Thursday, December 18, 2025
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UPDATED 11-15 : 95,000 People Have Signed a Petition to Keep James Corden Out of Movie of Broadway Hit “Wicked”

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updated 11/15

The number is closing in on 95,000 now.

 

updated 11/8

Those change.org peeps are at it again!

Now 8,400 38,000 people have signed a petition to keep late night talk show host and erstwhile theater star James Corden from appearing in the movie version of “Wicked.”

You may have heard on Friday that Tony winner and Oscar nominee Cynthia Erivo and pop star Ariana Grande have signed on stars of the “Wicked” movie. I’ve no doubt that somehow their theatrical predecessors, Kristen Chenoweth and Idina Menzel, will at least make cameos.

But there are plenty of other roles in “Wicked,” namely the Wizard of Oz. And you can only imagine that Tony winner himself, Corden, has his eye on it.  Corden’s Tony wasn’t for a musical, it was for “One Man, Two Guvnors,” a hilarious theater performance piece. Still, he fancies himself a musical man and almost starred on Broadway in a revival of “A Funny Thing Happened on the Way to the Forum.”

Since then, he’s turned up in movie musical versions of “Into the Woods” and “Cats,” each to different outcomes.  More recently he was in the screen adaptation of “The Prom.”

In the original stage production back in 2003, Joel Grey played the Wizard. So you could see maybe even Harry Styles in the film. Or maybe someone under 50 from the Broadway world.  Corden is man of many talents, but maybe he’ll sit this one out.

Box Office: “Eternals” Powers Marvel to $71 Mil, “French Dispatch” Holds On, “Spencer” Shows Diana’s Power

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It’s a good news story mostly this weekend at the box office. Just don’t think about “The Last Duel.”

Think instead of Marvel’s “Eternals,” which in one weekend made twice has much as Chloe Zhao’s lst movie made in its entire run.

“Eternals” clocked in at $71 million. No one cared about the bad reviews. The other Zhao movie made $35 million. That was “Nomadland,” which won the Oscar last spring. Pow! Zhao! She really can write her own ticket now. I do hope she returns to make her own brand of film, though.

“The French Dispatch” actually held up from Saturday to Sunday, had no fall off. Total now is $8.5 million. Not a blockbuster but finding its audience somewhere.

“Dune” plows along to $83.9 million. That $100 million target is taking a long time but we’ll get there.

The real story I think is “Spencer,” about Princess Diana, a tough movie with a compelling central performance, is a hit. Neon opened it in 996 theatres and took home $2.1 million. Not bad. A royal win. Kristen Stewart is certainly getting the big push for Best Actress in what will be a tight category this year with formidable competition. Watch for Penelope Cruz in “Parallel Mothers” and Lady Gaga in “House of Gucci.” Gaga has the inside track because she missed the gold with “A Star is Born.” In Oscar terms, she’s ready for her close up.

Hearing lots of talk today about the first screenings of Paul Thomas Anderson’s “Licorice Pizza.” On Twitter people are saying they thought ‘licorice pizza’ was an actual thing. For real, no kidding. I still have elevator passes for sale to my one story school. See me at recess.

Late Take: Jessica Chastain Deserves an Oscar Nod for “Tammy Faye,” A Wrongly Maligned Dramedy

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I just caught up with Michael Showalter’s “The Eyes of Tammy Faye,” a much maligned dramedy that was abandoned, I think, when rough winds whipped by early in its launch. Jessica Chastain worked like a dog promoting it, but it was dropped into the sea at the wrong time. I think if Searchlight had put it forth now, things would be different.

Chastain stars as Tammy Faye Bakker and produced the film, brought it to fruition. Andrew Garfield is Jim Bakker, and there are several excellent supporting players including Cherry Jones as Tammy’s mom and Vincent D’Onofrio as Jerry Falwell. Every bit of the production is top notch, from the over the top costumes to the lavish sets.

After the reviews and the poor box office, I expected something else. But “Eyes” was a lot better than I could have imagined. I read complaints that no one could tell if it was a parody or a docudrama. Apparently, there was supposed to be some kind of judgement made by the filmmaker that wasn’t communicated.

Let’s be honest. I never watched The PTL Network or Pat Robertson or The 700 Club in my life. I doubt any movie reviewers working now ever did. It was a joke, something you flipped by on the remote. When the Bakkers it the skids they became characters who were satirized, mostly on “Saturday Night Live.” That they were finally found out was no surprise. Swaggart, Falwell, most of them were tax evading hucksters with weird personal lives. Who has time for that?

