Saturday, December 20, 2025
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Jordan Peele and Keegan-Michael Key May Reunite for “Get Out” Director’s Next Movie

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Jordan Peele, a longtime pop culture comedy fixture with his Comedy Central co-star, the mega talented Keegan-Michael Key, is now a Hollywood darling as well, with his sleeper hit horror movie about racism in America,  “Get Out.”  The film cost just $4.5 million to make; it just passed $200 million in worldwide box office.  

Getting a head start for the upcoming awards campaign, Peele, producers Jason Blum (his red hot Blumhouse also just had a huge hit with “Split”),  Sean McKittrick along with Jeff Shell, chairman of Universal Filmed Entertainment, recently hosted an event to herald the forthcoming home release of the film on the Universal Studios backlot area, right on “Desperate Housewives” Wisteria Lane.  

Transformed to imitate the scary neighborhood of “Get Out,” the street included a gardener looking creepily at guests while at the next home one looked up and saw the movie’s maid eerily looking down.  The garage was converted to be the bedroom of Rose, Allison Williams’s character, along with Fruit Loops, milk, Twinkles and Yodels.  The now famed video of the spoon stirring the cup of tea was playing in the living room across the street aka, the creepy ‘Sunken Place.’  I asked native New Yorker Jordan how it feels to be the ‘it’  guy now.  

“I’m so glad Hollywood has responded to this invitation,” he answered.  “I can sort of feel what the movie is doing and there are interesting waves.  I love that it’s resonated with everybody, there is no type, race or gender that has embraced the movie, it’s been an equal thing.  That’s the goal for me as a filmmaker.” 

Would he do a sequel?  “ I’m only going to do it if I can make sure it’s better than the original.” What’s up next for him?  “I’m doing a horror film for Universal, he said. (He just signed a two-year first look production deal with the studio.)  

Will his good buddy Keegan join him?  “I’m saying yes, I want him in everything I do, but it all depends if he can.”  Does he think Trump has seen the movie?  Peele quipped, “I bet you he has because he just consumes pop culture as opposed to doing his job.” He then couldn’t resist one more jab. ”Please Trump, stop golfing.” 

 

Roger Ailes is Dead at Age 77, Creator of Fox News, Media Mad Men, Loved and Hated

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Roger Ailes is dead at age 77. He was sick for a long time. Not long after he was ousted from Fox News in disgrace I saw him at lunchtime in Michael’s restaurant, the media “cafeteria.” I think it was his farewell public appearance. He and his wife had been given the best table, in the front corner. It was hard to believe that this little titan whom I’d worked for for over a decade looked so diminished. He was clearly not well.

Throughout the lunch no one else in the restaurant got up and spoke to him, not even Fox personality Jeanine Pirro– who he’d invented after she stopped being the Westchester prosecutor. It had to be explained to actor Michael Caine, who was at the next table, who Roger was. As the restaurant filled up, people came and went, and no one said a word. They just went about their business until finally the Aileses got up and left. It was if he was already a ghost.

There will be a lot written and said about Roger all day. Was he crazy? Yeah, like a fox. He hired me, and then a decade later he fired me without cause. We had ten good years and one really bad day. The ten good years were really good, though. We had a nice relationship. We met in his office on the 2nd floor quite a lot, sometimes just to gossip about Hollywood and people we knew. People we both liked: Warren Beatty, Liz Smith, Matt Drudge.

Roger really appreciated my Michael Jackson coverage, and was supportive of FoxNews.com. That was pretty prescient of him. He’d had hired a staff to create the network’s website and put resources into at a very early stage. I was hired as the online gossip columnist. After a year this enormous enterprise went bust, and a few us were drafted into Fox News. George W. Bush was president, and politically things were fairly calm. It was Roger who put me– a journalist with a face for radio, as they used to say– on television right away. The rest is history.

Is there bad stuff? Lots of it. But today we’ll just think of Roger Ailes as an evil genius. Before we really knew how had he was, he was pretty good.

