Tuesday, December 23, 2025
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James Bond 23 News: It’s On, Says Director’s Ex (Kate Winslet)

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James Bond 23 is on, says Kate Winslet. She happens to be the ex-wife of the film’s director, Sam Mendes. She mentioned all this to famed British entertainment reporter Baz Bamigboye last week at the cocktail party she hosted for Michelle Williams, star of “Blue Valentine.”. Bamigboye reported it on Friday in his famous column in the UK Daily Mail.

http://tinyurl.com/2ebjdae

And then, of course, light fingered Tim Adler, the London correspondent for Nikki Finke’s Deadline Yesterday blog, shoplifted all the information.

Unfortunately, Adler is just a disaster that he got wrong the name of well known British theater actor Simon Russell Beale, leaving out his first name. Adler lives in London and should know the man’s name isn’t “Russell Beale.” It would be like calling Sarah Jessica Parker “Jessica Parker.”

Anyway, Bamigboye–not Adler or Deadline Yesterday–reports first hand that Winslet will move her children to London when Mendes starts shooting Bond 23 next year. Bambigboye is the one who wrote these words: “casting has begun.” I like how Adler uses “I’m still hearing from 007 insiders.” Stuff and nonsense. Adler’s reading it in the Daily Mail.

And by the way, Simon Russell Beale–who’s very talented– will have a small part, it’s likely, in Bond 23.  He’s completely unknown to American audiences. The big players in the movie–along with Judi Dench–will be more A list names.

“Law & Order SVU” Jeremy Irons Doing Guest Spot

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Randee Dawn reports for us:

Jeremy Irons has been suiting up for nefarious – though papal – duty over at Neil Jordan’s “The Borgias” at Showtime lately (the series
begins airing in 2011) – but he’s making an extremely rare trip to broadcast with a just-announced guest role on “Law & Order: SVU.”

Irons will tape this month for an episode that airs early next year.

And talk about casting to type – the Academy Award-winning actor (who rarely slums it on TV, “Borgias” aside”) will play “a sex therapist who runs a sex addiction rehab clinic,” according to the show. If he’s anything like the various other deviants he’s played in the past (paging “Dead Ringers,” “Damage” and “Reversal of Fortune,” to name just a few), he’ll be equal parts charming and perverted.

“SVU” has made a habit out of this kind of stunt casting – which often wins the show its only Emmy Awards; Ann-Margret took home a prize in
August for her appearance. With the 12 year old series still hitting solid ratings (9.2 million last week, bested only by “Survivor: Nicaragua”) it should be able to weather the shakeup coming when its longtime executive producer/showrunner, Neal Baer, exits next June for a 3-year deal at CBS.

My (Everyone’s) Dear Friend, Elaine Kaufman, 81 Years Young

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The hardest thing to report is the death of a friend. For more than 20 years, Elaine Kaufman has played such an important part in my life. Birthday parties, New Year’s Eve, just hanging out.

Two Fridays ago I visited her in the late afternoon at Lenox Hill Hospital. She was asleep and probably never knew that I’d stopped by. Her heart was giving out. She’d been living on oxygen tanks, using them during the day at home, then coming to the restaurant from 8pm until 1 am.

No one understood it, but it was where she wanted to be: sitting with her friends, listening to the gossip, bragging about who’d been in during the last few days. It was only a week earlier that I’d driven her home around 12:30am. She was pooped. It was unusual. Until recently, Elaine could stay at the restaurant until 2am. She loved it.

There are literally millions of stories about Elaine. Her close friends of the last few years are devastated almost beyond words. We have lost a certain center of our lives. It was only back in February of 2009 that we’d celebrated her 80th birthday, and a few weeks later, the 45th anniversary of the restaurant.

I wasn’t there when Woody Allen made it Elaine’s really, really famous in the 70s. I couldn’t tell you exactly what propelled me there in the 1980s but it was most likely Bobby Zarem’s innumerable parties. Book parties, all kinds. The invites were always special, and made going to Elaine’s an event. I met so many people I know now, or knew–because they’ve also passed–people who I cherished like Robert Altman and Rona Jaffe, Neil Travis, George Plimpton, Peter Maas. The walls of Elaine’s are lined with book jackets because it was about writers. Elaine had so much respect for them: Bruce Jay Friedman (no relation), Carol Higgins Clark and her mother, Mary Higgins Clark, Stuart Woods, and — in years passed–Kurt Vonnegut.

