Friday, December 19, 2025
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Uncovering the Truth: Rudy Giuliani’s Girlfriend Bills Herself On His Radio Show as a “Doctor” But She’s a PhD

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We have some weird stuff going on here in New York on the radio. I’m sure it’s the same everywhere.

Last March, WABC, which was once part of the ABC network and then owned by Cumulus, was purchased by local supermarket king John Catsimitidis for $12.5 million. I like John– who always talks about running for mayor — even though he’s a very right wing guy. But he’s stocked WABC with the most right wing conservative nut cases he could lay his hands on including disgraced ex Fox Newser Bill O’Reilly.

Our former mayor — hated in New York, by the way — Rudy Giuliani has a nightly show no one listens to where he rants and raves. Whoever’s listening to Rudy at 9pm on the radio needs a life, desperately, so you can imagine the audience.

Turns out Rudy also has a Sunday morning show. He has a co-host, too: his girlfriend, “Doctor” Maria Ryan. It’s called “Uncovering the Truth.” I’m not sure if this is a reference to Rudy’s three ex-wives, one of whom was his cousin. They each “uncovered the truth” about Rudy cheating on them.

Rudy’s most recent ex wife, Judith Nathan, discovered he was cheating on her with “Doctor” Ryan. I use quotation marks because Ryan is a PhD. She is not a medical doctor, or dental or even a shrink. She has a doctorate in health care administration from Warren National University, an online school that closed in 2009 following a failed accreditation bid. You can read all about her phoney baloney background here. “Uncovering the Truth,” by the way, is sponsored by Global Security Solutions, which coincidentally has the same initials as Rudy’s mysterious business endeavor, Giuliani Security and Safety.

WABC in New York used to the be the home of the Beatles and was the number 1 top 40 radio station in the US between the mid 60s and 1983. Catsimitidis recently added “Cousin” Bruce Morrow, a star from the station’s heyday, for a Saturday night oldies show. Cousin Brucie was his best hire, so I applaud that move. But Rudy and “Doctor” Maria? I’d think twice before tuning my dial to their show.

By the way, “Doctor” Ryan is pulling down over $300,000 as CEO of a place called Cottage Hospital in Woodsville, New Hampshire. Rudy always liked a partner with her own income. I’m not sure if she’s paid to do the radio show.

Pictured: Rudy with recently indicted business lackey Lev Parnas.

Aaron Sorkin’s Timely “Trial of the Chicago 7” Should Cause a Riot at the Oscars, with Mark Rylance and Sacha Baron Cohen Leading the Way

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Aaron Sorkin has been working on “The Trial of the Chicago 7” since around 2007. When he finally made it he thought it was at Paramount. But now Netflix is releasing Sorkin’s second directing job tomorrow at some theaters around the country, and then shortly on their platform. It’s a big winner.

It’s September 1969 and the Chicago 7 — including Abbie Hoffman, Jerry Rubin, and Tom Hayden — are on trial in front of crazy judge Julius Hoffman for inciting riots during the 1968 Democratic convention. Also briefly on trial with them is Bobby Seale, head of the Black Panthers. The trial was incendiary. Even at age 12, I followed it avidly. Judge Hoffman was widely portrayed as a buffoon. Richard Nixon had just become president after LBJ, protests against the Vietnam War were rampant and violent, and we were still three years away from Watergate.

Does any of this sound familiar? Because the marching in the streets, riots and demonstrations, the general consensus that the president was engaged in an illegal war and was out of control– it could be NOW. Abbie, Jerry, and Tom are all gone, but if they came back right now, they’d be shaking their heads. Fifty years have passed, and nothing has changed.

That’s what makes Sorkin’s movie so great. First of all, the trial was so crazy that the transcripts were published, it was a book, there were staged readings, and other movies that quoted from it. Sorkin quotes from it in his dazzling script and even he’s prescient. He couldn’t have known a year ago, or 18 months ago, that we’d be this far down Trump’s dark rabbit hole. This movie should be seen by everyone before the election just to remind us of the dangers of an imperialistic president who thinks he’s above the law.

All the performances are top notch, textured, and amusing. Mark Rylance, to me, is the standout as William Kunstler, who defended this group. Already famous, he really made his name as the lawyer for the people. It’s a typical understated but forceful Rylance performance. Sacha Baron Cohen gets the flashy character, Abbie Hoffman, and shines. He’s got the nuances down. No Borat here. This is serious. Jeremy Strong, who just won an Emmy for “Succession,” is a very endearing Jerry Rubin. They are all topped off by Eddie Redmayne as a low key Tom Hayden. Redmayne sort of retreats from the glitz of the others around him, going for the understated.

