Saturday, March 21, 2026
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Dumped: Trump Media Stock Price Plummets Almost 7% to All Time Low for Trump’s Pretend Social Media Platform

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You may not have noticed, but Truth Social is in the toilet.

The stock for Donald Trump’s social media platform has bottom out to its lowest price since the day it launched.

Today’s final price for Trump Media is $9.13. That’s down 6.84% from Tuesday.

But that’s also down 55% since this day last year. Or $10.96.

According to semrush, traffic has also plummeted. Visits in January were down 42% from December. The site has an authority score of 57, which means the site carries no weight at all editorially.

Like Trump, who makes spontaneous statements with nothing to support them, Truth Social issues press releases about new video programs and other business plans. None of it amounts to anything and no one takes it seriously.

The stock is basically worthless. It’s a typical Trump grift. The only reason the main corporate investors are still there is to curry favor from barely there, swollen ankle, self-congratulatory buffoon.

Indeed, Truth Social is a social media sewer devoted to Trump’s inane ramblings, and posts from political brown nosers who want Trump to see their names.

Nothing on the site falls under “factual” or even “truthful.” The gist of the posts are attacks on Democrats or immigrants, or both. If it were called Screed Social it would be more aptly named.

Amazon Will Try to Erase the Memory of “Melania” with “Project Hail Mary” with Good Reviews, But “The New Yorker” Hated It

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Amazon Studios has gone a long time in the desert without a hit movie.

Conan O’Brien even made a joke about it on the Oscars on Sunday.

So “Project Hail Mary” means a lot to them. The company will try to erase the bad taste left behind by “Melania,” a $75 million pork barrel that lost all of its money.

Yesterday I wrote that “Melania” had fallen to number 30 on the Amazon list of films and TV shows.

Today, it magically popped up at number 10. Amazing. I guess there was a sudden demand to watch the First Lady’s infomercial.

Almost all reviewers on Rotten Tomatoes like “Project Hail Mary” even though it’s supposedly very similar to Ridley Scott’s “The Martian” — because it’s adapted from a novel by the same writer — and has echoes of Christopher Nolan’s “Interstellar.” Another ingredient is a character that has reminded some peope of Wilson, the volleyball, from “Cast Away.”

“Project Hail Mary” would have 100% on Rotten Tomatoes if not one for main reviewer, Justin Chang, from the New Yorker. He really hated it. You can read his review here.

Chang says: “’Project Hail Mary’ is the most exasperatingly insistent crowd-pleaser I’ve seen in a while. It serves up an elaborate science-fiction plot in easily digestible bites, often with a juicy one-liner or a side order of pratfall…the audience’s good will is a precious, unstable resource, and the flippancy of “Project Hail Mary” expends it recklessly.”

“Project Hail Mary” is long, by the way. It’s either two hours and thirty six, or forty five minutes.

I’ll see it tomorrow, in a theater, with an audience, and report back.

Madonna “Ray of Light” Collaborator Says He Hasn’t Heard from Her in Over 20 Years, Will Tell All in a Book

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Madonna hasn’t made a record of any importance in a very long time. Depending on your age, maybe not in your lifetime.

Her last great hurrah was “Ray of Light,” which was so good she named her foundation after it.

The producer and writer of “Ray of Light” was William Orbit. Like all of Madonna’s songwriters and producers, Orbit never had much to do with Madonna.

He says on Facebook he hasn’t heard from Madge in over two decades.

The worst part is that he’s written and produced a sequel to “Ray of Light,” but she doesn’t care.

“I have an album ready that imho is indeed the successor to ROL.
Everything about how it was made and how it sounds yells that from the first few bars. And I reached out. And there has been heard. Nil response.”

Orbit says: “Zero zero absolute zero hard feelings. Are you kidding, I will always love that woman. For real. She made my career. But am I crying?…I am writing a book, and that’s where I will put that entire story along with my candid reflections.”

Well, that’s a book we’d all like to read. How about including Stephen Bray, Patrick Leonard, and so on, all the writers of Madonna’s hits?

PS When Madonna was inducted into the Songwriters Hall of Fame, she didn’t thank one of them. Not one.

 

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Jane Fonda, at 88, Will Try for a Third Oscar Starring in Film Version of “The Correspondent” Based on the Novel

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Jane Fonda is irrepressible.

With two Oscars on her resume, she will try for a third by starring in (and producing) “The Correspondent” after Lions Gate won a bidding war.

This is a film adaptation of the bestselling book by Virginia Evans.
“The Correspondent” has sold over a million copies.

Fonda has starred in several comedies since she returned to acting, but none them quite stuck the landing. Her biggest success has been the Netflix TV series, “Grace and Frankie,” with Lily Tomlin, which ran for seven seasons.

