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Lockdown Blues: As Van Morrison Backs Lawsuit Against Irish Government, Eric Clapton Erases “Stand and Deliver” from Social Media

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It’s only seven weeks since Eric Clapton foolishly released his recording of a Van Morrison song called “Stand and Deliver.”

It was not an anthem for Uber Eats. The song decries the lockdown in the UK and Ireland, urging everyone to go back to clubs to hear live music.

Morrison, who has unwisely gotten involved in questioning the validity of COVID regulations, has heart in the right place but his head up his you know what. His song compares the lockdown to slavery. Really.

Morrison remains committed to the cause. He’s backed a lawsuit against the government of Northern Ireland over their “blanket ban” on live performances. On Twitter, Morrison says: “There were some very misleading stories in the press in recent days. For clarity, the legal action refers to allowing musicians to legally return to work once lockdowns are lifted and once it is safe to do so.”

But that makes no sense. When the lockdowns are over, everyone will return to work.

Interestingly, Clapton has remained mum about the legal action. He’s also cleaned his social media of all reference to it, also, after enduring proper criticism. His Instagram and Facebook pages are absent any sign of “Stand and Deliver,” and his website makes zero mention of it. It’s as if the whole thing never happened.

Of course, “Stand and Deliver” remains on YouTube and on streaming services. But no one really cares. The two YouTube videos have  a combined roughly 500,000 views, which ain’t much in terms of pop music. Actual sales are nil — less than 4,000 including streaming since December 4, 2020. There’s still time for Clapton to repurpose the song for Uber Eats!

Broadway Hit Musical “Dear Evan Hansen” Coming to Movies in September But Will It Come Back to Broadway?

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“Dear Evan Hansen” is already a movie.

While we were buying toilet paper, Universal spent the last few months shooting the Tony winning Broadway musical as a film this September.

Ben Platt returns as Evan, the boy who lied, with an all-star cast subbing in for the Broadway performers. Amy Adams, Julianne Moore, Kaitlyn Dever, Amandla Stenberg, Colton Ryan, Nik Dodani, DeMarius Copes and Danny Pino are in the cast.

Stephen Chbosky directed the pic from a script by Steven Levenson, who wrote the book for the stage musical, with music and lyrics by “La La Land” Oscar winners Benj Pasek and Justin Paul. Marc Platt and Adam Siegel will produce for their Universal-based Marc Platt Productions. Michael Bederman, Levenson, Pasek and Paul and the executive producers. If they get Oscar nominations, Marc Platt and Ben Platt will be the first father-son duo at the awards maybe ever.

“Dear Evan Hansen” opened on December 4, 2016 on Broadway and played through mid March 2020. That’s a short time before a movie is usually made from a hit show. But who knows if the theatrical version will return next summer or fall? And wouldn’t the movie siphon off the legit audience?

Anyway, that’s the plan, although nothing is written in concrete, as we know.

 

Retiring at 84: Kris Kristofferson, Famed Songwriter of “Me & Bobby McGee,” Acclaimed Actor, Renaissance Man

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Kris Kristofferson is calling it a day.

The famed singer-songwriter and actor is retiring now at age 84. He deserves some downtime after a stellar career- make that two or three!

Kris is the accomplished and successful singer songwriter of “Me & Bobby McGee” and “Help Me Make it Through the Night.” among other hits.

He’s also a movie star, with credits like “A Star is Born” with Barbra Streisand, and “Alice Doesn’t Live Here Anymore.” One of his great roles was starring in James Ivory’s “A Soldier’s Daughter Never Cries.” Kris was featured in the infamous “Heaven’s Gate,” starred opposite Jane Fonda in “Rollover,” and co-starred in “Semi Tough” with Burt Reynolds and Jill Clayburgh.

Kris is a Renaissance man. He’s also a multi-tasker. He is one of the few in Hollywood who has done everything well.

Unfortunately he doesn’t remember a lot of it. I wrote in 2014 that Kris suffered from a form of dementia called “Puglistica.” He has severe memory loss from years of head injuries from boxing and football when he was younger. This is no joke. He remembers his songs and is able to play them pretty well. He knows his family. But memories of his career are almost all gone.

But between his diagnosis and the pandemic last year, he was still touring and recording, and acting. His wife of more than 35 years, Lisa, has run the show and let Kris do what he does best. But now they’ve hired an estate manager, and they’re coming off the road for good. He will still have 85th birthday celebrations in June.

Remember the Tony Awards? Now They’re Going to Vote in March for Nominations from Last October

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This is turning into pretty good theater.

The 2019-2020 Broadway season never really happened, remember? It stopped on March 13th because of the pandemic. A few shows had opened, mostly mediocre. The really good ones were either in previews or just about to start them. They never launched.

Broadway shut down before “Company,” “Girl from the North Country,” “Sing Street,” and so on went into limbo.

Six months later, the Tony Awards decided to announce nominees drawn from the 16 mostly mediocre shows, like “Moulin Rouge” and “Tina: The Musical.” Good performances, not great shows.

