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NAACP Image Awards Follow Grammys, Snub The Weeknd, Tamron Hall, Omit Some Other Names Unexpectedly

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I do not know how the NAACP Image Awards nominations are chosen, but they are weird.

For one thing, they completely snubbed The Weeknd and his huge selling album, “After Hours.” Not one nod. Just like the Grammys. Maybe The Weeknd needs a better publicist because something is wrong here. The Image award nominees for best album are all low-sellers. Maybe they don’t like success.

In movies, the Image Awards ignored Nicole Beharie, who just won Best Actress at the Gotham Awards for “Miss Juneteenth.” Hello? Am I missing something? Newer films like “Malcolm and and Marie” and “Billie Holiday” didn’t make the cut off.

In documentaries, they ignored “Time,” the best documentary of the year, and “MLK/FBI.” I mean, come on.

In music, where’s Alicia Keys’s “Underdog”?

It’s also very strange that they totally ignore all the terrific Black actors on Daytime Dramas. So many categories and not one for this deserving group? You can’t complain about representation, achieve it, and then ignore the people involved.

Plus, where is Tamron Hall’s nomination for Best Talk Show host? Just nominated for Best Talk Show? WTH is going on here? Nothing good, I’d say.

The whole thing seems very suspect to me. But whoever picked these really liked a bad movie called “Jingle Jangle.” Kudos to those publicists.

SPECIAL AWARD CATEGORIES

Entertainer of the Year

D-Nice
Regina King
Trevor Noah
Tyler Perry
Viola Davis

Social Justice Impact

April Ryan
Debbie Allen
Lebron James
Stacey Abrams
Tamika Mallory

MOTION PICTURE CATEGORIES

Outstanding Motion Picture

Bad Boys For Life (Columbia Pictures/Sony Pictures Entertainment)
Da 5 Bloods (Netflix)
Jingle Jangle: A Christmas Journey (Netflix)
Ma Rainey’s Black Bottom (Netflix)
One Night In Miami… (Amazon Studios)

Outstanding Actor in a Motion Picture

Anthony Mackie – The Banker (Apple)
Chadwick Boseman – Ma Rainey’s Black Bottom (Netflix)
Delroy Lindo – Da 5 Bloods (Netflix)
Forest Whitaker – Jingle Jangle: A Christmas Journey (Netflix)
Will Smith – Bad Boys For Life (Columbia Pictures/Sony Pictures Entertainment)

Outstanding Actress in a Motion Picture

Issa Rae – The Photograph (Universal Pictures)
Janelle Monáe – Antebellum (Lionsgate)
Madalen Mills – Jingle Jangle: A Christmas Journey (Netflix)
Tracee Ellis Ross – The High Note (Focus Features)
Viola Davis – Ma Rainey’s Black Bottom (Netflix)

Outstanding Supporting Actor in a Motion Picture

Aldis Hodge – One Night In Miami… (Amazon Studios)
Chadwick Boseman – Da 5 Bloods (Netflix)
Clarke Peters – Da 5 Bloods (Netflix)
Colman Domingo – Ma Rainey’s Black Bottom (Netflix)
Glynn Turman – Ma Rainey’s Black Bottom (Netflix)

Outstanding Supporting Actress in a Motion Picture

Anika Noni Rose – Jingle Jangle: A Christmas Journey (Netflix)
Gabourey Sidibe – Antebellum (Lionsgate)
Nia Long – The Banker (Apple)
Phylicia Rashad – Jingle Jangle: A Christmas Journey (Netflix)
Taylour Paige – Ma Rainey’s Black Bottom (Netflix)

Outstanding Independent Motion Picture

Emperor (Universal Home Video)
Farewell Amor (IFC Films)
Miss Juneteenth (Vertical Entertainment)
The 24th (Vertical Entertainment)
The Banker (Apple)

