Thursday, December 18, 2025
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Did Mia Farrow Get the Idea for Accusing Woody Allen from This Song by Dory Previn?

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Where did Mia Farrow get the idea for accusing Woody Allen of molesting 7 year old Dylan in her attic?

Some think it comes from a 1970 song written by Dory Previn, ex wife of Mia’s second husband, Andre Previn. When Mia’s marriage to Frank Sinatra broke up, she went to stay with the Previns. She befriended Dory, who’d been married to Andre for several years. WHen Mia left, she took Andre– 15 years her senior — with her.

Dory wrote and recorded this song, “With Daddy in the Attic,” in 1970. She also wrote and recorded a song called “Beware of Young Girls.” Dory knew a lot more than we ever did about Mia. It’s some coincidence, isn’t it?

If you’re watching the disingenuous and one sided mini series “Allen v. Farrow” on HBO tonight, keep this in mind. None of this is ever mentioned in four episodes.

Lyrics:

Ba ba ba ba
Ba ba ba ba
With my
Daddy in the attic
With my
Daddy in the attic
That is where
My being wants to bed
With the
Mattress ticking showing
And the tattered pillow slip
And the pine
Unpainted rafters overhead
With the
Door closed on my mama
And my sibling competition
And my Shirley Temple doll
That truly cries
And my essay on religion
With the pasted paper stare
Proving tangibly
I’d won the second prize
With my
Daddy in the attic
With my
Daddy in the attic
That is where
My dark attraction lies
With his
Madness on the nightstand
Placed beside
His loaded gun
In the terrifying nearness
Of his eyes
With no
Window spying neighbours
And no
Husbands in the future
To intrude
Upon our attic
Past the stair
Where we’ll live on
Peanut butter
Spread across assorted crackers
And he’ll play
His clarinet
When I despair
With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair
Where we’ll live on
Peanut butter
Spread across assorted crackers
And he’ll play
His clarinet
When I despair
Ba ba ba ba
Ba ba ba ba
With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair
With my
Daddy in the attic
With my
Daddy in the attic
With my
Daddy in the attic
Passed the stair

Ratings: “SNL” Posts Dreary Numbers with Nick Jonas Despite a Grade A Funny Show

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“Saturday Night Live” returned with a grade A funny show last night, a real relief after the last few weeks.

The opening sketch with Kate McKinnon as Dr. Fauci, right through the Nick Jonas monologue, even Weekend News Update was better. The best sketch was McKinnon and Jonas returning to flirting at a bar, and Ego Nwodim as Dionne Warwick was a blast. Also the return of Aidy Bryant and Cecily Strong after going AWOL last fall has brightened everything.

But the ratings are anemic. The show scored a 4.1 overall, and 1.9 of that was in the key demo. Nick Jonas should have been more of a draw. Certainly he was the liveliest host in some time, and his musical performances were top notch.

“SNL” is touting a big ratings season, but that’s all from before Christmas. Since the New Year return, the show cannot pull itself up over 4.2 million viewers. Why no Biden impersonation? Well next week the host is Maya Rudolph (no offense, but she’s been a cast player all season, now she’s hosting?) and someone named Jack Harlow.

I do think “SNL” is having trouble getting hosts and musical guests because of the pandemic. Guests don’t have much to promote and they don’t want to waste the shot. It may also be a travel issue.

Nick Jonas introduced his new song, “Spaceman,” which is so-so. But his second song, “This Is Heaven,” sounded like a real hit.

Hollywood Women’s Group Times Up Spent Whopping $2.4 Mil on Compensation in 2019, Just $19K in Grants

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Time’s up for Time’s Up. Really.

Last November, the Daily Mail reported that the Hollywood women’s advocacy group spent lavishly on themselves in their first year of operation but did little for other people. The Mail story cited $1.4 million on compensation, among other things. It was outrageous.

But now Time’s Up has posted its financial report for 2019, and it’s worse! Salaries and compensation totaled $2.4 million —  including almost $600,000 to get rid of CEO Lisa Borders, formerly the head of the WNBA, after her son was accused of groping a woman (that’s putting it nicely) during a “healing” session. (He hired Kevin Spacey’s lawyer to defend him, but Borders left with a neatly wrapped exit package.)

