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Oscar Movies First Half 2011: Woody Allen and Not Much Else

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The first half of 2011 is coming to an end, and what do we have for the next Academy Awards? Not much, I’m afraid. The only real contender for a Best Picture nomination is Woody Allen‘s “Midnight in Paris.” The drum beats louder for this film every day, with Woody in contention for Best Director and Screenplay, and acting nominations possible for Owen Wilson and Marion Cotillard (Golden Globes certainly) and Corey Stoll, who plays Ernest Hemingway. Alison Pill is also memorable as Zelda Fitzgerald.

Other than Woody, though, it’s a bleak look back. Terrence Malick’s “Tree of Life” is a mess, although Brad Pitt does very good work. The movie itself is not a Best Picture nominee; it’s incomprehensible. Then there are some miscellaneous acting achievements. Christopher Plummer is a Best Supporting Actor candidate in “Beginners,” a movie that’s been botched in its release. “Beginners” is just terrific, but I’d wager that most people have never heard of it. I also really liked Hiam Abbass in Julian Schnabel’s little seen “Miral.” She should be considered for Supporting Actress.

Mostly though it’s been a sad period in cinematic history. Will things pick up? We have to wait until July 22nd, when “Another Earth” and “Sarah’s Key” will make things more interesting, and July 29th when Dominic Cooper arrives in a spray of bullets and mayhem with “The Devil’s Double.” Until then: read a book.

Transformers, Larry Crowne: Will Bad Reviews Matter This Weekend?

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This weekend’s two big movies are “Transformers: Dark of the Moon” (the title sounds like it’s missing “side” but maybe Pink Floyd would object) and “Larry Crowne.” They have respectively, 36% and 37% ratings on rottentomatoes.com–very bad reviews, the worst, really. Aside from Tony Scott having too much caffeine or sugar, the New York Times review is not very good. The rest are much worse.

Paramount is wisely just pushing “Transformers” as a product and will just try and make the most money it can over the five day holiday–from today through Monday. Internationally, “Transformers” will do great because it requires no language skills. In the U.S. I’m sure it will break some kind of record that no one cares about–best opening for a semi-coherent movie opening on a Wednesday in June but ending on a Monday in July.

“Larry Crowne” comes next. The affable Tom Hanks and the strident Julia Roberts are said to have no chemistry at all in what has been described by some as “embarrassing” or “like a Nickelodeon film.” But I do trust Tom Hanks. He co-wrote the film with Nia Vardalos, and directed it. It sounds like a straight PG movie, not even PG-13. But this weekend, with “Transformers” uninteresting to anyone over 20, “Larry Crowne” may overcome its saccharine provenance and bring in the adults who’d like to a movie in which nothing explodes.

On the other hand, the winner of the over 20 box office this weekend may be Woody Allen‘s “Midnight in Paris.” With $28.7 million already banked domestically, “Paris” is a big hit. It’s the only film from the first six months of 2011 with Oscar potential. And people love it. They just love it. They haven’t loved a Woody Allen film this much in 25 years. And it had great reviews, and great word of mouth. If “Larry Crowne” doesn’t make it, “Paris” will have been its downfall. And who could have anticipated that? No one. It’s not even in 3D!

 

Mark Ruffalo Hulks Up, Karen Elson Raves On

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Mark Ruffalo was in New York last night on a furlough from making “The Avengers” down in New Mexico. Ruffalo and beautiful wife Sunrise came into the city from upstate New York (where they’re still fighting the freaking fracking) to see pal Tara Subkoff’s launch of her Imitation designer line at the Jane Hotel. Later Mark and Sunrise had dinner with Tara and Oscar winning “King’s Speech” director Tom Hooper. (By the way, the new Gitanes restaurant at the Jane Hotel–a former SRO that still by law houses some of its previous long term tenants– is terrific and not expensive.)

Mark is playing the Incredible Hulk and his alter ego David Banner in the Marvel all-star movie that includes Robert Downey Jr., Samuel L. Jackson, Chris Evans and Scarlett Johansson. “I’m the first to play both parts,” said Mark, the Hulk and Banner. For the Hulk, he says, it’s all stop-capture animation. He hasn’t seen the work he’s done yet, and his costume isn’t pretty.

