Saturday, December 20, 2025
Home Blog Page 789

RIP Ned Beatty, Versatile Actor, Oscar Nominee for “Network,” Known for “Deliverance” Debut

0

Ned Beatty, the versatile and talented actor, has died at age 83.

Beatty was known for his movie debut in “Deliverance” with Burt Reynolds in 1973, but went on to decades of memorable roles from playing Lily Tomlin’s husband in Robert Altman’s “Nashville” to playing John Goodman’s flawed father on “Roseanne.”

Beatty appeared on Broadway in the 2004 revival of “Cat on a Hot Tin Roof” opposite Ashley Judd and Jason Patric, as Big Daddy. He debuted on Broadway in 1968 in “The Great White Hope,” playing many different supporting roles opposite James Earl Jones and Jane Alexander.

An actor of uncommon intelligence and wisdom, Ned Beatty also had two Emmy nominations, and one Golden Globe nomination for a wonderful film he toplined called “Hear My Song.”

His Oscar nomination was in 1977 for Paddy Chayefsky’s “Network.”

Ned Beatty’s trademark was to make the audience trust him. He exuded empathy and kindness in every role. He will be sorely missed.

 

Congratulations! Diane Keaton’s Daughter, Dexter, Gets Married in Laguna Beach, California

0

I’m told that Diane Keaton’s daughter, Dexter, got married yesterday in Laguna Beach, California. Congrats! A spy says: “Dexter was married yesterday and Diane walked her daughter down the aisle wearing a white suit and hat. And danced. Reminded me of her dance scene in First Wives Club, white suit, only trousers.”

Dexter announced her engagement to Jordan White last November. She has a younger brother, Duke. After many relationships with famous men, Diane decided to have a family on her own. She adopted the kids and made it all work so well.

Keaton, who’s 76, is an Oscar winner for “Annie Hall,” and nominated many times since then. She’s one of the best people in showbiz, and I’m sure her kids are very cool.

Martha Stewart Bids Adieu to the Hamptons By Hosting A List Book Party at Historic $30 Mil Mansion

0

Martha Stewart said goodbye to the Hamptons last night in the classiest way possible.

The entertainment lifestyle superstar confirmed to me exclusively she’s sold her East Hampton estate on Lily Pond Lane to former Huffington Post investor and publisher and one time David Letterman publicist Kenneth Lerer. The property was on the market for $8.4 million. Stewart has lived in the home, built in the 1880s and restored by her, for 25 years. But, she explained, she never really lived there. (Martha retains her other smashing homes in upstate New York and in Maine.)

To celebrate her exit — she’ll still make guest appearances — Stewart was one of the hosts of a mega A list Southampton book party for New York Times Pulitzer Prize winning historian and architecture writer Paul Goldberger on the site of the historic Atterbury Estate just renovated and put on the market by Brooklyn DUMBO developer billionaire David Walentas. Goldberger’s new book, “DUMBO,” tells the story of how Walentas turned the neighborhood Down Under the Manhattan Bridge Overpass into a residential and commercial NYC hotspot.

The guest list was put together by Martha’s pal, and Walentas’s, Peggy Siegal, the Hollywood PR queen who returned from the pandemic year with a bang. Brooke Shields was her surprise guest of the night following a terrible accident, surgeries, and recovery. Brooke, walking without any assistance, looked like a million bucks. “I’m a little weak still,” she told guests but showed no sign of wear or tear after a frightening few months.

After a cold and rainy day, Stewart and Siegal were thrilled to see the warm sun come out just in time to great guests including “Live with Kelly and Ryan” executive producer Michael Gelman and author wife Laurie, not to mention event co-hosts Michael Shnayerson of Vanity Fair and Gayfryd Steinberg, and Amanda Foreman, who welcomed the crowd on behalf of her book distribution charity SpeakEasy, plus co-hosts and authors Bronson van Wyck and Steven Gambrel, as well as  CNN’s Alina Cho, designer Tory Burch, not to mention the current mayor of Southampton, Jesse Warren, and the former mayor, who’s running against him in the next election!

We ran into legendary WNBC anchorman Chuck Scarborough and wife Ellen, as well as Gotham Awards chief Jeff Sharp, writers Euan Rellie and Lucy Sykes, and Sophie Elgort (her brother Ansel is starring in Spielberg’s “West Side Story” this fall), news anchor Paula Zahn, art gallerist Jeanne Greenberg Rohatyn (her father-in-law, Felix, saved NYC in the 70s), and multi-billionaire Blackstone financier Steven Schwarzman and wife Christine.

