Thursday, December 18, 2025
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RIP John Connolly, 78, Investigative Journalist, Former NYPD Detective, A Real Life Damon Runyon Character

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These are the obits you don’t want to have to write, for friends who made an impact on your life. I can’t believe John Connolly has died at age 78. He was one of those people you thought would be around forever because even when I met him, it seemed like he’d been around forever.

I met John thirty years ago at New York Magazine. We were put together as a team to figure out the story of dead diet doctor Stuart Berger. We hit it off right away despite coming from different worlds. John was a retired NYPD police detective with roots in Brooklyn and Staten Island. But his police work was from the Upper East Side, so he knew, as he would say, where all the bodies were buried.

With his ruddy Irish complexion, full head of stand up straight gray hair, an occasional pinky ring and the Brooklyn accent, John was like a Damon Runyon character. How he got to New York magazine was that he’d worked for Kurt Andersen at Spy Magazine doing exposés. Kurt succeeded the great Ed Kosner at New York and John came with him. We did the Berger piece, it was a big success, and it solidified our friendship. He was Batman, and maybe I was Jimmy Olsen.

Three decades have gone by, and John was hot on the trail lately of Jeffrey Epstein. He wrote a book about him under the James Patterson brand, and participated in the Netflix documentary. If there was dirt to dig up, John had the shovel and the pail. He could find gold and diamonds in any desert. He had the scoops.

It was John who guided me on early investigations of people like Michael Jackson and private investigator Anthony Pellicano. John knew a lot about the mob, which we’d discuss over endless dinners at Elaine’s, and sometimes we’d have come into direct contact with them. One time I had to ho to New Jersey to interview an art forger for the New York Observer, so John said he’d come since I knew nothing about the state. He drove, and brought a bat that he put in the back seat “just in case.” We didn’t need it but John did but a fake Calder from the guy for 300 bucks. (“You know, the guy’s not bad,” John said on the way home. I said, “John, the guy’s a criminal!” As John always said about any sketchy guy, “Now, Roger, that doesn’t make him a bad person.”)

There’s a lot more. John had his reporting tentacles everywhere. He knew everyone, what they had done, who they’d done it to, and just enough to get in a little trouble if it all came out. He was a beloved source for the tabloid columns and knew how to trade information. In the 90s and 00s, in New York, this skill was better than being Iron Man. I would not have met the colorful and dangerous characters I came into contact with, and I wouldn’t have thought about a lot of the investigative pieces I wrote without John pushing me forward.

And the thing is, John was a sweetheart. He was a family man. He had a great sense of humor. He loved life. He had a great laugh that would make those Irish cheeks turn pink. I also think I’m surprised to learn John was 78. For a long time he left the impression that he was only a decade older than me. His father, who I knew, only died last year at age 99. And John was so young at heart, so in the moment, that age was never an issue. It’s a shame he didn’t get another ten years to keep muckracking and having fun.

My condolences to Dorothy Carvello, who’s been John’s partner for 25 years, to his daughter, Suzanne, and to the large circle of friends and associates that comprise his world. John was one of a kind, there will never be anyone like him, and I will miss him a lot.

PS Just to be thorough, John loved the name of the band or whatever they were, Insane Clown Posse. We had no idea what they sounded like, he just loved the name. He may have given that title to a few articles (even if it was scotched later by an editor). It was just that the people he wrote about and we knew were, let’s face it, nuts. And all of it, the whole world of celebrities, mobsters, and New York elite seemed like they were an Insane Clown Posse.

 

“SNL”: Ariana DeBose Won Her Oscar Last Night Hands Down, James Austin Johnson Emerges as a Star

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Well, Ariana DeBose won her Oscar last night hosting “SNL.” She was a killer in all her sketches, particularly singing with Kate McKinnon. This is maybe the best Oscar campaign in years. DeBose is going to sweep in and take Best Supporting Actress for “West Side Story” with such ease, I can’t even recall the names of the other candidates. She’s organized better than all of Disney for this movie!

Meanwhile, James Austin Johnson, who just became a father, has exceeded all expectations. He should be elevated to regular now. Has anyone ever been this ready for prime time? He came in with a few others this season, and he’s left them in the dust. His Joe Biden isn’t perfect, or mannered, but he’s got the essence of it, just as he does with Trump and his other impersonations. JAJ is a keeper.

Jack Antonoff was a fine musical guest, but he sold not one record as a result of his appearance. He was also wearing contact lenses or couldn’t see because he eschewed his usual spectacles. Next week we get former cast member Will Forte as host, plugging the Lorne Michaels-produced “MacGruber” TV series. “SNL” is clearly struggling still to book hosts and musical guests because of the pandemic. Love Will Forte, but how many former cast members are hosting this season?