Jim Bakker was one of them. Was Tammy? Showalter and Chastain make a lot out of her sympathies for AIDS patients and gay men. I don’t know if it’s true, but I’ll go along with it. It becomes Tammy Faye’s saving grace, because otherwise she’s vain and self-centered. She’s purposely clueless about Jim’s sex life and his financial misbehavior. She’s daffy, which is fine, although I think she was very ambitious, much like the character Lady Gaga plays in “House of Gucci.” It’s interesting that the two characters have emerged this Oscar season.

Don’t be fooled by Garfield. He’s very good as Jim Bakker. It’s not easy to be sleazy, but Garfield has got Bakker with a hook in his mouth. Why he isn’t being considered for Best Supporting Actor is beyond me. Sometime slyness escapes reviewers who are looking for trouble. I know this to be true. Give him another chance.

Jessica Chastain knocked me out. She could have been very campy and over the top. She is not. You can see that she found something in Tammy Faye’s heart to relate to. She’s got her physicality down, too. I love the way she stomps into a room. Was Tammy Faye also a hustler? Chastain is asking us to consider that she was full of grey areas, and in that space, the actress pulls off a little gem of a performance.

So is “The Eyes of Tammy Faye” a possible Best Picture nominee? Probably not, although this season I wouldn’t be judging so harshly. But I loved the acting. Cherry Jones gave the whole enterprise ballast. The movie deserves a calmer, more reasoned look by not just Academy voters, as well as the general audience.

Oh, PS: no one asked me to write this. I was never invited to a screening of this movie or received a press release about it. Subsequently it died at the box office. But I was curious, and I’m glad I was. Chastain should be in the crowd with Penelope Cruz, Kristen Stewart, Frances McDormand, and most definitely Jennifer Hudson. I’ve heard good things about Olivia Colman in “The Lost Daughter,” but I haven’t seen it. So far, Cruz stands out for me. (As for Gaga, we’re under court order to remain mum so far!)

“No Time to Die,” or Report Box Office, But Plenty of Time to Rent Beginning Tuesday, for $19.99

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Time to wave the red flag on “No Time to Die.”

MGM will make the latest James Bond movie available on Video on Demand beginning on Tuesday, for $19.99.

The Bond movie has made $136 million at the US box office, and it’s not going to do much better. So rather than let it simmer in theaters and hoping to get up to $150 million, MGM’s United Artists Releasing will throw in the towel and let people at home watch the film.

It’s right on time since today MGM didn’t even report box office figures for Friday night. The numbers are in decline now.

MGM and United Artists Releasing are actually two different entities tied together in a bad marriage. And meanwhile MGM is trying to marry Amazon, although so far there is no sign of their merger on the horizon.

Already this season, MGM/UAR has navigated failures with Sean Penn’s “Flag Day” and the Aretha Franklin biopic, “Respect.” Next up in Lady Gaga and Adam Driver in “House of Gucci,” followed by Paul Thomas Anderson’s “Licorice Pizza.”

Last week, “House of Gucci” was screened widely for press, but there’s an embargo on reviews and even on social media. Still, People magazine seems to be running stories about it. “House of Gucci” opens November 24th with a certain Oscar nomination for Lady Gaga as Patrizia Reggiano, the wife of Maurizio Gucci who hired a hit man to kill him. More on all of that this coming week.

Moving “No Time to Die” to VOD is a good idea at this point. I know I’ll take a second look at it. There’s a neat little performance from Ana de Armas in there that I’d like to see again.

 

Friday Box Office: “Eternals” Points to $65 Mil Opening, “Dune” Slowly Approaches $85 Mil, “French Dispatch” Eyes $7 Mil

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Friday’s box office showed a slowdown over all in the march toward oblivion.

Marvel’s “Eternals” took in around $21 million plus that $9.5 mil from Thursday previews. Now $70 million for the weekend seems a little high, so we’ll aim lower with $65 mil and be happily surprised if it turns out higher.

“Dune” moves like a sand snail toward $85 million this weekend, probably not quite getting there by Monday. And maybe people who watched it at home are coming to theaters to see what it really looks like. They’ll be pleasantly surprised.

“The French Dispatch” went wider this weekend, to 1,205 theaters. It still hasn’t cracked a $1 million night. Maybe tonight, who knows. Monday through Thursday showed successive declines when it was at 788 theaters. It seems like each time they go wide, the first night is big (people in new cities coming to try it out), then the declines.