Outstanding International Motion Picture

Ainu Mosir (ARRAY)
His House (Netflix)
Night of the Kings (Neon)
The Last Tree (ArtMattan Productions)
The Life Ahead (La vita davanti a se) (Netflix)

Outstanding Breakthrough Performance in a Motion Picture

Dayo Okeniyi – Emperor (Universal Home Video)
Dominique Fishback – Project Power (Netflix)
Jahi Di’Allo Winston – Charm City Kings (HBO Max)
Jahzir Bruno – The Witches (Warner Bros. Pictures)
Madalen Mills – Jingle Jangle: A Christmas Journey (Netflix)

Outstanding Ensemble Cast in a Motion Picture

Da 5 Bloods (Netflix)
Jingle Jangle: A Christmas Journey (Netflix)
Ma Rainey’s Black Bottom (Netflix)
Soul (Walt Disney Studios Motion Pictures)
The Banker (Apple)

Outstanding Animated Motion Picture

Onward (Walt Disney Studios Motion Pictures)
Over the Moon (Netflix)
Scoob! (Warner Bros. Pictures)
Soul (Walt Disney Studios Motion Pictures)
Trolls World Tour (Universal Pictures)

Outstanding Character Voice-Over Performance – Motion Picture

Ahmir-Khalib Thompson aka Questlove – Soul (Walt Disney Studios Motion Pictures)
Angela Bassett – Soul (Walt Disney Studios Motion Pictures)
Chris Rock – The Witches (Warner Bros. Pictures)
Jamie Foxx – Soul (Walt Disney Studios Motion Pictures)
Phylicia Rashad – Soul (Walt Disney Studios Motion Pictures)

Outstanding Short Form. (Live Action)

Baldwin Beauty (Powderkeg Media)
Black Boy Joy (Film Independent Project Involve )
Gets Good Light
Home
Mr. & Mrs. Ellis (AMB Productions)

Outstanding Short Form (Animated)

Canvas (Netflix)
Cops and Robbers (Netflix)
Loop (Pixar Animation Studios)
The Power of Hope (The Power Of Hope)
Windup (Unity Technologies)

Outstanding Breakthrough Creative (Motion Picture)

Loira Limbal – Through the Night (Third Shift Media, Inc.)
Melissa Haizlip – Mr. Soul! (Shoes In The Bed Productions)
Nadia Hallgren – Becoming (A Higher Ground Productions and Big Mouth Productions Film for Netflix)
Radha Blank – The Forty-Year-Old Version (Netflix)
Remi Weekes – His House (Netflix)

DOCUMENTARY CATEGORIES

Outstanding Documentary (Film)

All In: The Fight For Democracy (Amazon Studios)
Coded Bias (7th Empire Media)
John Lewis: Good Trouble (Magnolia Pictures/Participant)
Mr. Soul! (Shoes in the Bed Productions)
On the Record (HBO Max)

Outstanding Documentary (Television)

And She Could Be Next (PBS)
Black Love (OWN: Oprah Winfrey Network)
Enslaved: The Lost History of the Transatlantic Slave Trade (EPIX)
The Last Dance (ESPN / Netflix)
Unsung (TV One)

WRITING CATEGORIES

Outstanding Writing in a Comedy Series

Issa Rae – Insecure – “Lowkey Feelin’ Myself” (HBO)
Lee Eisenberg, Kumail Nanjiani, Emily V. Gordon – Little America – “The Rock” (Apple TV+)
Michaela Coel – I May Destroy You – “Ego Death” (HBO)
Mindy Kaling, Lang Fisher – Never Have I Ever “Pilot” (Netflix)
Rajiv Joseph – Little America – “The Manager” (Apple TV+)

Outstanding Writing in a Drama Series

Attica Locke – Little Fires Everywhere – “The Spider Web” (Hulu)
Erika L. Johnson, Mark Richard – The Good Lord Bird – “A Wicked Plot” (Showtime)
Jessica Lamour – Little Voice – “Love Hurts” (Apple TV+)
Katori Hall – P-Valley – “Perpetratin'” (Starz)
Tanya Barfield – Mrs. America – “Shirley” (FX)

