Friday, December 19, 2025
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“Spider Man” Laid to Rest as Julie Taymor’s Stunning “Midsummer Night’s Dream” Opens

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puck arrivesAll I could think during Julie Taymor’s “Midsummer Night’s Dream” premiere in Brooklyn last night was: Shakespeare must be thrilled. He must be running around in heaven making people watch his 400 year old play brought to life in this miraculous way. Taymor had a Saturday night opening which was also the launch of the gorgeous new Theater for a New Audience in the downtown Brooklyn cultural center that includes BAM and the Harvey Theater.

Among the notables in the audience were actor Michael Shannon and actress Dana Ivey. Like everyone else they were simply knocked out by Taymor’s rendition of the Shakespeare comedy brilliantly scored by Elliot Goldenthal (Taymor’s real life partner) with nods to Henry Mancini, David Lynch and New Orleans jazz.

I rarely tell anyone to go to Brooklyn (sorry, Gen Y crowd). But you must run, not walk, and try and get into this 299 seat theater immediately. You won’t be disappointed. This is the kind of thing where people say later, “Oh I saw that in Brooklyn during its first run.”

The cast includes a show stopping career making turn for British overnight sensation Kathryn Turner. Well known in Britain, the slight 58 year old’s Puck is the performance of the theater season including everything on Broadway. She is simply amazing. A sort of Charlie Chaplin meets Marcel Marceau, Hunter (I don’t think she’s five feet tall at all) is the central presence among a huge talented cast. There are many standouts including Max Casella as Bottom, Dave Harewood (of “Homeland” fame to us) as Oberon, Joe Grifasi as Peter Quince, and Zach Appelman as Demetrius, and Roger Clark as Theseus.

“MN’s D” is also brimming with magnificently talented beautiful women including Lilly Englert, Tina Benko, Mandi Masden, Okwui Okpokwasili.

The production is breathtaking– and it’s instructive. Taymor was treated so badly on “Spider Man.” But now you see her as the artist she is. This is what happens when the artist isn’t tortured, but nurtured. With “MN’sD” Taymor was allowed to do what she does best. She is a true visionary. Am I gushing? Yep. In this production there is flying, complicated hydraulics, intricate choreography, lighting, and movement. It works seamlessly ( after a lot of rehearsal, true, and the direction of the famed Neil Mazzella). There is also enormous beauty, and a real aesthetic.

And beating at the center of the production is a heart. It’s an analog show in a digital world. Taymor has basically taken some very large bed sheets, bamboo sticks, a lightbulb, stencils and shadows and made a show. There are stunning visuals in the costumes that come from nothing– she made a bunch of dog masks for the children in the show to wear from cardboard. They’re a hoot. A lion appears (a nod to the Lion King) with a crown made of paint brushes. At least two characters spent time on a hammock. The center of one segment focuses on an overstuffed living room chair covered in grass.

Go, go, go if you can get in. It’s unclear how this production could transfer or where it would go once it ends its run in Brooklyn on January 12, 2014. I just hope someone films it for posterity. Bravo!

 

Box Office: Harrison Ford in Second Flop of Season, “Ender’s Game” Disappoints

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Friday night’s box office numbers aren’t so good for Harrison Ford. When you think that he’s in 7 of the top grossing movies of all time– the first three “Star Wars” features and all four “Indiana Jones” movies–well, yikes. “Ender’s Game” made $9.9 million on Friday, and at most will score $27 mil for the weekend. The budget was $110 mil plus costs– so let’s say the real total was $160 million. Only a tremendous reaction internationally will help.

This was Ford’s second bust of the season. “Ender’s Game” is not nearly as bad though as “Paranoia.” The August release made $7.3 million and was universally panned.

“Last Vegas” opened respectably in third place with $5.5 million. A $15 mil weekend is just fine, and the movie may build from word of mouth. Once audiences get in there, they’re going to like it.

Meanwhile, “12 Years a Slave” upped its theater count to 410 and made $1.265 mil last night. Adults: go see this film tonight. That’s an order!

