Greta Gerwig Brings Her Buzzed About Movie “Lady Bird” to New York: It’s NOT About the Former First Lady
Annette Bening, Diane Kruger Come to Hamptons with New Films on Solid Path to Oscar Nods
Sunday at the Hamptons Film Festival brought an abundance of possible Best Actress nominees.
First Annette Bening arrived– with Jamie Bell– with their “Film Stars Don’t Die In Liverpool.” Bening is sensational as 50s film star Gloria Grahame, an Oscar winner herself but a sort of B version of Marilyn Monroe. “Liverpool” is a true story of Grahame’s later in life fling with a sexy young guy (that’s Jamie Bell), whose Liverpool family took care of her.
Both Bening and Bell are knockouts. Bening throws her name once again into the Best Actress pool, which is filling up with names like Judi Dench and Emma Stone. She’s been there before, and should have been there last year with “20th Century Women” if A24 hadn’t concentrated only on “Moonlight.” “Liverpool” comes from Sony Pictures Classics, which steered Cate Blanchett to Best Actress not long ago with “Blue Jasmine.”
And then Diane Kruger arrived with “In the Fade,” which Germany has entered into the Foreign Film race. Kruger won Best Actress in Cannes with Fatih Akin’s intense drama about neo Nazi terrorism. Kruger plays Katja, who is seeking justice for her murdered son and husband. She is simply outstanding in what turns out to be a courtroom drama wrapped in a political thriller. It’s the role of a lifetime for Kruger, who is best known for her own stand out performances in “Inglorious Basterds” and “Farewell My Queen.”
After last night’s screening, “Law & Order SVU” star Mariska Hargitay and actor husband Peter Hermann, who was raised in Germany, stopped backstage for photos and kudos. Hargitay, who’s played hard as nails cop Olivia Benson for almost 20 years, was in tears. She said, laughing: “I don’t know why, I see this in my job every day. But she was amazing.”
It’s quite possible we’ll see both Annette and Diane on Oscar night. They are top of the list for possible nominees.
Anna Rose King, Daughter of Late “Oprah” Syndicator, Is More than “Good Enough” to Become an Indie Film Darling
Anna Rose King is the beautiful (gotta say it), smart, and talented daughter of the late Roger King. You may remember seeing the production company name KingWorld on everything from “Oprah” to “Dr. Phil” to “Wheel of Fortune,” “Inside Edition,” and so on. Roger King and his brothers were the kings of TV syndication. Unfortunately Roger died ten years ago at the age of 63.
Luckily, his other legacy is a daughter who can act, direct and write. Anna Rose’s first feature, “Good Enough,” debuts today (Tuesday) on every digital platform from iTunes to Amazon and so on. When I was summoned to see “Good Enough” last week, I really thought, oh this is going to be terrible. But “Good Enough” is more than good enough. If Anna Rose had gone to Sundance or Tribeca, she’d be the darling of indie films right now.
But she’s her father’s daughter. “The deals were all bad,” she said. “And the movie would have died after a week in LA and NY and no one would have seen it. This made more sense.”
Breezy, quirky, and very fully realized, “Good Enough” is the story of a daughter trying to discover her dead father’s roots. It is totally fiction. Anna Rose knew Roger King very well. But Lorna, a flight attendant, never knew her divorced dad at all. So she goes looking for his long lost brother, crisscrossing the country. It’s a very amusing and touching journey. I don’t want to spoil the result, but it’s well worth being patient for the payoff.
Is Anna Rose King an heiress? I have no idea. But she graduated from NYU Film School and made her movie on the cheap. She shot “Good Enough” guerilla style. “I dressed up in my flight attendant uniform and we just shot in JFK and LaGuardia. La Guardia was really easy,” she told me. “Everyone’s filming something!”
Tonight “Good Enough” gets a Virtual Premiere down at the NYU Production Lab at 16 Washington Place beginning at 6:30pm. According to a release: The entire production lab will be divided into different viewing areas reminiscent of the inside of an airplane. There will be a first class, economy, a cockpit and a Kodak Sky Lounge! Guests will be able to watch the downloaded film on Kodak Ektra’s – their new professional-quality, photography-first smartphones – all while wearing headphones (provided), similar to what a silent disco might look like. Each viewing area will serve a different purpose, whether viewers prefer to watch from a Kodak smartphone, their own phone, or tv screens displayed throughout the room. Babe Sparkling Rose and popcorn will be provided as well as other food and drinks. Viewers will be encouraged to use social media using the #GOODENOUGHMOVIE hashtag – and we will have various influencers going live on the @GoodEnoughMovie Instagram account to promote the virtual premiere concept throughout the nation.