There was only nominee for Best Actor in a Musical. Aaron Tveit, of “Moulin Rouge,” come on down!

On New Year’s Eve, I wrote that we closed the year without winners or a ceremony.

Now, it seems, there will be voting for those nominations between March 1st and March 15th. And then? Who knows?

I do feel sorry for the producers, and everyone else who has lost livelihoods, and for Adrienne Warren, who deserved an award for playing Tina Turner. But the Tony Awards appear to be adrift. There’s no clear idea of what to do, and no one’s doing it. Will they announce winners from this vote? Will anyone care?

So far, this is a musical closing out of town.

Sundance Review: Questlove’s “Summer of Soul” is Like a Box of Fine Chocolates, with Unseen Performances by Stevie Wonder, Gladys Knight, Other Stars

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There was a Harlem Cultural Festival in New York in the summer of 1969. Stevie Wonder, Gladys Knight, Sly Stone, the 5th Dimension, and Nina Simone were among the performers. It was filmed, and then the footage was put away for 50 years.

Now Amir Questlove Thompson of the Roots and the Tonight Show has found the film and made a two hour documentary called “Summer of Soul: When the Revolution Couldn’t Be Televised.” It’s literally like a box of designer chocolates, just one tasty bite after another. I felt like it was made for me personally.

The performers are beyond outstanding. The only problem is there are too many of them, and after a while the message of the film is lost. Questlove and his team of editors (who did an amazing job) are trying to fit everything into that box. This movie needs to be cut by a half hour. I learned this the hard way when I made “Only the Strong Survive” with Chris Hegedus and DA Pennebaker in 2002. The trick is to stick to your story even when there are so many riches available. Some of this could be on the DVD.

But that doesn’t take away from Thompson’s mission. He’s got all this incredible footage of Stevie, Gladys, the 5th Dimension– who are so underappreciated, Nina Simone, David Ruffin solo, and many instrumentalists, not to mention Sly and the Family Stone at their peak, and so much more. This is the Black Woodstock. Thompson intersperses the musicians’ backstories with historical perspective of the time and culture. There’s a lot of information, not to mention reminisces of concertgoers a half century later. All of it is gold, although some of it has more carats than others.

Just a note on Stevie: this footage is of historical importance because he’s on the verge here of becoming the adult star who turned out a half dozen Grammy winning classic albums starting two years later. You see him performing every instrument already, it’s pure genius. It’s like a sketchbook for what’s come with “Superstition” and “Higher Ground,” etc.

Stevie says in a narration, “I never wanted to let fear put my dreams to sleep.” That right there should be the jumping off point for his own documentary.

Anyway, a little second draft-ing, tightening, and contemplating will make “Summer of Soul” even better and a must see I hope in theaters, not just cable and platforms. Great work.

Reality Bites: Armie Hammer Reportedly Out of “Godfather” Mini-Series Playing Movie’s Producer Al Ruddy

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Not since Tiger Woods’ meltdown a decade ago has a career melted down this quickly, and badly.

Actor Armie Hammer, who was on top of the world, is out of the “Godfather” mini series for Paramount TV. He was going to play the movie’s producer, Al Ruddy, who was producing this miniseries. Variety reported the news first.

Hammer, 34, has literally burned down his life and career since announced his divorce last July 10, 2020. He left his wife and two little kids in the Cayman Islands, went to Los Angeles, and started– well, started,  as far as we know then — dating.

But according to the women he’s known, he had some odd predilections for not just chewing the scenery, but also his dates. In the last few weeks, text messages were revealed, and then testimony from the women, that Armie has aspirations to be a “cannibal.”

As the women come out of the woodwork, and messages are revealed, Hammer is finding it’s not Hammer time, but time to release him from various projects. “The Offer” — as in “I’ll make you an offer you can’t refuse” — is just the latest one from which he’s been dismissed. He was also bounced from a Jennifer Lopez movie (that he shouldn’t have been in anyway), and one more as well.

To make things even weirder, Armie’s former collaborators from “Call Me By Your Name,” actor Timothee Chalamet and director Luca Guadagnino, are planning a movie about a modern cannibal. This may have to take the place of a “Call Me” sequel now that Hammer is becoming persona non digesta.

A new actor will be found to play Ruddy for “The Offer.” Ben Affleck might be perfect.

 

Cicely Tyson Wrote in Her Memoir About Husband Miles Davis: “He emitted a distinctly powerful scent, like the smell of burnt iron”

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Hard to believe that Cicely Tyson finally published a memoir, this past Tuesday, and died two days later. There is so much to read in “Just As I Am” about her amazing life, but of course I’m most interested in her romance and marriage to jazz legend Miles Davis, a heroin addict whom she could not control. They were married from 1981 to 1987, but a long relationship preceded that.

The book is out of stock on amazon but you can download it from Kindle. I will be up all night reading it, with an introduction by Viola Davis.