Outstanding Writing in a Television Movie or Special

Diallo Riddle, Bashir Salahuddin, D. Rodney Carter, Emily Goldwyn, Rob Haze, Zuri Salahuddin, Bennett Webber, Evan Williams, Will Miles – Sherman’s Showcase Black History Month Spectacular (IFC)
Eugene Ashe – Sylvie’s Love (Amazon Studios)
Geri Cole – The Power of We: A Sesame Street Special (HBO Max)
Lin-Manuel Miranda – Hamilton (Disney+)
Sylvia L. Jones, Camille Tucker – The Clark Sisters: First Ladies of Gospel (Lifetime)

Outstanding Writing in a Motion Picture

David E. Talbert – Jingle Jangle: A Christmas Journey (Netflix)
Kemp Powers – One Night in Miami… (Amazon Studios)
Lee Isaac Chung – Minari (A24)
Pete Docter, Kemp Powers, Mike Jones – Soul (Walt Disney Studios Motion Pictures)
Radha Blank – The Forty-Year-Old Version (Netflix)

Outstanding Writing in a Documentary (Television or Motion Picture)

Mary Mazzio – A Most Beautiful Thing (Peacock)
Melissa Haizlip – Mr. Soul! (Maysles Documentary Center)
Nile Cone – The Beat Don’t Stop (TV One)
Royal Kennedy Rodgers – Hollywood’s Architect: The Paul R. Williams Story (PBS)
Yoruba Richen, Elia Gasull Balada, Valerie Thomas – The Sit-In: Harry Belafonte Hosts the Tonight Show (Peacock)

DIRECTING CATEGORIES

Outstanding Directing in a Comedy Series

Anya Adams – Black-ish – “Hair Day” (ABC)
Aurora Guerrero – Little America – “The Jaguar” (Apple TV+)
Eric Dean Seaton – Black-ish – “Our Wedding Dre” (ABC)
Kabir Akhtar – Never Have I Ever – “… started a nuclear war” (Netflix)
Sam Miller, Michaela Coel – I May Destroy You – “Ego Death” (HBO)

Outstanding Directing in a Drama Series

Cheryl Dunye – Lovecraft Country – “Strange Case” (HBO)
Hanelle Culpepper – Star Trek: Picard – “Remembrance” (CBS All Access)
Misha Green – Lovecraft Country – “Jig-a-Bobo” (HBO)
Nzingha Stewart – Little Fires Everywhere – “The Uncanny” (Hulu)
Steve McQueen – Small Axe – “Mangrove” (Amazon Studios)

Outstanding Directing in a Television Movie or Special

Beyoncé Knowles Carter, Emmanuel Adeji, Blitz Bazawule, Kwasi Fordjour – Black Is King (Disney+)
Christine Swanson – The Clark Sisters: First Ladies of Gospel (Lifetime)
Chuck Vinson, Alan Muraoka – The Power of We: A Sesame Street Special (HBO Max)
Eugene Ashe – Sylvie’s Love (Amazon Studios)
Kamilah Forbes – Between The World And Me (HBO)

Outstanding Directing in a Motion Picture

David E. Talbert – Jingle Jangle: A Christmas Journey (Netflix)
George C. Wolfe – Ma Rainey’s Black Bottom (Netflix)
Gina Prince-Bythewood – The Old Guard (Netflix)
Radha Blank – The Forty-Year-Old Version (Netflix)
Regina King – One Night in Miami… (Amazon Studios)

Outstanding Directing in a Documentary (Television or Motion Picture)

