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Broadway Exclusive: Moss Hart’s Famous “Act One” Headed to Lincoln Center

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This is exciting news if you are older or wiser: famed playwright Moss Hart’s beloved memoir, “Act One,” is being turned into a play. And that play is coming to Lincoln Center next spring thanks to the great James Lapine. He’s adapted the book and will direct the production.

Trust me, this story will get three hits among readers younger than 50. But Moss Hart and George S. Kaufman wrote the most wonderful plays ever including “You Can’t Take it With You” and “The Man Who Came to Dinner.” He and Kaufman also wrote the screenplays for “A Star is Born” (with Judy Garland), “Gentleman’s Agreement,” “Hans Christian Anderson,” and “Winged Victory.” You know, real movies.

Moss Hart was married to the late Kitty Carlisle Hart, who became a New York icon in her own right and carried on his legacy for years and years after he died in 1961 at the much too young age of 57.

Lapine and casting director Daniel Swee are looking for someone great to play Moss, a guy in his mid 20s with a New York Jewish sensibility.

The show comes off a two performance workshop tryout last month on Martha’s Vineyard featuring Tony Shalhoub, Debra Monk, Chuck Cooper and David Turner.

Anyway, the weird thing is I recently found a first edition of “Act One” and put it away for safekeeping. Now I’m going to dust it off for a re-read ASAP.

Exclusive: Will Smith-Backed Private School Closed Over Scientology Association

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EXCLUSIVE: Suddenly without warning Will Smith and Jada Pinkett Smith’s privately funded New Village Leadership Academy shut its doors this summer. The school, in Calabasas, California, was a mystery: it used some Scientology curriculum and had gone through a couple of head administrators. The last one, named Piano Foster, had taken Scientology courses. But as late as last spring, New Village had been having auctions, and looked like it was returning in the fall. Then it simply shut down.

What happened? Hollywood veteran manager and producer Jeff Wald sent his two youngest daughters to New Village. I spoke to him yesterday. Wald had a lot of praise for Will and Jada, and for Piano Foster (real name Franca Piano Foster). He told me that despite the reports from “bloggers,” there was never talk of Scientology at the school.

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But, he said, “We could never get past the association. We couldn’t raise any money. And the Smiths were putting in $2 million of their own each year. They couldn’t keep supporting it.”

According to their last federal tax filing, in 2011, New Village finished that year in the red with a negative balance of -$284,931.

Wald says the idea of New Village was to offer “middle class black kids a chance” for a good private education. He said that “eighty percent” of the students were African American. The tuition was low by comparable standards. “Just $25,000” a year, he said. Private schools in New York, by comparison, run at around $40,000 a year.

The curriculum included basics, Wald says, but also special projects that kept the students engaged– like making videos about Occupy Los Angeles, or fashion projects that were about body imaging and self esteem. The students also had days of community service.

Some children of sports stars were starting to come to New Village, Wald says, including the toddlers of New York Nets players Paul Pierce and Kevin Garnett. There was at least one back up singer for One Direction. Hollywood show business attorney Ken Hertz, who was on the New Village board, didn’t return several phone messages and emails. His wife, Teri, was also on the board.

Many of the people who worked at the school had connections to the Smiths. But Wald says when Will Smith was informed the son of one of his employees, a student, was bullying other kids, he was asked to leave New Village.

“They didn’t play favorites,” says Wald, whose daughter will miss the school. “We never met nicer people, and we had a lot of laughs. The Smiths helped a lot of people.”

And still, Wald emphasizes, he is friendly with Piano Foster and may do a project with her. Her husband, he says, works for Will Smith now. He adds: “There was never any proselytizing about Scientology.”