Time’s Up now, according to their website, has an all new staff, with Tina Tchen running the show. But I also count a whopping 25 main employees, all with fancy titles, and no doubt six figure salaries.

The list of 2019 salaries staggers the imagination for a start up group dedicated to advocacy work. Currently, Time’s Up is shooting fish in a barrel, attacking the Hollywood Foreign Press Association for not having black members. Duh. They’re acting like this is a revelation.

In 2019, Time’s Up also paid Washington DC law firm Arnold & Porter almost half a million dollars in legal fees —  $454,693. (The only good thing you can say about that was that it was a decrease from 2018’s $719,000.) They also paid a New York recruiter $165,000. Why? It couldn’t have been that hard to find women qualified to come in and make six figures to do nothing. At least in 2019 there’s no listing for a fee to a PR firm. In 2018, Time’s Up paid $112,435 to Rally Public Relations.

And nothing is what all these people did. In the end, after raising $1.7 million (half of what they reported in 2018) they donated just $19,342 to the National Women’s Law Center. That was their sole grant. And it was down from the almost $180,000 they gave away in 2018.

The filed Form 990 is full of more discrepancies than  I usually see on these things. There are plenty of contradictions from one page to the next. And what is the point of creating an advocacy group that helps no one but spends over $400,000 on travel and rent? I must be missing the point.

The group’s payroll taxes– $23,287 — were higher than their one donation to a women’s group.

I don’t get it. I don’t know who’s supporting this group or giving them money, but I’d maybe stop it immediately and give it a food bank. This is ridiculous.

 

Marvel Fans! Sam Wilson aka Falcon aka Anthony Mackie Has Captain America’s Shield in Teaser for New Series

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You do remember as “Avengers Endgame” concluded, Chris Evans handed Anthony Mackie Captain America’s red white and blue shield.

And now we see that Mackie aka Sam Wilson aka the Falcon has the shield is ready to use it as more than a breakfast tray. It’s all in the teaser for “Falcon and the Winter Soldier” coming to Disney Plus for six episodes beginning March 19th. Bucky Barnes is back in the person of Sebastian Stan.

Can’t wait for the Mack Attack!

Exclusive: Hollywood Trade The Wrap Accepted $5,000 Donation from Globes, Other Trades Go Light on Corporate Cousin

EXCLUSIVE

After Monday’s explosive expose in the LA Times about the Golden Globes, you’d think the Hollywood trade papers would have followed with their own investigations.

The LA Times story blew apart the Hollywood Foreign Press Association for problems with finances, taxes, and race. Since then, Black actors finally realized there are no minority members of the HFPA, and they angry. Sterling K. Brown, Ava Duvernay and others are all asking questions.

But the Hollywood trades are going light light light on all of this. They’re doing the bare minimum required, regurgitating the LA Times story, letting them take the blame, and not rocking the boat.

In today’s Hollywood Reporter, the lone column on this subject points out there are “nice people” at the HFPA including the former president, and the now dead president. (As Taika Waititi might put it, not all Germans were Nazis.)

Why are the trades going so light? Because they are owned by the same corporate entity that owns Dick Clark Productions, producer of the Globes and financial partner. Millions are at stake. Originally DCP and the Hollywood Reporter were co-owned by Guggenheim Partners, spun off into a company called MRC. Then last year Penske Media, which owns Variety and Deadline, bought MRC. And now they’re all one happy company.

That leaves The Wrap, which I’ve never had much love for. I can tell you exclusively why they’re going light on the Globes and their machinations. According to the HFPA Form 990 tax filing for 2019, they donated $5,000 to the new 501 c3 charity set up by The Wrap’s Sharon Waxman. It’s called Wrap Women Foundation. I kid you not. Formed in 2018, the Wrap Women Foundation has one tax filing, for 2018. They claimed $62,472 in net assets. They gave nothing away. Zero. But in the process, they accepted $5,000 from the Hollywood Foreign Press Association.