Keith McQuirter – By Whatever Means Necessary: The Times of Godfather of Harlem (EPIX)
Muta’Ali – Yusuf Hawkins: Storm Over Brooklyn (HBO)
Sam Pollard, Maro Chermayeff – Atlanta’s Missing and Murdered: The Lost Children (Ep. 1 & 2) (HBO)
Simcha Jacobovici – Enslaved: The Lost History of the Transatlantic Slave Trade (EPIX)
Yoruba Richen – The Sit-In: Harry Belafonte Hosts the Tonight Show (Peacock)

TELEVISION + STREAMING CATEGORIES

Outstanding Comedy Series

#blackAF (Netflix)
Black-ish (ABC)
grown-ish (Freeform)
Insecure (HBO)
The Last O.G. (TBS)

Outstanding Actor in a Comedy Series

Anthony Anderson – Black-ish (ABC)
Cedric The Entertainer – The Neighborhood (CBS)
Don Cheadle – Black Monday (Showtime)
Idris Elba – In the Long Run (Starz)
Tracy Morgan – The Last O.G. (TBS)

Outstanding Actress in a Comedy Series

Issa Rae – Insecure (HBO)
Folake Olowofoyeku – Bob Hearts Abishola (CBS)
Regina Hall – Black Monday (Showtime)
Tracee Ellis Ross – Black-ish (ABC)
Yara Shahidi – Grown-ish (Freeform)

Outstanding Supporting Actor in a Comedy Series

Andre Braugher – Brooklyn Nine-Nine (NBC)
Deon Cole – Black-ish (ABC)
Jay Ellis – Insecure (HBO)
Kenan Thompson – Saturday Night Live (NBC)
Laurence Fishburne – Black-ish (ABC)

Outstanding Supporting Actress in a Comedy Series

Jenifer Lewis – Black-ish (ABC)
Marsai Martin – Black-ish (ABC)
Natasha Rothwell – Insecure (HBO)
Tichina Arnold – The Neighborhood (CBS)
Yvonne Orji – Insecure (HBO)

Outstanding Drama Series

All Rise (CBS)
Bridgerton (Netflix)
Lovecraft Country (HBO)
Power Book II: Ghost (Starz)
This Is Us (NBC)

Outstanding Actor in a Drama Series

Jonathan Majors – Lovecraft Country (HBO)
Keith David – Greenleaf (OWN: Oprah Winfrey Network)
Nicco Annan – P-Valley (Starz)
Regé-Jean Page – Bridgerton (Netflix)
Sterling K. Brown – This Is Us (NBC)

Outstanding Actress in a Drama Series

Angela Bassett – 9-1-1 (FOX)
Brandee Evans – P-Valley (Starz)
Jurnee Smollett – Lovecraft Country (HBO)
Simone Missick – All Rise (CBS)
Viola Davis – How To Get Away With Murder (ABC)

Outstanding Supporting Actor in a Drama Series

Clifford “Method Man” Smith – Power Book II: Ghost (Starz)
Delroy Lindo – The Good Fight (CBS All Access)
J. Alphonse Nicholson – P-Valley (Starz)
Jeffrey Wright – Westworld (HBO)
Michael Kenneth Williams – Lovecraft Country (HBO)

Outstanding Supporting Actress in a Drama Series

Adjoa Andoh – Bridgerton (Netflix)
Aunjanue Ellis – Lovecraft Country (HBO)
Lynn Whitfield – Greenleaf (OWN: Oprah Winfrey Network)
Mary J. Blige – Power Book II: Ghost (Starz)
Susan Kelechi Watson – This Is Us (NBC)

Outstanding Television Movie, Limited–Series or Dramatic Special

Hamilton (Disney+)
Little Fires Everywhere (Hulu)
Self Made: Inspired by the Life of Madam C.J. Walker (Netflix)
Sylvie’s Love (Amazon Studios)
The Clark Sisters: First Ladies of Gospel (Lifetime)

Outstanding Actor in a Television Movie, Limited–Series or Dramatic Special

Blair Underwood – Self Made: Inspired by the Life of Madam C.J. Walker (Netflix)
Chris Rock – Fargo (FX)
Daveed Diggs – Hamilton (Disney+)
Leslie Odom, Jr. – Hamilton (Disney+)
Nnamdi Asomugha – Sylvie’s Love (Amazon Studios)

