Thursday, December 18, 2025
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Nick Cannon Blasted as “Masked Singer” Ratings Return Down 22 Percent from Last Season Average After Anti-Semitism Scandal

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“The Masked Singer” returned to Fox last night with dismal ratings.

The show scored just 5.4 million viewers vs. a season average last spring of 7 million. They’re down 22 percent. Compared to last season’s series premiere, it’s a 44% drop. (The 2nd season premiere, just this last February, had a whopping 23 million viewers following the Super Bowl. The show calmed down the next week to the 7 million average.)

Some could say it was the “America’s Got Talent” finale on NBC that did in “Masked Singer.” But the Fox show actually won its hour at 8pm.

No, the overall loss in viewers is absolutely attributable to Cannon’s scandal last month when he backed Louis Farrakhan and made anti-Semitic remarks. He was immediately fired by Viacom and MTV/VH-1. Fox thought it wouldn;t make a difference to their audience but apparently it did.

The only saving grace is that among those 5.4 million viewers, the key demo was very high, especially among women. But the drop in viewers is notable.

Why Is Alan Arkin Leaving “The Kominsky Method”? He’s Not a TV Actor and Never Expected it To Last More than 2 Seasons

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Alan Arkin is 86 years young. He has never been a TV actor. For the last two years, he was Michael Douglas’s co-star on Netflix’s “The Kominsky Method.” And now he’s leaving.

Why is he going? They only have one more season, “He never expected it to last more than two seasons,” says a friend.

Arkin has done all he can as Norman Newlander, a sidekick to Michael Douglas’s Kominsky. Arkin, an Oscar winner, garnered two Emmy nominations for Best Actor in a Comedy, but he can see the writing on the wall. He’s not going to win. At 86, why stick around?

Arkin won the Oscar for “Little Miss Sunshine” in 2006. Besides that he’s had 3 other Oscar nominations including “Argo.” He hasn’t been in a TV series since “One Centre Street” in 2001, and that was only because the great Sidney Lumet wrote and directed it. Before that, he had his own short lived comedy called “Harry,” in 1987.  But his real career is movies, and he has an enormous resume full of great performances.

My source says “Kominsky” was only supposed to be 2 seasons. The third season was a surprise announcement. Netflix probably wasn’t there with the money to keep Arkin interested. (At 86, you need some incentive to come into work every day.) “Kominsky” was sort of like a distaff “Grace and Frankie.” But in that case you had the intense motivation of the main actors, Jane Fonda and Lily Tomlin, to make it work. So they’ve gone 7 seasons.

Alan Arkin remains a great American movie star. Watch him in “Catch 22.” Or a little gem from 2008 called “Sunshine Cleaning.” He never fails to pull it off.

 

(Watch) Bruce Springsteen’s Nostalgia Filled “Ghosts” Gives Max Weinberg’s Drums a Work Out

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Here’s the second single from Bruce Springsteen’s “Letter to You.” The track is called “Ghosts” and what’s notable is the hard pounding of Max Weinberg’s drums, and the steel guitar of Nils Lofgren. So far the E Street Band sounds rock heavy this go round and less horn-y. Where’s Jake Clemons? I’m sure he’s on his way.

This single is deceptive. It really builds well. It also ends strangely, with a sudden fade out.

Zayn Malik and Gigi Hadid Have A Baby Girl, Zayn Drops a New Single Tonight: “The love i feel for this tiny human is beyond my understanding”

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The model Gigi Hadid gave birth overnight to a baby girl. The father, former One Direction singer Zayn Malik, is overcome with emotion. Tonight, Zayn drops a new single, called “Better.” It’s a fairytale story.

Zayn wrote on Twitter: Our baby girl is here, healthy & beautiful🙏🏽❤️to try put into words how i am feeling right now would be an impossible task. The love i feel for this tiny human is beyond my understanding.Grateful to know her, proud to call her mine, & thankful for the life we will have together

Harold Evans Dies at 92, Pioneering Editor Who Stood up to Rupert Murdoch, Ran US News, Random House, NY Daily News

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Harry Evans has been on my mind for a month. Isn’t it weird when that happens? I felt like something was wrong. This was the first year I hadn’t seen Harry since I met him in 1985. Several times I looked up his number intending to call him and didn’t. And now it’s too late. Harry has left us at age 92, dead from congestive heart failure.