Miley Cyrus: The Unlikely Musician She Listens to In Bed

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Miley Cyrus: naked, tongue out, doing crazy soft core porno stuff to sell albums. Guess who she listens to in bed? Prince? No. Justin Bieber? Nah. Heavy metal? Nope.

 

Bobby who? For those of you who are Miley Cyrus’s age, Bobby Vee was the teen star of 1959-60, and a major player in the early days of rock and roll. He had lots of hits and was far more popular with the girls than Bieber– and far more talented. He rose to fame after filling in for Buddy Holly the night after Holly, the Big Bopper and Richie Valens died in a plane crash. A very young Bob Dylan toured with him, and has never forgotten it. (See video below.) If Miley is listening to Bobby Vee then really, you know the rest of what she does is a put on. As Bobby Vee sang, “The Night Has a Thousand Eyes.”

Review: Why “Last Vegas” Should Be a Hit for All Ages

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Review: Not every movie is for the Oscars. There’s something to be said for the big studio comedy that works. “Last Vegas” more than fulfills its promise.  Starring industry stalwarts and Academy Award winners all Morgan Freeman, Kevin Kline, Michael Douglas, Robert DeNiro, and Mary Steenburgen Jon Turteltaub’s whimsically directed flick keeps you shamelessly grinning from pretty much beginning to end.

The quippy script by Dan Fogelman and Adam Brooks is clever; full of laughs combined with affecting pathos, and keeps a jaunty and at times silly pace.  Childhood friends from Brooklyn, this rag tag quartet has had their share of ups and downs testing their friendship over the many years but have managed to keep glued together, as tenuous as its been.

The story begins with successful lifelong bachelor and most outwardly polished of the group, Michael Douglas’s Billy finally taking the plunge and getting engaged to a vacuous girl half his age.  He then convinces his buddies–Freeman’s Archie, recovering from a stroke in his New Jersey home, and Kline’s Sam–bored and living in Florida, to meet him in Vegas.  DeNiro’s Paddy is the toughest one to convince, he’s been living a hermetic life in a Brooklyn apartment since the death of his beloved wife.

But since this is a Hollywood movie and the story obviously has to move forward, curmudgeonly Paddy reluctantly agrees to come together once again with his boyhood pals and visit Sin City to celebrate with an old geezer bachelor party.  The trip brings up grudges and grievances, some long buried and some not, heals most, and gives light bulb moments to all four.  The softly sweet,  yet sassy and wise Mary Steenburgen, playing a lounge singer in a 3rd rate hotel, is a true stand out, which says a lot for this fine actress considering the company she’s keeping.

Sparky cameos from Broadway veteran Roger Bart and 50 cent, thrown in with the vagaries of Vegas including transvestites, the ubiquitous Cirque De Soleil performers and more, all happily add to the humor in this truly likable and funny film.

Unlike younger-skewing comedies, “Last Vegas” doesn’t talk down to the audience. The characters all like each other and we like them. Edgy? No. But for once the vulgarities are well placed. And it’s nice to see Morgan Freeman for the first time in a long while.

New Book: Kirstie Alley Once Asked Publicist to Feed Pet Possum with Her Breast Milk

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“Scandal!” That’s the name of the incredibly entertaining new memoir by George Rush and Joanna Molloy, the married couple and super gossip columnists of the New York Daily News. Two nights ago, New York’s gossip media elite, as well as uber publicists Howard Rubenstein and Ken Sunshine, all toasted Rush & Molloy at the Top of the Standard. Courtney Love even put in an appearance!

The couple now has 15 year old son, believe it or not. But before he was born, starting in the mid 80s, George and Joanna worked at both of New York’s tabs, breaking stories and hearts, and causing a lot of trouble for people like Woody Allen and Donald Trump. They have written a breezy but substantial account of their journeys through Wall Street. Broadway, and Hollywood. I wasn’t able to put it down.

