Saturday, July 4, 2026
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Review: “The Bear” Returns for Final Season in Search of an Ending, Opens with 2nd Shortest Episode Yet (21 Minutes)

“The Bear” is back today on Hulu and Disney Plus. I guess you can binge it by paying up or wait and see it weekly for free.

Seven of the eight press screeners were dumped on us yesterday. Luckily, the first episode is only 22 minutes. The second one is a little longer.

When season 4 ended, Carmy (Jeremy Allen White) told his pals he was quitting because he suddenly didn’t love being in the kitchen. He sure seemed like he did, but hey, they needed a cliffhanger. Also, the digital clock in the kitchen ran down to zero, indicating no more money left.

So we’re back in Episode 1, and it turns out at least the first few episodes, if not all, are just one episode — the story of how The Bear almost goes under but probably gets a Michelin star at the very end.

Creator Christopher Storer depends on clever editing and a crazy good score from the house of Hans Zimmer to create so much tension it may be hard to sleep after watching the show. Carmy is back in the kitchen, but now he’s encouraging Sydney (Ayo Edibiri) to run the show. A wild rain storm is raging in Chicago, attacking their little building with floods and bursting pipes. The electricity is iffy and the reservation system has gone haywire.

The weather is so bad, I’m amazed they’re expecting anyone for dinner at all. Maybe it’s a Chicago thing, to just brave treacherous elements.

Meantime, Emmy winner Jamie Lee Curtis is back, from the get-go as Carmy and Natalie’s (Abby Elliot) mother. Everyone else is, too, except Jon Bernthal as dead Mikey, which may be why the actor — who was in town last week — didn’t come to the premiere.

The editing and the music are essential because, frankly, we’ve been here before, with the restaurant on the precipice of closing and Carmy having an existential crisis. As usual only Sydney seems to know what’s going on. Richie (Ebon Moss Bacharach) is his usual bundle of nerves. Tina (the great Lisa Colon Zayas) is the house philosopher.

Pretty well telegraphed, we’re waiting for Ebraheim (Edwin Lee Gibson) to come up with a solution about franchising the sandwich shop. No one wants to hear it, but the original menu item is what will save The Bear — you can see it coming from a mile away.

And what about Carmy? I have no spoilers because I only watched the first three episodes. Does he announce that he’s a die hard Bruce Springsteen fan and start a franchise in Asbury Park? (This is an inside joke for Jeremy Allen White fans). Does Oliver Platt’s Uncle Jimmy sell the air rights to the building and resolve his financial problems? (Probably.) Does that mysterious diner from Season 4 turn out to be the reviewer who gives “The Bear” its Michelin star? (Likely.)

When “The Bear” began, the whole premise and production were startling and fresh. Now, of course, after all this time, the big surprises are over. Still, the writing and acting remain top notch. My biggest peeve is that “The Bear” is presented as a comedy for awards purposes. It’s just not. It’s a very good drama with some wry humor. But all that’s moot now.

Again, you can binge the first seven episodes starting tonight on Hulu. Or watch the first two tonight on FX, and then once a week until August 6th when we will all see the grand finale together. So it’s like drinking your bouillabaisse from the bowl, or ladling it out.

Michael Jackson Died 17 Years Ago Today: He’s On Track to Sell 5 Million Albums This Year and There’s No End in Sight

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Michael Jackson died 17 years ago today.

It seems weird to say that. Seventeen years? Is that possible?

This week, I was standing at a CVS cash register, and “Don’t Stop Til You Get Enough,” came bouncing over the sound system. Young people were mouthing the words. It was as if Michael were alive.

Everything else aside, Michael Jackson remains a phenomenon. No lawsuits or “scandals” can stop him. His biopic, “Michael,” has made $939 million worldwide. Almost a billion dollars! It’s still doing business despite being on streaming platforms.

So here’s the big news. So far in 2026, Michael has sold 2.5 million albums. Of those, a little over 500,000 are downloads, CDs, and LPs. The rest is from streaming.

And he’s been gone for 17 freaking years.

That’s an incredible statistic.

Much of it has to do with the movie. As we all know, the movie brought a lot of controversy. It was going to be two movies, it was held back several times, re-shot and re-conceived. Paris Jackson sued her father’s estate over lawyer’s fees and questioned what was spent.

“Michael” wasn’t even a critical success. It boasts a 37% on Rotten Tomatoes among reviewers. You can’t even say it’s really a movie. It’s almost fact-free as an actual biography. But the part of that shows Michael Jackson’s dazzling performances can’t be beat.

