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Helen Mirren Worried Husband Taylor Hackford Wouldn’t (Expletive Deleted) Her Again After She Played Queen Elizabeth

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expletives included Dame Helen Mirren shocked the Gotham Awards audience Monday night when she accepted the Lifetime Achievement Award. It was about her Oscar winning performance in “The Queen” as Queen Elizabeth II.

“I’ll have to you a story about ‘The Queen,’” Dame Helen told the audience. “When the film was first screened at Venice, I’d never seen it before nor had my husband, Taylor (Hackford), and the first shot is of me completely in all the regalia and the wig and everything, and I turned to look at the camera, and my husband lets out this huge laugh because he’s never seen me dressed as The Queen before. So I leaned over to him and I said, ‘Darling do you think you’ll ever fuck me again?’”

“Between you and me, “Yes,” Mirren murmured to the audience. “This isn’t on television is it? Are we safe?”

Mirren– in the Oscar race this year for “Woman in Gold” —  paid tribute to writers, that her success had everything to do with the words of literary giants, who included Shakespeare, Strindberg, Christopher Hampton, Peter Greenaway, Harold Pinter, Eugene O’Neill, Tennessee Williams, Peter Morgan” and John McNamara, the screenwriter of her recent film, “Trumbo” about Dalton Trumbo.

“Everything you saw up there on that screen just now, everything I’ve done as an actor came from an idea, from a writer, facing a blank page. Writers have opened the door for me, the door from which I’ve had the great opportunity to walk through.”

Mirren then took a dig at Donald Trump. “What a beautiful and terrible things words are, a conveyance for love and hatred and inspiration and stupidity… Donald Trump… meanness and generosity, kindness and cruelty.”

“The blank page can be used for wisdom, poetry, imagination and the wonderful entertainment of storytelling,” but also “for insidious propaganda, for lies and brutality, but let us love our writers and their courage and always stand behind them when they’re threatened with silence by any chicken shit political censorship.” The audience cheered.

She included an appeal for the audience to lobby for the Palestinian poet Ashraf Fayadh, who has been condemned to death on blasphemy charges by the Saudi Arabian government.

 In the pressroom, a journalist asked Mirren about her acceptance speech, in which she spoke strongly about political censorship and about the power of words. She had mentioned Trump. As the rhetoric revs up, will thing get better or worse, she was asked?

“I don’t know. I don’t think Americans would give up their freedom of speech too easily. I think that would be a real battle. I think what we have to do is be conscious of other parts of the world,” especially “incredibly brave journalists, writers, poets,” who are “incarcerated and tortured.” She brought up the poet Fayadh again. “This is a really serious, thoughtful, gentle poet.”

When asked about what advice she held onto, Mirren revealed the surprising information that she was nervous. “Beware of fear. Fear is dangerous. I’m so frightened tonight. I’m so nervous. My heart was beating…Oh, my God! You have no idea… It’s such a nerve-wracking moment…Fear is destructive. It’s a terrible thing!”

Why nerve-wracking?

 “Because it’s New York and I’m a little overwhelmed by New York, you know? It’s just so big and sophisticated and hip and cool and everything. You’re a New Yorker, so you’re used to it, and I’m… It’s pretty impressive and also having those sorts of people out there. It’s terrifying!”

 How does she cope?

“Like tonight? I just keep breathing and saying, ‘It’s ok, don’t worry, the world’s not going to come to an end if you fuck it up. It doesn’t matter.”

Meanwhile for the last two hours she confessed that she had told her husband she couldn’t wait to get home and into her pj’s.

 

NY Film Critics: “Carol,” Todd Haynes, Michael Keaton, Saorise Ronan, “Inside Out,” Mark Rylance, Kristin Stewart Acting Nods, Eschews Michael Moore

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The New York Film Critics’ choices for 2015 dribbling out right now.  Their choices are superb and must be applauded. They moved Michael Keaton to lead actor in “Spotlight,” where he belongs. They didn’t choose “Mad Max.” I am so impressed and relieved.