And “Good Enough” is not a one off release. Anna Rose King is here to stay. She has many irons in the fire. And that’s a really good thing.
Harvey Weinstein Revelations Have Caused Field Day for Name Calling, Mud Slinging and Hypocrisy
The revelations about Harvey Weinstein– horrible but nothing on the scale of Donald Trump or Bill Cosby– have caused mayhem on Twitter and elsewhere for show biz types. Mudslinging and hypocrisy are out of control.
Hypocrisy: Sharon Waxman of “The Wrap,” who’s never had an original thought in her head, said she “had” the story in 2004 at the New York Times. She says the Times killed it. Unfortunately, Waxman’s former editor, the highly respected Jonathan Landman, says that is simply not true.
The Times, which broke the story of Weinstein’s sexual misconduct, addressed the whole issue of Waxman today themselves.
Waxman ran afoul of Weinstein back in 2004 on another issue. I wrote about here. She interviewed him for a story on Quentin Tarantino that was supposed to be in a collection about directors. Instead, she used the quote in a Times story about Disney’s relationship with Miramax. That was a no-no.
Waxman, by the way, if she did have the goods on Weinstein as a predator, didn’t mind taking Harvey’s money for ads for The Wrap, noshing on his hors d’ouevres at parties, or doing business in general with him. Here’s a nice picture of Weinstein Company CEO David Glasser with Waxman at an event:

More hypocrisy: Someone has to give Mika Brzezinski a shot of reality. She’s made the whole story about herself. All weekend she kept tweeting that she had a three book deal with Weinstein Books but she couldn’t go through with it unless Harvey was fired. Really, Mika? No one wanted those books. Harvey took them because you were a TV news anchor. No one cares. And no one cared: those books were already published by Weinstein and/or Hachette over the last few years. They sit at the bottom of amazon’s inventory.
Hamptons: Julie Andrews Royal Welcome, Big Sick Surprise, Sam Rockwell Rocks “Three Billboards”
The 25th annual Hamptons International Film Festival offered a wild day on Saturday: a visit with royalty, a revelation about The Big Sick, and Sam Rockwell rocking a crazy great movie. What else could you want?
The royalty was Julie Andrews, who was feted with a Lifetime Achievement Award at East Hampton’s Guild Hall after a screening of her late husband Blake Edwards’ “Victor/Victoria” and on stage interview with Alec Baldwin.
(That’s right: if you’re interested in why Baldwin wasn’t playing Donald Trump last night on SNL it’s because he is here at the HIFF, presiding, interviewing, glad handing.)
Julie Andrews– now unbelievably 82 going on 40–is Hollywood royalty who summers in the Hamptons where her daughter Emma runs the famed Bay Street Theater in Sag Harbor. Mary Poppins, My Fair Lady, The Sound of Music– Julie might as well be a Windsor with gold statues. Gracious to a fault, she proved to be very articulate about her career, about Blake Edwards, filmmaking and show business during her Q&A. Later, at a reception at SilverCup Studios owner (and HIFF honcho) Stuart Suna’s East Hampton home, Dame Julie met and shook hands with all the guests, inquiring about their lives with the curiosity of a monarch who was at last meeting her subjects. In a word, she was delightful. A spoonful of sugar helps everything.
Earlier, at Nick and Toni’s– the great Hamptons eatery for celebs–Variety sponsored a huge buffet lunch for “10 to Watch,” which used to be called Rising Stars except now Sir Patrick Stewart was featured, and let’s face it, he has risen. But there were plenty of young actors and newer faces to meet including Kumail Nanjiani of “Big Sick” fame with his wife and co-writer Emily Gordon; Grace van Patten of “Meyerowitz Stories,” Timothee Chalamet of “Call Me By Your Name,” Hong Chau of “Downsizing,” Kiersey Clemons, Daveed Diggs, Daniel Kaluuya of “Get Out,” and Danielle McDonald of “Patti Cakes.” Value added: Sir Patrick brought his lovely wife, singer Sunny Ozell, who is charming.
