played the overture from “A Chorus Line.”

Minnelli’s number was a wittily re-worked “If You Really Knew Me” from “They’re Playing Our Song.” with Michael Feinstein on piano. She said, “I met Marvin when I was 14 and a half and he was 15 and three quarters.” They became fast friends, “joined at the hip.” She added: “He was one of my few constants in my life.”

Streisand closed the show with a sublime medley of “The Way We Were” and “Through the Eyes of Love.” She said, before she sat on a stool and held altered lyrics to the second song: “We met in 1963. Marvin got coffee for everyone, but I didn’t drink coffee, so he got me a chocolate donut. Actually, he’d get me two and our love affair began.” Streisand’s vocals were like buttah, in case you’re wondering still about getting tickets to her upcoming shows.”

And that was it. No one spoke except Terre Blair Hamlisch, who’s turned out to be uniquely eloquent in the face of her tragedy. Otherwise, it just music, music music–the finest performers assembled in one place for a historic event that no one will ever forget.

Oscars to Upstage Golden Globes with Earlier Nominations Announcement

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The Academy Awards have finally figure out how to neuter the Golden Globes. They’re going to announce Oscar nominations on January 10th, three days before the Golden Globes show, and five days before they were going to do it previously. They will also be one day before the Broadcast Critics’ Critics Choice Awards. The Oscar nominations always come after the Golden Globes show giving Academy voters a day to consider how they want to react to the choices of the Hollywood Foreign Press Association. Now the Academy members will be out on there on their own. Will it work? I think it’s pretty funny, actually. The Academy despises the Globes. Now they’ve stolen their thunder by making the Oscar nominations the first order of business on “Golden Globe weekend.” Hilarious! The whole Oscar prognosticating thing is getting out of hand, anyway. So called pundits are making lists up now, without having seen half of the movies! But kudos to the Academy for extreme cleverness in this wicked chess game.

Channing Tatum, Rosario Dawson, Oscar Isaac Reunite Again

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It was just like a 10 year high school reunion Sunday on the rooftop of the non-residential Hotel Chanterelle on Manhattan’s Lower East Side. That’s where the hot cast of the new movie “10 Years,” reunited for a brunch so the press could chat with them and they could catch up with each other. Had anyone changed?

For one thing, the group as inspired a real life romance: nice kids Max Minghella and Kate Mara held hands and gazed into each other’s eyes all morning. His father was the beloved director Anthony Minghella; her family owns the New York Giants. And they’re not in their “Twilight” years. A relief.

Channing Tatum was there with wife Jenna Dewan; again, too nice for words. Also too good looking for their own good. It’s ridiculous.

Anthony Mackie, a superstar in the making, already well known from “The Hurt Locker” and “Half Nelson,”  talked about his just signed role in the next “Captain America.”

Also chowing down from the cast: Brian Geraghty, another “Hurt Locker” alumnus.

And then there was my old friend Rosario Dawson, the great beauty and talented actress. She’s living part time in London, and having a ball. She’s also working out of Los Angeles to organize young voters at www.votolatino.com. Go there and register if you haven’t already. I am waiting for Rosario to break through–I still think there’s an awards season in her future. She’s one of the most underrated actors in so called Hollywood.

And everyone was excited to hear a live, impromptu performance by Oscar Isaac on guitar (see our video player on the home page). Oscar, who’s the star of the new Coen Bros. movie next year about the
Greenwich Village folk movement of the early 1960s, played his hit, “Never Had.” He sings it in the movie–he plays a rock star like John Mayer returning home for the first time. The “10 years” soundtrack is available for download on iTunes. Watch out for Oscar: he could easily have a music career to go along with the acting.

And big news from Anthony Mackie: while he does all his award winning acting, he’s got a bar out in Brooklyn. It’s so successful he’s about to open one a little closer to Manhattan, in thriving Williamsburg.

 

Goodbye Edward Quartermaine; John Ingle Dies at 84

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For many years, David Lewis played curmudgeonly corporate billionaire and patriarch Edward Quartermaine as a wily clown on “General Hospital”; he retired in the early 1990s. Edward was de-aged then and John Ingle, retired and popular acting teacher from Beverly Hills High School, took over. That was in 1994. Ingle passed away today at age 84, less than a week after his final appearance. In his last scene, Edward, who barely said a word, gave a thumbs up. We give a thumbs up to John Ingle.