“Carol” wins Best Picture. Many congrats. Todd Haynes’ adaptation of Patricia Highsmith’s novel “The Price of Salt” is exquisite. Starring Cate Blanchett and Rooney Mara, now in theaters.

Mark Rylance has Best Supporting Actor for “Bridge of Spies”

Kristen Stewart Supporting Actress for “Clouds of Sils Maria.”

Best Director– Todd Haynes, “Carol”

Best Actor– Michael Keaton, for “Spotlight”

Best Actress– Saorise Ronan for “Brooklyn”

Animated film– “Inside Out” which should also get a Best Picture nom at the Oscars

Foreign film — “Timbuktu”– even though I thought this was released in 2014

First film– “Son of Saul”–great choice

Cinematography– the great Ed Lachman for “Carol”–  a rare achievement and must be seen

Non fiction film– Frederick Wiseman’s “In Jackson Heights” over “Amy,” “Going Clear” or “Where to Invade Next”

keep refreshing

Oscars: Here are the 15 Documentaries on the Shortlist: From Michael Moore to Amy Winehouse

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Amy Winehouse, Nina Simon, Michael Moore, Laurie Anderson, Scientology, Malala, Marlon Brando are among the filmmakers/subjects of the 15 documentaries on this year’s Oscar short list. How to pare them to five? It’s going to have to be a mix of politics, entertainment, and culture. The Michael Moore film has to be in, that’s a cinch. Amy vs. Nina? I can’t choose. Malala? So important. Ukrainians? Also. “The Hunting Ground”? Great song by Lady Gaga and Diane Warren. “Best of Enemies”? So enjoyable. Tough choices.

 

“Amy,” On the Corner Films and Universal Music

“Best of Enemies,” Sandbar

“Cartel Land,” Our Time Projects and The Documentary Group
“Going Clear: Scientology and the Prison of Belief,” Jigsaw Productions
“He Named Me Malala,” Parkes-MacDonald and Little Room
“Heart of a Dog,” Canal Street Communications
“The Hunting Ground,” Chain Camera Pictures
“Listen to Me Marlon,” Passion Pictures
“The Look of Silence,” Final Cut for Real
“Meru,” Little Monster Films
“3 1/2 Minutes, 10 Bullets,” The Filmmaker Fund, Motto Pictures, Lakehouse Films, Actual
Films, JustFilms, MacArthur Foundation and Bertha BRITDOC
“We Come as Friends,” Adelante Films
“What Happened, Miss Simone?,” RadicalMedia and Moxie Firecracker
“Where to Invade Next,” Dog Eat Dog Productions
“Winter on Fire: Ukraine’s Fight for Freedom,” Pray for Ukraine Productions

Adele May Have Sold Another 1 Million Albums in Her Second Chart Week

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Adele, Adele. So many Adele stories! Will babies be named Adele this year? No one’s been named Adele since 1950.

But now, everything has changed. Hello!

Our Adele may have sold another 1 million copies of “25” in her second chart week. With 68% of precincts counted. hitsdailydouble already has her at 564,968. The target is 900,000 by end of day Thursday. If she actually hits 1 million, the Sony building will spin on its axis.

Meantime, Bieber fever is calmed way down, although he may sell 90,000 copies of “Porpoise” this week. Not bad. One Direction will do around 50,000. Christmas albums are starting to jam the charts.

No sign of Rihanna, and now I don’t think it will happen until January. Still can’t figure out the Samsung thing unlocking whatever. Let’s have a hit record already. Loved “The Monster.”