 

 

Lawsuit: SiriusXM Doesn’t Pay Royalties for Oldies, Any Songs Pre-1972

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The Beatles. The Rolling Stones’ classic hits. Motown. Stax. Doo-wop. “Bridge Over Troubled Water.” Jimi Hendix. The Doors. Guess what? Sirius XM satellite radio doesn’t pay any royalties on this music. They refuse, claiming they don’t have to. I didn’t know that, but now I do. And now you do. The satellite radio home of Howard Stern claims it’s protected under a federal statutory license.

Yesterday, SoundExchange, which collects digital royalties the way BMI and ASCAP do for everything else, sued SiriusXM in U.S. District court in Washington DC. They claim that Sirius XM simply pretends for tax purposes and anything else that all the years of rock and roll before 1971 don’t exist. Sound Exchange claims that Sirius XM doesn’t include the money they make from that music  in their “Gross revenues.”

(The cut off is actually February 15, 1972 and is referred to in the lawsuit as “pre-1972.” Those last six weeks include a lot of famous releases, coincidentally, including Neil Young’s “Harvest,” Allman Bros.’s “Eat a Peach,” Al Green’s “Let’s Stay Together,” and Michael Jackson’s “Got to Be There.”)

The lawsuit is basically claiming that subscribers who pay to listen to Sirius for their 50s and 60s music, for oldies stations and for Soul Town, my favorite station, aren’t counted. Don’t forget, SiriusXM unlike your normal radio station, knows what you’re listening to because they are digital.  They know you’re not listening to polka music. Or if you are. They know I am always on Soul Town and not on Heavy Metal.

SoundExchange is asking for $50 to $100 million in back royalties  from 2007 to 2012.

“Getting paid by Sirius would be life changing money for the pre-72 legacy artists,”  said Heather Sauber, Director of The Soul Arts and Music Foundation, Inc. that’s been organized with the goal of helping the legacy American recordings artists recover their rights and property.

And legacy artists don’t mean just the big stars as I mentioned above but little guys with one off hits that are played on SiriusXM around the clock, from “96 Tears” to “Sweet Soul Music” to “Spirit in the Sky” and “I Only Have Eyes for You.”

It also means all of the classic recordings by Frank Sinatra, Ella Fitzgerald, Louis Fitzgerald all the big band and jazz music.

“American Idol” Still Looking for Judge As Top 40 Producer Backs Out

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“American Idol” is still looking for a third judge and time is running out. It’s already August 27th. Only Keith Urban and Jennifer Lopez are signed to return to the show. Former judge Randy Jackson will show up as a mentor– unless he has to be drafted back into a judge’s chair. “Dr Luke,” a very successful top 40 producer, was going to be added. But he has a deal with Sony Music, and “American Idol” is all about finding acts for rival Universal Music Group. So now what?

Sony was represented on “Idol” by Steven Tyler of Aerosmith but no one seemed to mind since the group is older, and their fan base is set in stone. “Idol” now needs someone who’s either neutral or somehow connected to Universal. I think a great choice would be Bernie Taupin, whose records with Elton John are all distributed by UMG. He’s British, can be snarky, and certainly knows a hit sound when he hears it. He’s also not 12 years old.

But “Idol” is competing with “The Voice,” a show that boasts young rock and pop stars like Adam Levine and Shakira. But so far several candidates have turned “Idol” down either because they know the show’s popularity is waning, or their own careers are too busy. But the clock is ticking.

Who would you like to see in the third judges’ chair?

Randy Travis in Physical Therapy, Will Release New Album Next Month

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Country great Randy Travis is still recuperating from his bad health summer of a stroke, surgery, heart implant. But that hasn’t stopped him. Before Travis fell ill he’d finished an album of country covers, all tributes to the musicians who’d influenced him. He began working it last year and finished a few days before his early July collapse. Now the album has been set for release as Travis makes progress with his physical therapy. The album is called “Influence Vol. 1: The Man I Am.” The tracklist follows, and you’ll see there’s a lot of Merle Haggard plus George Jones, as well as Louis Armstrong and Bing Crosby. My dad, who used to listen to WWVA from the Northeast on clear nights, is going to go crazy for this album. PS Randy, get well soon!

