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“American Idol” Still Looking for Judge As Top 40 Producer Backs Out

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“American Idol” is still looking for a third judge and time is running out. It’s already August 27th. Only Keith Urban and Jennifer Lopez are signed to return to the show. Former judge Randy Jackson will show up as a mentor– unless he has to be drafted back into a judge’s chair. “Dr Luke,” a very successful top 40 producer, was going to be added. But he has a deal with Sony Music, and “American Idol” is all about finding acts for rival Universal Music Group. So now what?

Sony was represented on “Idol” by Steven Tyler of Aerosmith but no one seemed to mind since the group is older, and their fan base is set in stone. “Idol” now needs someone who’s either neutral or somehow connected to Universal. I think a great choice would be Bernie Taupin, whose records with Elton John are all distributed by UMG. He’s British, can be snarky, and certainly knows a hit sound when he hears it. He’s also not 12 years old.

But “Idol” is competing with “The Voice,” a show that boasts young rock and pop stars like Adam Levine and Shakira. But so far several candidates have turned “Idol” down either because they know the show’s popularity is waning, or their own careers are too busy. But the clock is ticking.

Who would you like to see in the third judges’ chair?

Randy Travis in Physical Therapy, Will Release New Album Next Month

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Country great Randy Travis is still recuperating from his bad health summer of a stroke, surgery, heart implant. But that hasn’t stopped him. Before Travis fell ill he’d finished an album of country covers, all tributes to the musicians who’d influenced him. He began working it last year and finished a few days before his early July collapse. Now the album has been set for release as Travis makes progress with his physical therapy. The album is called “Influence Vol. 1: The Man I Am.” The tracklist follows, and you’ll see there’s a lot of Merle Haggard plus George Jones, as well as Louis Armstrong and Bing Crosby. My dad, who used to listen to WWVA from the Northeast on clear nights, is going to go crazy for this album. PS Randy, get well soon!

Songs on Influence Vol. 1: The Man I Am include:
1. Someday We’ll Look Back
Influence: Merle Haggard
Songwriter: Merle Haggard
Original Performer: Merle Haggard
Originally Released: 1971

2. Big Butter And Egg Man
Influence: Merle Haggard (1985)
Songwriter: Percy Venable
Original Performer: Louis Armstrong and His Hot Five
Originally Released: 1926

3. What Have You Got Planned Tonight Diana
Influence: Merle Haggard
Songwriter: Dave Kirby
Original Performer: Merle Haggard
Originally Released: 1976

4. Ever Changing Woman
Influence: Merle Haggard
Songwriters: David Kirby, Curly Putman
Original Performer: Merle Haggard
Originally Released: 1980

5. Pennies From Heaven
Influence: Merle Haggard (1986)
Songwriters: Arthur Johnston (music) Johnny Burke (lyrics)
Original Performer: Bing Crosby
Originally Released: 1936

6. Thanks A Lot
Influence: Ernest Tubb
Songwriters: Eddie Miller and Don Sessions
Original Performer: Ernest Tubb
Originally Released: 1964

7. Trouble In Mind
Influence: Merle Haggard (1996)
Songwriter: Richard M. Jones
Original Performer: Thelma La Vizzo
Originally Released: 1924

8. My Mary
Influence: Merle Haggard
Songwriters: Stuart Hamblen, Jimmie Davis
Original Performers: Merle Haggard and Willie Nelson
Originally Released: 1983

9. Saginaw, Michigan
Influence: Lefty Frizzell
Songwriters: Don Wayne
Original Performer: Lefty Frizzell
Year Released: 1964

10. Always On A Mountain (When I Fall)
Influence: Merle Haggard
Songwriter(s): D. Kerran & Chuck Howard
Original Performer: Merle Haggard
Year Released: 1978

11. (Because) You Asked Me To
Influence: Waylon Jennings
Songwriter(s): Billy Joe Shaver & Waylon Jennings
Original Performer: Waylon Jennings
Year Released: 1973

12. Why Baby Why
Influence: George Jones
Songwriters: Darrell Edwards & George Jones
Original Performer: George Jones
Year Released: 1955

13. Tonight I’m Playing Possum (Duet With Joe Nichols)
Songwriters: Keith Gattis
Original Performer: Randy Travis
Year Released: 2013

Justin Timberlake, NSync Drive MTV VMA Ratings Up 66% from Last Year

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Ratings were up 66% last night from last year for the MTV Video Music Awards aka “The Justin Timberlake Show.” The combination of Justin and his NSync reunion brought in a whopping 10 million viewers. Critically the show was a horror. And it bored various nominees and participants who we caught yawning or knitting during the show. But MTV gave the kids what they wanted: their big pop stars live and in person for 45 minutes (plus commercials). It didn’t hurt that Miley Cyrus got all freaky with Robin Thicke.

Telluride 2013: Coen Brothers Will Get One of Three Tributes

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Exclusive: The great thing about the Telluride Film Festival is that no one knows what’s happening until you get there. No films are announced, and no programs. It’s like “Survivor” with platinum cards. You can only bring one wireless device and two cashmere sweaters. (Just kidding!)

