Tuesday, December 16, 2025
Home Blog Page 2136

Schnabel Film Goes to the UN; Springsteens Add Color to Rock Hall

0

Julian Schnabel‘s “Miral” got its premiere last night in the General Assembly Hall of the United Nations, a place I hadn’t seen the inside of since I was 12. It’s still there! A giant state of the art screen was erected by a Boston company, and Schnabel assembled as his delegates Robert DeNiro, Sean Penn, Josh Brolin, Chaz Palminteri, and Candice Bergen and daughter Chloe Malle. Cast members Vanessa Redgrave, Willem Dafoe, and Stella Schnabel were in the room, too, along with Famke Janssen, James Toback, and the film’s author and inspiration, Rula Jebreal. DeNiro didn’t stay for the screening, and Penn left during the Q&A moderated by Dan Rather. But Steve Buscemi and wife Jo were among those who toughed it out. Star Freida Pinto must have been in India or shooting a film. “Miral” is much changed, by the way, from its festival cut last summer. Producer Jon Kilik — who told me he had lunch with Bono recently to discuss “Spider Man”– said they took 15 minutes out of it. Palestinian actress Haim Abbass is still wonderful in it…PS Schnabel didn’t conform just because we were at the UN. He wore trademark pajamas, albeit under a sportcoat…

…The Rock and Roll Hall of Fame yielded few celebs beyond those who were involved in the ceremony. Maybe that’s because they make past inductees pay for tickets if they want to come! Ha! Anyway, Bruce Springsteen and Patti Scialfa, and Michael Douglas and Catherine Zeta Jones were Jann Wenner‘s clueless guests (it would be interesting to know if they paid for tickets or were hosted). Judy Collins went as a guest of Jac Holzman because she’d been on Elektra Records back in the day; otherwise she’s not in the Rock Hall even though she should be. There are loads of pictures of Tommy Mottola, incongruously, from the event. I’m told Neil Diamond‘s acceptance speech was more than a tad unfriendly, not surprising considering how long he was made to wait for admission to this by now ridiculous club. Good for him!…

…Meanwhile, up at Elaine’s, Chris Noth stopped in after seeing Chris Rock in “The Motherf—er with the Hat.” Noth’s show, “That Championship Season,” is off on Mondays. Much talk of Elaine, and Chris accepted kudos from diners for his role in the play. And that’s a cold Monday night in Manhattan, kids. PS Julian Schnabel’s first wife, who was at the “Miral” screening, said she was heading to dinner at a Japanese restaurant. Her invite to Schnabel’s A list party at Cipriani must not have arrived…

Jennifer Hudson: 3 New Alicia Keys Songs Almost Didn’t Make New Album

1

I’ve been listening to Jennifer Hudson‘s sensational new album, “I Remember Me,” all weekend. With the hit single, “Where You At,” the album hits stores a week from tomorrow with not one but three new songs composed by Alicia Keys. One of them, a tribute sort of to Aretha Franklin‘s “Angel,” sets the tone of the CD with it’s “shooby dooby doo” intro.

But listen, it wasn’t so easy to get these Alicia Keys songs onto this recording. Indeed, Larry Jackson–who co-produced the album with Clive Davis–wound up leaving Sony/BMG/J Records when Barry Weiss, then the head of the division, didn’t want to pay for them. I’m told Weiss balked at the price Keys and husband Swizz Beatz wanted– in the range of $100,000.

Luckily, cooler heads prevailed, and the Keys tracks stayed on “I Remember Me.” The Keys tracks are great– “Everybody Needs Love” and “Don’t Look Down” are her other catchy contributions. (They were worth the money, Barry! Live audiences and dance clubs are going to crazy for “Don’t Look Down.” ) But “I Remember Me” has a lot of other singles including “I Got This,” produced by Stargate, a great Diane Warren anthem called  “Still Here,” and the gospel tinged “Believe.” But one thing: it’s Hudson’s remarkable voice–genuine, authentic, organic, full of soul–that makes this collection a must have. In a time of Auto Tune and artifice, Jennifer Hudson is the real thing.

