Saturday, September 12, 2026

“60 Minutes” Premiere Will Include Lesley Stahl’s Look into Donald Trump’s “Pardon Economy” World Of Lawyers and Lobbyists

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The fear of new editorial control at “60 Minutes” — giving in to Donald Trump.

But this Sunday the show’s most tenured correspondent, Lesley Stahl, looks like she’s taking Trump.

The middle segment on Sunday is called “The Pardon Economy.”

The descriiption: “Presidents have pardoned criminals since the time of George Washington. It’s a constitutional power that has been controversial from the start—but perhaps never more so than during the Trump presidency. Lesley Stahl and 60 MINUTES investigate the world of lawyers and lobbyists who have created a new pardon economy. Shachar Bar-On and Michael Kaplan are the producers.”

So will Stahl get to the bottom of the 194 pardons and 37 commutations Trump has doled out so far in his second term? There are dozens of criminals involved, each story more alarming than the last. Most of them have the appearance of patronage — donations, gifts, etc in exchange for freedom.

Stahl has taken on a tall order. If the piece is the least bit lacking, “60 Minutes” will be accused of spinning for Trump. If it’s like a real “60 Minutes” investigation, Trump should be squawking before it’s over.

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Roger Friedman
Roger Friedman
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009, where he covered Michael Jackson, and previously wrote the "Intelligencer" column at New York magazine in the mid-1990s, where he covered the O.J. Simpson trial. He also edited Fame magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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