What made the event: a classic Peggy Siegal panel discussion, set up outside under a gorgeous sunset, in which Martha quizzed Goldberger and architect author Peter Pennoyer on the history of the Atterbury estate and how Walentas has miraculously restored and reimagined it. The talk was fascinating, as the two historians explained how what looks like an eccentric English manor house with a facade of rare, colorful mismatched bricks has grown into its own mini Downton Abbey.

Martha, always self-effacing, cracked wise about the home she’d grown up in in Nutley, New Jersey — “decorated by Sears”– which had three bedrooms for eight people. “It was very uncomfortable.” Martha, as always, keeps it real. Later, she told two home designers who quizzed her that she just invented “the perfect screen door” by putting together pieces of things she found at Maine flea markets.

So what about the sale of the Atterbury Estate? Walentas, a graduate of the University of Virginia, will donate all the proceeds of the Atterbury sale — possibly $35 million — as part of his $100 million pledge to UVA as a fund for new students who are the first from their families to attend college. He was the first member of his own family to go to college. Walentas is quite the success story!

PS One sign of revival: celebrity photographer Patrick McMullan, who we ran into later at Union Steak and Sushi, was on the scene, which always makes the scene.

 

Picture of Peggy and Martha c2021 Patrick McMullan.

 

 

 

Warner Bros.’s “In the Heights” Hits the Lows with Just $11.4 Million Weekend After $20 Million Projections

0

“In the Heights” hit the lows this weekend.

The Warner Bros. musical may have done well on HBO Max, but in theaters it was a dud and a disappointment.

The Broadway musical adaptation was projected to hit $20 million but only came in at $11.4 million.

It’s kind of surprising considering how much publicity and marketing went into this project. The effort was unparalleled in this pandemic time.

Warner’s even gave the movie to the former Tribeca Film Festival for opening night, and put on a big premiere up in Washington Heights.

Plus, Lin Manuel Miranda, who wrote “In the Heights” before “Hamilton” and appears in the movie, has done a lot of appearances to help support it.

But having no actual marquee names may have hurt the box office, not to mention a soundtrack that doesn’t seem to have breakout hits. The CD and iTunes version are selling, but there’s no one number capturing airplay or sales.

Even with this weekend’s low opening, it’s still possible “In the Heights” will get ‘legs’ and stick around through the summer. It may be that as June plays out, “In the Heights” will build a cult following. After all, critics loved it– 96% on Rotten Tomatoes — and there’s still a lot of time for word of mouth to pull it along.

“Hamilton” Magic Fails: Much Hyped Movie Musical “In the Heights” Grabs Just $5 Mil Opening in Theaters

0

I am not surprised by this news: “In the Heights” is a dud at the box office.

The movie musical adaptation of Lin Manuel Miranda’s Broadway show made just $5 million on Friday including Thursday previews.

On HBO Max there may have been more activity, but crowds didn’t turn out to see the great dancing and colors of Jon Chu’s movie.

I’m not surprised because delightful as it is, “In the Heights” has no breakout songs. It isn’t “Hamilton.” It doesn’t have a compelling plot. It’s simply a celebration of life.

Is that a bad thing? Absolutely not. But without those elements, it’s a passive cause.

“In the Heights” has no big hit streaming chart songs, no hits on iTunes, and the album is number 6 on iTunes. After a big first day of sales, it cooled right off.

The music is lovely, vibrant, and danceable like crazy. But there are no singles. You don’t come out of the movie singing because the themes are not like those of “Hamilton.”

If “In the Heights” only took in $5 million over two nights, the weekend looks bleak.

We can’t say Warner Bros. didn’t put heart and soul into this one. The PR and marketing departments deserve their own Oscars for how they crafted these campaigns. They’ve done everything possible to encourage the audience.

But “In the Heights” needs a hit single to make it happen, and without that, a “Stayin’ Alive” or “Let it Go,” it’s not happening.

Disney Strips “Cruella” of 615 Theaters, Friday Night Box Office Just $2.1 Million

0

“Cruella” isn’t having a great time at the box office.

This weekend, Disney stripped the Emma Stone-Emma Thompson romp of 615 theaters. The result was a $2.1 million Friday.