Ivanka Trump’s Book “Women Who Work” A Sales Disaster Two Weeks After Release

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Ivanka Trump may still be selling cheap perfume and jewelry somewhere, but in the book world, she’s a bust.

Ivanka’s “Women Who Work” was released two weeks ago, on May 2nd. It’s now ranked at number 933 on amazon.com. The Kindle version is around 15,000. So few people have bought it the sales can’t be measured.

On Barnes & Noble’s website, “Women Who Work” is ranked at 6,157.

Penguin Publishing Group is basically taking a bath on the whole thing.

Women who actually work took great offense at the heiress’s guide to using daddy’s money. It’s ironic because if Ivanka had not gotten involved in her father’s possibly criminal political career she might have had a shot. In the pre-Trump presidential run years she was considered smart and successful. But she’s so turned off the thinking population that no one wants to hear what she’s got to say now. If her father is impeached– which now seems possible– it’s unclear what career she will have left.

Music News: Lost Melvin van Peebles-Earth Wind & Fire Album Finally Coming Back After 46 Years

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Melvin van Peebles’ “Sweet Sweetback’s Baadasssss Song” was a hit independent movie and the first of what was known as “blaxploitation” films back in 1971. It was a huge hit and established the multi-talented Melvin, a cult hero in film and music. His son, Mario van Peebles, may be even better known to you as an actor and director.

So wait– what happened to the “Sweet Sweetback” soundtrack, all music written by van Peebles and performed by a then unknown Earth, Wind, & Fire? This was two years before “Shining Star” put EWF on the map. The album isn’t on Spotify, and has been lost to the generations.

No more! Just got word from Stax/Concord that they’re finally issuing a proper LP and digital download on May 26th. I sure hope they put out a top grade CD as well. “Sweet Sweetback” ranks among the greatest R&B albums of all time. It needs to be heard again. (I’m listening right now to the press link, and kvelling.)

This reissue is part of the Stax Records’ 60th anniversary reissue series. There are new and beautifully repackaged, remastered albums by Otis Redding, Booker T & the MGs, Isaac Hayes, The Staple Singers, Carla Thomas, Rufus Thomas, Johnnie Taylor, Eddie Floyd, William Bell, Sam & Dave, The Dramatics — with more to come! Not one of these is to be missed if you want to know anything about real R&B, and historic music. Also, you can dance to it!

Get over to Amazon and get all this stuff now! Summer is here!

PS Melvin is turning 85 in August, he’s the youngest cat around, lives right here in New York. Congrats to him!

PopBack: Top 40 Radio Beaten by Golden Oldies as “Guardian of the Galaxy” 70s Mix Tapes Take Charts

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There’s trouble right now in Top 40 land. The oldsters are beating the kids on the radio, and on the charts.

On the charts: “Guardians of the Galaxy, Vol. 2,” soundtrack from the massive hit movie, is Number 1 on iTunes. Kids– or someone, maybe their parents– are downloading all the 70s hits like David Bowie’s “Moonage Dream,” Looking Glass’s “Brandy,” and the ooga chocka version of “Hooked on a Feeling.”

“GOTG2″ has knocked popster Harry Styles’ debut album to number 4. In between them” “GOTG1,” the first volume of 70s sets from the original movie.

What’s worse: in New York, the number 1 radio market, Classic Oldies station WCBS FM is number 1. It’s beating Z100, the formidable Top 40 station, by a mile. In fact, Z100, aka WHTZ-FM, is having a tough time right now. Ratings are down, down, down. The April ratings were 5.3, down from 5.9 in March. In neighboring Long Island, where Z100 is a force, ratings fell from 6.1 to 5.0 last month. These are substantial drops in audience.

Where are the kids? The fear is that they’re leaving terrestrial radio for places like satellite– meaning Sirius XM– and streaming– Spotify. Pandora, AppleMusic, etc.

Last month, Z100’s parent, I Heart Media, announced — frighteningly– that it might not be around in a year. They’re carrying way too much debt, payments are due, and audiences are in decline. And this is from a company that really is great at promotion. The rebranding from Clear Channel to IHeart literally everything is everywhere. There are IHeart conventions, awards shows, concerts, the Jingle Balls at Christmas time. If anything Z100 should be booming.