“You’ll never see what I’m wearing on screen. But it’s the ugliest thing ever. It’s embarrassing.” The costume is really a technical tool that Ruffalo must wear while shooting his Hulk sequences. The Oscar nominated actor, by the way, says he was a little afraid of Samuel L. Jackson when he met him. “He’s Samuel L. Jackson, for chrrissakes!” said Ruffalo.

Also at the Imitation party, where Subkoff showed off her very cute and Chaplinesque short silent film of a damsel in distress wearing Imitation: supermodel and singer Karen Elson, now ex wife of White Stripes singer-musician Jack White. Even though the pair have parted after six years and two kids, they are still good friends, Karen says. They even recorded a Buddy Holly song together for the just released tribute album, “Rave On.” “We had just separated but it was fine,” Karen said. “Jack may even play on my next album.”

If you missed all this– I know, I did–Karen and Jack recently had a party in Nashville to celebrate their divorce.

You can see Karen’s work–it’s really good– at www.karenelson.com.

Hollywood Memorial for Laura Ziskin: Over 1000 Attend

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The memorial late this afternoon in Hollywood for Laura Ziskin was like a Who’s Who of players. Ziskin, really beloved, died on June 12th at age 61 after a seven year battle with breast cancer. She produced the “Spider Man” movies and twice ran the Oscars. Wolfgang Puck catered the party at Sony’s Studio 15,thanks to Laura’s great pal, Sony Pictures chief Amy Pascal.  The event was lavish, reports Leah Sydney. “The place was decorated like a movie set, with video screens and slides of Laura from her various movies,” said one guest., Laura’s husband, the famed screenwriter Alvin Sargent, was composed and spent a lot of time comforting people, sources say. The entire event was branded for Stand up For Cancer, the organization Laura founded. Guests included all the top Hollywood agents, as well “Jerry Maguire” stars Renee Zellweger and Cuba Gooding, Jr., “Spider Man” star Tobey Maguire, Sally Field, director Sam Raimi, plus Warren Beatty, Sherry Lansing, William Friedkin, Mike Medavoy, Linda Obst, Sid Ganis, Peter Chernin, Arnold Kopelson, etc.

Australian country singer, Delta Goodrem, herself a cancer survivor, sang with a couple of musicians throughout the memorial. Hats were given out from Stand Up with Cancer” that read: “What Would Laura Do?”

Julia Barry, Laura’s daughter, spoke first: “The only thing my mom hid behind was her chic pair of sunglasses. My mom had unfaltering character, no pretense, no bullshit.” The theme of the memorial was Laura’s fearlessness. Just three weeks before she died, Laura had flown to Washington to help raise money for Stand Up for Cancer.   Sally Field spoke; Sally and Laura had their first production company together. “Laura was bold, inspired, tough, vulnerable and often frightened. She was simply my best friend.” Sam Raimi: “If Laura had produced this she would never have me follow Sally Field. We worked together for 10 years on Spider Man. We spent many hours at their home finding out what made [Spider Man] wonderful.” Emma Stone spoke about Stand Up for Cancer: “I wish I could say that Laura did not keep a list of the actors who did not participate in Stand up for Cancer. Just kidding. It will be published in Variety tomorrow,” she joked. Tobey Maguire choked up reading a letter from a cancer research.  Alvin Sargent, the award winning writer of “Ordinary People” and dozens of other screenplays including “Spider Man”: “She always got what she wanted. She said I want I want. 9For the 2002 Oscars] she wanted Woody Allen and got him.” A video was shown of Ziskin and Sargent’s wedding from last year–after 25 years of living together.

Laura’s ashes will spread in the Pacific Ocean. On a personal note, I can tell you that when Laura produced her two Oscar shows, she was incredibly wonderful to deal with. Everyone at the memorial apparently spoke of Laura’s integrity, honesty and work ethic. Hollywood loses someone irreplaceable with Laura. Rest in peace.

