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Producer: James Bond 23 Will Be 50th Anniversay of 007 Franchise

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“James Bond 23” will be released in November 2012, to coincide with the 50th anniversary of the James Bond movies.

So says Barbara Broccoli, exclusively. She was having lunch with us at a gathering for “The Social Network” this afternoon at the Four Seasons restaurant. Almost simultaneously the announcement was going out about Bond 23, directed by Sam Mendes.

Deadline Yesterday (as I call it) never had an exclusive on this. A few weeks ago their London correspondent, Tim Adler, lifted a story by Baz Bamigboye out of the Daily Mail and pretended it was his. Indeed, Bamigboye had interviewed Kate Winslet, ex wife of Mendes. She told Baz that she’d be moving her kids to London for the Bond 23 shoot. That was the first time anyone knew that Bond 23 was on. I don’t know why Deadline’s money man, Jay Penske, doesn’t get this.

Anyway. at lunch Broccoli told me that there had to be a Bond movie in 2012 because the major anniversary. Barbara’s father, Cubby Broccoli, was a genius when it came to marketing these films. The apple doesn’t fall far from the tree.

Now there will be speculation where Rachel Weisz, who is infamously having an affair with Daniel Craig, will sign  on. That would be a coup.

ABC Waits on “Brothers & Sisters” and “Desperate Housewives”

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Is it the end for Sally Field’s prime time soap, “Brothers & Sisters”? It sure looks like they’re wrapping up their stories. On Sunday night, Patricia Wettig‘s Holly said goodbye and moved to New York. Holly was the show’s antagonist. Without her, there’s no real story. Wettig made for a great villain. So the party may be over.

“Brothers & Sisters” –the story of rich white people who know how to drink expensive wine, cook well, and are extremely PC–could have been a great soap. When it began, it was all about the family’s produce business in Ojai, California. It was also about the patriarch’s secrets (he was so well played by Tom Skerritt) but killed off in the first episode.

Unfortunately, “B&S” has been a lot of b.s since then–countless writers and show runners, lots of internal fighting, the forcing out of creator Jon Robin Baitz. The show has squandered all of its potential faster than any I can think of in recent history. ABC is still waiting to decide whether to renew it. It’s probably time to say goodbye.

ABC is also vacillating on “Desperate Housewives.” It, too, has run its course, but may survive for lack of a replacement. “DH” was always a show that burned through its stories too quickly. It’s like “Knots Landing” with ADD. Plus, Felicity Huffman has been wasted on ridiculous storylines; her character is always pregnant. The show is still narrated by a character who inexplicably committed suicide in the first season–which was really when the show jumped the shark. No one’s taken it seriously since then.

ABC Family: More Underage Sex For At Least Another Season

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ABC, it’s not as easy as 1-2-3. Randee Dawn reports from Pasadena:

Shonda Rhimes and 10 other cast/crew from her new series “Off the Map” took the stage to preview the series; ensemble cast member Mamie Gummer (daughter of Meryl Streep) discussed putting her burgeoning feature career on hold to join a regular series by saying she was a “Grey’s Anatomy” fan, “so I knew the quality of work would be held to account and be good. The opportunity that it afforded me to live with a character for a long time was a good experience … and Hawaii [where the show will be filmed] wasn’t a bad draw.”

Rhimes — creator of “Grey’s Anatomy” and “Private Practice”–also elaborated a bit more on the just-announced pilot ABC is potentially picking up for her next (which will make her fourth series for the network), noting it will “revolve around the life and work of a professional fixer in Washington, D.C.” She also acknowledged it would likely be a procedural….

…“Pretty Little Liars” is now renewed for a second season; “The Secret Life of the American Teenager” will come back for a fourth, meaning there’ll be plenty of underage, questionable sexual behavior all over ABC Family for at least another season. When queried about the dubious nature of a minor dating her teacher in secret, showrunner I. Marlene King decided to emphasize that it was about them being “soulmates” and that it’s all about “romance” and how you never see her sleeping over. So we’re supposed to believe that, you know, a) this is OK and b) they’re not having sex. Now that’s magical kingdom thinking! And naturally, the show’s one of the network’s most popular (four more books are slated to be written in the series, which started out in book format, which means there’ll be loads of this kind of stuff for years to come)….