“Cruella” now has $50 million in its till, and no chance of hitting $100 million.

Of course, no one knows what’s going on on Disney Plus. Maybe the live action origin story of the “101 Dalmatians” villainess is a huge streaming hit. There’s no way of really knowing.

But theater wise, “Cruella” has done half the business of “A Quiet Place Part 2,” which was released the same day. “AQP2” is now crossing the $100 million mark.

“Cruella” is now playing in 3,300 theaters. If there’s no momentum this weekend, look for Disney to chop it severely again next Friday. They did order a sequel, but maybe that will just be for Disney Plus when it’s released in two years.

2021 Pulitzer Prizes: George Floyd Videographer Darnella Frazier Gets Special Citation

0

The 2021 Pulitzer Prizes are being announced.

Darnella Frazier, the citizen who video’d George Floyd’s murder in Minneapolis, is getting a special citation.

The Minneapolis Star Tribune won Breaking News for their coverage of the Floyd murder.

The Literature and Arts Awards were mostly obscure, although congrats to David Zucchino on winning the award for Non Fiction. I had the pleasure of editing pieces by him about the fall of apartheid in 1989 for Fame magazine. He was working for the Philadelphia Inquirer then and was a prize winner at that time, too.

keep refreshing for full list…

Review: Tovah Feldshuh as a Thrilling Dr. Ruth, Telling It Like It Is On and Off Stage

0

Celebrity sex therapist Dr. Ruth Westheimer turned 93 last weekend, and after decades on television and in the public eye, it is still a thrill to hear her, in her German /Swiss /Hebrew/ French/ American accented English, telling men to love their penises.

It’s even as thrilling if the voice is that of the actress Tovah Feldshuh, now starring in “Becoming Dr. Ruth” at Bay Street Theater in Sag Harbor.

Having performed as iconic, historic figures, Israeli Prime Minister Golda Meir and Justice Ruth Bader Ginsburg, the role feels like a no brainer to Tovah Feldshuh, who visited Dr. Ruth four times in her tchotchke filled Upper West Side apartment, to perfect her subject’s movements: her way of climbing to get things off high shelves, and manner of answering the telephone.

The premise of Mark St. Germain’s play being, Dr. Ruth is leaving her apartment, purging possessions but also taking a trip down memory’s darkest lane to limn her journey, nee Karola Seigel in Frankfurt, orphaned at 10, sent to Switzerland on a Kindertransport, handling firearms as a sniper in the Haganah during Israel’s war of independence, studying at the Sorbonne, 3 husbands, 2 children, 4 grandkids, a lifetime of memories to pack and unpack.

“This is not a play about packing,” insisted Tovah Feldshuh in a Zoom interview just prior to the play’s Bay Street opening. “It’s about how going over your possessions sparks memories.”

“Dr. Ruth has something vital in common with Golda Meir and RBG: These women created the scripts of their own lives. There’s an expression in Hebrew: Tikkun olam. Changing the world. My tikkun is transforming myself into other characters, so that the audience can transform.”

She continued: “Dr. Ruth changed the world: she brought sex from the bedroom to the dining room and living room. She taught everyone to be responsible for their own orgasm. Her biggest tikkun was bringing sex ed to the world on radio and television. And that’s connected to the love in her first years living with her parents and grandmother. The sexual aspect of human relationships brought back the warmth of home.

“Most challenging part artistically is keeping in her vocal melody of how Ruth speaks constant but not repetitive. The most challenging psychologically part where she is looking for information about her parents’ deaths. When the Soviets liberated Auschwitz, they found survivors—her family not among them. The Germans were meticulous record keepers, and yet the record stops. Documents say Murdered for her Father. Next to her mother’s name: Disappeared.

“Despite that, she’s enough of an optimist, even the ends of her sentences go up. She’s thrilled to have a seamless relationship with me. She stays away from people with negative energy.”

On opening night, which was also Bay Street’s return to live audiences, the theater was at one third capacity as per COVID regulations and the mood was celebratory, with Dr. Ruth in attendance. Taking the stage with Tovah, in twinned outfits, black pants and shoes, rosy loose-fitting shirt, down to the necklace Tovah had made to become Dr. Ruth, who, in turn, exulted in the way Tovah brought her story to life. She wanted everyone to know the history, especially in a time of increased anti-Semitism and Holocaust denial.