This is important, especially for young people out in streets today. All the issues of protesting, social activism are here displayed almost as a blueprint for now. The cause for justice and equality never ended– and never ends. And what we thought was evil then, with Nixon, was nothing compared to what Trump is doing now. So watch this film carefully. It’s history coming to teach us a lesson.

 

Review: April Wright’s “Stuntwomen” Shows All the Women Behind the Stars Who’ve Risked Their Lives for Hollywood

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April Wright’s latest film venture, the entertaining and informative documentary, “Stuntwomen: The Untold Hollywood Story” (her third feature) tells the long overdue story throughout history and to the present day of women in the stunt business which for years and still is the domain of men.

Directed by April Wright, the film is based on the book by Mollie Gregory and narrated by actress Michelle Rodriguez. Rodriguez, familiar with that world as per her role in the “Fast & Furious” franchise, is a co-producer and participant as well. The women are intriguing, saucy and fun, albeit with serious things to say. Inequity in pay, respect and job opportunities existed then and still do now.

From the Golden Age in Hollywood ( Helen Holmes was a pioneer) till the present day, the film shows how much has changed and how nothing has changed. Stunt doubling for years was mainly done by men, they dressed in drag and performed the stunts that women were thought ‘unable’ to do.

When women like Jeanne Epper, who’s best known for stunt doubling Lynda Carter in the kitschy 70’s star “Wonder Woman” and the many other women featured in the film, including; Julie Ann Johnson, Jadie David, Donna Evans, Donna Keegan, Amy Johnston and more, demanded change, it was slow to come. Filmmakers Paul Verhoeven, Paul Feig, Anne Fletcher, and Al Ruddy pay homage to the women and TCM’s Ben Mankiewicz gives inside perspective on the struggles these fearless women have faced throughout the decades. The footage of pop culture classics and behind the scenes goings on is fascinating and truly fun to watch.

Kudos to Executive Music Producer Bonnie Greenberg and composer Nora Kroll-Rosenbaum for an exciting, bouncy score that goes along with the eclectic footage. Diane Warren, the 11 time Oscar nominated brilliant and prolific songwriter, once again delivers a rousing song “Without A Net” sung by the recent Academy of Country Music standout Mickey Guyton.

“Stuntwomen” takes a long worthy look at these women whose contributions to film and TV have too long been ignored. (And how is there not an Oscar category for Stunt work?  Glaring omission from the Academy on that one.)

 

 

Nick Cannon Blasted as “Masked Singer” Ratings Return Down 22 Percent from Last Season Average After Anti-Semitism Scandal

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“The Masked Singer” returned to Fox last night with dismal ratings.

The show scored just 5.4 million viewers vs. a season average last spring of 7 million. They’re down 22 percent. Compared to last season’s series premiere, it’s a 44% drop. (The 2nd season premiere, just this last February, had a whopping 23 million viewers following the Super Bowl. The show calmed down the next week to the 7 million average.)

Some could say it was the “America’s Got Talent” finale on NBC that did in “Masked Singer.” But the Fox show actually won its hour at 8pm.

No, the overall loss in viewers is absolutely attributable to Cannon’s scandal last month when he backed Louis Farrakhan and made anti-Semitic remarks. He was immediately fired by Viacom and MTV/VH-1. Fox thought it wouldn;t make a difference to their audience but apparently it did.

The only saving grace is that among those 5.4 million viewers, the key demo was very high, especially among women. But the drop in viewers is notable.

Why Is Alan Arkin Leaving “The Kominsky Method”? He’s Not a TV Actor and Never Expected it To Last More than 2 Seasons

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Alan Arkin is 86 years young. He has never been a TV actor. For the last two years, he was Michael Douglas’s co-star on Netflix’s “The Kominsky Method.” And now he’s leaving.

Why is he going? They only have one more season, “He never expected it to last more than two seasons,” says a friend.

Arkin has done all he can as Norman Newlander, a sidekick to Michael Douglas’s Kominsky. Arkin, an Oscar winner, garnered two Emmy nominations for Best Actor in a Comedy, but he can see the writing on the wall. He’s not going to win. At 86, why stick around?

Arkin won the Oscar for “Little Miss Sunshine” in 2006. Besides that he’s had 3 other Oscar nominations including “Argo.” He hasn’t been in a TV series since “One Centre Street” in 2001, and that was only because the great Sidney Lumet wrote and directed it. Before that, he had his own short lived comedy called “Harry,” in 1987.  But his real career is movies, and he has an enormous resume full of great performances.