…President of ABC Entertainment Group Paul Lee may be relatively new in his slot, but has grand ambitions to put his stamp on the Alphabet, including emphasizing showrunners’ roles in series and possibly expanding to a third night of comedy and venturing sitcoms into the 10pm slot, a place traditionally held by dramas. “I have a twinkle in my eye to build another night of comedy,” he noted.

“The Fighter”: Real Life Mother Alice Ward Gravely Ill in Boston

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At last night’s New York Film Critics Circle dinner, actress Melissa Leo revealed that the woman she plays in “The Fighter,” Alice Ward, is gravely ill in Boston.

Ward is the mother of fighter Micky Ward, played by Mark Wahlberg in the film. Leo won Best Supporting Actress last night from the NYFCC, and is on her way to an Oscar nomination and possible win.

Leo told the story of how Alice Ward– depicted in the film as single minded and a survivor– had a massive heart attack last week, and a stroke, “died,” and came back.

According to Boston.com, Ward, now 80, is now able to speak after being dead for an hour or more. If you’ve seen the movie, then it all sounds quite believable.

“She survived after CPR went on for 45 minutes,” Leo said.

Leo, Wahlberg, Christian Bale–who memorably plays Alice’s other son, Dicky–and Amy Adams are likely all headed to the Oscars. Yesterday director David O. Russell received a Directors Guild nomination for his work on “The Fighter,” which means he’s on the path to an Oscar nomination as well. After hearing this story, it wouldn’t surprise me if Alice Ward turns up at the Kodak Theater, too, on February 27th. Speedy recovery!

Spider Man On Broadway Swings As Top Money Maker

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“Spider Man: Turn off the Dark” turns on the money. Last week, “Spider Man”–still in previews–was the number 1 grossing show on Broadway.

The $65 million “Spider Man” –the most expensive Broadway show ever, by far–topped both “Wicked” and “The Lion King” with $1.588 million. It beat “Wicked” by just $58. Both “Spider Man” and “The Lion King” were conceived by Julie Taymor.

You could put an asterisk in and say that Spider Man’s theater is bigger than the one in which “Wicked” plays. But why rob Spidey of this much deserved moment? It’s also playing at 100% capacity.

“Spider Man” opens on February 7th after two delays. Yesterday I heard a whisper of another postponement, but I’m sure it’s not true.

The show has three weeks to make changes–add a much needed ending, and beef up the fun in the relationship between Peter Parker. Spider Man’s alter ego, and Mary Jane.

The ending is the biggest problem–the audience still doesn’t realize the show has concluded. The flourish of a flying Spider Man will instigate a standing ovation.

But what a rebuke to the New York Post’s campaign to kill this show. Box office has just gotten bigger and better. Nicely done. And this week. the New Yorker sends the show up with a clever cartoon cover. That should only add to the publicity.

King’s Speech Gets Royal Lunch; DGA Picks Its Top 5, Snubs “Grit” and “127”

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“The King’s Speech” got a royal lunch yesterday at a fancy shmancy private club on Fifth Avenue yesterday. We were asked not to say which one, for fear the members will be bombarded by outsiders with questions. Suffice to say, it was the real thing. A clue: its name reveals a position you might sit in.

Anyhoo: Director Tom Hooper –who’d moments before heard about his Directors Guild nomination–and stars Colin Firth and Jennifer Ehle were hosted by Harold Evans and Amanda Foreman. CNN’s new chat show host Piers Morgan was joined by Liz Smith, Trudie Styler, Neil Simon and Elaine Joyce, Kim Cattrall, F. Murray Abraham, Al Maysles, Freddie Hancock, Israel Horovitz, Hannah Pakula, etc.

Harry Evans, who’s 83, told the crowd: “I remember the King’s Speech. I mean, I remember the King’s speech.”

So did the several Brits who showed up who are associated with actual royalty. One of the guests, Edwina Sandys, a granddaughter of Winston Churchill and an artist, gave the movie and the discussion–with Foreman moderating Hooper and Firth–a thumb’s up…

The Directors Guild of America issued its five nominations on Monday. Basically, they’ve chosen what will likely be the five Best Films of the year. Their choices: Tom Hooper for “The King’s Speech,” David Fincher for “The Social Network,” Chris Nolan for “Inception,” David O. Russell for “The Fighter,” and Darren Aronofsky for “Black Swan.”