“Last Night in Soho” is another quality film with slow demand. Some people hated it, some (like me) loved it. Edgar Wright’s smart horror film is playing, literally, everywhere. Give it a shot.

 

Adele Will Not Be “Chasing Pavements” in CBS Special, Just Featuring 10 Songs Over 2 Hours

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Fans of Adele’s original hit, “Chasing Pavements,” will be disappointed when her CBS special airs on November 14th. “Adele One Night Only” features only 10 songs spread over 2 hours, and not that one, I’m afraid.

Instead, the special will focus on her new album, “30,” which will be released six days later. Other songs from “30” will be “I Drink Wine,” “Hold On,” and “Love is a Game.”

Adele will sing past hits “Hello,” “when We Were Young,” “Rolling in the Deep,” and “Someone Like You.” She also performs her Bob Dylan cover, “Make You Feel My Love.” Adele will also sing her James Bond theme for “Skyfall,” the last good Bond song.

There will also be a lot of gabbing with Oprah Winfrey, who will call her the best singer of all time. They will walk through gardens, and Adele will use the F word a lot sounding like Eliza Doolittle before Henry Higgins got to know her. Oprah will ask Adele who her interior designer is, and Adele will say, “Oh, darlin’, I did it all me-self! I don’t need no f—in designer! We just went to f—- Tar-jay!”

Oprah will then hand her one of her favorite gift items of the season, a five thousand dollar throw pillow.

SET LIST:

“Hello”
“Easy On Me”
“Skyfall”
“I Drink Wine”
“Someone Like You”
“When We Were Young”
“Make you Feel My Love”
“Hold On”
“Rolling In The Deep”
“Love Is A Game”

Betcha By Golly Wow: November 6th Marks the 50th Anniversary of The Stylistics’ Thom Bell-Produced Classic Debut

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This month, November 1971, has a lot of 50th anniversaries of classic albums. Yesterday, November 5th, was Elton John’s “Madman Across the Water,” featuring “Levon,” and “Tiny Dancer.” Alvin Tostig had an album that day!

But today, November 6th. is incredibly important in R&B and pop history. It marks the 50th anniversary of the release of “The Stylistics,” the debut album of the Philly based falsetto strong combo produced by Thom Bell.

“The Stylistics” album contained the hits “Betcha By Golly Wow,” “Stop, Look and Listen,” “People Make the World Go Round,” and my favorite of all their many hits, “You Are Everything.”

It was Russell Thompkins Jr.’s sweet high notes that quickly became the signature sound of The Stylistics, a glossy vibe that was kind of the flip side of 60s soul as a new decade was ushered in. Where singers like Otis Redding, Sam Moore, and Wilson Pickett marked the heaviness of the decade just ended, Thompkins aimed for a romantic gesture that belied the anguish of war and rioting. He also brought the drama in every readying of each lyric.

All of this worked: the songs from “The Stylistics” remain pop fixtures on oldies radio. Even Prince covered “Betcha By Golly Wow.” (Believe it or not, the original version was recorded by Connie Stevens a year earlier.) Thom Bell is considered one of the premiere songwriters-producers-arrangers in pop history. Just like to “People Make the World Go Round.” It’s lightyears ahead of its time.

Bell followed up with more hits like “You Make Me Feel Brand New,” which had a chart-shattering run at number 1 the next year. His co-writer was Linda Creed, who died much too young a decade later at age 37. Creed wrote Bell’s lyrics, also wrote hits for the Spinners, and penned the words to Michael Masser’s eventual Whitney Houston hit, “The Greatest Love of All.”

 

Awards Update: Buzzy New Film Fest 919, Diane Warren Has Two Hats in the Rings for Possible 13th Oscar Nomination

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Diane Warren looks well on her way to garner her 13th Oscar nod with her “Somehow You Do” sung by Reba McEntire from the film “Four Good Days.”  She was recently honored with a way cool laser show with the Spotlight Award from Film Fest 919 in Chapel Hill North Carolina.

(Warren actually has two hats in the Oscar ring this year. She just received nominations frm the Hollywood Music in Media Awards: the Reba song, and “(Never Gonna) Tame You” from The Mustangs: America’s Wild Horses,” sung by Blanco Brown.

The Fest, founded by industry vets Carol Marshall and Randi Emerman, has just completed their fourth year, is quickly becoming one of the prestige festivals for filmmakers to showcase their works as the awards seasons gets into full swing.

