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Two of Paul Newman’s Daughters Sue Family Foundation Over Getting Pushed Aside by Board: “The whole family is demoralized”

Two of Paul Newman’s daughters have sued the Newman’s Own Foundation over their feeling that they’ve been increasingly pushed out and minimized by the board of directors.

The suit has been filed by Susan and Nell Newman. Their three other sisters are taking a back seat at the moment, according to sources.

News of the suit was first reported in the Wall Street Journal. But back in 2015, I covered the simmering issues between the family and the foundation. So did Mark Seal in Graydon Carter’s Vanity Fair. My 2015 story is below.

The amount of the suit is $1.6 million– the sum of $400,000 times four. Each sister has always had that amount to give to charities of their choice. (One sister, Stephanie, does not participate.) But now the board has cut their budgets to $200,000 apiece, they say, and they fear this will not be the end.

Important to know: The Newman children do not receive any personal money from the Foundation, no salaries, and no benefits. (I’d told the five children don’t receive an inheritance until Joanne Woodward passes away.) Their whole connection to Newman’s Own has been for them to be able to donate money at their discretion to charitable organizations.

But over time, the sisters say in their complaint, the board of Newman’s Own has tried to edge them out — despite their father’s intention that the family always be part of the hugely successful foundation that makes its money from marketing salad dressing, spaghetti sauce and popcorn.

When I wrote my story in 2015, the person running the foundation and already causing trouble for the Newmans was Robert Forrester. You can read about him below. I assumed  at some point, because the Newmans retreated, they had resolved their differences. Forrester was removed from power. Miriam Nelson is the new chairman of the board. But I’m told “the whole family is demoralized by the way they’ve been treated.” Why didn’t they speak up over the last seven years? Says a source: “They were told to keep quiet, everything would work out.”

“Paul Newman had tremendous interests in the arts and things like climate change,” says an insider. “The board under Nelson has changed the focus to funding food insufficiency. Nelson’s background is she’s a nutritionist.” The meager $1.6 million divided among four of the daughters (one of them doesn’t participate) was designed to fund those charities. Cutting it to $800,000 is alarming, frankly.

Why the Newman’s Own board isn’t embracing Newman’s daughters and how they let things reach this point is the question. The foundation, which has meant so much to so many around the world, doesn’t need this kind of bad publicity. And after all, it’s called Newman’s Own. Newman’s own children should be front and center.

There is certainly more to come.

I Know Who Killed Bunny Folger But I Can’t Tell You: “Only Murders” Best Season Finale Since “Who Shot JR?”

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I just finished watching the series finale of “Only Murders in the Building.” It’s a good thing I skipped the press link. I could not have kept quiet.

As it is, John Hoffman and Steve Martin pulled off the best season finale I’ve seen in a long time, maybe since “Who Shot JR?”. They even set up Season 3 in the last few minutes. Paul Rudd has evidently signed on to appear next season in flashbacks.

So who killed Bunny Folger? Was it Tina Fey’s Cinda Canning? After all the red herrings we’ve seen, there are more in this episode. Fingers are pointed, let me tell you. There’s a big twist, too. And the whole episode is hilarious.

Not to give it away, but slow motion and a tomato steal the show.

Watch it. We’ll talk later.

Hint: It wasn’t Jan, and neither Teddy nor his deaf son are in the episode. Neither is the woman who runs the building now. Best line: “They chintzed on the cake!”

Indie Spirit Awards Raise Budget Limit for Films to Laughable $30 Mil, Go Very Woke with Gender Neutral Awards

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The Independent Spirit Awards have become the joke of all time.

They’ve now raised the budget limit for eligible films to a freaking $30 million! Come on, where’s the spit take? They just want to compete with all the other awards shows like the Oscars, Critics Choice, and so on.

An indie film that costs more than $5 million is not indie nor in the spirit of independent filmmaking. Recently the limit had gotten up to $20 million. But now with $30 million, all bets are off.

On top of that, they’re switching over to very PC ‘gender neutral’ awards, so there’s no Best Actress or Best Actor, just Best Performance. The woke community has taken hold.

No one really cares about Film Independent or the Spirit Awards anymore. They have no viewers on their telecast. Last March their rating was so low it failed to make the Top 150 Cable shows of that day.

I guess they think the remedy is to let in as many movies that can overlap with the Oscars as possible. It won’t work, but good luck.

As for gender neutral awards, no one cares about that either. It’s also a real slap in the face to the men and women (yes there are still actual men and women) actors who would claim their own gender status. But no one cares about that anymore either.

Scratch the Spirit Awards off any list of meaningful awards.

PS The only value the Spirit Awards had in the past was a really amazing gift bag on every seat. But they cut that out years ago.

UPDATE: “House of the Dragon” Scored 2.2 Mil for HBO’s First Showing Sunday Night, Giving HBO Max Possible Huge Win

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According to Nielsen now with hard numbers:

“House of the Dragon” scored 2.170 million viewers for Sunday night’s first showing on regular HBO Prime at 9pm.

Right now, there are no numbers for the second showing which followed directly after at 10:06pm.