National Board of Review Awards: Annual Shill, Laughing Stock of Industry

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The reaction this afternoon to the National Board of Review awards is hilarious bordering on the ridiculous. The NBR, as I’ve written in the past, is a shill for their president and CEO Annie Shulhof and her reindeer games. The NBR’s devotion to Warner Bros. is now stretched beyond belief as their Best Picture choice is “Mad Max: Fury Road.” Schulhof has devoted herself to choosing Warner films, actors and directors for the last decade or more. Since 2003 WB has won five times. No other studio has won more than once otherwise. Schulhof has a long friendship with outgoing head of distribution Dan Fellman. Is this her last sop to him? We’ll see.

Schulhof is also tied to indie filmer A24. Last year she gave their “A Most Violent Year” Best Picture and its star Oscar Isaac, Best Actor ( in a tie). Neither the film nor the actor in that role won anything else last year from any other awards organization. This year, Schulhof handed Best Actress to Brie Larson in “Room,” an A24 film, and best documentary to “Amy.” I wrote that this would happen several times, and Tweeted it out as a prediction. Just so we’re all on the same page. Even though Larson and “Amy” are fine, they were expected in this situation.

The NBR is a fraud, and should be disbanded. There is no reason for them to exist as a 501 c3. Last year they paid $225,000 in salaries from their coffers, and gave $32,000 as grants for film students. Publicists regale me with stories constantly about Schulhof calling in advance of awards distribution to make sure potential winners will come to her lavish dinner at Cipriani, and to see how much studios will pay for their tables. This year, Fox was her mark. “The Martian” is the perfect NBR movie– big cast of stars, prestigious director, studio to foot the bill.

That “Spotlight,” which won the Gotham Awards last night and is the lead choice for the Oscar, didn’t win at NBR is no shock. Open Road is a small studio and they weren’t going to buy out Cipriani. But it just shows the dearth of understanding by the NBR as to what constitutes great filmmaking and what makes for their entertaining evening.

As for “Amy,” fine, it’s very entertaining and made a lot of money. It was so easy to call, though. Predicting the NBR is kind of a joke parlor game at this point. Imagine if they had chosen a doc on an important social subject.

More: http://www.showbiz411.com/2014/12/02/national-board-of-review-chiefs-family-business-paid-u-s-24-6-mil-in-fraud-case

Lego-land Park in California Sparks Outrage with $10,000 Donation to Scientology Group

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Legoland in Carlsbad, California must be desperate for celebrity involvement. In exchange for a Christmas tree lighting appearance by TV actress Jenna Elfman, Lego donated $10,000 to a Scientology group in honor of the cult member.

The donation to YHRI has already sparked outrage on Twitter. I discovered it thanks to the indefatigable Tony Ortega, who writes a fuller version of the story on his website. Ortega writes:

“Youth for Human Rights International (YHRI) was founded in 2001 by Scientologist Dr. Mary Shuttleworth, who has also tried to push Scientology on the nation’s schools through the front group Applied Scholastics. Like other Church of Scientology front groups, YHRI pretends to have a benign purpose that has nothing to do with Scientology. In this case, YHRI is one of several groups under the umbrella United for Human Rights that has created videos and pamphlets based on the principles spelled out in a 1948 United Nations proclamation, the Universal Declaration of Human Rights.”

A little addition: Actress Marisol Nichols is the Advisory Board Chairperson for YHRI. She’s a huge Scientologist, with dozens of courses behind her, and no doubt millions of dollars in donations raised.

Liza Minnelli On How Legendary Concert with Judy Garland Came About: “My mother tricked me into doing the show”

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Liza Minnelli has written new liner notes for the 50th anniversary edition of “Judy Garland and Liza Minnelli Live at the London Palladium” album. Universal is issuing a newly remastered vinyl edition for the occasion. The landmark concert took place on November 8 and 15, 1964 with studio retakes done in England later that month. The original recording was released by Capitol Records on August 2, 1965 as a two-LP set. The Universal Music Enterprises reissue is a remastered version of the 1965 release.

Here’s what Liza, who should do a book at this point, writes now.


How did the Palladium concert come about? My mother tricked me into doing the show. She asked me to come perform in London with her but I declined. I felt I wasn’t ready, I was too young. But Mama didn’t take no for an answer. She went ahead and announced the concert to the press. When I saw the announcement in the newspaper I knew there was no turning back.