Laura Ziskin produced: “Pretty Woman,” “The Doctor” with William Hurt, “What About Bob?” with Bill Murray (and wrote it, too), “No Way Out,” with Kevin Costner, “To Die For,” with Nicole Kidman, “As Good As It Gets” with Jack Nicholson, and the three “Spider Man” movies, among others.

Tawdry “Transformers”: Shia Says He Shagged Megan Fox

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No wonder Paramount doesn’t want press at tonight’s New York premiere for the latest “Transformers.” Everyone is in trouble. The early reviews aren’t so good. And the principals are all in trouble. Shia LaBeouf, who’s always very polite and nice in person, has just told Details magazine that he and former co-star Megan Fox had an affair — even though she was engaged to former “Beverly Hills 90210” star Brian Austin Green. Shia–not so Shy-ya.

From Details: Asked if he hooked up with Fox, LaBeouf nods affirmatively. “Look, you’re on the set for six months, with someone who’s rooting to be attracted to you, and you’re rooting to be attracted to them,” he explains. “I never understood the separation of work and life in that situation. But the time I spent with Megan was our own thing, and I think you can see the chemistry onscreen.” When I inquire about Fox’s status at the time with her longtime boyfriend, Brian Austin Green, LaBeouf replies, “I don’t know, man. I don’t know. I don’t know. I don’t know. . . .”—repeating the phrase exactly 12 times with various intonations, as if trying to get it just right. Finally, he says, “It was what it was.”

OK. I hope Details writer Aaron Gell got that on tape.

Then, of course, there were the reports last week that Fox was fired from the franchise on orders from exec producer Steven Spielberg. Fox told a British magazine of Bay: “[Bay] wants to be like Hitler on his sets, and he is,So he’s a nightmare to work for but when you get him away from set, and he’s not in director mode, I kind of really enjoy his personality because he’s so awkward, so hopelessly awkward…He has no social skills at all,” she continued. “And it’s endearing to watch him. He’s vulnerable and fragile in real life and then on set he’s a tyrant.”

Only one media outlet is allowed into tonight’s premiere; they made some kind of deal to play nice. I’m sure we’ll see the results. Paramount chief Brad Grey is wisely staying away from all this tonight. He is a smart man.

Broadway “Spider Man” Defies Critics: $1.7Mil in Ticket Sales Last Week

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“Spider Man: Turn off the Dark” is bigger than ever. Defying the critics and naysayers, the troubled Broadway musical is troubled no more. Having actually opened on June 14th, the Julie Taymor re-imagined show did $1.7 million in ticket sales last week. It was actually up by $500,000 from the week before. Go figure. This week, the show will do around $1.5 million. This means it’s really sold out, and people are coming not to see accidents among the cast. They’re really going to see the show itself, which is not so much changed but rearranged from its former incarnation. The only shows doing better than “Spider Man” are “The Lion King” and “Wicked.” Now maybe the “Spider Man” producers will settle their financial situation with Taymor, who stands to make money from royalties but is still due her upfront fees after all this time. And hopefully future producers will have learned a lesson from this nightmare: figure out your problems out of town, not on Broadway where the vultures circle daily looking for prey.

Lady Gaga Saga: Number 20 on ITunes, No. 8 on Charts and Less than 50,000 Copies

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UPDATE: All the numbers are in. Lady Gaga‘s “Born this Way” has dropped to number 8 on the pop charts and number 20 on ITunes. The total for last week is just less than 50,000 copies. By contrast, Adele remains at number 1 with over 100,000 copies sold again last week. “Born this Way” has just completely dropped, like air running quickly from an inflatable ball. So weird. But the amazon thing really hurt. Lady Gaga’s fans feel that amazon bought those 440,000 copies at full price, so what’s the difference? The difference is, the promotion hurt the artist. It devalued her CD. Only amazon did well by that move. What’s worse is that there seems to be no big single to follow up “Born this Way.” I hate to think what that “Judas” video cost. Oh my. If you look at the “Judas” entries on YouTube, it would seem like there have been 85 million views of either the video or the song lyrics. But that didn’t translate into further CD sales. “Edge of Glory” remains the number 6 single on the Billboard and ITunes charts. PS The number 9 album this week from Weird Al, featuring a parody of “Born this Way.”