But the movie has already sold almost twice as many records than in 2025. Last year, Jackson’s total sales, according to Luminate, were 1.7 million albums. For the whole year. He’s already ahead of that number halfway through 2026 by 800,000 albums.

So congratulations. Michael. Your life was one battle after another, a catastrophe at every turn. But the payoff has turned out to be a miracle. The legend lives on and on and on.

Justin Bieber Posts Some Eye-Popping Pictures of Wife Hailey Baldwin, Using Foreigner Song “Cold as Ice” as Soundtrack

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You never know what goes on in someone else’s marriage.

Justin Bieber has posted a bunch of pictures of his wife Hailey Baldwin Bieber, to Instagram.

They’re pretty hot, revealing, and sexy. His fans are a little surprised he’s presenting the mother of his son quite this way.

In the original posting, Justin added Foreigner’s song, “Cold as Ice,” for a soundtrack.

One commenter wrote: “He posting his wife like she a trophy or sum.”

Actress Alyssa Milano said: “No words.”

Another said: “I thought married people don’t do this typ of things..?”

And one more added: “I thought she was a christian woman who saved justin bieber.”

Hailey is a cosmetics queen, with her company, Rhode, selling last year to e.l.f. beauty for $800 million.

 
 
 
 
 
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A post shared by Justin Bieber (@lilbieber)

Carly Simon Fondly Remembers Clive Davis: She Had a Comeback Hit with Him in 1986 and Won an Oscar in 1990, Praises His “Clairvoyant Ear”

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Carly Simon — who celebrates her birthday June 25th — had a lot of success recording for Clive Davis on Arista Records, but it wasn’t always easy.

She released six albums there, starting with a smash comeback in “Coming Around Again,” in 1986. In 1990, Simon won the Oscar for Best Song, from “Working Girl,” with “Let the River Run.”

But the two type A personalities had to negotiate those successes. Luckily, they’d known each other 20 years earlier, and Clive was an ardent fan. “Coming Around Again” followed Simon’s 15 years at Elektra and Warner Bros. Records that included hits like “You’re So Vain,” “Anticipation,” “You Belong to Me,” and “Jessie.”

Like most Clive Davis recording artists, Carly’s career still rides high. Her first single in 18 years — called “Howl” — has more than 100,000 views on YouTube since its release last week. A new album is set for August.

Carly writes on Instagram:

“Clive Davis was the gentlest, prickliest, most lovable, most ferocious pussycat around. He made me madder than anyone I ever knew, but in the end the things I got so indignant about were transformed into much better records. With Clive, the successes and big awards were worth all that fruitful, back-and-forth. I can still picture him in his office, and his face, his eyes closed, his cupid-bow lips, his arms tightly crossed, deciding whether you and your songs were destined for heaven, hell, or someplace in-between.

“Clive, you believed in music with your whole being. You had the rare gift of hearing not just what an artist was, but what they could become. Somehow, always, you made the impossible feel inevitable. I feel so lucky to have known you, lucky to have worked with you, and lucky, like so many, to have been on the receiving end of your clairvoyant ear.”

All About that Taylor Swift Wedding Street Closure: There Are Only Two that Can Be “Closed” and One of Them Isn’t Open Anyway

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Lots of excitement today about the Taylor Swift-Travis Kelce wedding.

If it’s really happening at Madison Square Garden — a cultural kitsch moment for the books — the New York Times says the city has been asked to close down streets.

This sounds ominous, but actually only two “streets” could be closed and one of them isn’t even open anyway.

New York cannot close down Seventh Avenue in front of Madison Square Garden, or Eighth Avenue behind it. Penn Station and the Long Island Railroad are not coming to a halt for anyone’s wedding — particularly on the July 4th weekend.

The Garden is bounded by West 33rd St on the north and West 30th on the south. The former is already banned to traffic and paved over as a pedestrian walkway. That’s where rock concerts do their load ins. If anything West 33rd can be blocked off easily,

As for West 30th St, in the middle of the block there’s an unassuming VIP entrance to the Garden. In theory the street could be closed, but there’s a major parking lot there on the opposite side of the street, and some businesses. I guess Taylor could rent out the lot for her guests.

The other VIP entrance is on Eighth Avenue not far from the corner of West 30th St. But using that one might be difficult since people are coming in and out of Penn Station. So the West 30th side is the most likely.

That’s if this wedding is actually being staged at Madison Square Garden, on a Friday night in the middle of July 4th weekend It’s hard to imagine. Is this just a mis-direct? It wouldn’t surprise me.