“Do you know who that is?” Elaine would say to me when I arrived on any given night. She’d be pointing to a back table. “That’s”– and it would be so and so, somebody so legendary you couldn’t believe it. She wanted me to meet them. Dave Brubeck! Lorna Luft! Dabney Coleman! “Jack was here.” she’d say–Nicholson. We spent a whole night kibbitzing with Phyllis Diller.Al was here yesterday.” she’d say, meaning Pacino. You’d run into people anywhere in the world and we were from Elaine’s. It tied people together. At Dan Tana’s in West Hollywood you run into New Yorkers. Why are they there? Trying to recreate the Elaine’s experience. And they loved her: friends like Michael Caine and Sean Connery. Michele Lee. Lainie Kazan, whom she adored. In her heyday she traveled with them to places like the Deauville Film Festival. Ahmet Ertegun, the names go on and on.

It’s Chanukah this week. Usually I give Elaine a big necklace. Last year she particuarly loved her gift. We got bottles of delicious Port wine, hunks of cheddar cheese. Elaine was great friends with the Steinbrenner family, and cherished her World Series rings. She regifted me something treasured given to her by George Steinbrenner-– a Yankees World Series jacket that I will wear now to every game regardless of the weather. (The last time George and his family were in the restaurant Elaine said, “Don’t tell them where you got that!”)

There’s more–hours more– of reminiscing. One late night, an old regular wandered in, very drunk. The guy all of a sudden got very angry at Tony Danza, who was eating with us–for no reason. This was a big guy, too, and there weren’t many people in the restaurant. He took a swing at Tony from a standing position and proceeded to fall forward onto the ground. With a thud. Elaine just said to the waiters, “Clean him up.”

My dear, Elaine. Thank you for everything. Thank you for so much love and laughs and a million great nights that I will never forget.

Nicole Kidman: It’s A Nashville Christmas with Keith Urban

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If Nicole Kidman winds up winning the Oscar for “Rabbit Hole” this season, she has one person to thank–herself. Kidman produced the movie, based on the Broadway play, and even made an off beat choice of John Cameron Mitchell (“Hedwig and the Angry Inch”) to the direct the film. It’s all worked out beautifully.

Last night, Kidman–who produced the film and is doing more of that now–arrived with a bad case of laryngitis, country superstar husband Keith Urban, and no regrets. She piloted this project to victory. Here is Kidman unplugged, accessible, wry and wise.

Before she skedaddled from the Plaza Hotel party at the Oak Room, Nicole told me–in a voice more befitting Rod Stewart– that she and Urban are spending Christmas in Nashville. She’s become addicted to Tennessee. Who would have guessed that would happen?

“Rabbit Hole” is maybe the only movie of this Oscar season to have plenty of laughs but still leave the audience weeping. I heard grown men cry last night at the Paris Theater premiere. And they weren’t even afraid to do it in front of Don Draper himself, Jon Hamm, who came with Jennifer Westfeldt, plus the “Rabbit Hole” cast–Aaron Eckhart, Sandra Oh, Giancarlo Esposito, Tammy Blanchard, and Miles Teller.

The only person missing was Dianne Wiest, the two time Oscar winner who stays away from premieres like the plague. Too bad–she’s phenomenal as Kidman’s straight talking mother. Add her to the long list of supporting actress possibilties this year along with Helena Bonham Carter, Kristin Scott Thomas, Melissa Leo, Jackie Weaver, and Amy Adams.

SAG voters should take a look at “Rabbit Hole” for Best Ensemble work, right alongside “King’s Speech,” “Social Network,” “The Fighter,” and “The Kids Are All Right.”

Movies: Great Unheralded Performances of Oscar Season — Julianne Moore, Frank Langella, Etc.

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If you’re going to the movies this weekend, here are some people to look out for.

Barbara Hershey–plays Natalie Portman‘s maybe crazy, maybe crazy as a fox mother in “Black Swan” vividly. Hershey should have won an Oscar years ago for her work in “Portrait of a Lady.” She’s one of our finest actresses, and never talked about enough.