Miss Tyson wrote:

“And then there were the drugs. He did not use in front of me. In fact, in all my years with Miles, never once did he shoot up, snort cocaine, or even smoke a reefer in my presence. I’m sure Miles must’ve shot up or snorted in his bathroom, but he left no sign of it, clearing away any paraphernalia. He knew how much I despised drugs. Also, my religious upbringing ensured I had nothing to do with them. I still don’t.

“One night after Miles had played at a club in Midtown, he and I, along with some of his band members, drove uptown toward his place. One of the guys lifted a small bag, presumably filled with drugs, and offered it to me. Miles pushed away his hand. “Man, are you kidding me?” he said, laughing. “I can’t even get Cicely to smoke a cigarette.”

…Whatever he smoked or shot up, he usually reeked of it. I knew the scent of marijuana, but other than that, I couldn’t tell the difference between coke or heroin or any other drug. On many occasions, he emitted a distinctly powerful scent, like the smell of burnt iron. It permeated his pores. He’d try to cover it with cologne (he loved his collection), but I could still smell it. And when I did, I stayed as far away from him as I could, because I knew I wouldn’t have been talking to Miles anymore.”

…Miles played fast and loose with his life far too frequently to have known his value. And even while grappling with my own anguish, I could not stand by and watch this man waste the rare gift he came here to share. His behavior at times disturbed me greatly, even humiliated me. And yet more than anger, I felt compassion, and pity for his sad state.”

Cicely Tyson Published Her Memoir On Tuesday, Now It’s Number 1: See Her Interview with Gayle King

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Well, this is something:

Cicely Tyson published her memoir on Tuesday, three days ago, and was interviewed by Gayle King for CBS This Morning.

Two days after publication, she died. The book, “Just as I Am,” has zoomed to number 1 on amazon and is totally sold out! What the heck?

Miss Tyson has left the stage with a bang, not a whimper. Wow. She finished the book, did the publicity, and went to heaven. What a way to go!

Here’s the interview with Gayle King, who has had more scoops in the last year than a Baskin Robbins server!

Viola Davis on Cicely Tyson: “I’m devastated. My heart is just broken. I loved you so much!! You were everything to me!”

Cicely Tyson played Viola Davis’s mother on “How to Get Away with Murder” for five seasons. She was nominated for Emmys each of those years.

Viola sent me this message as a quote about Miss Tyson: “I’m devastated,” she wrote, “I remember a prayer I had when I was 9. I asked God in a desperate moment to pluck me out of my hard life. I closed my eyes and waited. Cut to 40 yrs later working with…this beauty…this Queen….God answered my prayer. With a bonus. That’s how it felt. An answer to my deepest prayer.”

Miss Davis also posted to Instagram, as you can see below. Both statements are so moving, I teared up as I read them. You will, too. (PS She doesn’t want to hear this now, but Viola carries the mantle of Cicely Tyson. She is a daughter in spirit and talent.)

Sundance 2021 Opens with a Hit: “Coda” Stars Emilia Jones as a High School Singer in a Deaf Family

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Sundance 2021 opened tonight with a hit. “Coda,” directed by Sian Heder, is based on a French film but re-envisioned by the director, who wrote the screenplay.

The Rossi family in Gloucester, Mass. are fishermen who are deaf. Oscar winner Marlee Matlin is the mom, and deaf actors Troy Kotsur and Daniel Durant are the father and brother. British actress Emilia Jones, 18, is the daughter and she can not only hear but sing like a bird. Jones makes a star turn — it’s not her film debut but seems like it is– and could get a recording contract out of this.

Co-starring are Irish actor Ferdia Walsh Peelo, now 21, formerly 16 and star of  John Carney’s charming “Sing Street,” who we’re going to see more of I hope, and Eugenio Derbez, a big deal in Mexico who shines here as well.

“Coda”– child of deaf adult — is a formula story that rises way above the norm. It’s completely charming and endearing, with the twist of the deaf storyline. I still don’t understand how they pulled this film off, there’s so much signing and interpreting, and the emotions are real.

I hate to say it, but “Coda” hits every right note: it’s gurl power, overcoming a physical difficulty, with hints of “Pitch Perfect” and “Glee.” Still, you can’t not like it. Whatever distributor picks it up will have no trouble turning “Coda” into a big deal, featuring Jones and Walsh-Peelo on TV getting them a hit record or two. It’s got all those ingredients.

Most pleased should be Joni Mitchell, and Valerie Simpson. Mitchell’s “Both Sides Now” is heavily featured, as is Simpson and late husband Nik Ashford’s “You’re All I Need to Get By.” The movie is set in present time but all the music is from the 60s and 70s because, you know, it can be sung and it was original in its time.

Sundance is going to be a little tough, I can see already. Q&As are on a different media than the screenings. There are no press notes. You can’t talk to anybody when the movie is over. It’s like having a hand tied behind your back. But the Sundance press people are doing everything to make it easier, and it will get that way as time goes by, I’m sure.

“American Idol” and “The Voice” take note of this film. This is real singing. And record companies, these kids are yours are for the taking.