Saturday, May 23, 2026

Pop Charts: The Weeknd Dawns at Number 1 with New Album, Fleetwood Mac’s “Rumours” Won’t Go Away

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The top albums chart for the week is a mix of the old and the new.

New is number 1– “Dawn FM” from The Weeknd sold 154,000 copies, the bulk of them from streaming. “Dawn FM” sold only 14,739 paid downloads and CDs. Yikes.

Adele’s “30” dropped to number 4 and sold a total of 46,000 copies, but 19,288 were a mix of CDs, LPs, and downloads. So she actually wins.

But then again. The Weekend also sold 36,000 streaming equivalent copies of his greatest hits. So maybe he wins.

Then there’s Morgan Wallen, who managed to unload 42,322 of his “Dangerous” double album. Doesn’t everyone in the world have this thing already? And is no one embarrassed buying it, all things considered? Evidently not. Plus Wallen sold 13,000 copies of his previous album. So maybe he won.

But the real winner was Fleetwood Mac, a group I read about from the 70s. Their 1977 album. “Rumours,” won’t go away. It sold almost 16K copies, nearly two thirds streaming equivalent. Go figure. This thing was the bane of my existence in 1977 when Elvis Costello, the Ramones, the Clash, The Jam, Talking Heads, and Blondie were trying to kick its ass. It took Michael Jackson in 1979 with “Off the Wall” to do the trick. And now it’s back! Why? It must be discounted down to like 3 bucks or something. Who knows?

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Roger Friedman
Roger Friedmanhttps://www.showbiz411.com
Roger Friedman is the founder and editor-in-chief of Showbiz411. He wrote the FOX411 column on FoxNews.com from 1999 to 2009 and previously edited Fame magazine and wrote the "Intelligencer" column at New York magazine. His bylines have appeared in The New York Times, The Washington Post, the New York Daily News, the New York Post, Vogue, Details, and the Miami Herald. He is a voting member of the Critics Choice Awards (Film and Television branches), and his movie reviews are tracked by Rotten Tomatoes. is articles have appeared in dozens of publications over the years including New York Magazine, where he wrote the Intelligencer column in the mid 90s and covered the OJ Simpson trial, and Fox News (when it wasn't so crazy) where he covered Michael Jackson. With D.A. Pennebaker and Chris Hegedus, he co-produced the 2002 documentary "Only the Strong Survive," which screened at Directors' Fortnight at the Cannes Film Festival.

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