The big reveal about The Big Sick? Kumail — who everyone loves on “Silicon Valley,” also– got to meet one of his favorite actors, Bob Balaban. And Kumail revealed that he and Emily– she was really in a coma 10 years ago by the way and now can happily laugh about it– are such fans of Balaban that they named a character for him “The Big Sick.” Jeremy Shamos plays “Bob Dalavan.” Balaban got a kick out of that, the Nanjiani’s were glowing with excitement.
What else? Sam Rockwell drove in for the premiere of his movie “Three Billboards Near Ebbing, Missouri,” written and directed by Martin McDonagh. Frances McDormand and Woody Harrelson co-star in this crazy, “Fargo”-esque semi violent comedy. This movie is great. Rockwell must get a Supporting Actor nomination. McDormand out-prickles herself. The Carter Burwell music marries Irish tinged themes with American country.
“Three Billboards” — I will tell you more soon, but someone asked Rockwell after the movie if there could be a sequel. His perfect answer: “Yes, and it could be called ‘Killing and Fucking.'” Everyone cheered.
“Blade Runner 2049” Update: $31 Mil Weekend Disappoints After Huge Build Up
“Blade Runner 2049” will be one of the great disappointments of 2017. Weekend box office was just $31.5 million, about half of what it should have been.
What went wrong? The only thing I can say is, October is not an Oscar month. With an 89 on Rotten Tomatoes, falling slightly from a 98, I thought more would have been made of this stunning film. But there was no New York premiere, no NY hoopla, and in LA Warner Bros. waited so long for a premiere that they got knocked out by the tragedy in Las Vegas. So the west coast premiere went off the record with red carpet.
Also, just Monday morning quarterbacking, there might have been a week of the original “Blade Runner” in theaters or on platforms so the audience didn’t feel lost. A lot of people felt that if they didn’t know the first movie they wouldn’t get this one. So only hardcore fans went to see 2049.
What a shame. You don’t need to see the original to enjoy “2049.” You can go and enjoy it for what it is. Denis Villeneuve has made his own masterpiece, with a great performance by Ryan Gosling and and amazing cinematography by Roger Deakins.
Beautiful, Classic, Rave Reviewed “Blade Runner 2049” May Be Too Good for Mainstream Audience
Who woulda thunk it? Denis Villeneuve’s brilliant “Blade Runner 2049” is not doing business the way we thought it would.
After a big Thursday night, “2049” had a weak Friday. Now predictions are a tepid weekend of $35 million.
The return of Harrison Ford, the really inspired performance of Ryan Gosling, and the gorgeous cinematography of Roger Deakins all together have not driven audiences in massive numbers to the theater.
I’m starting to think the audience just isn’t that smart anymore. Or the smart audience doesn’t want to leave their homes because they’re either too lazy or too accustomed to Netflix.
Either way, they are missing a truly mesmerizing, wonderful moment in cinema.
But it is possible that “2049,” which is long, and can be slow in places, is simply too much for an ADD audience. Villeneuve makes contemplative movies. You can’t check your email or text during them. You have to pay attention. For “2049” you don’t need to know too much backstory, by the way, so that’s no excuse. You just have to commit to a great filmic experience.
Will Roger Deakins win his Oscar this time? I think there’s a pretty good chance. There are frames and set pieces in “2049” that will take your breath away, I’m going back to see it in IMAX asap. For anyone who’s putting it off, go tonight. You will not be disappointed.
Stop It: Frank Zappa’s Sons Are Still Fighting in Public Over Use of the Family Name, Etc
Review: Willem Dafoe on “The Florida Project”: “You think the popcorn movies pay the bills but that’s not necessarily true”
The sublime “Florida Project,” directed and co-written by Sean Baker (“Tangerine”) is an innovative artistic and truly poignant film that opens today in limited release. Mixing amateur and professional actors, Baker tells the story of a precocious six-year-old Moonee (Brooklynn Prince) and her posse of friends who are grappling with poverty living in a fleabag hotel right next to Disney World.
“The Florida Project” was the name for Disney World when it was in its planning stages. Willem Dafoe plays Bobby, the often times put upon manager of the tacky purple colored ‘Magic Castle’ motel where the kids and their parents — mostly single mothers — live. Bria Vinaite is excellent as the tattooed single 22-year-old mom trying to scrape by doing whatever she must to survive. Vinaite, who never acted before, was found by Baker on Instagram.