(Guess who the officers are for The Wrap Women Foundation? Sharon Waxman is president. Claude Memmi is Head of Operations. They are married to each other. According to his LinkedIn page, Memmi is also head of HR at The Wrap. He’s also International Sales Director for Waxman Industries which he describes as “a manufacturer and trader of plumbing and bathroom products. We sell components to Europe’s largest manufacturers and retailers including The Porcelanosa Gruppo in Spain; Ronal in France; Artwegger in Austria; Hueppe in Germany; Opella in England; Mofem in Hungary.”)

Here’s the baloney from the Wrap Women Foundation Form 990: “What IS the organization’s primary exempt purpose? WRAPWOMEN FOUNDATION IS A CHARITABLE FOUNDATION ASSOCIATED WITH THE WRAP NEWS, INC, THE LEADING DIGITAL NEWS ORGANIZATION COVERING THE BUSINESS OF ENTERTAINMENT AND MEDIA WITH HIGH-PROFILE NEWSBREAKS WRAPWOMEN FOUNDATION IS A LEADING FORCE IN CREATING A MORE EQUITABLE WORLD FOR WOMEN IN ENTERTAINMENT, MEDIA AND TECHNOLOGY CREATED IN THE WAKE OF THE #METOO MOVEMENT, THE FOUNDATION PROVIDES A PLATFORM TO COMBAT SEXUAL HARASSMENT AND PROMOTE GENDER EQUITY THROUGH MEDIA AND LIVE EVENTS THAT SUPPORT THE MISSION OF THE FOUNDATION”

Really. Should The Wrap being accepting donations from an organization it’s supposedly covering objectively? Especially since the other trades are already in financial entanglements with the Globes?

So we’re not going to get much reporting on the HFPA or Globes from The Wrap. And the others, The Hollywood Reporter and Variety, are also going to let the LA Times and other “outsiders” do the dirty work.

Only in Hollywood kids, only in Hollywood.

Predicting the Golden Globes: No Oscar Indicator, Academy Will Zig When the HFPA Zags

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The Golden Globes are on tomorrow night. I won’t miss them, and neither will you.

But the Globes are no predictor of the Oscars. When the Hollywood Foreign Press zigs, the Academy zags.

And this year is a little more unusual than most. Oscar ballots are just going out as the Globes make their choices. In normal years, the Academy has already finished voting the nominations. But this year, there’s a little breathing room in between. And that won’t be good for Globes winners.

In the main movie categories, I’m reading that Carey Mulligan might win Best Actress/Drama for “Promising Young Woman.” That almost assures Frances McDormand the Oscar for “Nomadland.” And rightly so. Much as I love Carey Mulligan, “PYW” is not a good movie. Her performance is terrific, but the material is far below “Nomadland.”

There’s also talk that “The Trial of the Chicago 7” will win Best Drama. Again, that should cinch “Nomadland” as Best Picture at the Oscars. You’re starting to get the routine, now, right?

Best Actor? Anthony Hopkins should win the Oscar for “The Father,”a movie that probably scared the older members of the HFPA by hitting a little too close to home. Will they go for Chadwick Boseman in a posthumous award? Eh, not really their style. Riz Ahmed? Heavy metal drumming also not their thing. I don’t know why, but I feel like Gary Oldman in “Mank” could be their choice.

Supporting Actor? Doesn’t Sacha Baron Cohen have this locked up for “Chicago 7”? Come on. He also has “Borat 2″ lined for Best Comedy. Could Cohen take three statues and also get Best Actor in a Comedy for ‘Borat 2”? LOL. I’d like to see that.

Best Actress in a Comedy/Musical? Michelle Pfeiffer would be my choice, for “French Exit.” But the HFPA likes newcomers. If the “Borat” train is running well, Maria Bakalova is a cinch here as Tutar.

Supporting actress? I’d say Amanda Seyfried for “Mank” will appeal to the Globes. That way, the road is cleared for Olivia Colman or even possibly Glenn Close at the Oscars. My choice is still Valerie Mahaffey for “French Exit,” but maybe she’ll win the Spirit Award.