Anyway. There are three tributes during the weeklong fest. I am hearing now that one of the tributes will be to Joel and Ethan Coen.  The Coens, of course, have “Inside Llewyn Davis,” a film I loved from Cannes with Oscar Isaac, Carey Mulligan, Justin Timberlake and a cat no one will ever forget. They must have a terrific clip reel, including the wallpaper peeling in “Barton Fink” and Albert Finney singing “Danny Boy” in “Miller’s Crossing.” (Two great films you must watch if you’ve never seen them or have forgotten them.)

Meantime, I reported last week — and seems to be holding up– that Ralph Fiennes will be the second tribute. Fiennes has directed a film about the love life of that old rascal, Charles Dickens. He also has an enormous acting resume for clip viewing, from “Schindler’s List” to Harry Potter movies, “The Reader,” and my favorite, “In Bruges.” Fiennes will also get a tribute gala at the New York Film Festival in September.

And the third Telluride tribute? I think I know it, but we can wait til later. I wish I were going to Telluride. But I have to stay here and watch the tote board for the MDA mini-telethon.

Jane Fonda Rocks “The Newsroom” With Oscar Sized Performance

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Last night’s HBO drama “The Newsroom” got a jolt of electricity–at last. It came from two time Oscar winner Jane Fonda, who gave an Oscar worthy performance and stole the entire season in one fell swoop. Fonda plays ACN owner Leona Lansing, and is used sparingly by show creator Aaron Sorkin. She’s nominated for an Emmy from last season (and deserves to win, hands down).

Last night Fonda appeared in the final, surprising scene of a very busy episode that revealed the entire Genoa story– how ACN was duped by producer Jerry Dantana and a congressman (excellent work by Frank Wood) who blamed his son’s death on being fired from his internship. When Charlie (Sam Waterston) and Will (Jeff Daniels) go to Leona to resign, Fonda surprises them. First of all, she looks like a million bucks. Second, she’s a little buzzed from a dinner for the Tribeca Film Festival. She refuses their resignations, and makes a speech that is absolutely phenomenal. The entire episode ends with Fonda in a cold cut that’s like a cold wet wash cloth in the face. It’s just wonderful. HBO has no clip from the show, so you’ll have to watch the whole thing or skip to the end.

If you want to see lightning strike through a scene, then this is it. Why Fonda doesn’t get a “special guest star” credit up front when she’s on perplexes me. “The Newsroom” needs her. The show can be very whiny otherwise….

“Motown” Musical Will Start National Tour in Chicago, Not Bankrupt Hometown Detroit

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I think Chicago is referred to as Chi-town, not Motown. But “Motown: The Musical” will start its national tour in Chicago next April and not in its bankrupt hometown. A casting call went out this morning for all the main characters from “Motown” from Berry Gordy and Diana Ross to Smokey Robinson, Martha Reeves, Marvin Gaye, and Stevie Wonder.

An open call will be held here in New York on September 13th at the Lunt Fontanne Theater and another in Chicago on September 14th. Open calls rarely produce unknown superstars but they’re very good for publicity. Think of local news crews roaming up and down lines of little Michaels and tuxedo’d Marvins.

The announcement of the national tour starting in Chicago was actually made to the theater press right before the Tony Awards and well before Detroit announced its bankruptcy. But starting the national tour in Detroit would have been a significant boost to a depressed city. There’s hope that Detroit will be the second stop on the tour. Many Motown original performers still live in Detroit and all of them have their roots in the Motor city.

Woody Allen’s Son, Ronan Farrow, Is the Funniest Person on Twitter

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Ronan Farrow isn’t going to like this but I’ve felt for some time that he’s the funniest person on Twitter. Following his account would be a lot like following his father, Woody Allen, if Woody knew what Twitter was. There’s no question that Farrow, a prodigy who finished all his schooling early, is very bright. He’s worked at the State Department for Hillary Clinton, he’s at Oxford now completing more studies or something. I’m not sure. But he Tweets like a pro, and his one liners are sharper than ever.

Tonight Farrow actually made me laugh out loud. When Justin Timberlake and NSync finished their performance, Farrow quipped:

Some of his other Tweets tonight:

And there have been other well crafted bon mots like this recent one:

The fact is, Ronan’s emails are equally divided between zany quips and little, earnest political reports. It’s as if his Woody side is trying to escape from his Mia side, but doesn’t know how. When the Woody side finally wins, expect to see Ronan on Jimmy Fallon’s couch ASAP.

MTV Serves Up Annual Witless, Loud. Commercial Video Music Awards

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Was there anything redeeming about the MTV Video Music Awards? Not that I could tell. And I watched it from a very nice party thrown by Republic Records over at what used to the Lotus nightclub on West 14th St. There were lots of young people, all guests, and you know what they told me? They don’t watch MTV. And if they do, they don’t see music videos on it.