I call him Harry but he’s Harold Evans, former editor of the Times of London who stood up to Rupert Murdoch, was fired and wrote a great book about the experience called “Good Times, Bad Times.” His second wife, almost 30 years his junior, was Tina Brown, the young hot shot editor of Tatler magazine in London. They moved to New York in 1982. Tina took over the just-revived and failing Vanity Fair. Harry took several jobs with Mort Zuckerman, owner of US News, then the Daily News, and Atlantic Monthly Press books, a venerable publishing company. They became the hottest media couple in the world.

AMP is where I met Harry. He hired me to be publicity director. In a short time he’d shaken up the place, contracted for a number of non fiction books by name writers. The biggest project was “Je Suis Le Cahier,” the first ever publication of Picasso’s notebooks which would accompany a huge exhibition at the Pace Gallery. The day I met Harry he was 58 years old and was like a little spitfire. Wiry and tiny, he was constantly in motion. He was unlike everyone I’d encountered in the book business, which was staid and lazy.

“What should we do with Picasso?” he asked me. I said, well, Picasso’s daughter, Paloma, is famous for making perfume and jewelry. Maybe she could help us and do some publicity? You’re right! he cried. He ran into his office, pulling me, and called Tina at Vanity Fair to get Paloma’s phone number. Within seconds we had this woman on the phone, made a lunch date at the very snazzy Four Seasons. My head was spinning. What just happened? Everything was about to change, fast.

During that time, Harry worked for Mort Zuckerman, who was not terribly bright but thought he was and wanted to be. He used Harry to express himself and further the notion that he was a statesman. Harry wrote his weekly editorials in US News, wrote speeches for him and other materials. Harry divided his time between reviving our book company and being Mort’s Cyrano. At one point, Harry got the Italian Mondadori publishing company to make an offer for Atlantic Monthly because Mort didn’t want a money-losing endeavor on his ledgers. In New Orleans, at the book convention, the Mondadori’s came and saluted at us at dinner. They were excited. Mort was not. He said he could get a million dollars more (four million vs. three) by selling us to the son of a Coca Cola bottler from Tennessee. He did, and those people fired Harry on the spot.

For a short time, Harry helped the British company Weidenfeld and Nicholson start a US imprint. It was his transition job. But he’d gotten friendly with Si Newhouse, publisher of Vanity Fair, and proposed the Conde Nast Traveller as a new magazine. This was 1987 or so, when magazines were a big deal. He launched the Traveller to great success. (I put him on the Phil Donahue show to help launch the magazine, and wrote his gossip column announcement for Liz Smith’s Daily News column thanks to Harry Haun.)

Harry was still helping Mort, believe it or not, despite working for Si Newhouse now. I think he thought this was shrewd: keep your friends close and your enemies closer. That sort of thing. And it paid off. A few years later Mort bought the New York Daily News and put Harry in charge as editor in chief. Harry also served as editor in chief of Random House, the most important US book publisher.

His father, he used to tell me, was illiterate. Really illiterate. Couldn’t read or write. But look at Harry, what he accomplished. It was dazzling. And dizzying. He wrote more books, all best sellers. Through his 80s he continued to be a presence, a force, in international journalism. The friends-enemies thing was always played as a card. Maybe Tina helped him forge the philosophy. For years Harry’s horrible experience with Murdoch gave Vanity Fair access to the Aussie tabloid publisher. It was Tina, whose husband had been fired by Rupert, who made this insane media mogul a celebrity. But it was shrewd: Harry and Tina were the center of New York media because of it.

Harry’s vital enthusiasm for life, his electric energy, how he communicated that there was nothing you couldn’t do — and let’s do it now — changed my life. Thirty five years have passed and there isn’t a day I don’t think about him at least for a second. And there won’t be a day I don’t for the rest of my life.