And all the Globes scandals of this year? They will be forgotten tomorrow around noon if the ratings are halfway decent. The HFPA will not be making any changes. And that’s life in the Big City kids, Grow up!

PS I will be live Tweeting and blogging those Globes beginning at 7pm Sunday night.

Morgan Wallen’s N Word “Scandal” Helped Double Album Cross 1 Million Mark This Week

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Remember Morgan Wallen’s N word scandal? Not really?

No one who buys country music seems to remember it either. That was so four weeks ago!

Wallen was “suspended” by his record label, and terminated by his talent agency, music licensing company, and the Country Music Awards.

That was some tough suspension. Since then, Wallen has sold boatloads of records via streaming and downloading.

This week his double album, called “Dangerous: The Double Album” for country fans who couldn’t figure that headscratcher out. went over the 1 million sales mark to 1.1 million.

The album is STILL number on iTunes with 172,000 copies of CDs and downloads.

And all this despite TMZ catching him using the N word on tape. His fans didn’t care. I’m surprised Donald Trump doesn’t have him as an opening act at CPAC or biPap or whatever it’s called tomorrow.

Yee hah!

MIchael B. Jordan or John Boyega? A Black Superman May Be in the Offing Produced by JJ Abrams

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A Black Superman? Unthinkable? Think again.

Producer JJ Abrams has hired famed writer Ta-Nehisi Coates to write a Superman screenplay for him at Warner Bros. Coates certainly isn’t hired to write the same old thing. The award winning journalist and essayist is going to bring in a first draft that we suspect will a very different look at Krypton and Superman’s origins.

The question is, if this project picks up steam, who plays Superman? Some say John Boeyga, now of “Small Axe” and “Star Wars” fame. He’d be a fine choice.

But something tells me that Michael B. Jordan has been showing off photos of his fit physique on Instagram and in the tabloids for a reason. He’s ready for a cape and a latex bodysuit. And wouldn’t it make sense? Most of the movie Supermen came from soap operas. That’s where Chris Reeve was discovered. Jordan started his career on “All My Children.”

No, Idris Elba is too old, I’m afraid, to go flying around. But Jordan was killed off of “Black Panther,” so presumably he won’t be back at that franchise (you never know).  And there will be a long line of candidates no doubt, ready to play Lois Lane, Perry White, Jimmy Olsen, and Lex Luthor.

And yes it’s about time.

Ratings: “The Conners” Wins the Night on Broadcast TV, Which Isn’t Saying Much Since They’ve Lost 3 Million Viewers

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Good news: “The Conners” won Wednesday night with the highest rated broadcast show. The former “Roseanne” sitcom pulled in 3.789 million viewers.

They narrowly beat “The Goldbergs” which precedes them by an hour on ABC.

But this isn’t saying much. “The Conners” used to have 3 million more fans when it ran on Tuesdays at 8pm. Wednesdays at 9 hasn’t been easy.

“The Conners” also benefited from NBC’s “Chicago” shows all being reruns last night. Usually, they would win.

Over on cable, Rachel Maddow once beat Sean Hannity at 9pm, MSNBC is kicking FoxNews’s ass. As it should be. Maddow had 3.4 million vs Hannity’s 2.8 million. The Fox audience has left. Maybe they’re in rehab!

The Fox ratings disaster is now affecting Tucker Carlson. His ratings are dropping incrementally. On Wednesday he was down to 3 million. If MSNBC moved Chris Hayes out and put Joy Reid in at 8, they could beat him. They should reverse their shows.

Jane Fonda, Norman Lear Chat About Getting Lifetime Golden Globes and Sharing a Lifetime Friendship

Despite the scandals surrounding the Golden Globes, there are plenty of highlights. Jane Fonda and Norman Lear are receiving Lifetime Achievement Awards, for movies and television, respectively, and philanthropy and activism. They are remarkable people.

Fonda and Lear were interviewed together on Zoom for the Globes. I’m hoping to get the full video. But in the meantime, here are some quotes.

The Globes are on Sunday at 7pm on NBC.