Songs on Influence Vol. 1: The Man I Am include:
1. Someday We’ll Look Back
Influence: Merle Haggard
Songwriter: Merle Haggard
Original Performer: Merle Haggard
Originally Released: 1971

2. Big Butter And Egg Man
Influence: Merle Haggard (1985)
Songwriter: Percy Venable
Original Performer: Louis Armstrong and His Hot Five
Originally Released: 1926

3. What Have You Got Planned Tonight Diana
Influence: Merle Haggard
Songwriter: Dave Kirby
Original Performer: Merle Haggard
Originally Released: 1976

4. Ever Changing Woman
Influence: Merle Haggard
Songwriters: David Kirby, Curly Putman
Original Performer: Merle Haggard
Originally Released: 1980

5. Pennies From Heaven
Influence: Merle Haggard (1986)
Songwriters: Arthur Johnston (music) Johnny Burke (lyrics)
Original Performer: Bing Crosby
Originally Released: 1936

6. Thanks A Lot
Influence: Ernest Tubb
Songwriters: Eddie Miller and Don Sessions
Original Performer: Ernest Tubb
Originally Released: 1964

7. Trouble In Mind
Influence: Merle Haggard (1996)
Songwriter: Richard M. Jones
Original Performer: Thelma La Vizzo
Originally Released: 1924

8. My Mary
Influence: Merle Haggard
Songwriters: Stuart Hamblen, Jimmie Davis
Original Performers: Merle Haggard and Willie Nelson
Originally Released: 1983

9. Saginaw, Michigan
Influence: Lefty Frizzell
Songwriters: Don Wayne
Original Performer: Lefty Frizzell
Year Released: 1964

10. Always On A Mountain (When I Fall)
Influence: Merle Haggard
Songwriter(s): D. Kerran & Chuck Howard
Original Performer: Merle Haggard
Year Released: 1978

11. (Because) You Asked Me To
Influence: Waylon Jennings
Songwriter(s): Billy Joe Shaver & Waylon Jennings
Original Performer: Waylon Jennings
Year Released: 1973

12. Why Baby Why
Influence: George Jones
Songwriters: Darrell Edwards & George Jones
Original Performer: George Jones
Year Released: 1955

13. Tonight I’m Playing Possum (Duet With Joe Nichols)
Songwriters: Keith Gattis
Original Performer: Randy Travis
Year Released: 2013

Justin Timberlake, NSync Drive MTV VMA Ratings Up 66% from Last Year

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Ratings were up 66% last night from last year for the MTV Video Music Awards aka “The Justin Timberlake Show.” The combination of Justin and his NSync reunion brought in a whopping 10 million viewers. Critically the show was a horror. And it bored various nominees and participants who we caught yawning or knitting during the show. But MTV gave the kids what they wanted: their big pop stars live and in person for 45 minutes (plus commercials). It didn’t hurt that Miley Cyrus got all freaky with Robin Thicke.

Telluride 2013: Coen Brothers Will Get One of Three Tributes

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Exclusive: The great thing about the Telluride Film Festival is that no one knows what’s happening until you get there. No films are announced, and no programs. It’s like “Survivor” with platinum cards. You can only bring one wireless device and two cashmere sweaters. (Just kidding!)

Anyway. There are three tributes during the weeklong fest. I am hearing now that one of the tributes will be to Joel and Ethan Coen.  The Coens, of course, have “Inside Llewyn Davis,” a film I loved from Cannes with Oscar Isaac, Carey Mulligan, Justin Timberlake and a cat no one will ever forget. They must have a terrific clip reel, including the wallpaper peeling in “Barton Fink” and Albert Finney singing “Danny Boy” in “Miller’s Crossing.” (Two great films you must watch if you’ve never seen them or have forgotten them.)