Meanwhile, adults (old people like me) — unattractive to advertisers, they say, but I think that’s wrong since we have the money– are buying nostalgia. Witness all the TV reboots, things like “Roseanne” coming back to ABC. and Netflix reviving show after show.

And: the 50th anniversary reissue of The Beatles’ “Sgt. Pepper’s Lonely Hearts Club Band”– priced at $117.99– is about to be released May 26th. Pre-orders have put it in the top 20 on Amazon for weeks. Just listen to it: how is it possible this was made in 1966? Everything today sounds inferior in every way.

Don’t discount oldies as Comfort Food for the ears, though. One theory I have: we are so freaked out by Trump and the chaos in Washington that singing along to old songs is an excellent way to calm down. Of course, in the actual 70s we were freaked out by Nixon. That’s why there was a huge 1950s early rock and roll revival during Vietnam and Watergate. “American Graffiti” kicked it off in 1972, and “Happy Days” followed soon after.

Cannes 2017 Rough Start as Will Smith Shills for Netflix in Movie Theatre vs. Home Screening Fight

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Cannes 2017 got off to a rough start today when the jury met the press. For some reason, Will Smith — not exactly a cineaste– is on the jury headed by Pedro Almodovar. At the press conference, immediately the subject of Netflix vs. Cannes came up– Netflix is showing two movies that won’t be in French cinema, only on their service. Because of this, next year all movies will have to be available in French theatres or they can’t compete at the festival.

Almodovar, of course, is for movies having theatrical releases. He’s an artist, after all. So when he was asked, that’s what he said.

But Smith has a $90 million movie called “Bright” coming to Netflix only, in December. So when he was asked, the star of recent flops like “Concussion” and “Seven Pounds” advocated for the streaming service. When he was asked, Smith said: “It’s two completely different forms of entertainment they go for. In my house Netflix has been nothing but an absolute benefit because they get to watch films that they never would have seen. Netflix bring a great connectivity to them to the world. There are movies that are not on a screen within 8,000 miles. And now they get to find those artists and they get to look them up online and they make contact. And there is this whole underground world of artists that gets born from that kind of connectivity. In my home it has done nothing but broaden my children’s cinematic global comprehension.”

Nothing like making friends on Day 1. Smith also indicated that he was worried about how long Cannes runs (10 days) and the number of films he has to see a day (3, at least) beginning at 8:30am.

This should be interesting!

TV: Shondaland at a Crossroads with “Scandal” Ending, “Catch” Cancelled, Launching Firefighter and Lawyer Shows

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Shonda Rhimes’s Shondaland is at a crossroads.

This week they announced that “Scandal” was coming to an end– something I told you in February.

Then ABC cancelled “The Catch,” a show no one watched or knew was on the air. Or why. Or what it was about.

That leaves Shondaland very unpopulated. They have “Grey’s Anatomy” in its 14th season which seems amazing considering no one watches it and most of the original cast is long gone.

“How to Get Away with Murder” continues with Oscar winner Viola Davis. But Davis probably is done with the show as she has movies to make and Broadway and doesn’t have time to figure out what the hell the plot is. (I cannot figure that show out. Can you?) Anyway, they’ve gotten away with murder, that’s for sure.

And then they announced their own “Chicago Fire”– which I’m calling “Seattle Fire.” Instead of trying to reinvent the wheel, Shondaland is taking a page from the Dick Wolf playbook. What’s next, “Seattle PD”? “Seattle Law”? In fact, probably. Because to stay alive, Shondaland will have to build “Grey’s Anatomy” out into some of kind of franchise business a la Wolf. (He’s a genius at this.)

Well, they’ve got “For the People,” about young prosecutors in Manhattan. My only hope for this re-tread is that Anna Deveare Smith and Vondie Curtis-Hall are in it. They’re gold.

