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Update: Justin Bieber 2nd Week Album Sales Drop 90%, Arena Concert Tix Not Selling– Will Virus Become Excuse?

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Exclusive: Justin Bieber’s sales numbers, which I’ve been writing about this week, are really, really in trouble.

His concert ticket sales are very poor, and some are wondering if promoters will be able to use the Coronavirus as an excuse if things really go south. Imagine arenas full of rock fans wearing masks.

The new album, “Changes,” sold 200,000 copies last week including streaming. This week, through yesterday, the number is 30,000, or an 85% drop off.

Even worse: “Changes” sold 127,000 actual CDs and paid downloads last week. In its second week, so far, the number is 5,400. That’s a 95% drop, for an average of 90%.

This happens, as it did recently to Coldplay, which struck out in week 1 with its most recent release. But Coldplay, wisely, cancelled their tour, realizing that if no one wanted the album they weren’t going to buy tickets to hear the group play those songs.

Bieber, however, has a tour starting May 14th, and it’s in trouble. Tickets are not selling. In every venue, huge chunks of seats are just sitting there, unsold. Bieber’s “Intentions” may be good, but the reality is not. Increasing fear of the Coronavirus may be used as an excuse, even if it’s unfounded.

Also, the “Love” tour is all in arenas that have cut the seating in half at each theater. Arenas can do this; they drape off all the seats behind the stage, so as to cut down on lost sales. At the Meadlowlands in New Jersey, Bieber’s show in September has been cut way down.

But the cut downs don’t matter, as the remaining seats– except for floor seats– are not moving.

For the first show, in Seattle on May 14th, huge swaths of seats are still available. On Stubhub, the cheapest ticket is $41, and falling. See below. This is in contrast to Harry Styles’s tour, which is solidly sold out for most of its run, even if the secondary market is going crazy.

Things get even worse for Bieber a couple of weeks later in Las Vegas, on June 2nd, where the solid blue indicates hundreds of seats still waiting to be sold. It’s going to be a long, tough summer for Justin unless there’s some renewed interest in “Changes,” or the tour. Stay tuned. PS Hitsdailydouble must have seen my piece from last week, because they ran a “blind” item about faltering tours the other day.

Exclusive: Harvey Weinstein, Oscar Expert, Expected “Marriage Story” Would Win Best Picture Because “It Was Short, and Easy to Get”

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Now that the Oscars are over, and Harvey Weinstein is cooling his heels, as it were, at Bellevue Hospital, here’s some news of interest.

Harvey thought “Marriage Story” would win Best Picture. He’d seen most of the Oscar nominated films before his trial began, and deemed “Marriage Story” a likely winner because, he told a friend, “it was short and easy to get.”

This was a conversation going on all through December. After all, who’s won more Oscars than Harvey? Best Picture winners included “The English Patient,” “Shakespeare in Love,” “Chicago,” “The King’s Speech,” and “The Artist.” All great films. Plus dozens of nominees, hundreds maybe, and acting winners as well.

Weinstein said that he’d loved “The Irishman” but it was too long and he knew that by watching it at home, the movie had lost steam. Plus, director Martin Scorsese had his Oscar, for “The Departed.” Harvey had tried to get it for him twice, with “Gangs of New York” and “The Aviator.” It just wasn’t meant to be.

Harvey knew Renee Zellweger was a shoo-in. He’d gotten her her first Oscar for “Cold Mountain.” I didn’t get info about Brad Pitt, whose Oscar was won for Quentin Tarantino’s “Once Upon a Time in Hollywood.” Weinstein, I was told, loved the film. But maybe it was a sore point, too. Every one of Tarantino’s prior movies had been made with Harvey.

As for “Marriage Story”: it was one of those movies, like the indie hit, “In the Bedroom,” that Harvey could relate to. In the old days, he would have turned Noah Baumbach’s sterling dramedy into a Best Picture, and probably scored a win for Adam Driver as Best Actor. That’s what he excelled at. Everyone hates Weinstein now. But when he was in the driver seat, the Oscars had buzz. There was passion in the air about the movies. This year, it was like hanging laundry out to dry. Whatever died first, won.

