Friday, December 19, 2025
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First “Star Wars: Rise of Skywalker” Review from Cast Member Richard E. Grant: “Absolutely everything that you hoped it was going to be”

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Oscar nominee Richard E. Grant was part of the group at a cast and crew screening for “Star Wars: Rise of Skywalker.” Grant plays the villainous Allegiant General Pryde, who may be the father of villainous General Hux, played by Domhnall Gleeson. Grant posted an emotional video to Twitter, saying the movie is “absolutely everything that you hoped it was going to be.”

See here.

(Listen) Sting Finds Another Great Musical Collaboration with Steve Aoki and Hot Trio Shaed in New Single, “2 in a Million”

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Sting has outdone himself. He never rests and is incredibly evolving when it comes to choosing music partners. Even back in 1985 he sang on Dire Straits’ “Money for Nothing” and now it’s a classic, a staple on radio and an all time highlight of rock music. More recently, he’s had a very successful partnership with reggae star Shaggy for the last couple of years, touring and recording a hit Grammy winning album, “44/876.”

He’s got a new single out today that you will put on repeat immediately. It’s called “2 in a Million,” listen to it once and you’ll want to hear it again. Sting’s sweet remarkable falsetto worthy of Smokey Robinson opens the record cold and draws you right in. This time, he’s in a collaboration with Steve Aoki, the great DJ and songwriter whose father invented the Benihana restaurant chain. And also on the record is the hot trio Shaed, composed of a girl singer named Chelsea Lee, her husband, Spencer Ernst, and Spencer’s twin brother Max Ernst.

The real Max Ernst, of course, was the famous (to say the least) surrealist painter and sculptor from the early and mid 20th century whose work is celebrated in the same category as Kandinsky and Richter, artists immortalized in the great museums. That Max Ernst would have made great records if he were alive today. The Ernsts’ parents had a good sense of humor.

Shaed has had a hit all summer with a song called “Trampoline.” It’s below. “Trampoline” was used on Apple commercials. When you hear it, you’ll say, “Oh, right.” It’s very catchy.

 

(Listen) Niall Horan, the Writer from One Direction, Drops a Terrific New Song with “Put a Little Love on Me”

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You may have your favorite member of One Direction, but it always seemed to me that Niall Horan was the real deal. He actually composes his own music, he’s a decent pop singer, his future was secure. Sure, Harry is the cute one, the others are whatever they are. But in this new song dropped today, called “Put A Little Love on Me,” Niall gives us more than we deserve. His label should pay off everyone at radio and get this thing on the air. Z100, this would class up the air. I’m looking forward to this guy’s album. He’s playing at MSG December 13th. Listen, girls, don’t scream. Listen. There’s a melody here. Maybe he should write songs for Harry. Really, listen to that chorus. It’s good. He’s a songwriter.

Harry Styles Recalls Crowded House Sound, Song “World Where You Live” in New Single “Adore You”

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The people who make Harry Styles’ records are doing him a disservice. He obviously knows little of what’s already been in the world. They write and produce songs for him that sound like stuff people over 40 will remember. I guess if you’re under 40 and know music back to 1990, that’s ok. But otherwise, a Styles record is an invitation to figure who it is this time. And the winner is Crowded House, “World Where You Live,” 1986 and other Neil Finn records.

And listen, I like Harry. He’s a nice guy. He’s a good actor and comic. There’s nothing objectionable about him. It’s just these damn songs.

Broadway: “Jagged Little Pill” Awaits Push from Reviews with Tickets on Discount And Plenty Available Through New Year’s

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Alannis Morissette’s famous album, “Jagged Little Pill,” opens on Broadway tonight. Producers are crossing their fingers for exultant reviews to spur ticket buying by tomorrow.

So far “Jagged Little Pill”– directed by Diane Paulus and much hyped from its ART production in Cambridge, Mass.– isn’t a sell out. On Ticketmaster there are plenty of seats at all prices for all performances. On Wednesday December 27th– the prime matinee/evening performance day of the Christmas holiday– there are a lot of choices.