How Jane, at 88, has the time or energy to produce and star in a movie is anyone’s guess. Her ardent political activism seems to put her in the spotlight on a daily basis. But good for her. She’s a role model for not allowing grass to grow under your feet, as we used to say.

No director has been found yet, but I would go to Lasse Hallstrom. The script is being written by Cat Vasko, a Black List screenwriter who’s already signed up for a few different projects.

“The Correspondent” is described as centering on the unforgettable Sybil Van Antwerp, a sharp-witted, fiercely opinionated, retired lawyer who has long used letters to impose order on a complicated world — writing to friends, family, literary icons, and one elusive recipient whose message she has never sent. But when an unexpected letter from her past resurfaces, Sybil is forced to confront a long-buried chapter of grief, regret, and unresolved guilt.

Cross fingers will see this in 2027, which might mean an Oscar nomination for Fonda at age 90! By the way, she won Best Actress awards for “Klute” and “Coming Home” in the 1970s, and has a bunch more nominations.

Report: Anna Wintour Tries Again to Have a Legit Filmmaker Make a Self-Serving Documentary About Her — Will it Work?

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Poor Anna Wintour.

Years ago she allowed documentary filmmaker RJ Cutler to make a doc about her and Vogue. It was called “The September Issue.”

The whole thing blew up in her face. She came off very badly, and the charming Grace Coddington was the star of the movie because she seemed human as opposed to Anna’s chilly scenes of Wintour.

Coddington wound up leaving the magazine, by the way.

But years have passed, and Melania Trump got her own documentary. So why not try again?

Page Six reports that actor-director Fisher Stevens has been brought in to make a doc just about Anna. I’m sure she expects a valentine, a white wash, a love letter to the woman behind the sunglasses.

But Stevens isn’t a fool. How Anna toppled Grace Mirabella to become editor of Vogue is just the start. Her Lady Macbeth machinations at Conde Nast are a great story. Also, her first marriage could be a movie.

Will we see any of that? And who will be the Grace Coddington of this movie? One of the best scenes in “The September Issue” was Anna coming to breakfast with her children wearing sunglasses.

And by the way: it’s LOL to see Wintour being so chummy with Anne Hathaway on the Oscar stage. Years ago, at Harvey Weintein’s wedding to Georgina Chapman, I introduced Anne to Anna. Hathaway spotted Wintour and asked if I could do the job. I said, She had just starred in “The Devil Wears Prada,” a movie that did Wintour no favors.

As we were leaving the wedding, I said, “Anna, do you know Anne Hathaway?”

Wintour imperiously looked over her sunglasses at Hathaway. She said, with trademark steeliness, “Yes,” and abruptly turned on her heel, and left. We all exploded in laughter as Wintour trailed away.

Anna is a survivor, so she’s definitely on board for the new “Devil Wears Prada.” She gets the joke now. So the movie opens the same week as the Met Ball, and the stars will all be there. Better to have them pissing off the red carpet than pissing on to it!

PS This year’s co-hosts are Nicholas Maduro, Count Chocula, Erica Kirk, and the new Ayatollah’s boyfriend.

Trailer for “Spider Man: Brand New Day”: Will MJ Remember Peter Parker? Did Zendaya and Tom Holland Get Married?

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It’s time for another “Spider Man” movie.

“Brand New Day” is coming on July 31st. The difference between this one and the others is that no one remembers Peter Parker aka Spider Man.

Also, no one knows if Zendaya and Tom Holland got married or if she was part of a promotional plug for another movie?

One more question: If they ever do get married, will Zendaya walk down the aisle to the “Spider Man” theme song? Will Tom swing in first?

Lots of guest stars in the latest edition, including Sadie Sink and Jon Bernthal. But no Marisa Tomei. They killed off her character, Aunt May, in the last chapter. She will be missed!

This is the fourth “Spider Man” movie with this main cast. There are now 10 altogether.

There will be 10 more if Sony can swing it.

Harry Styles Mania Increases “SNL” Ratings But Doesn’t Break Any Records: Comes in Fourth Highest for This Season

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Harry Styles is a pop superstar, but he didn’t do a lot for “SNL.”

As host and musical guest I thought Harry might crack 5 million viewers.

Instead he brought in 4.79 million which wasn’t bad but didn’t break any records.

Harry’s episode ranks 4th so far this season, well behind the Christmas show with Ariana Grande and Cher at 5.4 million.

Still, Harry increased “SNL” from the prior week with Ryan Gosling, which came in at 4.34 million.