Just a note: Weinstein was sentenced over this past weekend. In most previous years, this would have been Oscar weekend. No one realized that. It was if the Oscars had to get out of the way this year.

 

 

Surprising Move: Steven Spielberg Abdicates from “Indiana Jones 5,” Turns Beloved Franchise Over to New Director

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This is a surprising move: Steven Spielberg is turning over the direction of “Indiana Jones 5” to James Mangold, most recently the man behind “Ford v Ferrari.”

Spielberg has directed all four Indiana Jones movies starting with “Raiders of the Lost Ark.” The Indiana Jones serial was always the special project of Spielberg and George Lucas.

But Lucas is retired now, and Spielberg has obviously been persuaded to hand over “Indy 5” to a younger director. Of course, Spielberg– who was once known for making two or three movies at a time — is spending the year putting together his “West Side Story.” In the past, that wouldn’t have been enough to keep him busy.

Indeed, times have changed. “Indiana Jones” is now with Disney, having once been the jewel in the crown of Paramount. But Disney got the rights to those movies when it bought George Lucas’s LucasFilms and “Star Wars.” Who knows what they were telling Spielberg about “Indy 5”? Make it part of the Marvel Universe? Nothing would be a shock at this point.

Variety first reported the story, and added that “Harrison Ford is still a part of the project.” But again, who knows? Maybe in the new “Indiana Jones,” Indy’s bastard son comes and kills him, a la “The Force Awakens.” No wonder Shia LaBeouf isn’t part of it.

Disney also has a new head of the company, as Bob Iger is now officially gone. Another Bob, Bob Chapek, has taken over, from Disney Parks.

In any case, this is a strange turn of events. Spielberg doesn’t really have anything to follow “West Side Story” except for a long in development “The Kidnapping of Edgardo Mortara.” I can’t believe he wouldn’t want to finish the series he and Lucas started almost 40 years ago. Something’s up. I guess in time we’ll find out what it is.

Carly Simon Night at Carnegie Hall Adds Susannah Hoffs, Natasha Bedingfield, Deborah Cox, and… Tony Shalhoub? to All Star List

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The Carly Simon tribute night at Carnegie Hall on March 19th has just grown again with more stars added!

Deborah Cox, Jimmy Webb, Julie Simon, Natasha Bedingfield, Susanna Hoffs, Tony Shalhoub, and the Romulus Hunt Quintet have been added to the already announced list of artists including Indigo Girls, Livingston Taylor, Michael McDonald, Rachael Price of Lake Street Dive, Darlene Love, and so on. Yes, Tony Shalhoub? Well, he can do anything.

They’ve even added a rehearsal show the night before, on March 18th, at the Cutting Room, which should be terrifyingly crowded!

All proceeds go to music education programs for underprivileged youth. Michael Dorf of City Winery puts together these tribute concerts every year, but this is the first time I can recall that an honoree– Carly– has gotten so involved.

 

 

(Watch) Justin Timberlake and SZA Sizzle on “The Other Side,” First Track from “Trolls” Sequel Soundtrack

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Justin Timberlake has dropped the first single from his “Trolls World Tour” soundtrack, with SZA. “The Other Side” is a cool piece of pop disco, a la his masterwork in this area, “Can’t Stop the Feeling.” RCA was smart to drop the single today, well in advance of tomorrow night’s Lady Gaga premiere of a new single called “Stupid Love.”

Justin says on Instagram that he’s been working for a year on the soundtrack which will also include Kelly Clarkson, Mary J Blige, George Clinton, Anderson Paak, and others. The movie comes April 17th with the album just preceding it.

View this post on Instagram

#TROLLSWORLDTOUR 🤘 The Other Side 2/26

A post shared by Justin Timberlake (@justintimberlake) on

CBS Increased Ratings with Debate by 93% from Last Week, 83% Over Last Year: New Series with Brawling Candidates?