“Jagged Little Pill” has also turned up on discount sites like TDF and Goldstar.com. On the latter there are some pretty good deals.

This past week, the fourth in previews, saw a second gross below $1 million after the first two weeks met that mark. This could mean poor word of mouth. But again, good reviews will reverse that.

The show’s success will really depend on nostalgia for Morissette and the album, which was wildly popular back starting in June 1995 for a year. If you were a 15 year old girl then, you are now a 39 year old woman whom the producers hope will have disposable income and misty feelings.

Once “Jagged Little Pill” ran its course, Morissette released some more albums, but nothing close to this success. I do remember a song called “Thank You, India” that thanked a lot of countries for buying her music, and she was naked in the video except for a big guitar.

The Cher Show Closed on Broadway, But It’s Alive and Well on 73 Year Old Superstar’s Arena Tour

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The Cher Show was not a hit on Broadway. It closed after a few months, never finding an audience that could sustain its budget. And this all happened just in the last year. Less. Indeed, “The Cher Show” opened on Broadway exactly one year ago– December 3, 2018– and closed in August.

So where was Cher on the anniversary of her Broadway show’s opening? On stage. Where else? The 73 year old singer– she proudly announced her age last night– was at Madison Square Garden, putting on her Las Vegas act to a sold out arena for the second night in a row. No kidding. Apparently her fans weren’t interested in the Broadway version of her — even though Stephanie J. Block won Best Actress in Musical for her efforts. They just want the real thing.

And that’s what they got. Cher up close, personal, gossips with the crowd after her first two splashy, colorful numbers. She tells a long story about Jack Nicholson and George Miller, the director of “The Witches of Eastwick,” telling her at 40 that she’s not sexy and they don’t want her for their movie. It’s a long anecdote, and she forgets to add the kicker: she got the part anyway.

At 73, Cher still looks stunning, has the toned body of a 40 year old, and her whiskey-rum drenched voice sounds better than ever. (I’m assuming it’s all hers, with no additives.) Just as she was on “The Sonny and Cher Show” in the early 70s, she’s funny, acerbic, and knows how to play her audience. There is no mention of politics– Cher is a vociferous anti-Trumper on Twitter. After all, the lady who sat behind me was 77 from Columbus, Ohio. She announced during the break from the great opening act, Nile Rodgers and Chic, that she had a license to carry a concealed weapon. She was absolutely voting for Trump.

Cher’s show is definitely from Vegas, full of busy dancers wearing Bob Mackie costumes. The frantic dancing, very a la 1972 CBS variety sketch hour, distracts from the star’s basic lack of movement. She glides gracefully without doing the heavy lifting. After all, she is 73, and even this nightly performance of two hours is enough to do in someone a lot younger.

She does not sing all her hits. Missing are “Gypsies, Tramps, and Thieves” and all those fun 70s hits like “Half Breed” and “Dark Lady.” Instead, there’s a lot of filler, a great deal of which you could live without. The best number of the night is the finale. “If I Could Turn Back Time.” And then, the encore, “Believe,” an auto Tune fest of a hit.

One weird passage is an oldies section in which Cher sings with her dead ex husband, Sonny Bono, on “I Got You Babe” and “The Beat Goes On.” Sonny appears as a disembodied hit floating above the stage, hovering over Cher some 22 years after his death on the ski slopes. It reminded me of Dorothy going to see the great Oz. It’s quite creepy.

I did come for Nile Rodgers, and you will not be disappointed in his opening act. I dare say, it’s the saving grace of the night. Nile is a national treasure. Writer/producer/musician, the creator of the disco band Chic puts on an hour long show that’s full of life and brimming with love and good wishes. A cancer survivor (twice) Rodgers features Chic’s hits from the 70s as well as all those hits he wrote or produced like “Let’s Dance,” “Upside Down,” and “We Are Family.” The latter remains the most buoyant party starter ever. Everyone in my section was up and twirling, clapping along and smiling broad smiles. You can’t do better than that.