Meantime, I reported last week — and seems to be holding up– that Ralph Fiennes will be the second tribute. Fiennes has directed a film about the love life of that old rascal, Charles Dickens. He also has an enormous acting resume for clip viewing, from “Schindler’s List” to Harry Potter movies, “The Reader,” and my favorite, “In Bruges.” Fiennes will also get a tribute gala at the New York Film Festival in September.

And the third Telluride tribute? I think I know it, but we can wait til later. I wish I were going to Telluride. But I have to stay here and watch the tote board for the MDA mini-telethon.

Jane Fonda Rocks “The Newsroom” With Oscar Sized Performance

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Last night’s HBO drama “The Newsroom” got a jolt of electricity–at last. It came from two time Oscar winner Jane Fonda, who gave an Oscar worthy performance and stole the entire season in one fell swoop. Fonda plays ACN owner Leona Lansing, and is used sparingly by show creator Aaron Sorkin. She’s nominated for an Emmy from last season (and deserves to win, hands down).

Last night Fonda appeared in the final, surprising scene of a very busy episode that revealed the entire Genoa story– how ACN was duped by producer Jerry Dantana and a congressman (excellent work by Frank Wood) who blamed his son’s death on being fired from his internship. When Charlie (Sam Waterston) and Will (Jeff Daniels) go to Leona to resign, Fonda surprises them. First of all, she looks like a million bucks. Second, she’s a little buzzed from a dinner for the Tribeca Film Festival. She refuses their resignations, and makes a speech that is absolutely phenomenal. The entire episode ends with Fonda in a cold cut that’s like a cold wet wash cloth in the face. It’s just wonderful. HBO has no clip from the show, so you’ll have to watch the whole thing or skip to the end.

If you want to see lightning strike through a scene, then this is it. Why Fonda doesn’t get a “special guest star” credit up front when she’s on perplexes me. “The Newsroom” needs her. The show can be very whiny otherwise….

“Motown” Musical Will Start National Tour in Chicago, Not Bankrupt Hometown Detroit

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I think Chicago is referred to as Chi-town, not Motown. But “Motown: The Musical” will start its national tour in Chicago next April and not in its bankrupt hometown. A casting call went out this morning for all the main characters from “Motown” from Berry Gordy and Diana Ross to Smokey Robinson, Martha Reeves, Marvin Gaye, and Stevie Wonder.

An open call will be held here in New York on September 13th at the Lunt Fontanne Theater and another in Chicago on September 14th. Open calls rarely produce unknown superstars but they’re very good for publicity. Think of local news crews roaming up and down lines of little Michaels and tuxedo’d Marvins.

The announcement of the national tour starting in Chicago was actually made to the theater press right before the Tony Awards and well before Detroit announced its bankruptcy. But starting the national tour in Detroit would have been a significant boost to a depressed city. There’s hope that Detroit will be the second stop on the tour. Many Motown original performers still live in Detroit and all of them have their roots in the Motor city.

Woody Allen’s Son, Ronan Farrow, Is the Funniest Person on Twitter

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Ronan Farrow isn’t going to like this but I’ve felt for some time that he’s the funniest person on Twitter. Following his account would be a lot like following his father, Woody Allen, if Woody knew what Twitter was. There’s no question that Farrow, a prodigy who finished all his schooling early, is very bright. He’s worked at the State Department for Hillary Clinton, he’s at Oxford now completing more studies or something. I’m not sure. But he Tweets like a pro, and his one liners are sharper than ever.

Tonight Farrow actually made me laugh out loud. When Justin Timberlake and NSync finished their performance, Farrow quipped:

Some of his other Tweets tonight:

And there have been other well crafted bon mots like this recent one:

The fact is, Ronan’s emails are equally divided between zany quips and little, earnest political reports. It’s as if his Woody side is trying to escape from his Mia side, but doesn’t know how. When the Woody side finally wins, expect to see Ronan on Jimmy Fallon’s couch ASAP.