You can laugh about the outrageous plots on soap operas, and the occasional brutal scene chewing. But John Ingle was the real deal. He took Lewis’s Edward and made him a little less clownish, and more conniving–but always with a wicked sense of humor. When the battling rich-as-sin Quartermaines were front and center on “General Hospital,” they were the heart of the show. They were funny, and not melodramatic. They were like a drawing room comedy, too sophisticated for soap shenanigans.

Ingle was tossed aside a few years by executive producer Jill Farren Phelps (the worst producer in the history of soaps, now positioned to do damage at The Young and the Restless.) He was replaced by a younger man. Ingle went to “Days of Our Lives,” but soon returned. The show flourished when he was on, he was antidote to the craziness around him. He will be sorely missed. And so will Edward Quartermaine. In less than a year, “General Hospital” will probably be replaced by someone chopping an eggplant.

Ingle, meantime, had quite a coterie of fans, and former students who became famous under his tutelage. Last week when he appeared on the show–he’d been AWOL a long time after his wife’s death–his fellow actors Tweeted that it was last episode. Thanks to YouTube, he will live on long after the eggplants have come and gone.

Box Office Surprise: Madoff-Like “Arbitrage” is a Hit

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Surprise, surprise. While we’re all getting misty eyed over “The Master” selling out all its seats this weekend, there was another hit. “Arbitrage,” directed by Nick Jarecki, starring Richard Gere and Susan Sarandon, really did very very well. The Madoff like saga of a Wall Street guy who seems to have it all but is way in over his head did just over $2 million at the box office. It finished 12th for the weekend. And those were pretty big accomplishments considering “Arbitrage” is only playing on 197 screens.

Director Jarecki is very excited, sending out emails to friends to help in his cause. I think he’s as surprised as anyone else. Some thing about “Arbitrage”: it’s a very well made film, very entertaining, and of course, very well acted. Gere does his best work since my last favorite film of his, “Hoax.” Susan Sarandon is top notch and very fetching, as usual.

The Madoff angle has not been publicized too much, but I think the audience gets it. Gere’s character is rich, and his family benefits from his largesse. But his daughter (played by Brit Marling) works for him and sees that something is terribly wrong. The whole enterprise of Gere’s hedge fund is based on a lie. If he can’t maintain his high wire act, he will be exposed, and the whole carnival over which he’s presiding will collapse. He will go right to jail.

“Arbitrage” may be the sleeper hit of the fall, just the way “Margin Call” was last year. I think it’s a little early for Oscar prognostications. But Gere and Sarandon are magic. “Arbitrage” should turn out to be a nice little hit. Kudos to producer Laura Bickford, who really championed this project and brought it to fruition.

Randy Jackson, As We Always Said, Remains “American Idol” Judge

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How many times did you read this summer, particularly on TMZ, that Randy Jackson was out at “American Idol”?  http://www.tmz.com/2012/08/31/american-idol-randy-jackson-judge-nicki-minaj-mariah-carey/ Why, you wonder, do regular news outlets like the New York Post and countless websites, just pick up TMZ’s half baked news and report it like it’s the truth? I don’t get it.

I told you at the beginning of the summer when Mariah Carey signed on–she’s managed by Randy–that Jackson was not only staying but that he had to, he was the heart and sould of “Idol.” Rock stars could come and go as temporary judges, but Randy was the mainstay of the show. http://www.showbiz411.com/2012/07/13/american-idol-update-randy-jackson-will-bring-mariah-carey-jlo-out

Yesterday–surprise–Randy joined Mariah and newcomers Keith Urban and Nicki Minaj at Lincoln Center for show auditions. He’s still there, and in charge. These three new judges will be looking to him for advice about how to play this season.

So now what for everyone who reported “Randy Jackson is OUT!” Like a lot of junk that came out of tabloid reporting this summer, it was all wrong. But hey–it doesn’t matter. And not one of those other sites–including the Post, which is owned by the same company as Fox, the network of “Idol”–bothered to pick up the phone and make an independent sourcing call. Oh well.