See “NYC Prep” Star Slash Lover In Our Video Player

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My, do the kids ever grow up! It was only a year ago that Kelli Brooke Tomashoff graduated from high school was supposed to head off to Boston University. The nice girl who played herself on Bravo’s “NYC Prep,” a reality show, has found something to do this summer, however. She’s got a single called “Gave Up on Love,” which is pretty catchy. She just calls herself Kelli now. She can sing, maybe. And she’s cute. On top of that, she slashes her boyfriend’s throat in video, which can now be seen below. Kelli’s motto: If you can’t dress like an egg, you might as well kill someone. Revenge videos are in! Of course the boyfriend deserved it, he’s seeing someone else. And now (fictional) Kelli can give up on love. And start paying lawyers. The real Kelli is the daughter of wealthy New York parents who own a printing company in the city and a lavish estate in the Westhampton area. Kelli is obviously taking a page from the parents’ entrepreneurial playbook. Good for her!

“The Beaver” Big in France, Italy; Not So Much Here

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Ward, we have to talk about “The Beaver”: the Jodie Foster film is still in a theater somewhere in America, perhaps forgotten by its distributor. It’s failed to hit the million dollar mark, and now stands at $958,319 in domestic ticket sales.  “The Beaver” does better with foreign audiences: it has done a little–not a lot–of biz abroad. It’s made just over $1 million in France and Italy. In Spain, it’s made just under $700,000. In the U.K. Mel Gibson has not impressed: only $89,000 in the last ten days according to boxofficemojo.com. The Jodie Foster directed oddity has still not been released in Australia, Mel’s “home” country (he was born in the U.S.). Maybe they’ll embrace it. Few people went to see “The Beaver” in Finland and Lebanon, although I am impressed with the latter. Ticket holders totaling $35,000 in US dollars stopped being at war long enough to see Mel Gibson with a hand puppet. That’s better than a Q rating. He’s back! Dam(n)!

Sam Cooke Finally Gets His “Way” In Chicago

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The mighty, legendary Sam Cooke died in 1964. That’s 47 years ago, and still we’re talking about him because his voice and his music are eternal. There isn’t a day that goes by when we don’t hear “You Send Me,” “Bring it On Home to Me,” “We’re Having a Party,” or “A Change is Gonna Come” on some radio station. (Sam Cooke, Jackie Wilson, Nat King Cole, Marvin Gaye-the best!) Bob Merlis sent this to me this afternoon:

Had he lived, Sam Cooke would have turned 80-years-old in January of this year.  His life and legacy were celebrated with the naming of  36th Street,  Chicago, Illinois  as  Sam Cooke Way  on Saturday, June 18.  The location of Sam Cooke Way  in  Chicago ‘s Bronzeville neighborhood, is birthplace to some of  Chicago ’s most talented artists in music and the associated arts. It is where the Cooke family settled after migrating from Clarksdale, Mississippi in the early 1930’s, initially residing at 3527 Cottage Grove Avenue and later moving to 724 E. 36th Street.

Young Sam Cooke attended the neighborhood’s  Doolittle Elementary School  and, in 1948, graduated from Wendell  Phillips High School . The unveiling of the new Sam Cooke Way street sign took place with the participation of the office of 4th Ward Alderman Will Burns,  3rd Ward Alderman Pat Dowell, Sam Cooke’s younger brothers L.C. and David Cooke as well as other Cooke family members, legendary radio personality and “Mayor of Bronzeville” Herb Kent,  Cook Country Commissioner Jerry Butler (himself a soul music legend), who proclaimed June 18, 2011 as Sam Cooke Day in conjunction with the street naming ceremony), and Chicago Blues Museum CEO Gregg Parker and well over 400 Sam Cooke fans and fellow musicians.