Kanye West Playing San Antonio’s Alamadome on July 4th Despite Mayor’s Call to Cancel Show: City Council Says Yes to Hitler Love

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There will be fireworks on July 4th in San Antonio, Texas.

Noted anti-semite Kanye West, who sells t shirts with swastikas and praises Hitler, is coming to town. In the video below, you can see him tell conspiracy theorist Alex Jones, “I love Jewish people but I also love Nazis.”

Kanye is playing the Alamadome, which is pretty much sold out. According to the box office, there are still some seats available.

The mayor of San Antonio, Gina Lopez-Jones, proposed canceling the show. The city owns the Alamadome, and it’s a bad look for them right after the Spurs lost the NBA finals to the New York Knicks. (Our win is even sweeter now.)

But according to local media, and to the mayor’s office, there weren’t enough votes on the city council against having the show. One of the six council members who did vote for not having Kanye West is said to have also asked for tickets.

San Antonio is famous for the 1936 Battle at the Alamo, a shameful chapter in Texas history in a violent fight with Mexico over the border.

Kanye West is largely known now as antisemitic, and a rapper who spews hatred. He’s been banned by several countries, but has found a way to perform on the edges of American society. He’s also got two shows booked in Tampa, Florida for June 27 and 28th at Raymond James Financial Stadium. Tampa is cool with Kanye. Of note, there is a Jewish population of about 11,000 people in San Antonio. They can’t be happy.

I’m told that the Alamadome will have standing tickets only on the floor, and they are sold out. San Antonionans seem to have no problem with West’s embrace of Hitler, which won’t surprise anyone in a major city. That’s expected. Too bad the city council didn’t rise to the occasion, but they don’t much entertainment I guess. So a rapper who sings “Heil Hitler” is warmly welcomed.

Box Office Boffo: “Toy Story 5” Clears $200 Million US in Just 5 Days, Running $45 Mil Ahead of 2019 Installment

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It must be pandemonium in Cineplexes right now.

“Toy Story 5” actually crossed the $200 million line yesterday. It took five days (six if you count previews).

That’s $45 million ahead of “Toy Story 4” back in 2019.

Some of the overwhelming enthusiasm probably has to do with Taylor Swift singing that title song.

But also, school is out, there’s not much to see for families where kids and adults can sit together without embarrassment.

Still, “Toy Story 5” has really set the box office ablaze.

Compare that to the horror hit of the spring, “Obsession.” It’s made $220 million, but it’s taken 40 days.

Not all good news. “Disclosure Day” will go down in the books as the rare Steven Spielberg failure. Right now, the box office is at $83 million. The $100 mil target is far away in another galaxy. I’m not surprised. Everything about the way this film was presented to the press was weird. There something off, a little sour, about the momentum.

You can’t win them all, and Spielberg isn’t done by far. But maybe next movie, don’t have a party after the opening and deny its obvious existence. Still my favorite story of 2026!

Jacob Elordi, Safdie Brothers, Simu Liu, Josh O’Connor, Josh Gad, Sara Barielles Can All Vote for the Oscars Now

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Jacob Elordi, Safdie Brothers, Simu Liu, Josh O’Connor, Josh Gad, Sara Barielles, Lily Rabe, and Jon Bernthal can all vote for the Oscars now.

So can French actor Matthew Almaric, an actual past nominee.

They’re all part of the 529 new members of the Motion Picture Academy, announced today.

Congrats to two ladies who’ve worked hard in the business for eons and should have been in sooner: Madelyn Hammond and Teri Kane. Plus our pals, managers Jason Weinberg, and Emily Gerson Saines. 

The 529 is a lot less than in recent years when the Academy was piling people in, many from TV and with few movie credits.

Even publicists are allowed in, but still no press. God forbid!