Styles’ episode was solid and very funny. But I was surprised by his choice of songs. He didn’t sing his hit, “American Girls.” Neither of the songs he did perform have done much on the charts since the weekend, and his new album has fallen to number 3 behind Bruno Mars.

Overall, “SNL” is having a mid kind of ratings year. But, in season 51, they hang tough. The show will still be going long after we’ve left.

Meantime, “SNL” has launched in the UK. Their first host this Saturday is Tina Fey.

No Glitz, No Glamour, No Numbers: Oscars Fall in Ratings from Lack of the Outrageous or Spontaneous, But Next Year Could Be Better

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Don’t be surprised by the low Oscar ratings.

The show offered no glitz or glamour. There was nothing outrageous or spontaneous.

Remember the days of Cher coming out in a wild outfit? Now the dresses are so sublime, they’re sleep inducing.

I said last week when the presenters were announced that the show seemed pedestrian. Instead of drawing on the living legends who could spice things up, the producers went for safe people all under the age of 50. Where was Jack Palance doing a one armed push up?

And on that subject: Goldie Hawn and Kurt Russell were sitting in the audience to root for daughter Kate Hudson. Why weren’t they presenters? That was a waste of talent. Others were wasted, too. So many stars — like Annette Bening — came for the Rob Reiner tribute? Why didn’t they present?

Also, it was obvious that the Academy and ABC advised winners against making political statements. The only person who didn’t listen was Javier Bardem, who offensively yelled “Free Palestine!” before the censors could bleep it.

But we’re in an undeclared war with Iran. No one said a word about it. I wish when Sean Penn won, someone read a statement that he was in Ukraine. That would have been a jolt.

The complaints could go on and on. The only thing we know is that next year, we will have BIG Movies in the running, hopefully. “Disclosure Day,” “Dune 3,” “The Odyssey,” a new Joel Coen movie. We’ll cross our fingers that the telecast is in February, and that the producers will look for some pizzazz.

One last thing: there’s no sense of occasion or grandeur when you’re told “an episode of The Bachelorette” will follow the Oscars. No! The Oscars are supposed to run late, keep you up, make you late in the morning. ABC has diminished the importance as if the Oscars are a lead-in to their insipid dating show

Oscar Ratings Drop 9% from Last Year to 17.9 Million, Down 2 Million from 2025 with Better Movies But More Somber Show

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The Oscar ratings tumbled on Sunday night.

Down 9% from last year, or by 2 million viewers, to 17.9 million.

This was the biggest drop since 2022.

While it was a well produced show, it was also lackluster. As I predicted, the cutting of three current Best Song nominees, plus a lack of Hollywood glam, really did them in.

Also, as predicted, the show was very somber because of all the In Memoriams that had to be addressed.

It was also a predictable year from the outset. Having the Oscars so late — none of the nominated movies are still in theaters — killed the excitement. For months we’ve known that “One Battle After Another” was the winner. “Sinners” was always the runner up. We knew all the acting winners, too.

The Oscars cannot go beyond February 28th. March 15th was a mistake.

It wasn’t Conan O’Brien’s fault, but even he felt subdued. After all, he was an unwitting part of the Rob Reiner tragedy that was not so long ago. In his promos, Conan seemed a little off. Who could blame him?

Not having five songs didn’t help. The Academy’s decision to feature only two of the nominated songs was nearsighted.

My other peeve about Sunday’s show was the set. It was so dull and lifeless. Where did Hollywood go? I felt like I was at suburban mall spa. Trees? What?

Still, TV expert Joe Adalian points out that the Oscars were held after the change to daylight sayings time, unlike previous years. They started early, and a lot of competitio including World Baseball Classic.

We can nitpick forever, but I do think the real issue is waiting too long. And, personally, maybe not rely on influencers for promotion. Social media didn’t help at all.

CBS Evening News Ratings Crash Below 4 Million as Viewers Turn Away from Network Debacle, Bad Press, and Bari Weiss

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Tony Dokoupil got taken out last week.

New numbers for CBS Evening News show a crash below 4 million to 3.83 million viewers.

That’s a new low for the show, and for Dokoupil since he took over.

Yikes!

The show’s turn to the right under CBS News chief Bari Weiss, coupled with a lot of bad publicity about CBS News in general have undermined the network’s lead show enormously.

The Dokoupil broadcast has lost 15% of its viewership in the key demo. It’s significantly down from the CBS Evening News from a year ago.

What’s happened? An erosion of confidence in Weiss’s management of the network and the show. What was the Tiffany Network been systematically tarnished. Viewers are turning to NBC and ABC where they’re getting consistent news coverage, not Weiss and her employer, David Ellison, pandering to the Trump administration.