Outstanding Actress in a Television Movie, Limited–Series or Dramatic Special

Aunjanue Ellis – The Clark Sisters: First Ladies of Gospel (Lifetime)
Kerry Washington – Little Fires Everywhere (Hulu)
Michaela Coel – I May Destroy You (HBO)
Octavia Spencer – Self Made: Inspired by the Life of Madam C.J. Walker (Netflix)
Tessa Thompson – Sylvie’s Love (Amazon Studios)

Outstanding News/Information (Series or Special)

AM Joy: Remembering John Lewis Special (MSNBC)
Desus & Mero: The Obama Interview (Showtime)
The Color of Covid (CNN)
The New York Times Presents “The Killing of Breonna Taylor” (FX)
The Reidout (NBC)

Outstanding Talk Series

Red Table Talk (Facebook Watch)
Tamron Hall (Syndicated )
The Daily Show with Trevor Noah (Comedy Central)
The Oprah Conversation (Apple TV+)
The Shop: Uninterrupted (HBO)

Outstanding Reality Program, Reality Competition or Game Show (Series)

Celebrity Family Feud (ABC)
Iyanla: Fix My Life (OWN: Oprah Winfrey Network)
Shark Tank (ABC)
United Shades of America with W. Kamau Bell (CNN)
Voices of Fire (Netflix)

Outstanding Variety Show (Series or Special)

8:46 (Netflix)
Black Is King (Disney+)
The Fresh Prince of Bel-Air Reunion (HBO Max)
VERZUZ (APPLE TV)
Yvonne Orji: Momma I Made It! (HBO)

Outstanding Children’s Program

Bookmarks: Celebrating Black Voices (Netflix)
Craig of the Creek (Cartoon Network)
Family Reunion (Netflix)
Raven’s Home (Disney Channel)
We Are the Dream: The Kids of the Oakland MLK Oratorical (HBO)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited–Series)

Alex R. Hibbert – The Chi (Showtime)
Lexi Underwood – Little Fires Everywhere (Hulu)
Lyric Ross – This Is Us (NBC)
Marsai Martin – Black-ish (ABC)
Miles Brown – Black-ish (ABC)

Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble

Don Lemon – CNN Tonight with Don Lemon (CNN)
Jada Pinkett Smith – Red Table Talk (Facebook Watch)
Joy Reid – The Reidout (NBC)
LeBron James – The Shop: Uninterrupted (HBO)
Trevor Noah – The Daily Show with Trevor Noah (Comedy Central)

Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) – Individual or Ensemble

Alfonso Ribeiro – America’s Funniest Home Videos (ABC)
Iyanla Vanzant – Iyanla: Fix My Life (OWN: Oprah Winfrey Network)
Steve Harvey – Celebrity Family Feud (ABC)
W. Kamau Bell – United Shades of America with W. Kamau Bell (CNN)
RuPaul – RuPaul’s Drag Race (VH1)

Outstanding Guest Performance – Comedy or Drama Series

Chris Rock – Saturday Night Live (NBC)
Courtney B. Vance – Lovecraft Country (HBO)
Dave Chappelle – Saturday Night Live (NBC)
Issa Rae – Saturday Night Live (NBC)
Loretta Devine – P-Valley (Starz)

Outstanding Animated Series

Big Mouth (Netflix)
Central Park (Apple TV+)
Doc McStuffins (Disney Junior)
She-Ra and the Princesses of Power (Netflix)
Star Trek: Lower Decks (CBS All Access)

Outstanding Character Voice-Over Performance (Television)

Aisha Tyler – Archer (FX)
Courtney B. Vance – Hollywood’s Architect: The Paul R. Williams Story (PBS)
Dawnn Lewis – Star Trek: Lower Decks (CBS All Access)
Deon Cole – Kipo and the Age of Wonderbeasts (Netflix)
Laya DeLeon Hayes – Doc McStuffins (Disney Junior)