Here are some categories:
Actors
Mathieu Amalric – “The Grand Budapest Hotel,” “The Diving Bell and the Butterfly”
Jon Bernthal – “King Richard,” “Ford v Ferrari”
Raúl Briones – “La Cocina,” “A Cop Movie”
Kenneth Choi – “Spider-Man: Homecoming,” “The Wolf of Wall Street”
Jemaine Clement – “Avatar: The Way of Water,” “What We Do in the Shadows”
Paddy Considine – “The Death of Stalin,” “In America”
David Dastmalchian – “Oppenheimer,” “Dune”
Ṣọpẹ́ Dìrísù – “My Father’s Shadow,” “His House”
Jacob Elordi – “Frankenstein,” “Saltburn”
Veronica Ferres – “The Comedian,” “Schtonk!”
Stephen Fry – “Love & Friendship,” “Gosford Park”
Josh Gad – “Marshall,” “Frozen”
Julia Garner – “Weapons,” “The Assistant”
Mia Goth – “Frankenstein,” “Pearl”
Wood Harris – “One Battle after Another,” “Remember the Titans”
Suzy Eddie Izzard – “Victoria & Abdul,” “Ocean’s Twelve”
Inga Ibsdotter Lilleaas – “Sentimental Value,” “Women in Oversized Men’s Shirts”
Simu Liu – “Barbie,” “Shang-Chi and the Legend of the Ten Rings”
Scoot McNairy – “A Complete Unknown,” “Argo”
Tig Notaro – “Am I OK?,” “Instant Family”
Josh O’Connor – “Wake Up Dead Man: A Knives Out Mystery,” “Challengers”
Jenna Ortega – “Death of a Unicorn,” “Beetlejuice Beetlejuice”
Daniella Pineda – “The Accountant 2,” “Jurassic World: Fallen Kingdom”
Lily Rabe – “The Tender Bar,” “Miss Stevens”
Anthony Ramos – “A House of Dynamite,” “In the Heights”
Miguel Sandoval – “Tortilla Heaven,” “Clear and Present Danger”
Bill Skarsgård – “Dead Man’s Wire,” “Nosferatu”
Jenny Slate – “Marcel the Shell with Shoes On,” “Obvious Child”
Teyana Taylor – “One Battle after Another,” “A Thousand and One”

Directors
Eugene Ashe – “Sylvie’s Love,” “Homecoming”
Marcelo Caetano – “Baby,” “Body Electric”
Zach Cregger – “Weapons,” “Barbarian”
Gyula Gazdag – “Hungarian Chronicles I-II,” “A Hungarian Fairy Tale”
Daniel Goldhaber – “Faces of Death,” “How to Blow Up a Pipeline”
Guan Hu – “Black Dog,” “The Eight Hundred”
Tom Harper – “Peaky Blinders: The Immortal Man,” “The Aeronauts”
Raven Jackson – “All Dirt Roads Taste of Salt”
Kim Jee-woon – “Cobweb,” “I Saw the Devil”
Oliver Laxe* – “Sirāt,” “Fire Will Come”
Rashid Masharawi – “Passing Dreams,” “Laila’s Birthday”
James Ponsoldt – “The End of the Tour,” “The Spectacular Now”
Haider Rashid – “Europa,” “It’s About to Rain”
Nicole Riegel – “Dandelion,” “Holler”
Alonso Ruizpalacios – “La Cocina,” “A Cop Movie”
Benny Safdie* – “The Smashing Machine,” “Uncut Gems”
Josh Safdie* – “Marty Supreme,” “Uncut Gems”
Julia Solomonoff – “Nobody’s Watching,” “The Last Summer of La Boyita”
Anocha Suwichakornpong – “Come Here,” “By the Time It Gets Dark”
Tusi Tamasese – “One Thousand Ropes,” “The Orator”
Fernanda Valadez – “Sujo,” “Identifying Features”

Writers
Jesse Andrews – “Elio,” “Luca”
Ronald Bronstein* – “Marty Supreme,” “Uncut Gems”
Cheo Hodari Coker – “Creed II,” “Notorious”
Gary Dauberman – “It Chapter Two,” “It”
Santiago Fillol – “Sirāt,” “Fire Will Come”
Dan Fogelman – “Cars 2,” “Crazy, Stupid, Love.”
Holly Gent – “Nouvelle Vague,” “Where’d You Go, Bernadette”
Tearepa Kahi – “Muru,” “Hunt for the Wilderpeople”
Alireza Khatami – “The Things You Kill,” “Terrestrial Verses”
Oliver Laxe* – “Sirāt,” “Fire Will Come”
Lee Kyoung-mi – “No Other Choice,” “The Truth Beneath”
Satoko Okudera – “Kokuho,” “Rebirth”
Vince Palmo – “Nouvelle Vague,” “Where’d You Go, Bernadette”
Shadmehr Rastin – “It Was Just an Accident,” “As Simple as That”
Klaudia Reynicke – “Reinas,” “Love Me Tender”
Benny Safdie* – “The Smashing Machine,” “Uncut Gems”
Josh Safdie* – “Marty Supreme,” “Uncut Gems”
Nader Saïvar – “It Was Just an Accident,” “The Witness”
Tarik Saleh – “Eagles of the Republic,” “Cairo Conspiracy”
Joe Shrapnel – “The Woman in Cabin 10,” “Rebecca”
Will Tracy – “Bugonia,” “The Menu”
Aslihan Unaldi – “Afloat,” “Skate Kitchen”
Anna Waterhouse – “The Woman in Cabin 10,” “Rebecca”
Christopher Makoto Yogi – “I Was a Simple Man,” “August at Akiko’s”
Nathan Zellner – “Damsel,” “Kumiko, the Treasure Hunter”
Sameh Zoabi – “Tel Aviv on Fire,” “The Idol”