Will Ferrell-Vince Vaughn-Owen Wilson Comedy Shooting on Google Campus

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Exclusive: Google is often accused of being highly secretive. Its campus is heavily guarded and secured so the general public can’t go roaming around. But I am told that a Hollywood movie is about to shoot there on the campus. “The Internship,” directed by Shawn Levy, starring Will Ferrell, with Vince Vaughn and Owen Wilson in their first duet since “Wedding Crashers”– is scheduled to film at Google shortly.

The film is supposed to shoot exteriors and interiors. We’ll see some of the offices at the mysterious internet giant. Maybe we’ll see what really goes in Eric Schmidt’s office! And who knows: maybe the characters will stumble into the Google X labs–now there’s a plotline we can offer to Vaughn and company!

The movie is set at a large internet company, where an intern may be the undoing of Wilson and Vaughn’s characters–laid off guys who are trying to make it as interns and are forced to answer to 20 year old managers. Vaughn wrote the script. Yes, it’s a comedy, for 20th Century Fox. Levy is best known for the “Night at the Museum” movies.

Toronto: “Silver Linings Playbook” Wins People’s Choice Award

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The Toronto International Film Festival is over, and the winner of the Audience Award–given by Blackberry–was David O. Russell’s “Silver Linings Playbook.” Runner up was Ben Affleck’s “Argo.” Each of these movies will be Oscar nominees for Best Picture. I do think “Silver Linings” could win, and bring awards to Russell. and actors Jennifer Lawrence and Robert DeNiro. Star Bradley Cooper will also be nominated. But he’s in a tougher crowd, with Daniel Day Lewis, Joaquin Phoenix, Tommy Lee Jones, and several others.

“Silver Linings Playbook” is simply going to win over everyone who sees it. It has that rare combination of heart, art, and soul. You root for everyone in the film, which is beautifully crafted throughout. There isn’t a false note to be heard, and it’s utterly original. Good for David O. Russell, who finally found his footing a couple of years ago with “The Fighter.” Now he’s in ‘the zone.’

The Toronto People’s Choice Award is a good indicator of the Oscar. Past winners  have included “The King’s Speech,” “Slumdog Millionaire,” and “American Beauty,” as well as “Precious,” as well as “Hotel Rwanda” and “Chariots of Fire.”

PS Chris Tucker is excellent and very funny in his first non “Rush Hour” movie. He’s confident as an actor. It’s time he made more movies!

Here’s the release from Toronto:

BLACKBERRY® PEOPLE’S CHOICE AWARDS
The BlackBerry People’s Choice Award is voted on by Festival audiences. This year’s award goes to David O. Russell for Silver Linings Playbook. The film is an intense, loving, emotional and funny family story from the director of The Fighter, David O. Russell, in which Bradley Cooper and Jennifer Lawrence find themselves partners in a secret arrangement to rebuild their broken lives. Robert De Niro yearns to get closer to his son (Cooper), as he tries to keep the family afloat with his compulsive bookmaking. The award offers a $15,000 cash prize and custom award, sponsored by BlackBerry. First runner up is Ben Affleck’s Argo. The second runner up is Eran Riklis’ Zaytoun.
The Festival presents a free screening of the award-winning film Silver Linings Playbook tonight. The screening takes place at 6 p.m. at the Ryerson Theatre. Tickets will be available on a first-come, first served basis beginning at 4 p.m. at Ryerson Theatre.
The BlackBerry People’s Choice Midnight Madness Award goes to Martin McDonagh’s Seven Psychopaths. Seven Psychopaths follows a struggling screenwriter (Colin Farrell) who inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends (Christopher Walken and Sam Rockwell) kidnap a gangster’s (Woody Harrelson) beloved Shih Tzu. Co-starring Abbie Cornish, Tom Waits, Olga Kurylenko and Zeljko Ivanek. First runner up is Barry Levinson’s The Bay and second runner up is Don Coscarelli’s John Dies at the End.
The BlackBerry People’s Choice Documentary Award goes to Bartholomew Cubbins for Artifact. Telling harsh truths about the modern music business, Artifact gives intimate access to singer/actor Jared Leto and his band Thirty Seconds to Mars as they battle their label in a brutal lawsuit and record their album This Is War. First runner up is Christopher Nelius and Justin McMillan’s Storm Surfers 3D. Second runner up is Rob Stewart’s Revolution.