My source says “Kominsky” was only supposed to be 2 seasons. The third season was a surprise announcement. Netflix probably wasn’t there with the money to keep Arkin interested. (At 86, you need some incentive to come into work every day.) “Kominsky” was sort of like a distaff “Grace and Frankie.” But in that case you had the intense motivation of the main actors, Jane Fonda and Lily Tomlin, to make it work. So they’ve gone 7 seasons.

Alan Arkin remains a great American movie star. Watch him in “Catch 22.” Or a little gem from 2008 called “Sunshine Cleaning.” He never fails to pull it off.

 

(Watch) Bruce Springsteen’s Nostalgia Filled “Ghosts” Gives Max Weinberg’s Drums a Work Out

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Here’s the second single from Bruce Springsteen’s “Letter to You.” The track is called “Ghosts” and what’s notable is the hard pounding of Max Weinberg’s drums, and the steel guitar of Nils Lofgren. So far the E Street Band sounds rock heavy this go round and less horn-y. Where’s Jake Clemons? I’m sure he’s on his way.

This single is deceptive. It really builds well. It also ends strangely, with a sudden fade out.

Zayn Malik and Gigi Hadid Have A Baby Girl, Zayn Drops a New Single Tonight: “The love i feel for this tiny human is beyond my understanding”

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The model Gigi Hadid gave birth overnight to a baby girl. The father, former One Direction singer Zayn Malik, is overcome with emotion. Tonight, Zayn drops a new single, called “Better.” It’s a fairytale story.

Zayn wrote on Twitter: Our baby girl is here, healthy & beautiful🙏🏽❤️to try put into words how i am feeling right now would be an impossible task. The love i feel for this tiny human is beyond my understanding.Grateful to know her, proud to call her mine, & thankful for the life we will have together

Harold Evans Dies at 92, Pioneering Editor Who Stood up to Rupert Murdoch, Ran US News, Random House, NY Daily News

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Harry Evans has been on my mind for a month. Isn’t it weird when that happens? I felt like something was wrong. This was the first year I hadn’t seen Harry since I met him in 1985. Several times I looked up his number intending to call him and didn’t. And now it’s too late. Harry has left us at age 92, dead from congestive heart failure.

I call him Harry but he’s Harold Evans, former editor of the Times of London who stood up to Rupert Murdoch, was fired and wrote a great book about the experience called “Good Times, Bad Times.” His second wife, almost 30 years his junior, was Tina Brown, the young hot shot editor of Tatler magazine in London. They moved to New York in 1982. Tina took over the just-revived and failing Vanity Fair. Harry took several jobs with Mort Zuckerman, owner of US News, then the Daily News, and Atlantic Monthly Press books, a venerable publishing company. They became the hottest media couple in the world.

AMP is where I met Harry. He hired me to be publicity director. In a short time he’d shaken up the place, contracted for a number of non fiction books by name writers. The biggest project was “Je Suis Le Cahier,” the first ever publication of Picasso’s notebooks which would accompany a huge exhibition at the Pace Gallery. The day I met Harry he was 58 years old and was like a little spitfire. Wiry and tiny, he was constantly in motion. He was unlike everyone I’d encountered in the book business, which was staid and lazy.

“What should we do with Picasso?” he asked me. I said, well, Picasso’s daughter, Paloma, is famous for making perfume and jewelry. Maybe she could help us and do some publicity? You’re right! he cried. He ran into his office, pulling me, and called Tina at Vanity Fair to get Paloma’s phone number. Within seconds we had this woman on the phone, made a lunch date at the very snazzy Four Seasons. My head was spinning. What just happened? Everything was about to change, fast.

During that time, Harry worked for Mort Zuckerman, who was not terribly bright but thought he was and wanted to be. He used Harry to express himself and further the notion that he was a statesman. Harry wrote his weekly editorials in US News, wrote speeches for him and other materials. Harry divided his time between reviving our book company and being Mort’s Cyrano. At one point, Harry got the Italian Mondadori publishing company to make an offer for Atlantic Monthly because Mort didn’t want a money-losing endeavor on his ledgers. In New Orleans, at the book convention, the Mondadori’s came and saluted at us at dinner. They were excited. Mort was not. He said he could get a million dollars more (four million vs. three) by selling us to the son of a Coca Cola bottler from Tennessee. He did, and those people fired Harry on the spot.

For a short time, Harry helped the British company Weidenfeld and Nicholson start a US imprint. It was his transition job. But he’d gotten friendly with Si Newhouse, publisher of Vanity Fair, and proposed the Conde Nast Traveller as a new magazine. This was 1987 or so, when magazines were a big deal. He launched the Traveller to great success. (I put him on the Phil Donahue show to help launch the magazine, and wrote his gossip column announcement for Liz Smith’s Daily News column thanks to Harry Haun.)