Weiss left for Universal Music Group right after Jackson walked out; now, ironically they’re both at UMG, where Jackson is a rising star. Weiss is running the New York operations for UMG under Lucien Grange.

http://www.youtube.com/watch?v=8sPDSubTPCc

“Spider Man”: Bono and The Edge Will Miss Much of the Overhaul

0

It’s hard to be international rock stars. You barely have time to clean your sunglasses. In the case of Bono and The Edge, they committed to “Spider Man: Turn off the Dark” a long time ago. But U2, their busy rock group, tours constantly. Last fall, when “Spider Man” was heading into previews, the songwriters of the show were in Australia. They missed most of the brouhaha and returned to bad reviews. Unfortunately, the songwriters of a musical have to be on the premises when a show is trying out.

Now, after nullifying Julie Taymor and agreeing to shut “Spider Man” down for three weeks, Bono and The Edge have a new problem. They’re leaving again in nine (9) days to tour with U2. They play Santiago, Chile on March 25th, commencing a South American tour that doesn’t bring them back until April 13th. They could be in New York for the three weeks that “Spider Man” is down, but on May 11th — the day “Spider Man” is set to return, all fixed and ready to go–U2 starts a new round of shows in Mexico City.

Of course, there are four and five day breaks, so the songwriters could jet into New York. But their next break doesn’t come until June 7th–just a week before the newest announced “Spider Man” opening night on June 14th. It’s going to be tricky to supervise the show while performing for hundreds of thousands of fans. Hopefully by early June they’ll have found what they were looking for. So to speak.

Exclusive: Julie Taymor Will Remain “Spider Man” Director and Co-Author

11

It does seem that Julie Taymor will stick to her original credits in “Spider Man.” Despite last week’s wild move to oust Taymor from the show she created, co-wrote and directed, sources tell me that the credits for “Spider Man: Turn off the Dark” are not going to change.

The “Spider Man” producer Michael Cohl and U2 singer Bono did bring in a script doctor, music supervisor and other new members for the creative team. But on Sunday night I learned that Taymor–even though she may not be present during changes to the lackluster book–will not lose her credits.

The negotiations are still ongoing, but this is the way it will go. And it has to: I’m told that the “Spider Man” producers have spent so much money that they don’t have a cash payout for Taymor anyway, sources say.

Frankly, it would have been inconceivable that she would lose the credits. Like it or not, “Spider Man” is Taymor’s show. And whatever changes are implemented during the three week break from April 19-May 11, the show can’t be overhauled completely. The staging, costumes, puppets, aerial special effects–that’s the show.

What can be changed is dialogue, and attitude. Some cuts can be made; scenes can be rearranged. Songs can be added and deleted. But three weeks is not enough time to, say, demolish a skyscraper and rebuild it.

What “Spider Man” needs is more of an editor than anything else. Do not kill the Arachne character; move her entire story to the second act. End Act 1 with the cliffhanger of the Green Goblin vs. Spider Man. Write in some funny business for Peter Parker and Mary Jane. Remove the word ‘Ovid’ from the show. Get rid of the dancing shoe sequence. Make it seem like Aunt May and Uncle Ben love Peter. Add in a couple of U2’s famous songs like “With You or Without You” and “Mysterious Way.”

PS Michael Riedel in Saturday’s New York Post was wrong, wrong, wrong. The character of Arachne was not based on Taymor. It’s ridiculous. Arachne was a character in “Spider Man” from the beginning. She’s had her own story comic books from Marvel. Really, get a grip.

By the way, I loved former Disney exec Peter Schneider’s take on the whole “Spider Man” situation. You can read it at http://tinyurl.com/6hmtngr

Rock & Roll Hall of Fame Glaring, Embarrassing Omissions

16

The Rock and Roll Hall of Fame’s 26th annual induction ceremony tomorrow night at the Waldorf is bound to have at least one indisputably great moment when Darlene Love finally gets her due, having first set the rock ‘n’ roll world on fire in 1962 as the voice of The Crystals on the Phil Spector-produced chart-topper “He’s A Rebel.” Neil Diamond, long ignored but equally deserving for his 1960s Brill Building songwriting and early hits, rectifies another glaring omission. I’ll leave others to sing the praises of Alice Cooper, Tom Waits and Dr. John–who are certainly credible.