Box Office: “Spider Man” Takes 4th Spot in All Time Records, Beating “Black Panther” with $704 Million

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Tomorrow– not today– “Spider Man: No Way Home” will hit a big number.

Depending on weather, the 8th Spider Man movie will exceed “Black Panther” at the box office and hit $704 million. It will reach number 4 on the all time box office list.

That will probably be the highest it climbs on the list. The next marker is $760 million with “Avatar.” Another $56 million seems unlikely for “Spider Man” because it would require everyone who saw it three or four times to see it again and again.

This week’s number 1 movie is “Scream,” with a $35 million, 4 day weekend.

The rest of the box office is littered with disappointment, not the least of which is “Matrix: Resurrections” which made just $815,000 over the three day weekend and will die somewhere under $40 million total.

Sony, overall, had a good run this winter with “Spider Man,” “Ghostbusters,” and “Venom,” all three franchise movies. Their forgotten  “A Journal for Jordan,” however,the only non special effects human drama for adults eked out only $6.2 million.

What Year is It? Nearly a Third of the iTunes Top 100 Taken By Oldies, New Releases Not Catching On

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What year is it, again?

Nearly a third of today’s iTunes top 100 is taken up by oldies. And some are not so golden.

The actual number is 28, and that’s not just limited to the late great Ronnie Spector singing “Be My Baby.”

There are several tracks from Credence Clearwater Revival, including “Have You Ever Seen the Rain,” at number 17.

There are also a few, regrettably, from late 90s bands Nickelback and 3 Doors Down.

The strangest entry is the Edison Lighthouse single, “Love Grows Where My Rosemary Goes,” from 1970. That was a one off hit in bubblegum pop history.

Also floating around the top 100 are The Police’s “Every Breath You Take” and Bon Jovi’s “Livin on a Prayer.”

What’s not on the top 100: Anything by Jack Antonoff and the Bleachers despite appearing on “Saturday Night Live” live last night.

And despite a new video, Adele’s “Oh My God” is a stiff at 18.

So what’s going on here? Is it an iTunes promotion clogging the chart? Or a lack of interest in current music? Or both? Nature, you know, abhors a vacuum.

The record buying public is even rejected The Weeknd’s new music, released just a week ago. His single, “Sacrifice” is number 80. The album. “Dawn FM,” is falling out of the top 5. This is s shocking collapse after his monster hit, “After Hours,” ran the charts for months and months.

 

 

Bob Saget’s Wife, Kelly Rizzo: “I have no regrets. We loved each other so damn much and told each other 500 times every day”

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Get out your hankies. This woman lost her husband after three years of marriage, she’s 42. This ain’t easy. Kelly Rizzo Saget has posted to Instagram tonight:

“My sweet husband. After much reflection this week, I’m trying, really trying, to not think I was robbed of time. But instead to think: How lucky was I that I got to be the one to be married to THE MOST INCREDIBLE MAN ON EARTH. I was the one who got to go on this crazy ride with him and be in his life these last 6 years. We had that time to make each other the happiest we’d ever been and change each other’s lives forever. I got to be the one to love him and cherish him. He deserves all the love. Every ounce of it. Because that’s how amazing Bob was. He was love. If you were in his life you KNEW he loved you. He never missed an opportunity to tell you.

“Most importantly. I have no regrets. We loved each other so damn much and told each other 500 times every day. Constantly. I know how much he loved me until the very last moment and he knew the same. I’m so grateful for that. Not everyone gets that.

“Bob was a force. I’m sure every one of you out there, whether you knew him or not, was in awe of the enormous outpouring of love and tribute for this special man. It was like nothing anyone has ever seen. I am so appreciative for the kindness and support from loved ones and strangers. Everyone loves Bob and everyone wants to make sure I’m ok. And for that, I’m eternally grateful.

“Bob had so much more he wanted to do and so much more love to give. And to the best of my ability it will be my mission to share how amazing he was with the world, and try in some small way to keep spreading his message of love and laughter. (No, you will never see me do stand-up). I also want to keep sharing how important the Shleroderma Research Foundation was to him. I just want to make him proud. And to his girls, I will love you all with all my heart, always.

“Honey, I love you more than anything, forever.”