Rest in peace, Harry, you’ve earned it, although I doubt for a minute that you aren’t stirring things up in Heaven right now, driving God crazy with good ideas, and sending angels out to implement them.

 

Metropolitan Opera Cancels 2020-21 Season But Will Return With First Ever Opera by a Black Composer

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Good news and bad news at the Metropolitan Opera.

First the bad news: they’ve cancelled the season right through May 2021. No opera. Nothing. Just the streaming old performances. The reason is the pandemic, and how to bring people into the Opera House and on stage without contaminating everyone.

Now, the good news: when they return in September 2021, the Met will stage its first opera by a black composer, Terence Blanchard with a libretto by famed black director Kasi Lemmons. It’s called “Fire Shut Up in My Bones.” Blanchard is such a beloved, respected, and popular composer, this is really great news. The directors are James Robinson and Camille A. Brown. Brown, the Met’s first black director, is also the choreographer.

The Met is really getting into diversity in a big way. (Yes, it’s the year 2020, can you believe this just happening now?) They’ve named three black composers—Valerie Coleman, Jessie Montgomery, and Joel Thompson—to the Metropolitan Opera / Lincoln Center Theater New Works commissioning program, and also announced the commission of the noted African American visual artist Rashid Johnson to create large-scale artworks that will be on display inside the opera house during the 2021–22 season.

Now that the Met has done this, what about Broadway? I’d say this is a bad sign for Broadway shows hoping to re-open next spring.

 

 

Warner Blinks, Moves Spielberg’s “West Side Story” to Xmas 2021, Disney Yanks “Black Widow” to Next May

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Well, that’s it. The studios are throwing in the towel on a movie season this year.

Warner Bros., already suffering from “Tenet” dying on the vine, is moving Steven Spielberg’s “West Side Story” from this Christmas to 2021. Theaters won’t be open, so why take the chance of repeating a disaster.

So far, however, WB is holding fast to “Wonder Woman 1984” coming on this Christmas Day, a week after “Dune.” That is, so far.

MGM is sticking to the James Bond movie, “No Time to Die,” for November 20th.

But Disney’s “Black Widow,” starring Scarlett Johansson, jumps from November 6th to next May 7th–a year after its original release date.

Right now, this is all that’s left of 2020. Luckily, December 31st is not the cut off for Oscar movies. Otherwise, it would be pretty bleak. I’m hopeful MGM will stick with January 15th for Jennifer Hudson in “Respect.”

Oct. 9

The War With Grandpa (101 Studios)

Oct. 16

2 Hearts (Freestyle)

Honest Thief (Open Road)

Oct. 23

The Empty Man (20th/Dis)

Oct. 30

Fatale (Lionsgate)

Come Play (Focus/Amblin)

Nov. 6

Let Him Go (Focus)

Nov. 13

Freaky (Universal)

The Comeback Trail (Cloudburst)

Nov. 20

No Time to Die (MGM)

Soul (Disney)

Nov. 25

Voyagers (Lionsgate)

Happiest Season (Sony/Tri-Star)

The Croods: A New Age (Universal/Dreamworks Animation)

Dec. 11

Free Guy (20th/Disney)

Dec. 18

Death on the Nile (20th/Disney)

Coming to America 2 (Paramount)

Dune (Warner Bros./Legendary)

Dec. 25

Wonder Woman 1984 (Warner Bros.)

News of the World (Universal)

Dec. 30

Escape Room 2 (Sony/Screen Gems)

Ratings: “Time 100” on ABC Attracted Few Viewers, Beaten by New NBC Canadian Medical Show Called “Transplant”

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Not many people watched the “Time 100” special on ABC last night. Just 2.4 million, actually, tuned in from 10-11pm Eastern.

The show was beaten by an NBC medical drama from Canada called “Transplant.” That surgically attached about 3.8 million fans.

A rerun of “FBI: Most Wanted” on CBS finished third in the time slot.