Dustin Hoffman–plays Paul Giamatti‘s father in “Barney’s Version.” This is an Oscar worthy performance, and Academy voters should note it. Hoffman, like Mary Tyler Moore, can turn the world on with that sly smile. Bravo.

Jennifer Ehle–is Geoffrey Rush’s wife in “The King’s Speech.” Ehle is the daughter of famed actress Rosemary Harris, and a star herself in London on stage. As Mrs. Lionel Logue, she nearly steals her scenes from players Rush, Colin Firth, and Helena Bonham Carter when she discovers the King and Queen of England in her kitchen.

Julianne Moore–you can rent, download, upload, whatever “The Kids Are All Right” now. Moore is being pushed with co-star Annette Bening for Best Actress. They should each be nominated. For all of Bening’s character’s serious business, it’s Moore–playing with Mark Ruffalo–who shows comic genius and brings extra radiance to the fine film.

Frank Langella–two movies, and nowhere to slot this former Oscar nominee in this year’s races. Langella was absolutely brilliant in “Wall Street 2.” Now watch him as Seymour Durst head of a powerful New York real estate family in Andrew Jarecki’s surprisingly effective “All Good Things.”

National Board Not a Great Oscar Predictor–7 Times Right out of 20

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The National Board of Review is not a great indicator of the Academy Award.

The NBR has chosen the Best Picture only 7 times in the last 20 years. They’ve only picked it three times in the last decade.

What the NBR does do is build up false hopes. They were the ones who got the “Up in the Air” crowd riled up. They were very disappointed later.

2010     The Social Network
2009     Up in the Air
2008     Slumdog Millionaire- won the Oscar
2007     No Country for Old Men – won the Oscar
2006     Letters from Iwo Jima
2005     Good Night, And Good Luck
2004     Finding Neverland
2003     Mystic River – won the Oscar corrected: lost to “Lord of the Rings”
2002     The Hours
2001     Moulin Rouge
2000     Quills
1999     American Beauty – won the Oscar
1998     Gods and Monsters
1997     L.A. Confidential
1996     Shine
1995     Sense & Sensibility
1994     Pulp Fiction  (tie) Forrest Gump – won the Oscar
1993     Schindler’s List – won the Oscar
1992     Howards End
1991     The Silence of the Lambs – won the Oscar

‘Social Network’ Wins National Board (of Fan-Reviewers) Award; Clint Eastwood Gets Annual Prize

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The bogus National Board of Review voted Aaron Sorkin‘s “The Social Network” Best Film of the year.

The NBR– a group of fans who pay $600 a year to belong and see films, and $600 a ticket for the annual gala–gave “Social Network” also Best Actor, Best Director, Best Screenplay.

Not to go too off course, they included several poorly reviewed or just bad movies in their top 10, to satisfy the studios and their own personal needs. Included on that list were Sofia Coppola’s dreadful “Somewhere,” and Clint Eastwood‘s disappointing “Hereafter.” They even gave Coppola a special award for Filmmaking Achievement– Sofia Coppola for writing, directing, and producing “Somewhere.” This is beyond laughable.

Eastwood’s archivist, Jeanine Basinger, is on the NBR Board. Much as we love Clint, too, it’s a little hard to believe that no year passes without him getting something from the NBR.

According to the group’s federal tax filing, students at Wesleyan University, where Basinger teaches and the Eastwood archives kept, got $11,ooo in student grants last year.

The NBR gave nothing at all to some of the best reviewed films of the year: “Blue Valentine,” “127 Hours,” “Black Swan,” or “The Kids Are All Right.” They also chose for Best Actress Lesley Manville, a British actress from a very film, “Another Year.” They skipped over Annette Bening, Julianne Moore, Natalie Portman, and Nicole Kidman.

They named “Youth in Revolt” one of the best independent movies of the year. Hah! I can’t stop laughing. This was over all these  other aforementioned titles.

The NBR awards are rarely an indicator of anything, and certainly not the Academy Awards. They also will have a lot of trouble getting press this year. Their awards banquet is the same night “Spider Man: Turn off the Dark” officially opens on Broadway.

Exclusive: Ronni Chasen–Her Brother Thinks “It Was Road Rage”

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Ronni Chasen‘s brother, screenwriter Larry Cohen, says he thinks his publicist sister’s death was due to “road rage.”