I’d performed with Mama on her TV series, and as big as that was for me, it wasn’t anything liked standing and singing with her on a stage like the London Palladium. Listen, Mama owned whatever stage she was on. So we did it, and it was great and exhilarating and terrifying.

I don’t know that I had much of a style at that point, but I was young and fresh and, well — loud! I think Mama was a little startled. She was one of the most generous performers — ask anybody she worked with. She always gave, never took. But something slightly competitive came out that night, an energy I hadn’t seen before. Nerves be damned I was gonna give my all – all that I had in 1964 – and Mama was certainly going to give HER all. So there we were, the two of us, the ALL of us! I was thrilled to have done it, and survived it; there was great joy on the stage, and I’m so glad this recording survives.

After working with her, I was never nervous about appearing with anyone again. I had already appeared with the best. Its part of history I guess, though I don’t think of myself like that. I suppose, for me, it’s a personal history.

I hope that one day the complete concert will be released for everyone to enjoy. Until then, I hope you enjoy this new release of the original LP of my Palladium concert with Mama, who also happened to be Judy Garland. Thank you Mama … for everything!

Amazon Is Selling All Adele Albums for $8.49 CD Including Download

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Amazon is selling Adele like hotcakes. Her “25” album is number 1, of course. But “21” is at number 6 and “19” is at number 10.

Or as they used to say, 25 or 6 to 4. (That’s just a joke.)

What’s really interesting is that in Week 2 of All Things Adele, Amazon is selling all three albums for $8.49. You get an immediate download, and the CD comes in the mail. Conversely, they also offer a chance to download the albums for $10.99 apiece, and then stream them for free. Why you would do this is beyond me. But those are the options.

It’s too bad Adele has nothing else to sell right now. She could make a fortune.

“Spotlight” Wins Gotham Awards, Begins its Long Road to the Oscars

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“Spotlight” directed by Tom McCarthy won the Gotham Awards tonight. Thus the saga of Boston Globe reporters who shook the Catholic Church to its foundations began its deserved run to the Oscars. McCarthy won Best Screenplay as well with co-writer Josh Singer, and the movie was awarded a special citation for its ensemble work. “Spotlight” is a slam dunk for SAG Best Ensemble in January, too.

It was a star studded night, with Robert Redford and Helen Mirren each getting lifetime achievement awards. Dan Rather presented to Redford, and Tom Brokaw (with wife Meredith) was at the main table, along with Glenn Close and Robert DeNiro, and Mirren’s husband, director Taylor Hackford.

There were tons of stars in the room including Maggie Gyllenhaal and Peter Sarsgard, Mark Ruffalo, Michael Keaton, Rachel McAdams, and the whole “Spotlight” crew, Richard Kind, Rosie Perez, Michael Shannon, Blythe Danner, Mariska Hargitay, plus Best Actress winner Bel Powley (from The Diary of a Teenage Girl) and Best Actor Paul Dano (Love and Mercy).

photo c2015 Showbiz411 by Paula Schwartz

For Best Feature, presented by John Turturro

Spotlight
Directed by Tom McCarthy
Produced by Michael Sugar, Steve Golin, Nicole Rocklin, and Blye Pagan Faust
Released by Open Road Films

The Best Feature jury included Paul Haggis, Rebecca Hall, Jon Kilik, Lee Percy, and Jim Taylor.

For Best Documentary, presented by Cynthia Nixon

The Look of Silence
Directed by Joshua Oppenheimer
Produced by Signe Byrge Sørensen
Released by Drafthouse Films

The Best Documentary Jury included Zachary Heinzerling, Jennie Livingston, Peter Nicks, Dawn Porter, and Tracy Droz Tragos.