Sunday night’s show came from the Barclays Center in Brooklyn but it could have been anywhere, outer space, Kansas City. It had no personality, very little artistry, and a lot of noise. Lots and lots of noise. Miley Cyrus seems determined to destroy whatever fanbase she had by going from Hannah Montana to Madonna. She wore very little and raunched it up in her segment with Robin Thicke– who looks old enough to be her father. It didn’t work. I did like her singing “Blurred Lines.” Maybe she should stick to singing.

Maybe they all should try sticking to actually singing. The painful truth about pop in 2013 is that is freeze dried, presented in perfectly produced packages. All of them– Taylor Swift, Katy Perry– they are like windup dolls in a store window. Someone has conceived and styled them. They all sound vaguely the same which is why Perry’s new single sounds like one released by Sara Barielles a few weeks ago. They are all the same.

With some exceptions: Lady Gaga, god bless her, changed outfits, makeup and wigs around 5 times in four minutes at the start of the show. I give her a lot of credit because at least she’s trying something different. It may not always work. And you can her frustration.

And Justin Timberlake: the material may not always be great, but he’s a stellar showman. His music is not going to stand the test of time. But he’s goodnatured about it. And as with Gaga, the work ethic is obvious. Bringing on NSync was a nice gesture even if it wasn’t their finest moment. They’re like old war buddies trying to relive some old skirmish.

But the sum of the MTV VMAs is that this dreadfully humorless stuff is what pop music is now–at least the pop that is celebrated by MTV. You really had the feeling that the songs were there to hold up the commercials. And what other awards show gives awards on the red carpet during the pre show? That was too much. But of course then these people — these so-called “artists” — would have to speak. And boy that would be a terrible mistake.

MTV VMA Votes: Song of the Summer is One Direction “Best Song Ever” by a Landslide

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Ha ha. Well, all the old farts like yours truly declared the song of the summer of 2013 as either “Get Lucky” by Daft Punk or “Blurred Lines” from Robin Thicke. Not on tonight’s MTV Video Music Awards. You see the “fans” vote for Song of the Summer online. And rabid pre-teen fans of One Direction, the British boy band, have already made “Best Song Ever,” a throwaway single, the song of their summer.

Right now “Best Song Ever” has over 7 million votes. Seven million. By 9pm , when the show starts, One Direction could be up around 9 or 10 zillion. How many times can you vote? Early and often I’d say.

The runners up are Miley Cyrus–4 million for “We Can’t Stop.” Selena Gomez has 2 million.

And then the also rans: Calvin Harris with Elle Goulding “I Need Your Love” has 51,936; “Get Lucky” has 37,251′ and “Blurred Lines” is at a mere 34,081.

Biggest teen fan club wins, and cutest Tiger Beat guys.

Does MTV still play music videos? It must be at 3 in the morning because everytime I’ve sailed past it, it’s either “Real World” or the teen mom, or some other reality stuff. I thought the ‘M’ stood for marketing. Or merchandising. Or Meshugenah.

PS One Direction has had one great song, no kidding. That “What Makes You Beautiful” will be their legacy, the way “I Want it That Way” was for Backstreet Boys and “Bye Bye Bye” was for NSync and “Build Me Up Buttercup” was for The Foundations and “Sugar Sugar” was for the Archies.

 

 

Michele Lee on “Knots Landing” co-star Julie Harris: “She was a lady”

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Flashback to “Knots Landing,” the nighttime soap that ran for 14 years and still holds up. Julie Harris was a regular on the show from 1980-86 playing Valene’s (Joan van Ark) mom, Lilimae. Michele Lee, who played Karen MacKenzie for all 14 years, told me this morning that she visited Harris just last year at her Massachusetts home.

“She loved to read,” Lee says. “She had a giant magnifying glass that swung over her chair. She was voracious. And you know, she was older, but she didn’t look much older. She had that impish smile. She had a childlike joy.  And she insisted on walking us out when our visit was over.”

Lee knew Harris for many years before “Knots Landing” and well after they remained friends. She (and “Knots Landing” actor Alec Baldwin) performed for Harris when she received her Kennedy Center honor in 2005. “We know she was one of the greatest actresses ever. She was one of the youngest ever to get an Oscar nomination.”

Lee recalls that Harris felt incredibly guilty one day on the set of “Knots Landing.” I was just about to go on–we were working in Joan’s living room set– and the phone rang on the set. Julie picked it up. It was my assistant at home and she had to tell me our beloved Dalmatian had died. And Julie had to tell me just as I was going.  And she was so upset. She kept saying, I’m so sorry, I’m so sorry. She really meant it. I’ll never forget it.”

Harris, Lee says, should be remembered as a comedic as well as dramatic actress. “On our show she did light comedy. She shined as a comedic actress.” Harris also had a great friendship with the late Charles Durning. “They were extremely close. They performed “The Gin Game” together a lot. And one of the things Julie said she missed the most after having her stroke was not being able to do The Gin Game with Charlie.”

And for all the gossip in Hollywood and on Broadway, Lee gives the highest praise: “Julie was a lady. She never said a bad word about anyone.”