This still leaves at least a score of music heroes I’d induct if given carte blanche, starting with Paul Anka, far and away the most important of the teen idols that made up much of early rock ‘n’ roll, and Lesley Gore, whose early ’60s Quincy Jones-produced classics include “It’s My Party” and the proto-feminist anthem “You Don’t Own Me.”

That surf music royalty Jan & Dean have been denied is, as they say, a travesty. I’d say the same about Lou Christie, one of rock ‘n’ roll’s most distinctive vocalists and songwriters. British Invasion group The Zombies have likewise been overlooked, despite its unique creativity.

The Turtles, Paul Revere & Raiders, Tommy James and Mitch Ryder all had landmark hits in the 1960s–lots of them–and merit RockHall recognition. Nancy Sinatra was a true female icon of the period, and has a score more hits than “These Boots Are Made For Walkin’.” Laura Nyro didn’t have any major hits of her own, but wrote key ones for the varied likes of Blood, Sweat & Tears, Three Dog Night, the 5th Dimension and Barbra Streisand–and her albums remain hugely influential.

The missing Roc kHall travesty of the 1970s is the New York Dolls, who helped set the stage for punk rock. Like ’em or not, Kiss did in fact “rock and roll all nite,” and Grand Funk Railroad was the ultimate arena/stadium rock act. And Joan Jett should go in, with or without her pioneering 1970s girl rock group The Runaways.

This website would also cite Chicago, Sonny and Cher, Blood, Sweat & Tears, Linda Ronstadt, Carly Simon, Chubby Checker and Mary Wells–and could easily make a strong case for all of them.

And let’s not forget one special man who should have gone in long ago as a Non-Performer: Ed Sullivan. Ed gave so many Rock and Roll Hall of Famers of all subgenres primetime national network TV exposure–for which all rock ‘n’ roll fans are forever indebted.

PS Editor’s note: and producers–Richard Perry, Phil Ramone, and Richard Gottehrer, just for example, as well as Quincy Jones. And of course, the glaring omission: the late, great Don Kirshner.

PS I hope when Neil Diamond makes his speech he mentions all the artists who’ve been ignored. He’s been on the ballot for years. It’s only been with a lot of outside pressure that he finally made it. Believe me, he was never Wenner’s first choice.

Schnabel’s “Miral” Screens Monday Night at UN Amid Controversy

0

Julian Schnabel‘s “Miral” is being screened Monday night at the United Nations–and there is controversy galore. The film is being attacked by various groups for alleged anti-Semitism even though most people haven’t even seen it. I was in the audience last fall in Toronto, and I can tell you –being sensitive to anti-Semitism–that Schnabel’s film is nothing to worry about. Apparently there’s been a lot of pressure from the American Jewish Committee on the UN to cancel the screening, but it’s going forward, I hope, in peace. Jon Kilik, the producer of “Miral,” sent out a statement a little while ago. Kilik wrote: “We are surprised and saddened that the American Jewish Committee would pre-judge MIRAL and move to block the showing of the film. We made this film in order to encourage the very dialogue that the AJC seems to want to prevent.  We hope the AJC will come to the premiere instead of trying to cancel it.” Julian Schnabel said: “I love the State of Israel. I believe in it, and my film is about preserving it, not hurting it.  Understanding is part of the Jewish way and Jewish people are supposed to be good listeners.  But, if we don’t listen to the other side, we can never have peace.  Instead of saying ‘no,’ I ask the AJC to say ‘yes,’ see MIRAL and join the discussion.” The real story of “Miral,” by the way, is how Schabel fell for Palestinian novelist Rula Jabreal, who is gorgeous, and turned over his life to make a movie out of her story.

Charlie Sheen (Worth $70 Mil?) Will Donate $8.4 Thousand to Japan Relief

8

Charlie Sheen is nothing if not philanthropic. Sheen has announced on his website that he will donate $1 from every ticket sale to his two live shows to the Red Cross for Japan relief. Sheen’s made about $70 million so far from “Two and A Half Men” and just reportedly made a bid on a $7 million home. Nevertheless, he’s volunteering to take a tax credit and donate roughly $10,000 to Japan. How nice! There are about 4,800 seats at the Fox Theater in Detroit, and 3,600 seats at the Chicago Theatre in Chicago. If Sheen really has a paid sell out at each show, that should come to $8,400 for Japan. Of course, it’s possible his concert tour will expand. If he does 20 more cities at the same average size hall, Sheen would still be donating a tear drop for a tsunami. But it’s the thought that counts! Winning! But not if you’re in Japan. PS Charlie has also started selling rather ugly looking T shirts for $20 a pop.