“King Richard” and C’Mon C’mon” were voted as Audience favorites.  The Distinguished Screenwriter Award was presented to Sean Baker and Chris Bergoch for their “Red Rocket” a Cannes favorite.

Warren recently poked fun of herself on the ABC special “A Night At In The Academy Museum” where she walked through the Oscar Experience and was finally able to hold an Oscar Statue.  She recently joked to Showbiz411, “the Museum is amazing and I was so proud that I got to be the one ironically showing what it’s like to give an acceptance speech having not gotten near that stage to give an acceptance speech after 12 nominations! I joked at the end that I wasn’t going to give the Oscar back and there was a second there that I was going to walk out with that little gold man!  They had to pry it out of my hands!”

Kudos to Film Fest 919, their credo is ‘Catch The Films Before They Catch On’ and Hollywood is wisely catching on to them as a must stop on the awards circuit.

Huh? “Black Panther” Sequel Shuts Down Production Over 2 Month Old Letitia Wright Minor Injury

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Peculiar stuff going on down in Atlanta on the set of the Black Panther sequel, “Wakanda Forever.”

They’ve reportedly shut down production for the the time being because actress Letitia Wright sustained an injury while shooting in Boston at the end of August.

It is now the beginning of November, more than two months have passed since Wright’s unspecified injury was termed “minor” by the production. At the time they said she was briefly hospitalized but she was fine and had returned to work.

That was almost ten weeks ago.

Wright became notorious last December and again recently not because of her injury but because of her anti-vaccination stand. At the beginning of October there was a report from the set in The Hollywood Reporter  that Wright espoused anti-vaccine thoughts on set. She went on to deny that on her Instagram page October 13th.

Almost a year ago, in early December 2020, before the vaccine was available was just in discussion, Wright posted a clip titled “COVID-19 Vaccine, Should We Take It?” from Light London Church leader Tomi Arayomi’s YouTube channel, “On the Table.”

The 69-minute video — which has since been removed from YouTube and Wright’s Twitter feed — sees Arayomi making transphobic remarks, stating several unfounded claims blaming China for the pandemic, downplaying the threat of climate change and discouraging people from getting vaccinated for the flu and COVID-19.

Wright Tweeted: “[I]f you don’t conform to popular opinions. but ask questions and think for yourself….you get cancelled.” She included  a crying-laughing emoji.

Shutting an entire production down for a ten week old minor injury seems highly unusual. Atlanta, as I well know, has had a lot of unreported COVID trouble on sets. Earlier this fall, I reported that actor Colin Firth had contracted COVID on the set of his HBO mini series, “The Staircase.” He was laid up for two weeks after a driver faked a vaccine card. Everyone around the production worked to cover up what happened, but I was able to verify it again.

“Wakanda Forever” is a Disney-Marvel production. Disney now has a strict vaccine mandate for all cast and crew on all productions. This has resulted in the ousting of actor Emilio Estevez from the Disney Plus series, “The Mighty Ducks: Game Changers” because he refused to be vaccinated. (His father, Martin Sheen, must be reeling from this insanity.) This has also led to upheaval on ABC’s soap, “General Hospital,” which is said to be offloading two big cast members over the same thing.

So what is really going on with “Wakanda Forever”? If you know anything, please email me in confidence at showbiz411@gmail.com. If it’s just a back spasm that’s shut down a $200 million movie, so be it.

 

“9 to 5” Reunion Set for Final Season of “Grace and Frankie” as Dolly Parton Joins Jane Fonda, Lily Tomlin in Series

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Netflix has saved the best for last.

Dolly Parton is joining Jane Fonda and Lily Tomlin for the seventh and final season of “Grace and Frankie.”

This will be a 40th year reunion of the gals from “9 to 5,” who made that comedy such a smash hit when it was released in 1980.

Since then, Jane, Lily, and Dolly have remained close friends. There was a TV spin off on ABC of “9 to 5” that ran for one season, and on which Fonda made a special appearance. There was always talk of a sequel to the famed film, but nothing ever developed.

The news that the ladies will reunite on the final 12 episodes of “Grace and Frankie” should make the show’s drop day — that’s when Netflix reveals an entire series at once — a big one.

PS What about Dabney Coleman? He was the co-star in “9 to 5,” who played the boss, Franklin Hart. Coleman — with a long celebrated career — will turn 90 on January 2, 2022. His last listed credit was playing Kevin Costner’s dad in “Yellowstone” in 2019.