For the Gotham Independent Film Audience Award, presented by Rosie Perez

Tangerine
Directed by Sean Baker
Produced by Darren Dean, Shih-Ching Tsou, Marcus Cox & Karrie Cox
Released by Magnolia Pictures

The Audience Award was voted for on-line by IFP members.

For Best Actor, presented by Glenn Close

Paul Dano in Love & Mercy
Released by Roadside Attractions, Lionsgate, and River Road Entertainment

The Best Actor Jury included Grant Heslov, Sabine Hoffman, Melanie Lynskey, Paul Mezey, and Shonda Rhimes.

For Best Actress, presented by Harvey Keitel
(presenting sponsor euphoria Calvin Klein)

Bel Powley in The Diary of a Teenage Girl
Released by Sony Pictures Classics

The Best Actress Jury included Debra Granik, Lisa Kudrow, Daniel Minahan, Brian Oliver, and John Waters.

For Best Screenplay, presented by Matt Dillon

Tom McCarthy and Josh Singer for Spotlight
Released by Open Road Films

The Best Screenplay Jury included Albert Berger, Andrew Fierberg, Courtney Hunt, David Schwab and Corey Stoll.

For Breakthrough Actor, presented by Sarah Paulson and Michael Shannon

Mya Taylor, Tangerine
Released by Magnolia Pictures

The Breakthrough Actor Jury included Effie Brown, Mike Cahill, Fisher Stevens, Dylan Tichenor, and Tanya Wexler.

For Bingham Ray Breakthrough Director, presented by Julie Taymor

Jonas Carpignano, Mediterranea
Released by Sundance Selects

The Bingham Ray Breakthrough Director Jury included Paul Bettany, Ed Lachman, Gugu Mbatha-Raw, and Julie Taymor.

For Breakthrough Series – Long Form, presented by Mariska Hargitay

Mr. Robot
Sam Esmail, Creator
USA Networks

The Breakthrough Series – Long Form Jury included Tom Gilroy, Scott Hornbacher, Lars Knudsen, Alia Shawkat, and Lili Taylor.

For Breakthrough Series – Short Form, presented by Topher Grace

Shugs & Fats
Nadia P. Manzoor and Radhika Vaz, Creators

The Breakthrough Series-Short Form Jury included Michelle Ashford, Mesh Flinders, Ryan O’Nan, Susan Stover and Derek Waters

Special Jury Award for Ensemble Performance, presented by Emmy Rossum

Spotlight
Mark Ruffalo, Michael Keaton, Rachel McAdams, Liev Schreiber, John Slattery, Brian d’Arcy James, Billy Crudup, and Stanley Tucci
Released by Open Road Films

Susan Lucci, “General Hospital” Stars Featured in Jennifer Lawrence’s “Joy” Feature

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“Joy” starring Jennifer Lawrence, directed by David O. Russell, is just starting to screen. I can’t review the film until next week, but I can tell you now that Lawrence is back in the Oscar race, and Russell has outdone himself.

There are some surprises in “Joy” for soap opera fans, too. In the film, Joy’s mother watches one soap opera for years in the background while the main action is going on. Virgina Madsen plays the mom, and she’s a hoot.

Russell decided to film scenes from his own fake soap rather than use clips from a real one. So he tapped the most famous soap star of all, Susan Lucci, aka Erica Kane from “All My Children.” She’s joined in the scenes by Laura Wright and Maurice Benard, who play Carly and Sonny on “General Hospital.” Their antics go on and on in the background and it’s all very amusing. It’s not throwaway either– they are featured.

There are some other interesting cameos in “Joy,” too– notably Melissa Rivers doing a dead on impersonation of her mom, the late great Joan Rivers on the set at QVC, where Joan is the number 1 pitchwoman of jewelry. Kudos to Melissa.

One thing about “Joy” no one can figure out– the name of her product, Miracle Mop, is never mentioned. Neither is Joy’s family name, Mangano, although the real Joy Mangano is promoting the movie on her Twitter account. There have to be legal reasons, and I guess we’ll know them soon enough.