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CBS should consider having a presidential debate once a week.

Last night’s brawl among potential Democratic presidential candidates scored very nicely for them. CBS was up 93% from last week, and 83% over last year, same week.

It didn’t help that last week’s “NCIS” was one of the lower rated episodes of its run.

But the debate had an average 13 million viewers from 8 to 10 pm. Contrast that with “The Conners” over on ABC, which had just 5.1 million fans.

NBC competed strongly with the debate. “The Voice” had 8.5 million viewers, followed by “This is Us” with over 7 million.

Still, among the debates over all, the South Carolina crush came in a lot lower than last week’s gang bang in Las Vegas, which almost hit 20 million.

How about a series? CBS could spin it off of “NCIS”! But next time, let Murphy Brown be the moderator, please.

Village People Give Trump the OK to Use Campy Gay-Themed Songs Like “YMCA” and “Macho Man” for Rallies

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Seventies disco group The Village People have handed Donald Trump a real gift. They’ve given him permission to use their campy, gay themed songs “TMCA” and “Macho Man” at his rallies.

On their Twitter account, the Village People write: “Here’s our position on @realDonaldTrump use of our music. Though we don’t endorse his use, we’re not in the position to prevent such use unless he crosses the line. He has not. We have Democrats and Republican fans alike.”

On Facebook, the group writes:

TO OUR FANS:

We have received numerous requests demanding that we prevent or ban President Donald Trump’s use of our songs, particularly “Y.M.C.A.” and “Macho Man.”

With the latest use of “Macho Man” in India, we are being inundated and can no longer remain silent.

Since our music is not being used for a specific endorsement, the President’s use is “perfect[ly]” legal.

He has remained respectful in his use of our songs and has not crossed the line; if he or any other candidate were to use any of our songs in a manner that would suggest our endorsement, or in a promotional advertisement, that would cross the line.

Like millions of Village People fans worldwide, the President and his supporters have shown a genuine like for our music.

Our music is all-inclusive and certainly everyone is entitled to do the YMCA dance, regardless of their political affiliation. Having said that, we certainly don’t endorse his use as we’d prefer our music be kept out of politics.

It’s ironic that most of Trump’s fans are homophobic rednecks who still don’t understand the lyrics to the Village People’s songs. But ok, it’s funny enough that they’re singing along to then. But even better, who are The Village People, exactly?

The group, which became popular in the late 70s, is now once again owned by its founder, Victor Willis, a black man who dresses up like a cop in the group. The ex husband of actress Phylicia Rashad (before she was on “The Cosby Show”) wrote the songs Trump is enjoying at rallies. But for a long time Willis was out of the picture. That’s because he had a series of arrests for drugs and one on gun charges. At one point he was on the run from the law. His lawyer at one time was Mark Geragos.

Some fans on social media are critical of Willis for letting Trump use the songs without complaint. He’s just about the only writer of a popular song who hasn’t threatened a lawsuit of some kind. But Willis may be enjoying the irony of all those MAGA hatted doofus’s chanting his words and waving their fists in the air. As with everything else, they have no idea what they’re doing.

 

 

Duffy, the Brit Singer Who Would Have Been Adele, Finally Speaks About Her Decade Long Disappearance

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Duffy was going to be Adele. She was the next Dusty Springfield. Twelve years ago, Duffy, aka Aimee Anne Duffy is a Welsh singer, songwriter and actress. Born in Tipperary Town, County Tipperary, Ireland. She had a massive hit with the album, “Rockferry” and was set to explode in the US on DefJam Records. At the 51st Grammy Awards held in February 2009, Duffy even won a Grammy Award for Best Pop Vocal Album for “Rockferry.” Earlier she had been nominated for awards in the categories of Best New Artist and Best Female Pop Vocal Performance for her single, “Mercy.”

But then she vanished. There were rumblings since 2011 of a career, but very little materialized. Until today, that is. Her sole post on Instagram is below, in which Duffy says she is safe now, but was “raped and drugged and held captive over some days. Of course I survived. The recovery took time. There’s no light way to say it. But I can tell you in the last decade.”