 

Exclusive: The Real Story of Why the John Travolta “Gotti” Film Fell Apart

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Exclusive: It’s been about two years since the John Travolta “Gotti” movie fell apart. It was supposed to start in 2010, then again in 2011. It was at the Cannes Film Festival in May 2010 that director Barry Levinson and screenwriter James Toback showed up with producer Marc Fiore. They’d replaced Nick Cassavetes, and were all set to get new financing. Levinson was bringing Al Pacino to the film. Lindsay Lohan was still out there somewhere.

But then I reported this story, that Marc Fiore was actually Marco Fiore, who’d done a lot of time at Allenwood Prison for fraud (not a vacation, as New York Magazine suggests today) and had been the main defendant in the prosecution of a Boiler Room scheme. A book was even written about it in 2003, which no one who’d signed on to “Gotti” had read. Here’s my original story: http://www.showbiz411.com/2011/09/22/gotti-movie-one-year-since-it-was-announced-the-producers-mob-ties-are-real

The movie was not going to happen. Fiore responded by upping Toback to executive producer without telling him. He also announced another exec producer, a man named Salvatore Carpanzano. I then wrote a story revealing that Carpanzano had also done a stretch at Allenwood. Even for a Hollywood film, this was getting unusual. It was like “Get Shorty,” a Travolta movie about a gangster who wanted to make a movie.

I met with Carpanzano last October and he laid out his issues with Fiore. It was the first and only time he’d spoken with a reporter. By then, a casting sheet had gone for 80 roles in “Gotti,” and was then rescinded. Here’s my story with Carpanzano: http://www.showbiz411.com/2011/10/17/gotti-movie-exec-producer-ive-never-encountered-anything-so-difficult-in-my-life

Carpanzano and Fiore then had a falling out. Not such a good plan for Fiore, who then drafted Marshall Field department store heir and Interscope Records founder Ted Field into the operation. Carpanzano told me that Fiore now owed him a bunch of money in interest after tying up his backers’ funds (Carpanzano claimed to have a heavy investor in Dubai). http://www.showbiz411.com/2011/12/08/gotti-movie-ted-field-close-to-deal-with-summit

“Gotti,” of course, has never been made. Travolta has since had a series of major scandals that put his whole career in jeopardy. Field had lawsuits over his own company. Carpanzano got into a huge legal entanglement with an entertainment law firm, resulting in the exit from the firm of one the lawyers. In our story, Carpanzano insisted that he had $250 million to fund movies, and would do it without Fiore. Reading this, a real Hollywood indie company contacted Carpanzano and almost made a deal with him.

Barry Levinson’s moved onto other projects in TV and with “The Bay,” and his Phil Spector movie for HBO with Pacino. Pacino is also going to play Joe Paterno, maybe, in a film about the Penn State-Sandusky scandal. Travolta is sidelined by lawsuits and tabloid stories of his sex life. Lindsay Lohan — well, she’s her own continuing soap opera.

Was the “Gotti” movie ever a good idea? Not really. “The Godfather” was fiction. “Goodfellas” had a remote reality, as does a new mob movie called “The Iceman,” which is excellent. But “Gotti” is about real people. There are no heroes, particularly not John Gotti, Jr. He’s no Michael Corleone, pulled into the business against his will. The Gottis’ victims are everywhere, haunting the movie.

But is there more to this story? You bet. Stay tuned. I do wonder why today’s New York magazine story, a year late, omits almost everything of interest in the background of this story including our reporting, the Carpanzano episodes, and the fact that as of last night, absolutely nothing has happened to advance the movie, that it’s still not happening, or ever going to happen. It’s as dead as a horse’s head in a bed.

Here’s a link to Fiore’s SEC indictment: http://www.sec.gov/litigation/admin/34-48905.htm