 

Rock Hall of Fame Member Darlene Love “Disappointed” that NBC Used Younger Singer to Perform Her Signature Hit on Xmas Tree Show

Darlene Love is mad and I don’t blame her. She posted to Facebook tonight after being unable to get NBC and Brad Lachman Productions to let her sing one of her signature songs on the Rockefeller Plaza Christmas tree lighting show. Darlene is a member of the Rock and Roll Hall of Fame, a true veteran superstar of real rock and roll and soul.

When Paul Shaffer and his band performed on the David Letterman show, each year he’d have Darlene on to sing “Christmas Baby, Please Come Home.” Just a few years ago, Darlene starred in the Oscar winning documentary “20 Feet from Stardom.” She also had to chase Phil Spector through the court system to get any reparations for singing most of his hits in the early 60s solo and with the Crystals.

Not having Darlene Love sing that is like not having Aretha sing “Respect” or Gladys Knight sing “Midnight Train to Georgia.” You just don’t do it.

 Here’s what she posted:

“Once again I was snubbed by Brad Lachman Productions who produce the Rockefeller Christmas Tree lighting ceremony and instead they book another artist to perform my song “Christmas Baby, Please Come Home” each year!! Such an insult and let down! They book these young artists who can’t even hit the notes properly and are off key. Makes NO sense!! That’s my song and I’m still alive. Show me some respect! My publicist has been trying for over 10 years to lock this performance down for me and they keep saying that I’m not their demo or big enough and would only book me if Bette Midler or Bruce Springsteen would do it with me. I would NEVER ask my friends to do that. If you want them, go thru their team. This business can be so unfair at times. Don’t get me wrong, I’m TRULY blessed for what I have accomplished at 78 years of age but it’s still a constant struggle to stay relevant and convince those who control the industry that I’m worth it. I’m turning off the TV. Gotta rest up for my holiday tour. Thank you to all my fans and friends who do support me. You keep my spirit happy and alive. Love, DARLENE! ❤️”

PS Darlene performs “Christmas Baby Please Come Home” on December 20th on The View. Read what she also posted:

“In the meantime, PLEASE tune in to The View on 12/20 to watch me perform MY song with a very special guest. I know some of you object to me doing The View but PLEASE just put aside your political views for me this one time. The producers at ABC treat me very well and with respect. They produce my entire segment, pay my entire band, singers and me too and cover all my expenses. Most other TV shows require ME to pay them $15,000 to $20,000 to perform. I don’t have that kind of money and not signed to a label. This is all out of my pocket so I’m very grateful for Jamie Hammer and Brian Teta who by the way was a former producer at David Letterman who helped bring me over to The View. Thank you for allowing me to vent my frustrations to all of you and Thank you listening and showing me your love and support. This will help me get a good night sleep. God bless ❤️😘

American Film Institute Issues Top 10 American Films, Panders to Crowd by Giving Korean “Parasite” Special Prize

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The AFI kind of devalued itself today. They named their 10 best films, which are supposed to be American. And then they added Korea’s “Parasite” because it’s popular and makes them look hip. The AFI is for American films, not foreign films, no matter how much we love them.

Nine of their ten choices are good. I would not have included “Jojo Rabbit.” The AFI could have included “Bombshell,” “A Beautiful Day in the Neighborhood,” or “Two Popes,” without thinking twice. “Dolemite” would have been inspired. But this way every studio has been included except for Paramount, which had a good candidate in “Rocketman.”

On the television side, the AFI made a special prize for British entry, “Fleabag.”

This is a relatively new thing, these AFI Special Awards. Last year, it was “Roma,” also a foreign film that they knew would be nominated for Best Picture. So they bent the rules. You wonder what the producers of foreign films think who don’t have the political clout to pull this off. As for the AFI, they’ve fallen away to the issues that have haunted other awards groups to appear popular and relevant.