Harry was still helping Mort, believe it or not, despite working for Si Newhouse now. I think he thought this was shrewd: keep your friends close and your enemies closer. That sort of thing. And it paid off. A few years later Mort bought the New York Daily News and put Harry in charge as editor in chief. Harry also served as editor in chief of Random House, the most important US book publisher.

His father, he used to tell me, was illiterate. Really illiterate. Couldn’t read or write. But look at Harry, what he accomplished. It was dazzling. And dizzying. He wrote more books, all best sellers. Through his 80s he continued to be a presence, a force, in international journalism. The friends-enemies thing was always played as a card. Maybe Tina helped him forge the philosophy. For years Harry’s horrible experience with Murdoch gave Vanity Fair access to the Aussie tabloid publisher. It was Tina, whose husband had been fired by Rupert, who made this insane media mogul a celebrity. But it was shrewd: Harry and Tina were the center of New York media because of it.

Harry’s vital enthusiasm for life, his electric energy, how he communicated that there was nothing you couldn’t do — and let’s do it now — changed my life. Thirty five years have passed and there isn’t a day I don’t think about him at least for a second. And there won’t be a day I don’t for the rest of my life.

Rest in peace, Harry, you’ve earned it, although I doubt for a minute that you aren’t stirring things up in Heaven right now, driving God crazy with good ideas, and sending angels out to implement them.

 

Metropolitan Opera Cancels 2020-21 Season But Will Return With First Ever Opera by a Black Composer

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Good news and bad news at the Metropolitan Opera.

First the bad news: they’ve cancelled the season right through May 2021. No opera. Nothing. Just the streaming old performances. The reason is the pandemic, and how to bring people into the Opera House and on stage without contaminating everyone.

Now, the good news: when they return in September 2021, the Met will stage its first opera by a black composer, Terence Blanchard with a libretto by famed black director Kasi Lemmons. It’s called “Fire Shut Up in My Bones.” Blanchard is such a beloved, respected, and popular composer, this is really great news. The directors are James Robinson and Camille A. Brown. Brown, the Met’s first black director, is also the choreographer.

The Met is really getting into diversity in a big way. (Yes, it’s the year 2020, can you believe this just happening now?) They’ve named three black composers—Valerie Coleman, Jessie Montgomery, and Joel Thompson—to the Metropolitan Opera / Lincoln Center Theater New Works commissioning program, and also announced the commission of the noted African American visual artist Rashid Johnson to create large-scale artworks that will be on display inside the opera house during the 2021–22 season.

Now that the Met has done this, what about Broadway? I’d say this is a bad sign for Broadway shows hoping to re-open next spring.

 

 

Warner Blinks, Moves Spielberg’s “West Side Story” to Xmas 2021, Disney Yanks “Black Widow” to Next May

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Well, that’s it. The studios are throwing in the towel on a movie season this year.

Warner Bros., already suffering from “Tenet” dying on the vine, is moving Steven Spielberg’s “West Side Story” from this Christmas to 2021. Theaters won’t be open, so why take the chance of repeating a disaster.

So far, however, WB is holding fast to “Wonder Woman 1984” coming on this Christmas Day, a week after “Dune.” That is, so far.

MGM is sticking to the James Bond movie, “No Time to Die,” for November 20th.

But Disney’s “Black Widow,” starring Scarlett Johansson, jumps from November 6th to next May 7th–a year after its original release date.

Right now, this is all that’s left of 2020. Luckily, December 31st is not the cut off for Oscar movies. Otherwise, it would be pretty bleak. I’m hopeful MGM will stick with January 15th for Jennifer Hudson in “Respect.”

Oct. 9

The War With Grandpa (101 Studios)

Oct. 16

2 Hearts (Freestyle)

Honest Thief (Open Road)

Oct. 23

The Empty Man (20th/Dis)

Oct. 30

Fatale (Lionsgate)

Come Play (Focus/Amblin)

Nov. 6

Let Him Go (Focus)

Nov. 13

Freaky (Universal)

The Comeback Trail (Cloudburst)

Nov. 20

No Time to Die (MGM)

Soul (Disney)

Nov. 25

Voyagers (Lionsgate)

Happiest Season (Sony/Tri-Star)

The Croods: A New Age (Universal/Dreamworks Animation)

Dec. 11

Free Guy (20th/Disney)

Dec. 18

Death on the Nile (20th/Disney)

Coming to America 2 (Paramount)

Dune (Warner Bros./Legendary)

Dec. 25

Wonder Woman 1984 (Warner Bros.)

News of the World (Universal)

Dec. 30

Escape Room 2 (Sony/Screen Gems)