Exclusive: Once Hot Lizzo Sold Only 585 Copies of New Album This Week As Fans Have Abandoned Her Since Lawsuits

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Lizzo was not so long ago the biggest music star.

She sold millions of records, and ruled the charts. She played her flute on “Saturday Night Live.” Everyone was in love with her.

Lizzo won four Grammy Awards in 2023, including Record of the Year. Her career should have been assured.

But fame is fleeting. And now Lizzo is having serious problems.

Her perfectly good album, called “Bitch,” sold just 585 copies in its this week. Of those, 210 were downloads or CDs. This was the third week of release.

Total sales, including streaming, over the last three weeks come to 7,500.

Lizzo was banking on “Bitch” being a comeback after lawsuits and scandals over weight-shaming dancers and being otherwise unpleasant to everyone around her. When her congenial facade was broken, fans just walked away.

Arrogance plays a big part here. And hubris. Instead of making amends with the public through charitable work and other signs that she was mistreated, Lizzo took the offensive. Singing “Bitch” is not the way to wiggle your way back into anyone’s hearts.

The sad part is, the songs on the album are not bad. If she’d had a real producer and A&R person who listened to, this might have gone differently.

Listen, time heals all wounds, but you have use a bandaid. She’s learning that the hard way.

Exclusive: Oprah Insisted Five Years Ago Whitney Houston Did NOT Fall Off Her Stage Because of Drugs — On the Record, and on Video

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I’m late to this story.

But I’m very surprised that Oprah Winfrey is declaring negative things about Whitney Houston.

Oprah made the remarks in her speech at Cannes Lion — the advertising festival in Cannes that has nothing to do with the Cannes Film Festival.

Winfrey told the crowd that Whitney was high on drugs when she fell off the stage at Oprah’s TV show in 2009.

This has set off wild arguing, with Whitney’s sister-in-law and manager, Pat Houston, saying Oprah is lying. Or perhaps, misremembering for effect.

More importantly, I can tell you definitively and exclusively that this is a far different story than Oprah told in 2021.

Oprah was the guest of the now late and beloved Clive Davis during a Zoom call to raise money for the Grammy Museum. I watched it live and reported on it in real time.

Clive had brought Whitney to the Oprah show for the taping. He was with her, as were several of her close associates.

Gossips had always surmised that the cause of Whitney’s fall was drugs.

But on May 15, 2021, Oprah agreed with Clive, on video, live, that was not the case.

Watching the live feed, I wrote: “It was not drugs,” Oprah said, and Clive agreed. She slipped, but it unnerved Whitney so that she took a break to regroup. During the break Oprah begged the audience to keep it a secret.

I continued: “To this day I’ve never read or heard anyone say it,” said Oprah. Whitney, by the way, returned to the stage and got a standing ovation. She triumphed over the accident.

So what the heck is going on here? Oprah knows her Cannes Lion statement is not true. I know where the video is, and will produce it if necessary. But every person who was on that Zoom heard it, too. She wasn’t saying it to appease Clive. They’d obviously discussed this in advance. There was no reason to make it up in 2021. And there’s no reason to lie about it now except to make headlines.

I want to say that I was close enough to Whitney and Clive during her entire career. Clive Davis did everything in his power to help Whitney. He guided her, and helped with rehab. For a long time, I had the number of Whitney’s drug counselor — provided by Clive — in my Blackberry. He really was like a father to her. But you can’t make an addict stop unless they want to do it.

As for Oprah, her reputation has mutated since she left her talk show. Her participation in showcasing the “Leaving Neverland” documentary on HBO was a fiasco. Getting involved with Prince Harry and Meghan Markle also dimmed her legacy. She’s done herself no favors by exploiting Whitney Houston in Cannes just to get headlines.

I’m very disappointed.

You can see Whitney’s performance below. She looked great at the time, and was actually ‘clean.’ This was far different than her nadir, in 2001, when she seemed like she might perish on stage at Michael Jackson’s 30th anniversary concert. In the video, she looks beautiful and her voice is outstanding.