This is so sad. She is obviously not mentally well, and hasn’t been for a very long time. She’s either off her meds and or escaped from a guardian. It’s not funny. News outlets are taking her wild claims seriously. They certainly shouldn’t. We have to hope she gets the right help ASAP.

Here’s the posting:

You can only imagine the amount of times I thought about writing this. The way I would write it, how I would feel thereafter. Well, not entirely sure why now is the right time, and what it is that feels exciting and liberating for me to talk. I cannot explain it. Many of you wonder what happened to me, where did I disappear to and why. A journalist contacted me, he found a way to reach me and I told him everything this past summer. He was kind and it felt so amazing to finally speak. The truth is, and please trust me I am ok and safe now, I was raped and drugged and held captive over some days. Of course I survived. The recovery took time. There’s no light way to say it. But I can tell you in the last decade, the thousands and thousands of days I committed to wanting to feel the sunshine in my heart again, the sun does now shine. You wonder why I did not choose to use my voice to express my pain? I did not want to show the world the sadness in my eyes. I asked myself, how can I sing from the heart if it is broken? And slowly it unbroke. In the following weeks I will be posting a spoken interview. If you have any questions I would like to answer them, in the spoken interview, if I can. I have a sacred love and sincere appreciation for your kindness over the years. You have been friends. I want to thank you for that x
Duffy

Please respect this is a gentle move for me to make, for myself, and I do not want any intrusion to my family. Please support me to make this a positive experience.

The Bruce Willis $100 Million Chinese Movie Art Directed by Mel Gibson Actually Was Released Last Year–in Three Countries, Made Half a Million Bucks

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You may recall mention of “The Bombing,” a Chinese movie made with Bruce Willis and Adrien Brody. In Chinese. It was art directed by Mel Gibson. I’m not making this up. Directed by Xiao Feng, “The Bombing” also starred Fan Bingbing.

“The Bombing” was finished a few years ago, but nothing happened and it sort of disappeared. One reason was because it was bad. The other was that Fan Bingbing was arrested in her native China for tax evasion, vanished for three months there, then reappeared and paid — or was supposed to pay — $127 million in back taxes. (She must have resolved her problems since she’s listed in the imdb as having finished a couple of new movies. China is a very forgiving government, as we all know.)

Anyway, it turns out “The Bombing” was retitled “Airstrike” and released last summer in three countries that really dig movies: Slovenia, Mexico, and Bolivia. Total box office was $512,992. The official budget was $65 million but I’m told it went all the way up to $100 million.

Will we ever see “Airstrike”? Yes! It’s on Amazon Prime, for free. I just looked at it. Someone has dubbed the Chinese into American. Bruce is in a handful of scenes, kind of wooden, hardly keeping a straight face, not saying much. Adrien Brody is in it for a minute. Even though it’s ridiculous, the cinematography is pretty good. I’ll bet the craft services had a lot of Chinese delicacies.

Sixty five mil? One hundred mil? Who cares? It’s just money! Anyway, the Slovenians liked it.

Ratings: Upsetting and Shocking “Walking Dead” Zombie* Sex Scene Lifted Show by 9 Percent Over Fall Finale

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Viewers of “The Walking Dead” — and they are fewer and fewer all the time — have been losing interest in the show. But on Sunday, the word must have gone out that something very upsetting and shocking was going to happen. Negan, who I guess is considered human, had sex with a zombie  crazy women named Alpha who wears the masks of dead people. (She’s a Zombie* wannabe.) They got as naked as you can on AMC. Urrgghhh!

The result of this unpleasant coupling was a 9 percent rise in ratings. The fall finale scored 3.21 million viewers. The new episode brought 3.5 million pairs of eyes. The number rose by double digits in the demos, too: adults 25-54 (2 million, up 15 percent) and adults 18-49 (1.6 million, up 17 percent).

Will this new supercouple (yuck yuck yuck) bring the show back its glory days? I doubt it. But freak shows never get old.