No “Toy Story 3” or “True Grit” or “The Kids Are All Right” or “127 Hours” or “Blue Valentine.” Those are likely the next five, in the Oscars’ top 10.

But DGA nominees normally predict Oscar nominees. And unlike the Golden Globes (haha) there was no mention of “The Tourist” or “Burlesque.”

Nolan might be considered the weakest choice in the DGA group, possibly vulnerable to one of the others replacing him. But frankly, between bending the city over on itself, and those guys floating through the hotel, I think he’s solid. His real Oscar nemesis might turn out to be Ben Affleck.

NY Film Critics Dinner: “Social Network” Writer Has Seen “King’s Speech” Three Times

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And things were going so nicely at the annual New York Film Critics dinner. There were toasts and acceptance speeches. Everyone was so happy. “The Social Network” won Best Picture.

Then “Black Swan” director Darren Aronofsky took the stage to present his cinematographer, Matthew Libatique, with an award. Without flinching he took a shot –verbally– at Armond White, current chairman of the Critics Circle. He was on stage, standing right behind Aronofsky. White didn’t like “Black Swan.” Aronofsky wasn’t going to let it pass. He opened fire.

“Sorry, it was my only chance,” Aronofsky told an audience that included Warren Beatty and Annette Bening, James Toback, Colin Firth, Tom Hooper, Kerry Washington, Mark Rufffalo, David O. Russell, Stanley Tucci, Aaron Sorkin, Lesley Manville, Edward Norton, Lisa Cholodenko, Paul Schrader, and so on.

White retaliated when he regained the mic. “Darren reads me. That’s all I need,” he said. Later, at the end of the evening, White then lashed out at his fellow critics. “At least “Greenberg” didn’t win anything,” he said, referring to Noah Baumbach’s Ben Stiller movie. A resounding “ouch” went through the audience.

Well, at least the NYFCC wasn’t boring. It was a little brutal, always fun, and very intimate. Organized by veteran press rep Jeff Hill–who was surprised when he was presented with a special award –the NYFCC was the kind of evening tonight’s National Board of Review won’t be–authentic.

The best speeches were personal. Michelle Williams, introducing Best Supporting Actor Mark Ruffalo, noted the she and the Ruffalo’s live in the same town upstate. It was at a carpool that Williams spied Ruffalo cleaning a kid’s vomit out of the backseat of his SUV. (Really times have changed. No such speeches were ever made about Henry Fonda or Al Pacino!)

Ruffalo conceded that it was true, and then got emotional thanking his wife for allowing him to be an actor.

During the evening, “Social Network” screenwriter Aaron Sorkin told Firth and Hooper that he’d seen “The King’s Speech” three times. “There are a lot of similarities,” Firth said of the two movies. “They’re both about loneliness,”

Of course King George VI only needed one friend–Lionel Logue. Mark Zuckerberg needs 500 million on Facebook.

Melissa Leo, so good in “The Fighter,” met Annette Bening. Ruffalo got to meet Beatty, who told me his plans for another movie are still forming. “I always took a lot of time,” he told me. We talked politics, and Beatty told me about viewiing the many Oscar contenders on his new big screen home theater.

Bening said she’s done two plays in Los Angeles this year. But she can’t come back to Broadway right now. “My kids are still too young,” she said. “They’re still at the ages where you have to be there for them.” She’s taken Susan Sarandon’s theme–only work in town during the school year.

I sat at a table right at the front with “Animal Kingdom” director David Michod and supporting actress candidate Jacki Weaver. They are fresh from Australia. A year ago at Sundance I told them they’d be at the Oscars. Now Michod won Best First Feature last night. Weaver is up for a bunch of awards. They are shocked, to say the least.

More people told me surprisingly candid things, then added: “Don’t print that.” Or “this isn’t an interview.”

Will Warren be at Friday’s Critics Choice Awards in Los Angeles? Yes. “I do what I’m told.”

Warren Beatty Is In the House and “All Right”

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Warren Beatty is here, he is–as they say–in the house.

Warren is in New York to help wife Annette Bening in her quest for an Academy Award. This is called pulling out the big guns, because Natalie Portman, let’s face it, is pregnant and engaged, and Nicole Kidman has Keith Urban.

Last night, media shy Focus Features threw a dinner for Annette. No press attended because “Extreme Makeover: Home Edition” was on.