HBO said yesterday that nearly 10 million people watched the premiere across all networks. This would suggest that a whopping 7.7 million people watched on HBO Max.

For HBO Max, that would certainly guarantee its continuation as Warner Discovery’s streaming system going forward. The Max people should be opening bottles of Champagne, not laying anyone off.

“Dragon” had a small effect on John Oliver’s “Last Week Tonight.” The acerbic and amusing news show was up around 100,000 viewers as a spill off. It also aired much later than usual, at 11:20pm and not at 10:30pm, so that’s pretty impressive.

HBO Says “House of the Dragon” Scored 10 Million Viewers Sunday Night, Largest Premiere Ever in Their History

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HBO says last night’s premiere of “House of Dragons” was their biggest ever. Just a notch under 10 million people watched on HBO or HBO Max.

A release says:

The premiere of “House of the Dragon” drew 9.986 million viewers across linear and HBO Max platforms in the U.S. Sunday night, the largest audience for any new original series in the history of HBO. The premiere also marked the largest series launch on HBO Max across the U.S., LatAm, and EMEA, driving an unprecedented level of concurrent streams on the platform. Typically, Sunday night viewership for a HBO series will represent just 20%-40% of the show’s total gross audience.  

The series was also a hit on social media, where fans showed up in droves to celebrate the return to Westeros. On premiere day, House of the Dragon was the longest trending topic on Twitter, ranking #1 for 14 hours straight, and trended #1 on Google Trends. 

What does this all mean? The initial response is huge, of course, “Game of Thrones” fans were salivating to see something new. But it was hard to say from the first episode how this is going to play out. To me, “House of Dragons” felt a little like “The Colbys,” spin off of “Dynasty” that just recycled familiar material. There wasn’t a sense of humor at all, just death and gloom. The Lannisters were really missing.

So maybe as the episodes broaden out, things will lighten up. But right now, it also felt like “HOD” burned through a lot of plot right away without much character development. Even the dragons could use a good backstory.

But production wise, “HOD” was top notch. You really felt like you were in Westeros years before they built the strip malls.

What Year Is It? Three of Top 5 Songs on iTunes Singles Charts are Oldies as Beyonce, Other New Acts Struggle for Space

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Ok, so what year is it?

The top 2 songs today on iTunes are from 1971 and 2003.

The number one song is “Bring Me to Life” by Evanescence. It was released March 4, 2003.

The number two song is “American Pie,” the full 8 minute version by Don McLean, released at the end of 1971.

Number five is “Have You Ever Seen the Rain?” by Credence Clearwater Revival, released in 1971. Number 10 is Sia’s “Unstoppable,” which is six years old.

Meanwhile, current acts like Beyonce and Harry Styles have been unable to launch second hits from their albums. While Styles’ album, “Harry’s House,” is still selling, Beyonce’s “Renaissance” has reached a period.

Demi Lovato’s album and single are out there, but not blockbusters by any means. The single, “29,” is at number 51.

What is going on here? Old records are ruling the roost at the end of the summer, a summer which was swamped by Kate Bush’s 1985 hit “Running Up that Hill.”

The iTunes singles chart should be full of new music. For example, Ryan Adams’ “When She Smiles” should be right up there. So should Jon Batiste’s “Sweet” with Diane Warren and Pentatonix. Instead, 20 of the records from number 50 to 100 are all oldies. Isn’t that a little frightening?

The music business is so different nowadays, Very few new artists are being broken, radio is so compartmentalized that few new songs are played, there’s little diversity or thinking outside the box. And it’s not just unknown artists. Ask Billie Eilish. She released two singles a month ago and they died on impact.

Rolling Stone Magazine Raises Ire of Michael Jackson Family By Dubbing Harry Styles “New King of Pop”

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Uh oh.

Rolling Stone may have bitten off more than it can chew. On the cover of their UK issue they’ve dubbed Harry Styles “the new king of pop.”

You know, there is only one King of Pop, and that’s Michael Jackson.

Michael’s nephew has responded quickly on Twitter. Taj Jackson writes:

“There is no new King of Pop. You don’t own the title @RollingStone, and you didn’t earn it, my uncle did. Decades of dedication and sacrifice. The title has been retired. No disrespect to @Harry_Styles, he’s mega talented. Give him his own unique title.”

Truly, Harry would be best known as the Prince of Pop. To be the King of Pop would mean a much longer resume of hits and successes. Harry’s doing well, but not Michael Jackson good. Not yet.

Rolling Stone now is all about throwing out the previous generations of pop culture, particularly Baby Boomers. In a recent note on their website, editor Noah Schactman said they’d redesigned it so Rolling Stone no longer requires wearing “bell bottoms.” That’s really unfortunate. First of all Baby Boomers haven’t worn bell bottoms for 40 years. Second, they’re the generation that actually knows where the title of the magazine comes from. Don’t insult us.

And don’t cross the Michael Jackson fans. Word of wisdom to RS. You don’t need that headache.

Did Tina Fey, I Mean Cinda Canning, Really Kill Bunny? “Only Murders” Comes Clean at Midnight

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Don’t ask me why, but I’m obsessed with “Only Murders in the Building.”