Outstanding Short Form Series – Comedy or Drama

#FreeRayshawn (Quibi)
CripTales (BBC America)
Lazor Wulf (Adult Swim)
Mapleworth Murders (Quibi)
Sincerely, Camille (OWN: Oprah Winfrey Network)

Outstanding Performance in a Short Form Series

Giancarlo Esposito – The Broken and the Bad (AMC.com )
J.B. Smoove – Mapleworth Murders (Quibi)
Jasmine Cephas Jones – #FreeRayshawn (Quibi)
Laurence Fishburne – #FreeRayshawn (Quibi)
Stephan James – #FreeRayshawn (Quibi)

Outstanding Short Form Series – Reality/Nonfiction

American Masters – Unladylike2020 (PBS)
Benedict Men (Quibi)
Between The Scenes – The Daily Show (Comedy Central)
In The Making (PBS)
Inspire Change Series (NFL Network)

Outstanding Breakthrough Creative (Television)

Katori Hall – P-Valley (Starz)
Keith Knight – Woke (Hulu)
Ramy Youssef – Ramy (Hulu)
Raynelle Swilling – Cherish the Day (OWN: Oprah Winfrey Network)
Teri Schaffer – Cherish the Day (OWN: Oprah Winfrey Network)

RECORDING CATEGORIES

Outstanding New Artist

Chika – High Rises (Warner Records)
Doja Cat – Say So (RCA Records/Kemosabe )
D Smoke – Black Habits (WoodWorks Records / EMPIRE)
Giveon – When It’s All Said And Done (Epic Records)
Skip Marley – Higher Place (Island Records/ Tuff Gong Records)

Outstanding Male Artist

Big Sean – Detroit 2 (Def Jam Recordings/G.O.O.D Music)
Black Thought – Streams of Thought, Vol. 3: Cane & Able (Republic Records)
Charlie Wilson – All of My Love (P Music Group/BMG)
Drake – Laugh Now, Cry Later (Republic Records)
John Legend – Bigger Love (Columbia Records)

Outstanding Female Artist

Beyoncé – Black Parade (Columbia Record/ Parkwood)
H.E.R. – I Can’t Breathe (RCA Records/MBK Entertainment)
Jazmine Sullivan – Lost One (RCA Records)
Ledisi – Anything For You (Listen Back Entertainment/BMG)
Alicia Keys – Alicia (RCA Records)

Outstanding Music Video/Visual Album

I Can’t Breathe – H.E.R. (RCA Records/MBK Entertainment)
Anything For You – Ledisi (Listen Back Entertainment/BMG)
Black is King – Beyonce´ (Columbia Record/ Parkwood)
Brown Skin Girl – Beyonce’ feat WizKid, SAINt JHN, Blu Ivy Carter (Columbia Record/ Parkwood)
Do It – Chloe x Halle (Columbia Record/ Parkwood)

Outstanding Album

Alicia – Alicia Keys (RCA Records)
b7 – Brandy (Brand Nu/eOne)
Bigger Love – John Legend (Columbia Records)
Chilombo – Jhené Aiko (Def Jam Recordings)
The Wild Card – LEDISI (Listen Back Entertainment/BMG)

Outstanding Soundtrack/Compilation Album

Ma Rainey’s Black Bottom (Music from the Netflix Film) – Branford Marsalis (Milan)
Insecure: Music from the HBO Original Series – Various Artists (Atlantic Records)
Jingle Jangle: A Christmas Journey – Various Artists (Atlantic Records )
Soul Original Motion Picture Soundtrack – Trent Reznor, Atticus Ross, Jon Batiste and Tom MacDougall (Walt Disney Records)
The First Ladies of Gospel: The Clark Sisters Biopic Soundtrack – Donald Lawrence (Relevé Entertainment)