Cohen, whom I spoke with this afternoon, is awaiting word like everyone else from the police about who killed his sister on November 16th and why. Cohen is grieving; his voice on the phone can only be described as distant.

Cohen  told me, “I’m sure it was road rage. I’m sure it was some kind of random thing.”

When I mentioned to him that most reports indicate a personal motivation for the murder, he said he disagreed. “Everything I’ve read in the paper is wrong. Everything the New York Post wrote about Ronni was wrong: the difference in our ages, when she changed her name, everything.”

Cohen brought up mistakes in the papers, and then I asked about the rumors of a family member having gambling debts. He insisted, “I don’t play poker. I don’t gamble. My two daughters don’t gamble. Someone writes something on the internet and it’s everywhere, whether it’s true or not.”

So we’re clearing this up for Larry Cohen and hope, like him, that answers are forthcoming and satisfying.

PS Larry Cohen did see his sister quite a few times, he says, before she died. They ran into each other at Wolfgang’s Steak House in Beverly Hills the day before she died. “We also were at the premiere of Black Swan together,” he said, a few days earlier. It’s not much, but it’s something to hold on to.

P Diddy Goes Sarah Palin’s Way, Becomes Word Maker with “Repercaution”

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First Sarah Palin invented “refudiate” out of repudiate and refute.

Now Sean P Diddy Combs has invented “repercaution” out of repercussion and caution.

Isn’t it great that our finest intellectuals are working on changing the language?

“Repercaution” is a song on Diddy’s new album, “Last Train to Paris.” You can find some of the tracks streaming on Vogue.com. Why a fashion website? Because Combs is about fashion, not music. The new album actually features Vogue’s Andre Leon Talley and Anna Wintour, designers like Marc Jacobs, Tommy Hilfiger, Zack Posen, and Isaac Mizrahi doing spoken word bits.

Can you imagine this? Anna Wintour reciting: “I’m Anna Wintour, and you’re listening to ‘Last Train to Paris.'” Anna Wintour, she’s in da house!

Other song titles include “Ass on the Floor.”

The album is dripping with pretentiousness; tacky is not a quality Combs avoids.”What would you do if I was the perfect man?” Combs asks a girl between tracks. You know, Saltines are good for nausea.

On other hand, if you can skip through the bs, there are some nice R&B songs here, well sung by various guests, and no doubt sampled from everything. Combs’s singing, well, is not quite in fashion yet.

You know, if only Stevie Wonder had used bits from Pierre Cardin, John Weitz and Bill Blass — and Diana Vreeland and Alexander Lieberman–on “Songs in the Key of Life.” He would have had some career!

Grammy Awards Snubs: Alicia Keys, “Hey Soul Sister,” R&B

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Who can explain the wacky Grammy Awards and their weird nominations?

Last night, the announcement came on national TV. Justin Bieber and other prefab product dominated the screen. So weird, so like the Grammys of the past.

The biggest snub: Alicia Keys. While she and Jay Z got a Record of the Year (a single track) nomination for “Empire State of Mind,” the catchiest song of 2009 and 2010 missed Best Song. And the album from which it came was ignored altogether–“The Element of Freedom.” Where was Keys’s great single, “Try Sleeping with a Broken Heart”?

Keys, who’s probably the best new artist of the last decade, hasn’t gotten much love from the Grammys in recent efforts. Keys’ absence from Best Album means the category is all white, there’s no R&B, just people mimicking it like Eminem and Lady GaGa.

The other record of 2010 that got almost nothing was Train’s “Hey Soul Sister.” This had to have been one of the most played songs on the radio this year, and a good one. It has one nomination, and for a “live” version, not the studio record. Go figure.

The big winners in the nomination game: Eminem, Katy Perry, Cee Lo, Lady Antebellum, and the less Lady like, Lady GaGa.

Michael Jackson was nominated for his vocal on “This Is It,” a song co-written with Paul Anka and given a lackluster production last year. Still, it was nice.

Luckily, even though his machine tried to orchestrate something, the annoying Bieber was limited to just two nominations: Best New Artist, and Best Pop Album. If he wins either, it will be an embarrassment. But he’ll no doubt be all over the Grammy telecast promoting his concert film. It’s going to be released on the Friday before the Grammys. One can only hope he won’t be chosen to sing for Barbra Streisand at the MusiCares dinner.