On being selected as the Cecil b. deMille and Carol Burnett recipients:

Fonda: “I burst into tears. It was so unexpected. And it’s such a great honor. And it made me so happy that I burst into tears. I’m so grateful to the Hollywood Foreign Press Association.”
Lear: “I burst into an image – If I was ever sandwiched between Jane Fonda and Carol Burnett. I can’t tell you how much I love that image and how proud I am to be in the middle of those two.”

On Norman knowing Carol Burnett, her having a special place in his heart, and now receiving her namesake Award:

Lear: “Oh my god. Yes. For all the years before I got really started. There was The Carol Burnett Show for a number of years. And nobody ever made me laugh harder. You know, Jane you may remember – I’ve said it so much all my life that I couldn’t believe anything more than that – laughter adds time to your life.”

On Norman living in Peter Fonda’s home:

Lear: “I bought a home from the Actor Paul Heinreid. And we were starting to raise our older children. We have six children, the three older children were raised in a home I bought from Paul Heinreid. I lived in that home for a little while. He was a major star at the time. I lived at home for a little while and I had to, I had to change a fuse once and I went down to the fuse box. And for the first time I saw these names I saw Mr. Fonda’s dressing room, Mrs. Fonda, there’s Fonda Fonda Fonda. And I couldn’t get over it – that all the years Henry lived in that home and never changed those fuse boxes. The name Fonda, he wished to honor.”
Fonda: “And I remember when, when I visited you when you lived in that house. And we went down to the basement and we looked at my mother’s writing on those fuse boxes. It meant the world to me.”
Lear: “I lived in it for 30 years and never ever considered changing it.”

On Norman extending a hand to Jane:

Fonda: “I’ll tell you something that I remember really well. At the height of my being controversial, and I wasn’t getting hired very much. You invited me to be on stage with John Wayne, for the launch of People for the American Way. And that meant the world to me, because that wasn’t happening to me very often then and you went out of your way to send me a signal that I was still acceptable in the Hollywood crowd.”
Lear: “I’ll never forget that, and I can see you – Honest to God, this is true – I can see you on that stage right now. I see you standing there. There is a photographic image that I’ve seen a number of times through the years.”

On Fire Drill Fridays:

Fonda: “Fire Drill Fridays! Norman came, Norman and his wife Lyn, came to my Fire Drill Friday rally, the first one that we had in Los Angeles after we left Washington, D.C. And he spoke, and then he marched with us to the offices of Matador Oil Company. He was ready to risk arrest. He’s a brave man. That meant the world to all of us.”
Lear: “I was kind of disappointed that I didn’t get arrested! I have yet to get arrested.”
Fonda: “Stick with me kid.”

On what Jane respects about Norman:

Fonda: “Norman is the greatest genius. He was the first of this and he did it the most geniusly – I’m thinking of All in the Family – to put social problems, social divisions on major mass culture. So that people began to question their racism, their xenophobia, their misogyny, while they were laughing. See, Norman understands. The great thing about laughter is your guard is down. And when your guard is down, new ideas can come through to you because you know, you’re not prepared. And so he allowed people to receive new and more progressive ideas while they were laughing. There’s no greater gift – artists who can do that.”

On Norman continuing to work:

Lear: “There’s no reason for it except appetite. You know, I’ve had as good a time in this business as anybody has ever had in any business ever I think in the history of humanity. And I love it. There is no greater spiritual experience than watching 200 people laugh when they come out of their seats and roll forward in a big laugh, belly laugh. And I love it. It’s enhanced my life. Every minute of it.”
Fonda: “I know why you’ve lived so long. You know, I’ve written a book about age. And I’ve interviewed at least a dozen people over 100. And they all have one thing in common: humor.”

On a favorite Golden Globes moment:

Lear: “The year we had lobster rolls.”
Fonda: “I had retired from the entertainment business – I had no intention of coming back. My son, the actor Troy Garrity was nominated for a Golden Globe for his role in Soldier’s Girl, and he invited me to be his plus one, his escort. And walking the red carpet with my son when he was the one that was being nominated – he lost to Al Pacino, he should have won – but I mean, losing to Al Pacino isn’t so bad. That was the most fun that I ever had.”