For Tovah Feldshuh, being Dr. Ruth, is the latest in a stellar career. In her newly published memoir, “Lillyville,” named for her mother Lillian, she describes growing up in Scarsdale. Filling Dr. Ruth’s giant shoes, as she had, playing strong historic women Israeli Prime Minister Golda Meir and Justice Ruth Bader Ginsburg, is no feat compared to a lifelong effort to please Lilly.

“Royals” Singer Lorde’s New Single “Solar Power” Sounds a LOT Like George Michael’s “Freedom 90”

0

Hmmm… well, Lorde, the New Zealand singer with one hit, “Royals,” has a new single. “Solar Power” sounds a lot like George Michaels’ “Freedom 90.” And so it goes. It’s Lorde’s first new single since 2017. Her second album, “Melodrama,” was released four years ago. It was a sales bust but was mysteriously revived briefly with a Grammy nomination. Then after a brouhaha with the Grammys, she fled the scene. Lorde, aka Ella Marija Lani Yelich-O’Connor, is still just 24 years old. Back in 2017 she canceled tour dates in Israel and made a lot of enemies.

Jackie Collins Gets a Loving Documentary Called “Lady Boss” That Only Does Her a Fraction of Justice

0

My favorite thing about “Lady Boss,” the documentary about Jackie Collins, is that all her friends think they were her “best friend.” And they were, all of them, even her friends like me who were really just great acquaintances over the decades.

My key memory of Jackie is at the original Spago in February 1990, on Horn Avenue over Sunset Boulevard. I walked in for dinner late and there was Jackie, sitting at the best table, one along the front windows. I’d only known her then maybe a couple of years. She pulled me over and said, “Do you want to meet Gene Kelly? We’ve just come from the People’s Choice Awards.”

Jackie literally plopped me down next to one of the greatest Hollywood stars of all time. I do not remember what I said or he said. I just remember being dazzled. And there was Jackie, beaming, doing something nice just because that’s who she was. And it would be like that between us until her death in 2015. Wherever we were, whatever the occasion, she was always glowing, always making connections, smiling her devilish smile. Like everyone who knew her, I adored her.

I hadn’t even heard of Jackie until 1983 when “Hollywood Wives” became a massive hit. Everyone in publishing knew the story of Jackie and her husband, Oscar Lerman, who was guiding her the way Irving Mansfield had done for Jacqueline Susann. I remember being on the beach on Martha’s Vineyard reading the paperback aloud, it was so much fun! The characters were delicious and everyone wanted to know who was who. The whole idea of Farrah Fawcett as a kleptomaniac was the best. It was a lot more fun that reading “Sophie’s Choice,” I’ll say. Perfect beach book.

Over the years I got to know Jackie and sometime around 1995 I wound up in Jack Romanos’s office at Simon & Schuster doing her a favor. The result was the article at the left. I think Michael Korda was having trouble getting her a new contract, and Jackie was adrift at S&S. She needed a boost to get the publisher to re-up with her. So I volunteered to go on over there and write a piece about her stock being on the rise again. Well, it worked. And that cemented our friendship for the next 20 years.

“Lady Boss” covers her whole life pretty ably. Her daughters, whom I never knew, are terrific. Joan, her sister whom she loved, I do know, and she is disarming as usual. Joan and Jackie really loved each other and were/are great ladies of their generation in Hollywood who I listened to very carefully. They really knew what they were talking about. I was with them together at least twice. Once in 2010 at a swell indoor picnic given by Sandy Gallin, and another time at a Clive Davis dinner. They were Hollywood royalty of my lifetime. Joan remains a friend, and a great lady.

Barbara Davis, looking like an actual Queen, is the best observer of this documentary. She ‘got’ Jackie. Ironically, it’s Barbara’s story with husband Marvin that inspired “Dynasty,” the show that made Joan a living legend. There was never an Alexis in Barbara’s real life. And indeed, Jackie is more like Krystal Carrington, the heroine of the piece. But when Barbara says, “Jackie Collins was here, and then she was gone,” I nodded in agreement. Jackie told no one she was dying, and her death was a shock. A bright light went out everywhere. But at least with “Lady Boss,” the world gets to learn about her legacy of love.

“Lady Boss” plays tomorrow at the Tribeca (Film) Festival and debuts on CNN June 27th. Don’t miss it. And do yourself a favor, read “Hollywood Wives” this summer. It’s still a killer.