What’s Wrong with Celine Dion? Singer Cancels Balance of US 2022 Dates After Earlier Scrapping Dozens of Shows

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click here for all of today’s Showbiz411 news

Celine Dion has cancelled all her US tour dates this winter and spring over health concerns. Her statement indicates that she will try to resume performing in the UK in late May. But right now that looks iffy.

She writes on Instagram:
“I was really hoping that I’d be good to go by now, but I suppose I just have to be more patient and follow the regimen that my doctors are prescribing. There’s a lot of organizing and preparation that goes into our shows, and so we have to make decisions today which will affect the plans two months down the road. I’ll be so glad to get back to full health, as well as all of us getting past this pandemic, and I can’t wait to be back on stage again. Meanwhile, I’ve been very touched by all the words of encouragement that everyone’s been sending to me on social media. I feel your love and support and it means the world to me. – Celine xx…”

Her management’s official statement says she’s still suffering from “severe and persistent spasms.” Ouch! (Maybe it was all that chest thumping, her signature move of expression.) She’d previously canceled shows in November 2020 and this month in Las Vegas for the same reason. What’s really going on? Let’s hope she feels better soon regardless of touring. Back spasms are no fun.

 

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50 Years Ago: The Post-Beatles Moment of Badfinger, Harry Nilsson, and Lasting Rock Classics

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1972– like 1971, we are in a 50th anniversary nirvana right now of great, timeless music. Half a century ago this week, Don McLean’s “American Pie” was number 1, and there was a torrent of perfection on AM radio with Al Green, the Spinners, Sly and the Family Stone, and so many more.

In rock. it was actual “Perfection” as that was a track on the now-classic Badfinger album, “Straight Up.” This is one my desert island discs, a record that grows and grows with time. Produced by George Harrison and, separately, Todd Rundgren, “Straight Up” had two hit singles that still reverberate to this day, “Day After Day” (slide guitar by Harrison, overlaid piano by Leon Russell), and “Baby Blue,” produced by Rundgren and made famous in recent years as the concluding song from “Breaking Bad.”

The album was a minor hit in ’72, the singles were top 20. Badfinger, of course, was from the Beatles’ Apple label. They’d had hits with the Paul McCartney composed “Come and Get It,” and their own song, “No Matter What.” But the “Straight Up” album put them over the top.

Coincidentally, a track from an earlier Badinger album was called “Without You.” Harry Nilsson heard it and wanted to record for his Richard Perry produced smash hit album, “Nilsson Schmilsson.” This was all happening at the same time. Perry’s take on “Without You” featured Gary Wright on piano. Wright, like a lot of the musicians Perry brought in, came from George Harrison’s “All Things Must Pass” sessions, like Jim Keltner and Klaus Voorman. Wright would have a pair of big hits in 1976, “Love is Alive,” and “Dream Weaver.”

The Perry version of “Without You” is drastically different than Badfinger’s. It’s what I think of as one of the very singles of all time for its drama, richness, and texture. When you hear it now, it’s spine tingling. Mariah Carey understood that when she recorded her own version years later. She should have sent Perry flowers, if not a check.

Perry, who writes about all this in book, Cloud Nine, had a smash with “Nilsson Schmilsson” and produced an equally good sequel, “Son of Schilmisson.” He also took what he learned and produced two more seminal works over the course of 1972– Carly Simon’s “No Secrets,” with “You’re So Vain,” and Ringo Starr’s “Ringo” with three other Beatles and all these musicians.

This was a confluences of events in rock history. The result is that 50 years later, all these records remain vibrant and alive. It was a moment when fireflies were being caught in bottles.

 

 

Pop Charts: The Weeknd Dawns at Number 1 with New Album, Fleetwood Mac’s “Rumours” Won’t Go Away

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The top albums chart for the week is a mix of the old and the new.

New is number 1– “Dawn FM” from The Weeknd sold 154,000 copies, the bulk of them from streaming. “Dawn FM” sold only 14,739 paid downloads and CDs. Yikes.

Adele’s “30” dropped to number 4 and sold a total of 46,000 copies, but 19,288 were a mix of CDs, LPs, and downloads. So she actually wins.

But then again. The Weekend also sold 36,000 streaming equivalent copies of his greatest hits. So maybe he wins.

Then there’s Morgan Wallen, who managed to unload 42,322 of his “Dangerous” double album. Doesn’t everyone in the world have this thing already? And is no one embarrassed buying it, all things considered? Evidently not. Plus Wallen sold 13,000 copies of his previous album. So maybe he won.