The Steve Martin-Martin Short-Selena Gomez comedy thriller murder mystery on Hulu is like eating a dessert every Tuesday when it’s on. You almost don’t care whodunit or how the puzzle is pieced together. It’s more about the witty writing, the top notch acting, the incredible apartments everyone lives in.

Tonight at midnight, Hulu drops the final episode of Season 2. Who killed Bunny? I don’t know because I like to watch the show as it unfolds. I didn’t binge watch the press viewings. Too fast. I want to savor the moment.

Last week, it seemed like Tina Fey’s Cinda Canning, a preening self absorbed podcast queen, for some reason might have done it. The week before, the red herring was Michael Rapoport‘s detective. You know, it could still be anyone, even Amy Ryan’s Jan, who’s in jail for committing the season 1 crime. Did they have her back just because everyone loves Amy Ryan? (Maybe.) How about Cara deLevingne‘s art dealer? Why is she always hanging around?

The introduction of secret passages in the Arconia was an inspired idea, that’s for sure. It’s kept our sleuthing trio inside double time in their investigation.

To me, “Only Murders” owes a huge debt to Woody Allen. In many ways, the show echoes Woody’s 1993 hit, “Manhattan Murder Mystery.” Woody and Diane Keaton are convinced there’s been a murder in their building and set out to reveal the culprit. Also, Selena Gomez made a huge acting leap in Woody’s “Rainy Day in New York,” playing a similar character. So there’s that.

“Only Murders” has its shown share of “Easter eggs.” One of them was Steve Martin’s bleeding nose, which seemed like a nod to “Stranger Things.” There have been a few others, too. But that’s part of the charm. It’s always sophisticated asides, and little moments that propel the action along smartly.

No offense to Steve Martin, but I think even he knows Martin Short steals the show. If he doesn’t get the Emmy Award for Best Actor in a Comedy, there will be murders in the TV Academy. Short just makes every scene his own as Oliver, who’s a unique send up every New Yorker on the Upper West Side who’s had something to do with show business in the last 50 years. Oliver’s references are beyond obscure. If you get them, you feel relieved and also a little embarrassed that you even know what he’s talking about.

Thanks to Hulu for such a lovely summer treat. They should always show “Only Murders” on this timetable. It’s so refreshing, it’s the best way to beat the humidity!

Knives Out Sequel “Glass Onion” May Confirm the Walrus Was Paul: Title Taken from Beatles Song, Movie Set for Holidays

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I told you on June 29th that the title of the new “Knives Out” movie, “Glass Onion,” was from the Beatles song on The White Album.

Now director Rian Johnson says in a Netflix press release: “I’m always fishing for something fun that Blanc can grab onto as an overwrought metaphor that he can beat to death,” he says.  “This is all in plain sight from the very start. So, the idea of glass came to me, something that’s clear. I’ll be very honest. I literally got out my iPhone and searched my music library with the word ‘glass.’ There’s got to be some good glass songs. I was like, “Oh, is it a glass fortress? Is it a glass castle? Is it a glass man?” The first thing that came up, because I’m a huge Beatles fan, is ‘Glass Onion.’” (We may find out if the Walrus was Paul.)

The “Knives Out” sequel — I first reported that there would be more movies starring Daniel Craig as Benoit Blanc — will play in some theaters beginning December 23rd, holiday time, as well as on Netflix. (The streamer must do this for Oscars consideration.) The new movie stars Edward Norton, Janelle Monáe, Kathryn Hahn, Leslie Odom Jr., Jessica Henwick , Madelyn Cline, Kate Hudson, and Dave Bautista.

“Glass Onion” was shot in Greece on a yacht and takes its inspiration from the 1973 cult film, “The Last of Sheila.” directed by Herb Ross and written by, oddly, Stephen Sondheim and Anthony Perkins. That movie featured a murder on a yacht with a starry cast that included Richard Benjamin, Dyan Cannon, Raquel Welch, James Mason, and James Coburn.

No word yet if Netflix shelled out the requisite million bucks to get the Beatles song in the movie, but I wouldn’t put it past them!

Jake Tapper Says of Mar-a-Lago Raid: “I can’t defend anything” And Flushes His Integrity Down the Toilet

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If you slept in a little this morning, you missed the end of Jake Tapper on CNN.

While Brian Stelter interviewed Carl Bernstein on the last episod of “Reliable Sources,” I watched Jake Tapper take a dive on his “State of the Union.” The State of Tapper’s integrity is dead, frankly. After endorsing Jared Kushner’s book, Tapper let despicable eye patched conservative creature Dan Crenshaw spout lies about the January 6th committee, promote the Former Guy, and talk almost uninterrupted. Watch below as Jake actually says, “There’s a lot we don’t know, so I can’t defend anything,” referring to the raid on Mar-a-Lago. You will throw up your cereal.

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Tapper has obviously been ordered by the new CNN to go along with their new mind control, aiming at “less partisan” discussion. The result is that the inmates are running the asylum. Why didn’t Tapper just quit? High mortgage payments? Big private school commitments? This is so beneath him. Between this and the Kushner endorsement, Twitter is raging. CNN may have no viewers by Monday. James Earl Jones may take his voice away.