Rock Hall Dinners Tonight: One for Jann Wenner, One for Everyone Else

8

How much does Jann Wenner sneer at the Rock and Roll Hall of Fame Museum in Cleveland, Ohio? Tonight Wenner is hosting a pre -induction ceremony dinner (the annual event is tomorrow night at the Waldorf) for the inductees–Alice Cooper, Neil Diamond, Darlene Love, Tom Waits, and Dr. John, plus Leon Russell and Elektra Records founder Jac Holzman–at the Spotted Pig restaurant in the West Village. The guest list includes Wenner’s inner circle and close pals, but excludes many members of the Board of the Directors of the Foundation. It also excludes people attached to the museum. They’re having a separate low key dinner at another locale for big museum donors.

Wenner’s dinner will include Joel Peresman, who runs the foundation for him and earns just under $400,000 despite the Rock Hall’s embarrassing failure at having a New York outpost (came and gone within a year). Peresman’s job is help pick the five inductees each year. According to the Rock Hall’s latest tax filing–which contains less information than ever– the Foundation still lists nothing given to musicians in need, and a mere $25,000 to “music scholarships” (no details). Other guests are sure to include Bono and the Edge, trapped in town by “Spider Man,” and assorted Wenner favorites like Yoko Ono and Keith Richards.

The choice of inductees was so screwed up this year that Dr. John, a great musician who is technically a “sideman,” gets in as a star while Leon Russell enters as a sideman having hit singles (“Tight Rope,” “Lady Blue”) and writing three rock classics: “A Song for You,” “Superstar,” and “This Masquerade.” Elton John, quite rightly, forced the issue to make sure Russell was in as something.

Still not in the Hall of Fame: everyone from Chubby Checker and Billy Preston to the Turtles, Chicago, the Moody Blues, Hall & Oates, Todd Rundgren, Mary Wells, Linda Ronstadt, Carly Simon, Neil Sedaka, Laura Nyro, Mitch Ryder, Carole King (as a performer), Cyndi Lauper, Bon Jovi, Sting (as a solo artist), and dozens more.

Last year I reported that Wenner, desperate to get more stars into the Hall, suggested the group cut the eligibility time down from 25 to 20 or 15 years. The idea was met with derision.

Google’s Eric Schmidt Sets Up $100K Japan Matching Fund

2

Google CEO Eric Schmidt and his wife Wendy have set up an enormously generous plan to help the people of Japan: a $100,000 matching fund for the relief effort after the devastating earthquakes and tsunami. They’re also asking people everywhere to send out this tweet: Help #Japan recover. Retweet this to give $10 today. @EricSchmidt will match first $100K. RT2Give $10.  The money can be sent via CitizenEffect through this email address: http://rt2give.com/ You can also read all about CitizenEffect at http://www.citizeneffect.org/projects/japan-earthquake-relief-fund
Obviously, the $100,000 match is for corporate donors or well-heeled ones. But any size donation is welcome, and it all goes to the American Red Cross relief in Japan.

Spider Man to Shut Down for Four Weeks to Retool; New Opening June 14th

0

“Spider Man: Turn off the Dark” will shut down for four weeks, from April 19th to May 11, for retooling. Performances will resume on May 12th. A new opening night (maybe you never know…) is set for June 14th, two days after the Tony Awards. The show will not be eligible for the Tonys, which is too bad for Patrick Page, who plays the Green Goblin so well. Julie Taymor remains a mystery credit wise. A press release says she will not be with the show on a day to day basis. Right now performances will continue through April 17th. Will the show come back with the same cast? Who knows? I sure hope that Jennifer Damiano, TV Carpio, Patrick Page and Michael Mulheren all return. It could very well be that Reeve Carney leaves, but the answer, like so much of “Spider Man” remains hanging in the air.