But the real winner was Fleetwood Mac, a group I read about from the 70s. Their 1977 album. “Rumours,” won’t go away. It sold almost 16K copies, nearly two thirds streaming equivalent. Go figure. This thing was the bane of my existence in 1977 when Elvis Costello, the Ramones, the Clash, The Jam, Talking Heads, and Blondie were trying to kick its ass. It took Michael Jackson in 1979 with “Off the Wall” to do the trick. And now it’s back! Why? It must be discounted down to like 3 bucks or something. Who knows?

Review: Cecily Strong Won’t Be on “SNL” Tonight But You Can Catch Her Triumph Off Broadway All Month

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Unless she’s a superwoman, you won’t be seeing Cecily Strong on “Saturday Night Live” tonight. From now through February 6th she’s performing a one woman, many dozens of characters play at The Shed in Hudson Yards.

No one but Lily Tomlin has ever appeared before in Jane Wagner’s “The Search of Signs of Intelligent Life in the Universe.” Wagner, who is a comic genius, is also Tomlin’s lifelong partner, and they crafted the show to fit the gifted actress and comedienne — Just as they crafted her earlier Broadway show and touring piece that I saw in 1977.

“The Search” took off in 1985 and was revived many times. Some times I cringed because there were dated references. But for this new edition, Wagner has cleaned it up and moved it into 2021. Why not? “The Search” was always a modern piece about the universe, the cosmos, existence, and quantum theory. So the digital age is its natural home. Talk of algorhythms controlling our lives has never made more sense.

Cecily Strong seemed when announced to be a perfect choice to take the baton from Tomlin. She’s not as wily and subversive, but her “SNL” work has shown a diverse array of work. She doesn’t disappoint as she guides us through all the characters. (Some of the original character, like Mrs. Beasley, have been edited from this version, which was trimmed down to 90 minutes without intermission. I miss them. But you can’t have everything.)

The main character is Trudy, a homeless woman who’s in touch with outer space. The world is much more PC now about the homeless, but Wagner and Tomlin always appreciated with great warmth the idea of these mentally detached others roaming around, making sense to themselves if not the larger world. Really, come to my neighborhood and I can introduce you to a lot of Trudy’s. Strong infuses hers with love and dignity, but also an out there sense of humor that turns out to be maybe more ‘with it’ than you’d imagine.

“The Search” is full of wonderfully profound one liners, all of which Strong landed with big and knowing laughs. Some of them are: “I made some studies, and reality is the leading cause of stress amongst those in touch with it. I can take it in small doses, but as a lifestyle, I found it too confining. It was just too needful; it expected me to be there for it all the time, and with all I have to do–I had to let something go.”

Another one: “All my life, I’ve always wanted to be somebody, but I see now I should have been more specific.”

The audience at The Shed (a beautiful new industrial type theater, well ventilated, and not virus-terrifying at all), on the night I went, was mostly youngish, and probably there as “SNL” fans. That’s ironic, since Tomlin — a graduate of “Laugh In,” was a revered comic when she hosted that show in 1975, 1976, and ’83. (I wish they’d have her back now.) The audience may not have been familiar with the material, so their laughs seemed to be punctuations after listening intently to the unusually rich and deep wordiness of Wagner’s monologues. This is not the way things are written now for a dumbed down audience. But they got it. And for someone like me, there from the beginning, “The Search” with Cecily Strong was a total pleasure.

So we’ll miss Cecily on “SNL” for a bit, but if you’re in New York, and you can get a ticket, you’ll get to have a throwback moment of live performance. “The Search” is on, and there are many great discoveries.

PS I met some people after the show who actually had an umbrella hat, Trudy’s signature piece of clothing. They said they bought it on amazon. The Shed should have really purchased some and stamped their logo on them with the show’s name. That’s a missed opportunity!

Box Office Boffo Opening for “Scream 5” Looking to Scare Up $40 Mil Weekend

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For Neve Campbell, this is a real “Party of Five.”

The fifth edition of “Scream” scared up $10 million on Friday night. Adding that to the $3.5 million from Thursday previews, “Scream,” titled the same as the original “Scream” in 1996, will shoot for a $40 million weekend.

Paramount, which hasn’t had a hit (or a release, really) since “A Quiet Place, Part 2,” needs this like a French foreign legion soldier needs water in the desert. (They did have “Clifford the Big Red Dog” and “PAW Patrol,” but you know what I mean.)

Now, they’re back in business, which will include two Tom Cruise blockbusters this year.

So you scream, we scream, we all scream for “Scream 5.” Oh, and that Neve Campbell reference: before you were born she was in a TV series called “Party of Five” with Matthew Fox, who was subsequently eaten by the smoke monster (long story).