Dafoe’s performance is compassionate, gritty and graceful, pretty much guaranteeing him a deserved Best Supporting Actor Oscar nomination. If A24 can swing it (they did with “Moonlight”) “The Florida Project” could easily be a Best Picture nominee this season. Baker’s direction is so fluid, and the whole movie is so organic, you feel that you’ve lived it through it with all the characters. It’s quite an achievement, akin to another indie hit, “Beasts of the Southern Wild.”
I asked Willem at a recent screening what attracted him to this offbeat part? “That world, which I didn’t know existed.” He continued: “I’m always attracted to a part when I’m the odd man out. Bobby is half in and half out. He’s one of them but he’s not. He’s got this beautiful position that he’s got to run this place and he loves the kids, but they’re also a pain in the ass. So he’s wearing all these hats. There’s not a big dramatic scene or transformation so he’s got to go through all these modes. That’s interesting to me.”
I asked him if a big budget popcorn movie was next? He replied, “You think the popcorn movies pay the bills but that’s not necessarily true. I work all over the world and sometimes an independent movie needs me for financing more than a big movie does. And the big ones can take a hell of a long time. I can do two independent films in the time it takes to do a big one. So for a guy like me, money is a consideration but it’s not the main thing by any means. I’m just a working character actor. But this movie, I just love it. I hope it gets out there. It is a small movie, but people are responding to it.”
North Carolina’s inaugural “Film Fest 919” will be the next festival to tout the film. Founders Randi Emerman and Carol Marshall, along with programmer Claudia Puig, will launch the festival with the sure to be winning tons of awards “The Florida Project,” on October 25th in Chapel Hill.
Meryl Streep, Mike Myers, Tony Bennett Join Steven Spielberg for A List Premiere of New HBO Documentary
It was just your basic night at Alice Tully Hall for HBO and the premiere of Susan Lacy’s stunning “Spielberg” documentary.
Wait til you see this thing– Spielberg’s nearly 50 years as our star filmmaker are covered comprehensively and entertainingly by Lacy, who last year moved from PBS’s American Masters to HBO. She interviewed everyone important to Spielberg including the filmmaker himself. Plus, she unearthed hours and hours of previously unseen footage Spielberg took in the mid 70s of himself, George Lucas, Martin Scorsese, Brian DePalma, Francis Ford Coppola and friends as they were making their early, career making films. Extraordinary is not a word that even covers it.
“Spielberg” is on the level of the great Sinatra doc that HBO had in 2015.
HBO welcomed a select crowd across the street for dinner at Lincoln Restaurant, where Spielberg and wife Kate Capshaw had the whole family– lots of kids, and lots of friends: Blythe Danner, her son Jake Paltrow, his wife photographer Taryn Simon, plus Meryl Streep, with her actress daughter Grace Gummer, her boyfriend Tay Straithairn (son of actor David) and Meryl’s brother Harry Streep; Tony Bennett, Mike Myers, Barry Levinson, Paul Haggis, Greta Gerwig, Danny Strong, plus HBO’s Richard Plepler, as well as actor Bob Balaban and writer wife Lynn Grossman, Gina Gershon, Marlo Thomas and Phil Donahue, Bennett Miller, and Spielberg’s legendary publicist since “Close Encounters,” Marvin Levy, the dean of Hollywood flacks.
Whew!
For Levinson and Spielberg, it was quite a reunion. For years, Steven tried to develop “Rain Man” as a movie. He finally left it, Levinson picked it up and won the Oscar for Best Picture. “I couldn’t nail it,” Steven said as the two men reunited. Spielberg said to me, “I’ll tell you what, if I’d made it it would have been much more sentimental.”
Then Spielberg told me something no one had ever heard before. “You know they give me a lot of credit for developing special effects. But Barry actually created the first ever digital special effect on Young Sherlock Holmes. It’s a scene of a stained glass window that moves.” Levinson directed, Spielberg’s team produced. (It’s a little gem of a film.)
Did Barry know he held that coveted distinction? “I did not,” Levinson responded, with typical humility.
“Spielberg” begins airing on HBO tomorrow night. You’ve never had such a good reason stay home on a Saturday night. The minute it’s over you’ll want to watch “Close Encounters,” “ET,” “Munich,” and “Saving Private Ryan” immediately, not to mention “Schindler’s List,” “Sugarland Express,” and “Catch Me If You Can.”