Here are two excerpts– in one Kirstie Alley had her publicist express breast milk into a bottle for her pet possum. In the second, Julia Roberts and her piece of work publicist Marcy Engelman are up to their old tricks. “Scandal: A Manual.” is out this week in bookstores and on amazon.com, i Books, etc.
KIRSTIE:  

Joanna:  The newsroom of the Post was also much more freewheeling than I was used to. No tip was too crazy to check. I got a call one day from a source who said she was at a party in L.A. where Kirstie Alley had shown up with her pet baby possum. My source said, “The possum starts to go squeak, squeak, squeak. Like it was hungry. And Kirstie said, ‘Oooh, ooh, baby, baby, Mommy’s here.’ And she turned to a publicist and said, ‘Say, aren’t you nursing a baby right now?’ She wanted the publicist to give the possum some of her milk! They were talking about having the publicist breast-feed the possum. But because the possum already had teeth, the publicist was apparently afraid of doing that. So she expressed her breast milk into a bottle. Kirstie Alley then fed it to this baby possum.” I could barely believe the story myself. But I called the publicist. Not only did she admit it, she crowed, “I did it, and you know what? I’m proud of it!”

JULIA:
George:  We’d stumbled into the good graces of Julia Roberts by debunking a Post story in which a paparazzo claimed he’d seen her French-kissing a female bartender on top of the bar at Hogs & Heifers. The bartender told us that the photo of Roberts “kissing” her ear actually captured the actress yelling, “If he keeps taking pictures like that, I’m getting off the bar.”The day our story ran another vase of white tulips and thank-you note arrived—this time from Roberts. A few flowers didn’t stop us from covering Roberts’s ups and downs as usual. Then, one day, someone told Joanna that she’d been nuzzling Law and Order actor Benjamin Bratt at the Soho restaurant Kinkao. After we called her publicist to check it out, my phone rang.

The caller said, “George? This is Julia Roberts. What are you writ- ing now about my boring life? If you write about me every time I have dinner with someone, no one will ever ask me out. They’ll say, ‘Don’t bring her, she just causes trouble.’ I’m never going to get a date.”

I said, “I’m pretty sure you’ll never have trouble getting a date.”

She said, “If you write about this, photographers will hang around me while I’m trying to shoot a movie. Look, Benjamin and I are just getting to know each other. If anything starts to brew, I’ll call you. You’ll be the first to know.”

I said we’d hold off on the item. Julia thanked me profusely. Before she hung up, she said, “I think it’s so great that you get to work with someone you love!”

As it turned out, my wife was none too pleased that I’d fallen for this movie star sweet talk—which was followed by more tulips. Joanna was even more annoyed when Page Six published the scoop on the Roberts/Bratt romance.

One day, Julia’s publicist, Marcy Engelman, told us her client had just had dinner with Jennifer Lopez at Campagna, where they talked about Chambermaid, a new romantic comedy J. Lo would star in and Roberts would coproduce. Nice sighting, interesting project news, we ran the item. A few days later, Lopez’s publicist, Alan Nierob told me his client had never been at that dinner. “You got snookered, my friend,” said Nierob.

I called Marcy Engelman and said, “What the hell? Have you lost your mind?”

She admitted she’d lied about J. Lo being there but said, “You did a big favor for someone, and I’m sure they’ll remember it.”

I said, “Who?”

“I can’t say,” she said. “Look, don’t make a big deal out of it. Aside from J. Lo’s publicist, who’s going to know?”

Ignoring her recommendation that we not attract attention to the fact that we’d been gulled, we ran an item asking, “Does Julia Roberts know that her own handlers planted a fabricated sighting of her having dinner with Jennifer Lopez? We’re sure Julia isn’t hurting for publicity.”

Engelman had insisted that the item mention that Roberts and Lopez dined with Roberts’s former agent, Elaine Goldsmith- Thomas, who now worked for Joe Roth at Revolution Films. Page Six later deduced that, with Roth leaving Revolution for Disney, “Thomas [was] looking for a new job. Insiders point the finger for the false item at Thomas. ‘She wanted to make herself look like a big macher,’ said one.”

We became acutely aware that many people were trying to manipulate us.