AFI Motion Pictures of the Year

1917
Universal

THE FAREWELL
A24

THE IRISHMAN
Netflix

JOJO RABBIT
Fox Searchlight

JOKER
Warner Bros

KNIVES OUT
Lionsgate

LITTLE WOMEN
Sony

MARRIAGE STORY
Netflix

ONCE UPON A TIME IN HOLLYWOOD
Sony

RICHARD JEWELL
Warner Bros

Special Award

PARASITE
Neon

AFI Television Programs of the Year

“Chernobyl”

“The Crown”

“Fosse/Verdon”

“Game of Thrones”

“Pose”

“Succession”

“Unbelievable”

“Veep”

“Watchmen”

“When They See Us”

Special Award: “Fleabag”

Taylor Swift’s Netflix Documentary “Miss Americana” Will Open Sundance Festival, Presumably with Barred Songs

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Remember (so long ago now) when Taylor Swift wanted use of her songs in a Netflix documentary? Well, it’s all worked out apparently.

“Miss Americana” will open the Sundance Film Festival on January 23, 2020. Then it will play on Netflix sometime next year.

Press release says: “Miss Americana is a raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.

Uh huh. On January 23rd we’ll know if Taylor is planning on performing or appearing at the Grammys, just three days later. It would seem hard to do both, what with rehearsals for the Grammys commencing the next day, but she’s young. Anything is possible.

“Miss Americana” is directed by Lana Wilson (After Tiller, The Departure) and produced by Academy Award winner Morgan Neville (20 Feet From Stardom, Won’t You Be My Neighbor?), Academy Award winner Caitrin Rogers (20 Feet From Stardom, The Music of Strangers), and Christine O’Malley.

 

NY Film Critics Honor “The Irishman,” Antonio Banderas, Lupita Nyongo’o, Joe Pesci, Laura Dern, Plus Tarantino, Safdie Brothers

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The New York Film Critics zigged today where the National Board of Review sagged yesterday. Both groups went for “The Irishman” as Best Picture and Laura Dern as Best Supporting Actress for “Marriage Story.”

But then the NYFCC went off on its own for three of the four acting prizes. They chose Antonio Banderas from “Pain and Glory,” Lupita Nyong’o for “Us,” and Joe Pesci for “The Irishman.”

Instead of validating Martin Scorsese for “The Irishman” as Best Director, they went for Josh and Benny Safdie, whose “Uncut Gems” is like from the Scorsese school.  No doubt their speeches will be praising Scorsese.

The choice of Claire Mathon as Best Cinematographer forPortrait of a Lady on Fire” is interesting. Clearly Roger Deakins’s work on “1917” is the best of the year. But I think the theme of this year’s NYFCC is to broaden things out. Female cinematographers are not usually honored.

And so the lists continue. “The Irishman” is building a consensus. It will be instructive to see if a rival emerges somewhere. These critics and fans (NBR) prizes usually don’t reflect the Oscars. This year may be an exception because Scorsese’s film is so damn good.

Best Film: 
The Irishman

Best Director:
Benny and Josh Safdie, Uncut Gems

Best Screenplay:
Quentin Tarantino, Once Upon a Time…In Hollywood

Best Actress: 
Lupita Nyong’o, Us

Best Actor: 
Antonio Banderas, Pain and Glory

Best Supporting Actress:
Laura Dern, Marriage Story and Little Women

Best Supporting Actor:
Joe Pesci, The Irishman

Best Foreign Language Film:
Parasite

Best Cinematography:
Claire Mathon, Portrait of a Lady on Fire

Best Nonfiction Film:
Honeyland

Best First Film:
Atlantics (Mati Diop)

Best Animated Film:
I Lost My Body

Special Awards:
IndieCollect
Randy Newman