The buffet dinner in the parlor room of the Soho House–that’s right, “Kids Are All Right” has only made $20 million at the box office- didn’t pull Heather Graham, who didn’t show up.

But the cast–Annette, Julianne Moore, Mark Ruffalo–plus writer/director Lisa Cholodenko–got to pass the salt to Warren’s best pal James Toback, Oliver Platt, Kyra Sedgwick, Nora Ephron and Nick Pileggi, “Precious” filmmakers Lee Daniels and Geoffrey Fletcher, James Lipton, Peter Riegert, Bob Dishy, documentarian Alex Gibney, Parker Posey, Bob Balaban and Lynn Grossman, Israel Horovitz, Fred Zollo, and “Amadeus” director Milos Forman.

I have no idea what was discussed, so no bon mots. I can only guess that everyone was very witty. What they probably talked about: the shooting in Arizona, the snow, lesbian couples, fracking in New York state, what Lee Daniels is doing since “Precious,” and if Warren is working on a new project. I doubt anyone mentioned Snooki.

This Week: Critics Choice Awards, New York Film Critics, Golden Globes, NBR

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Here comes the big awards week. This is the week when a lot of different groups vie for attention as they hand out movie awards.

None of them are the Academy Awards. Those aren’t handed out until February 27th. The nominations won’t even be read until January 25th.

And this is the reason the Oscars should stay at the end of February. It’s good to let all these other groups get their moments in the sun.

Of course, two of this week’s groups come from credentialed critics; the other two are less, shall we say, serious.

Tonight, the New York Film Critics Circle has a modest ceremony. They bestow Best Picture on “The Social Network,” and gives it also Best Director (David Fincher). The NYFCC really liked “The Kids Are All Right,” so they awarded it Best Actress (Annette Bening), Supporting Actor (Mark Ruffalo), and Screenplay (Lisa Cholodenko, the director also). I loved this movie. It won’t win the Oscar. But this is a nice way of rewarding it.

NYFCC gave Colin Firth the Best Actor prize for his standout performance in “The King’s Speech.” Melissa Leo got Best Supporting Actress for “The Fighter.”

The other critics group with an award show this week is the Critics Choice Award. It’s shown on Friday night on VH-1. Each year this show gets better and better. Last year, Meryl Streep and Sandra Bullock locked lips-for fun- on the stage. The critics, drawn selectively from all over the country, send in their final votes today. No one will know until Friday who won what. I wish Les Moonves would promote this show from VH-1 to CBS. This could be the Tiffany network’s awards jewel in the crown. You can follow them at http://www.vh1.com/shows/events/critics_choice/_2011/tweettracker/

The two other shows this week range from ridiculous to who knows. On Tuesday night, the absolutely ridiculous National Board of Review, a group of fans who pay $600 a year to belong, hold a swanky dinner in Manhattan. The dinner is also around $600 a ticket, the NBR gives some kind of award to every movie so that the studios have to buy seats. This year they went heavily for “The Social Network.” They totally snubbed “True Grit” because it arrived late and they’d already made up their minds. Last year they snubbed “Precious.” They’re basically a joke.

Then, next Sunday, come the Golden Globes on NBC. The 80 member Hollywood Foreign Press Association is a complicated story. I’ll address it in the next day or so. They have an undeniably bad reputation. This year their own publicist mocked them. So did host Ricky Gervais on last year’s show. They gave nominations to two awful movies, “Burlesque” and “The Tourist.” hoping to get Christina Aguilera, Cher, Johnny Depp and Angelina Jolie on their red carpet. We’ll see on Sunday how that plan paid off.

Congresswoman Gifford’s Hollywood Connection to Paltrows

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While everyone is praying for Congresswoman Gabrielle Giffords‘ speedy recovery, I can tell you that, yes, she does have a Hollywood connection.

Gabrielle Giffords‘ grandmother and Gwyneth Paltrow‘s late grandfather were brother and sister. That makes Gabrielle’s father, Spencer Giffords, and Gwyneth’s late director-producer father, Bruce Paltrow, first cousins.

Technically, Gabrielle and Gwyneth would be first cousins once removed. Or maybe second cousins.

In any case, it’s quite a family of achievers– a Congresswoman and an Oscar winner — nothing to sneeze at, as they say.

Giffords, like Gwyneth, is half Jewish on her father’s side. She’s also the first Jewish congresswoman from Arizona.