The “Time 100” tried to turn Time Magazine’s long-moribund special edition magazine into a TV awards show. A lot of names flashed by on the screen. The Weeknd performed. But it was kind of an infomercial, and not a very interesting one.

Years ago I used to cover the Time 100 dinner held at the former Time Warner building’s Jazz at Lincoln Center. Like most of these galas, the first years were fun and intimate. Then it became like a Shriner’s Convention, and the “winners” rarely showed up. Toward the end of Time magazine’s ownership by its original company, the Time 100 dinner could be called “The Usual Suspects.”

Will there be annual Time 100 TV specials? Procter & Gamble paid for it, so they’ll have to decide if 2.4 million viewers is enough to promote toothpaste and foot powder. The Time 100 rating was lower than P&G ever got for any of the soap operas they viciously killed off a decade ago.

Worrying Hollywood Consolidation as Variety, Hollywood Reporter, and All Their Subsidiaries Merge into One Company with Many Awards Shows

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Um, this is a little worrying.

The companies that own Variety and the Hollywood Reporter, Deadline, Billboard, Rolling Stone and all the secondary awards shows like the Golden Globes and American Music Awards are now ONE. Their announcement this morning skirts the word “merge” but that’s what they’ve done.

Penske Media, owned by Jay Penske, heir to the Penske moving van and auto companies, is going to run the company called MRC, formerly Valence, which sprang from the loins of Guggenheim Partners and Todd Boehly. That gang owns Dick Clark Productions, which produces all those awards shows. It also produces TV shows and movies, from “Ozark” to “Knives Out.”

The announcement says they’re going to “create content” based on the outlets, which include PMC’s Rolling Stone, Variety and Music Business Worldwide interests. So there’s going to be one massive voice and outlet for the music industry.

Conflict of interests? Uh, yeah. Like, galore. What?

Well, Penske’s publications have been thriving but the MRC/Valence ones have been on the ropes for some time. They’ve had massive layoffs all year. So it was just a matter of time before consolidations were eyed. But this also includes the so-called “objective” awards shows.

Will the publications contradict each other? Will the awards shows be influenced by the publications, or vice versa? And what about the awards shows, which are already in murky waters, and how they deal with the media that’s being produced and is judged by them? Who will have an independent voice?

What Hollywood doesn’t need right now is just one massive publisher speaking for the industry. Stay tuned for more developments and reactions.

Elton John Won’t Resume Farewell Tour in US Until January 2022, Most of 2021 Cancelled Except European Dates in the Fall

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For Elton John, 2021 is basically not happening, at least in the US.

Sir Elton has just announced the resumption of his Farewell Yellow Brick Road tour on January 19th in New Orleans. Before that he’ll play dates in Europe and the UK in the fall of 2021 if, of course, this whole mess is over. Or goes away by itself, as Donald Trump thinks.

He’ll hit New Zealand in 2023. So who knows when the actual end of the Farewell tour will happen, or where? Back in New York, I suspect, for a big goodbye at Madison Square Garden. 2024? (Elton took pages from Cher and The Who’s farewell tours, still going on after all these years.)

Knowing Elton, this doesn’t mean we won’t be hearing from him until then. My guess is he’ll make a record or do something because like rust, he never sleeps!

Elton does have a huge compilation box set coming soon with lots of demos and intimate recordings we’ve never heard before. That alone should give everyone enough Elton John to dine on for the next few months!

He says on social media: “I’ve been enjoying my time at home with the family while the world navigates its way through the COVID pandemic. But, I really miss being on the road and performing for my beloved fans in my Farewell Yellow Brick Road Tour. While the scientists are making great progress, we are making big plans for a return to touring that will allow us to ensure the health and safety of everyone. I will be starting my tour again in Europe and the UK in the Fall of 2021. And I will be back in North America starting in January 2022.  This means my New Zealand dates will be postponed until 2023. Don’t worry about me.  I’m using my downtime to keep myself fighting fit and healthier than ever. I’m raring to go! As always, thank you so much for your loyal support. I look forward to seeing all you wonderful Elton John fans soon. In the meantime, please stay safe and be well. Thank you!”