And PS dear readers– nothing has changed!–RF

Exclusive: Bobby Cannavale, Rose Byrne Will Go from “Annie” to “Brother’s Keeper”

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Apparently the sun will come out tomorrow, at least for “Annie” stars Bobby Cannavale and Rose Byrne. The real life couple are currently shooting the updated movie of “Annie” that stars Quvenzhané Wallis as the little orphan girl with a good set of singing chops.

When they’re done, recent Emmy winner Cannavale and the “Damages” star Byrne will make another movie together.

“I guess we’re only working together now,” Byrne joked last week at the Broadway premiere of “Betrayal.”

The film is called “Brother’s Keeper,” and it’s directed by Ross Katz, long time producing partner of Sofia Coppola. Katz’s other credits include “The Laramie Project” for HBO, the indie hit “In the Bedroom,” and directing “Taking Chance” with Kevin Bacon.

Nick Kroll co-stars, and Mark Duplass and Jared Ian Goldman are co-producers on “Brother’s Keeper,” described a a low budget indie that will shoot in January.

 

Read Laurie Anderson’s Moving Tribute to Husband Lou Reed

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Musician Laurie Anderson published this moving letter about her late husband Lou Reed in The East Hampton Star. (I would have linked to it there, but somehow they made it impossible.)

Here’s the letter. As the week has progressed, I’ve gotten sadder about Lou’s passing. Listen to the “Transformer” album. It’s brilliant.

Here’s Laurie’s letter:

To our neighbors:

What a beautiful fall! Everything shimmering and golden and all that incredible soft light. Water surrounding us.

Lou and I have spent a lot of time here in the past few years, and even though we’re city people this is our spiritual home.

Last week I promised Lou to get him out of the hospital and come home to Springs. And we made it!

Lou was a tai chi master and spent his last days here being happy and dazzled by the beauty and power and softness of nature. He died on Sunday morning looking at the trees and doing the famous 21 form of tai chi with just his musician hands moving through the air.

Lou was a prince and a fighter and I know his songs of the pain and beauty in the world will fill many people with the incredible joy he felt for life. Long live the beauty that comes down and through and onto all of us.

— Laurie Anderson
his loving wife and eternal friend

Eminem Is Back! Listen to His New Marshall Mathers Album Here

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Marshall Mathers aka Eminem is back. His album has been “leaked” a few days early before its release next Tuesday. Lots of four letter words, provocative lyrics designed to make someone unhappy. And lots of samples like a big one of “Time of the Season” by the Zombies. Let’s hope they got a nice piece of change from Em. He’s never boring.

These might be my favorite lyrics. It’s kind of Eminem’s “You’ve Got a Friend”:
And if there should ever come a time where my life’s in a rut
And I look like I might just give up, eh might’ve mistook
Me for bowing out I ain’t taking a bow, I’m stabbing myself
With a fucking knife in the gut, while I’m wiping my butt!
Cause I just shitted on the mic, and I like getting cut
I get excited at the sight of my blood, you’re in a fight with a nut
Cause I’mma fight ’til I die or win

Listen:

Sony Stock Plunges 11% After White House Down, Will Smith Disasters Cause Huge Loss

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The triple disasters of Will Smith’s “After Earth,” the failed Channing Tatum-Jamie Foxx thriller “White House Down” and sci fi flick “Elysium” didn’t help Sony’s bottom line in their second quarter. The company reported huge losses today. The Sony stock went right off a ledge on thews– down 11% or more since this morning.

The company said it lost $181 million in the second quarter just on the film division. Cited specifically in the report was “White House Down.” But the two others were just as bad. And Sony had problems in television as well. Here’s the complete report: http://www.sony.net/SonyInfo/IR/financial/fr/13q2_sony.pdfsnapshot_chart_api.asp

Some good news: Adele helped Sony Music, as did Justin Timberlake. Sony Music has had the two biggest selling albums in the last two years. Also helpful is the success of Sony/ATV Music Publishing, which the company co-owns with Michael Jackson. Until artists start trying to get their rights back for post-1976 recordings, music publishing is thriving.

But oh how a year turns: in 2012 Sony was pumped from “Amazing Spider Man” and “Skyfall.” They can’t wait for another “Spider Man” movie in 2014.