Here’s the trailer:

 

Cannes News: Weinstein Company on Rebound with Michael Moore Film and Return of Much Praised Production Exec

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Cannes news from the Weinstein Company: Dylan Sellers is back as head of production. Sellers had previously been with Weinstein and oversaw such good films as “August: Osage County,” “Southpaw,” and “St. Vincent.” Sellers’ new title takes in production, acquisition and development. He’s already been attached to two movies for release this year with Oscar potential– “Untouchable” with Kevin Hart and Bryan Cranston, and “The Current War” with Benedict Cumberbatch and Michael Shannon.

Weinstein looks like it’s revving up again. Yesterday they announced they’re making a Donald Trump expose documentary with Michael Moore. The title “Fahrenheit 11/9” is a clever twist on the title of their Oscar winning “Fahrenheit 9/11.” This time the title refers to the day after last fall’s miserable election.

Moore has been quietly working on this film. His last one, “Where to Invade Next,” was excellent but botched in its release because Moore took it to former Weinstein associates who promised big but didn’t deliver. At the time, Neon Pictures didn’t even have a name or a logo. Now they do, but it seems like they may have fumbled the release of Laura Poitras’s “Risk,” about Julian Assange. It’s gone off like a dead firework. Too bad.

MSNBC-Lawrence O’Donnell: “The Last Word” is Not Over as HUGE Fan Response Comes to Rescue of Show

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We may not have heard “The Last Word,” as it turns out.

I’m told that late yesterday afternoon, MSNBC finally contacted Lawrence O’Donnell‘s agency, WME, to have some talks about renewing his contract.

The contract runs out in less than four weeks. The network, some posit, was stalling as a “tactic.” It didn’t work.

Fan response to the news that O’Donnell might be gone has been HUGE. From Twitter and Facebook to old fashioned calls to MSNBC‘s Phil Griffith and NBC’s Andy Lack, it’s been actually shocking. Not that I’m surprised.

But it turns out MSNBC’s viewers have made “The Last Word” a hit not just because of Rachel Maddow and hatred for Donald Trump, but because they actually enjoy O’Donnell’s reasoned and impassioned approach to the events of the day.

So there may be a happy ending to this bizarre situation.

It doesn’t hurt that Maddow is clearly pulling for O’Donnell. Last night she ended her show with a soft segue into his, having a nice mutual chat before O’Donnell took over just after 10pm. She basically called him a friend and reminded everyone they are part of a team. The whole thing was very Kumbaya and just swell. It was very menschy of her.

So stick around. It may all be worked out soon…

Harry Styles New Album Going in One Direction on Charts Since Friday: Down

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Ouch!

Where are all the One Direction fans? Harry Styles’ self titled album is going in exactly one direction since it was released on Friday: down.

Today, “Harry Styles” is at number 4 on iTunes after a three day run at number 1.

“Sign of the Times,” which was a bust upon release, had a flurry of movement after Harry’s “Today” show appearance. But it’s at number 7 right now. More importantly, none of the other tracks on the album are on the iTunes chart. With a Kendrick, Drake, Adele, Beyonce album, even a One Direction album, you’d see at least four or five tracks on the chart independent of the album. But none of them are moving.

Over at Spotify, “Sign of Times” is nearing 90 million streams. That sounds like a lot but it isn’t. On the Streaming Chart, “Sign” has languished around number 17 and never gotten higher.

Also on Spotify, “Sweet Creature” is up to 14 million sreams.  But the rest of the tracks are averaging at around 3.5 million streams. Very, very low.

Last week, on the Song Revenue chart, Harry earned just $65,000 from streams and downloads on “Sign of the Times.” The single was the 26th highest earner.

Radio is still waiting to kick in on “Harry Styles.” So far, it’s been a tough haul.

This week, Styles is on James Corden’s “Late Late Show” every night rather than Fallon, Kimmel, or Colbert.  This could be out of friendship with Corden (they’re Brits). But it also may point up disinterest from the earlier shows’ musical directors. Usually when you book the Today show and “SNL,” Fallon comes with it. Not this time.

 Here’s the clip from last night, which sounds remarkably like the record and all the other live shots: