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New York Times Public Editor “Troubled” By Blogger Who Published Attack on Woody Allen

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Someone at the New York Times has come to her senses. Margaret Sullivan, the paper’s Public Editor, has responded to a complaint from a reader who writes about ethics. Sullivan says she’s “troubled” by questions raised by Chris Rasmussen, an associate professor at Fairleigh Dickinson University. She actually refers him and others to Robert Weide’s excellent piece in The Daily Beast on Woody and the entire twenty year scandal. http://www.thedailybeast.com/articles/2014/01/27/the-woody-allen-allegations-not-so-fast.html

Rasmussen wrote: “I write to ask about the propriety of publishing largely one-sided columns assailing a lone individual..I wonder whether [columnists] should use that platform to advocate on behalf of personal friends, as Mr. Kristof did yesterday. If Dylan Farrow wishes to publish an open letter about her allegations, there are ample forums in this internet age. Should The Times and Mr. Kristof lend their credibility to her argument against Woody Allen?”

kristof-blog-nick-and-miaSullivan responds: “while acknowledging that Times columnists appropriately have very free rein in choosing subject matter and commenting on it as they see fit, I am troubled by the same questions raised here by Dr. Rasmussen. And I urge those who who have not yet done so to read Mr. Weide’s illuminating article. It provides essential context.”

Sullivan doesn’t go far enough. Kristof, as I wrote yesterday, is a close personal friend of Mia Farrow. The Dylan Farrow letter has her fingerprints all over it. Kristof does not make it clear about the relationship other than to say they’re friends. The inter-web is full of pictures of Kristof and Farrow. They’ve traveled all over the world together. He should not have used his New York Times blog to carry Mia Farrow’s two decade old vendetta forward.

General Hospital: Head Writer Wants James Franco Back to Play Himself

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General Hospital fans: head writer Ron Carlivati tells me he wants James Franco to return to the show one more time. Try and follow this, because I had to. Franco made several appearances over the last three years as a crazy artist named Franco. He raped, pillaged, and terrorized the already put upon populace of Port Charles.

Then last year Carlivati brought the Franco character back played by someone else, Roger Howarth. He was absolved of his many crimes after it was discovered he had a brain tumor. (This is always a good out for soap characters. If only it worked in real life!)

At this past weekend’s Writers Guild Awards, Carlivati– who helped save “General Hospital” from cancellation– told me he wants the real Franco to make one more return. I think the idea is that the multi-tasking actor would play himself, and I guess confront the fictitious Franco. Anyway, the soap is now the hip show that Franco wanted it to be when he was on it. He’d do well to get closure. And also, now “GH” has great ratings.

Woody Allen: MSNBC Does Ronan Farrow’s Dirty Work via Morning Joe

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Mika Brzezinski, Joe Scarborough and their gang should be ashamed of themselves. They spent over 8 minutes convicting and hanging Woody Allen this morning on “Morning Joe.” It was a beautiful way for MSNBC to carry the water of Ronan Farrow, their latest hire and soon to be daily talk show host. Farrow, of course, comes to MSNBC with no credentials as a broadcaster at age 25. But his path to celebrity at MSNBC and rise to fame in general has been tied to his mother, Mia Farrow, first suggesting that he was Frank Sinatra’s son and then going on the attack against Woody.

In the eight minute segment, Mika made a serious mistake. She continually called Soon Yi Previn the “adoptive daughter” of Woody Allen. She is wrong. Soon Yi’s last name is Previn, not Allen. She was adopted by Mia Farrow only. Farrow’s husband, Andre Previn, was considered her “father.” Allen had no legal or moral connection to her. He didn’t even live in the same household. Mika and MSNBC should make a very public correction immediately.

The Morning Joe segment starts badly and goes downhill. Mika leads the group at the table, who have no business commenting on something they know nothing about, to the conclusion that “where there’s smoke there’s fire” and that Dylan Farrow is obviously telling the truth in her ‘open letter’ posted on Nick– not Nicholas– Kristof’s blog. (They all call Kristof ‘Nick’, like he’s their best friend.)

There’s nothing like a public hanging on a so called news network that should be called the Apology Channel. From Alec Baldwin to Mitt Romney’s black grandchild to the anti-Republic Tweet of last week, MSNBC had better watch it if they’re really planning to be Ronan Farrow’s spokespeople. On the plus side, their ratings are almost nil.

This is fair and balanced?

 

 

 

 

Jerry Seinfeld and Larry David Gave “Reunion Show” Away to Fox For Free

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So this was the “Seinfeld” reunion, the mystery shoot at Tom’s Restaurant on the Upper West Side with Jerry Seinfeld, Jason Alexander, Larry David and Wayne Knight. The word is that this was not a commercial, and no money changed hands. But someone paid for this meeting of the fictional Jerry, George Costanza, and Newman. Maybe it was Acura, which sponsors Jerry’s trenchant “Comedians in Cars Getting Coffee.”

In a statement, Jerry said: “Fox approached (Seinfeld co-creator) Larry (David) and me about doing some kind of Seinfeld reunion for the halftime broadcast because of the New York connection,” he said. “So we thought throwing Jerry, George and Newman into a Comedians in Cars Getting Coffee was a fun way to do it. Larry and I wrote the script in one sitting, just like old times, and working with him, Jason and Wayne was a total blast as it always was.

Where were Elaine and Kramer? The easy answer is: on the West Coast. A couple of weeks ago I was in Los Angeles at the SAG Awards. Someone asked Julia Louis Dreyfus about the Tom’s Restaurant shoot. She actually looked surprised. But of course, she’s a multiple award winner for Best Actress.

The “Comedians” segments so far have only featured real people who the real Jerry Seinfeld picked up and drove around. Now he picks up George. Does this mean that the whole time the Jerry in the segments was the Jerry from the Seinfeld show, not the real Jerry Seinfeld? Think about that for a minute.

Anyway, the “Over Cheer” is very funny. Jerry, George, and Newman just fall back into their old roles like no time has passed. The return to Monk’s is only spoiler by the fact that now they’re using Tom’s as the actual place where they meet. In the old days, the real diner was the Trio on Columbus and 82nd St. But the Trio was represented on “Seinfeld” by Tom’s because of their sign– and then fiction became reality.

Philip Seymour Hoffman: A Great Guy, a Bigger Loss Than We Know

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The picture attached here– I took it at Le Cirque, at a lunch for Cate Blanchett last fall. Liz Smith and Philip Seymour Hoffman just happened to get in that picture. It’s not in focus, but I’m glad I have it now. Phil and I had not seen each other in a while but we’d been in touch by email. When he got out of rehab we kept making plans to get together. At the lunch he told me was doing a lot better after succumbing to heroin addiction again. He looked good, and you can see it here.

The loss of Philip Seymour Hoffman is beyond terrible for his family and close friends. Their loss is different than ours. PSH was maybe the best actor under 50. I am not kidding. Look at his film work, not just in “Capote,” for which he won the Academy Award. He’s devastating in “The Master.” He’s extraordinary in “The Savages.” Any film where he’s added– like “Mission Impossible II”– becomes better by several degees because of his presence.

If you want to see Phil just rock out a performance, rent Sidney Lumet’s “Before the Devil Knows You’re Dead.” If the idiots from ThinkFilm had had resources and money, Phil would have gotten an Oscar again. It’s a lost gem.

Then you have theater. I’m sorry, but eventually real actors have to show their stuff by claiming the stage. It’s the same as singers performing without their augmentation in charity shows. It’s what separates the real ones from the fake. Philip Seymour Hoffman was our Jason Robards.

I hope there’s a taped version of Mike Nichols’ production of “Death of a Salesman” somewhere. Phil was the most magnificent Willy Loman. He should have won a Tony. I think even he was surprised — and saddened– to lose to James Corden’s comic whirlwind. They should not have been in the same category. Corden was great. PSH soared.

Hoffman’s death is a wipe out for us, the audience. We are now denied this remarkable presence who might have entertained and enlightened us for 30 more years. There’s no else like him in his age group. If we were lucky he’d be doing Lear and O’Neill and Chekhov, and new plays to rave reviews. There were certainly also more Oscar nominations and wins in his future. And he was filming a new series for Showtime, called “Happyish,” directed by John Cameron Mitchell. Advance buzz was very high.

But do go back and look the movies– his work with Laura Linney and Catherine Keener and Ethan Hawke and Marisa Tomei. Philip Seymour Hoffman was The Real Thing. Yes, his death is tragic because he was a lovely guy in so many ways. But he was one of the last links to really superior work as an actor.

photo c2014 Showbiz411

Woody Allen’s Side Fires Back: “Disgraceful and Untrue”

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Woody Allen’s side fires back! His press agent Leslee Dart sent out this statement.

“Mr. Allen has read the article and found it untrue and disgraceful. He will be responding very soon.

At the time, a thorough investigation was conducted by court appointed independent experts. The experts concluded there was no credible evidence of molestation; that Dylan Farrow had an inability to distinguish between fantasy and reality; and that Dylan Farrow had likely been coached by her mother Mia Farrow. No charges were ever filed.”

Me? I’m amazed the press just picked this up as if Dylan Farrow were telling the truth unquestionably. We’ve already seen that Ronan Farrow is totally manipulated by his mother. Mia Farrow has maintained a hot burning revenge against Woody Allen for 22 years.

And the New York Times: they let Dylan Farrow’s letter run in a blog, not in the paper. The letter ran with no attempt to contact Allen. It was an ambush. Read my prior item about Nicholas Kristof’s relationship to Mia Farrow. The Times should be ashamed that they let Kristof do this.

RIP: Oscar Winner Philip Seymour Hoffman “Accident Waiting to Happen”

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Philip Seymour Hoffman has been found dead in his Greenwich Village apartment. That’s all the news right now. Hoffman won a Best Actor Oscar for “Capote” and was nominated other times. He was maybe the best actor of his generation, the real thing. He leaves a partner, costume designer Mimi O’Donnell,  and their three children.

This is heartbreaking. His friends and family are just getting the news now. One friend just old me that Hoffman had been complaining of various ailments recently. But there are drug issues. Hoffman was in rehab last year for heroin. No one could believe it. But as someone just said, he was an accident waiting to happen. Hoffman was 46.

Great performances: The Master, The Savages, Mission Impossible II, Jack Goes Boating, Ides of March. What a tragedy.

Mia Farrow: Where is Her Outrage Over Her Own Brother, A Convicted Sex Offender Now In Prison?

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Mia Farrow has waged a war against Woody Allen, claiming he’s a sex offender, for 22 years. Allen has never been charged with anything. But Mia says nothing about her own brother, John Farrow. He is currently serving 10 years in a Maryland prison on a 25 year sentence for sex abuse of two young boys.

And that’s not the only trouble surrounding Mia’s family. Her other brother, Patrick, committed suicide almost five years ago.

Is Mia projecting her anger toward her brothers onto Woody Allen? Think about it. Where is Mia’s public outrage over an actual convicted offender? Will Ronan cover that story on MSNBC, or Tweet about it?

More importantly: were Mia’s kids ever harmed by this man? No one has ever spoken about that.

John Farrow, 67, was convicted this past October in Maryland. Two young men revealed Farrow had molested them between 2000 and 2008. They are now 20 years old.

Mia Farrow’s brother pleaded guilty to two counts of child abuse. He faced 39 counts of child abuse. To stop his trial last summer, Farrow entered an Alford plea, meaning he accepted his conviction while maintaining his innocence. At his sentencing, Farrow told the court: “I do feel regret. This is absolutely the worst thing that I’ve ever done and I will ever do. It was the biggest mistake I’ve ever made in my life.”

It’s pretty interesting that neither Mia nor Ronan Farrow, and now Dylan, have never spoken out in support of John Farrow’s victims. Those victims have documented proof and a guilty plea and a sex abuser in prison.

And no reason has ever been given for Patrick Farrow’s violent 2009 suicide.

http://www.capitalgazette.com/news/for_the_record/mia-farrow-s-brother-gets-years-for-sexual-abuse/article_14ae9236-9d66-5205-81e2-46fe2115f088.html

 

Broncos, Seahawks, Worth a Billion Dollars Each, Among Least Charitable NFL Teams

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Like all teams in the NFL, the Denver Broncos and Seattle Seahawks are each worth over a billion dollars. They’re owned by philanthropic billionaires who personally are very charitable. But the teams themselves are very chintzy when it comes to public giving. These two, about to go at it in the Super Bowl, are among the cheapest.

The Denver Broncos Charities, according to their federal tax filing, only managed to give away $145K in 2012. And that was down significantly from 2011’s 247,315K.  Indeed. the Broncos charities have been declining year by year. Owner Pat Bowlen is routinely heralded in Denver for donating a much quoted “$25 million since 1993” to local Denver organizations. It must have been mostly at the beginning of that time period.

More surprising: The Seattle Seahawks Charitable Foundation managed to give away only $170K in 2012. Lynne Allen, sister of billionaire  team owner and Microsoft co-founder Paul Allen, is president. Separately Paul Allen has a $300 million personal foundation..

But $145,000? $170,000? You’d have to think these teams spend more on Champagne in one week than on their charitable donations.

The Broncos and Seahawks are ranked 13th and 15th, respectively, among the 30 NFL teams, in total worth. The team ranked between them, the Pittsburgh Steelers, don’t even have a separate charitable foundation. They leave it up to their players to have their own personal foundations. The team itself partners with various local charities. The Steelers have annual revenue of $266 million.

Compare those two teams with the San Francisco 49ers, who were almost in the Super Bowl. They gave away almost $2.5 million to Bay Area charities in 2011– more than ten times tonight’s competitors.

And the richest team, the Dallas Cowboys? Their Gene and Jerry Jones Family Foundation gave away a whopping $1.784 million in 2012. They really know what they’re doing, too.

New York teams are a mixed bag. While the bottom ranked Buffalo Bills don’t do very much and have no foundation, the #6 New York Jets, for example, gave away $280K to different groups from income of $1.28 million.  The #4 New York Giants are the most charitable of the three Empire State teams. They gave away $437K in 2011, their most recent filing year.

And let’s not forget the NFL itself, with $30 million leader Roger Goodell. The NFL, a tax free organization, gave away $2.3 million last year. They also have assets of almost a billion dollars.

 

 

“Captain Phillips,” “Her” Take Writers Guild Awards, Send Oscars into Open Race

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The Writers Guild of America awarded two movies for their screenplays last night and sent the Oscars into an open race. Or open space. “Her” picked up a statue for Spike Jonze’s original screenplay. Billy Ray got his for adapting “Captain Phillips.” The second award was a bit of a surprise, beating David O. Russell’s “American Hustle.” Some movies, like “Gravity”and “12 Years a Slave,” were ineligible under WGA guidelines.

The Oscar race is now in for a month long scramble as every major movie has won something. There is no clear leader among all of 2013’s terrific releases. I’d say “12 Years a Slave” has the inside track. But “Gravity” has picked up director and cinematographer awards in the last week. Alfonso Cuaron is the likely Best Director.

The WGA awards took place simultaneously in New York and Los Angeles, although in different time zones. For some reason, the Guild refuses to just simulcast the whole thing so both cities can see what’s going on. So the proceedings are done in the dark. Participants are asked not to Tweet what’s going in their ceremonies, but everyone did it anyway.

Still, the New York ceremony at the Edison Ballroom, formerly the Supper Club, was a lot of laughs. Every time someone won who was in L.A. and not in the ballroom, there was good natured hissing and booing. Plenty of New York based nominees were in the house, however, including Terence Winter (Wolf of Wall Street) and Ethan Hawke (After Midnight). Presenters included Kate Mulgrew, Terry George, Archie Panjabi, Matthew Rhys and Keri Russell, Raul Esparza, “The Butler” writer Danny Strong and “House of Cards” scripter Beau Willimon.

I had a nice time with married actors Emily Mortimer and Alessandro Nivola. The latter was there to accept if David O. Russell won. The three of us met Ron Carlivati, head writer of “General Hospital,” who turned out to be a lot of fun. Sony Pictures Classics’ Michael Barker hung out with Hawke, and chit chatted with former Focus Features chief James Schamus, who received a special tribute.

No shows: Lawrence O’Donnell, Fred Armisen, and Frank Rich. Colin Quinn made for the best host of one of these things I’ve seen in a long long time. The Gotham Awards should hire him immediately for next year. A couple of his quips: “I remember when a toboggan ride in Times Square meant something else” and “How funny on the Captain Phillips DVD to have a warning about piracy…”

“Hotel Rwanda” director Terry George maybe stole the show. He started announcing nominees for one award with a fake out: “Ann Coulter for The Shit I Write Every Day.” The place went wild with lively booing and stomping. George looked at the heavy WGA award statue and said: “I always thought it should be two hands pulling clumps of hair out of a head!”