Outstanding Gospel/Christian Album

Chosen Vessel – Marvin Sapp (RCA Inspiration)
Gospel According to PJ – PJ Morton (Morton Inspiration / Tyscot Records)
I Am – Koryn Hawthorne (RCA Inspiration)
Kierra – Kierra Sheard (Karew/RCA Inspiration)
The Return – The Clark Sisters (Karew/Motown)

Outstanding Gospel/Christian Song

All in His Plan – PJ Morton (Morton Inspiration / Tyscot Records)
Never Lost – CeCe Winans (Pure Springs Gospel)
Something Has To Break – Kierra Sheard feat. Tasha Cobbs-Leonard (Karew/RCA Inspiration)
Strong God – Kirk Franklin (Fo Yo Soul/RCA Records)
Touch from You – Tamela Mann (TillyMann Inc.)

Outstanding Jazz Album – Instrumental

Be Water – Christian Sands (Mack Avenue Music Group)
Music From and Inspired By Soul – Jon Batiste (Walt Disney Records)
Omega – Immanuel Wilkins (Blue Note Records)
Reciprocity – George Burton (Inner Circle Music)
The Iconoclast – Barry Stephenson (Independent)

Outstanding Jazz Album – Vocal

Donny Duke and Wonder – Nathan Mitchell (ENM Music Group)
Holy Room – Live at Alte Oper – Somi (Salon Africana)
Pulling Off The Covers – Mike Phillips (Sono Recording Group)
Stronger – Jeff Bradshaw (Bone Deep Enterprises)
The Eddy (From The Netflix Original Series) – The Eddy (Arista Records)

Outstanding Soul/R&B Song

I Can’t Breathe – H.E.R. (RCA Records/MBK Entertainment)
Anything For You – LEDISI (Listen Back Entertainment/BMG)
B.S. feat. H.E.R – Jhené Aiko (Def Jam Recordings)
Black Parade – Beyonce’ (Columbia Record/ Parkwood)
Do It – Chloe x Halle (Columbia Record/ Parkwood)

Outstanding Hip Hop/Rap Song

Deep Reverence feat. Nipsey Hussle – Big Sean (Brand Nu/eOne)
Savage Remix – Megan Thee Stallion feat. Beyoncé (300 Entertainment / 1501 Certified Ent. LLC)
Cool Off – Missy Elliott (Atlantic Records)
Laugh Now, Cry Later – Drake (Republic Records)
Life Is Good – Future & Drake (Epic Records)

Outstanding Duo, Group or Collaboration (Traditional)

Alicia Keys feat. Jill Scott – Jill Scott (RCA Records)
Chloe x Halle – Wonder What She Thinks Of Me (Columbia Record/ Parkwood)
Jimmy Jam & Terry Lewis feat. Babyface – He Don’t Know Nothin’ Bout It (BMG)
Kem feat. Toni Braxton – Live Out Your Love (Motown Records)
Ledisi and PJ Morton – Anything For You (Listen Back Entertainment/BMG)

Outstanding Duo, Group or Collaboration (Contemporary)

Alicia Keys feat. Khalid – So Done (RCA Records)
Big Sean feat. Nipsey Hussle – Deep Reverence (Def Jam Recordings/G.O.O.D Music)
Chloe x Halle – Do It (Columbia Record/ Parkwood)
Jhené Aiko feat. H.E.R. – B.S. (Def Jam Recordings)
Megan Thee Stallion feat. Beyoncé – Savage Remix (300 Entertainment / 1501 Certified Ent. LLC)

Outstanding International Song

Blessed – Buju Banton (Roc Nation Records)
Lockdown – Original Koffee (Promise Land Recordings)
Pressure (Remix) – Original Koffee feat. Buju Banton (Promise Land Recordings)
Tanana – Davido feat. Tiwa Savage (RCA Records/Sony Music U.K./Davido Worldwide Entertainment)
Temptation – Tiwa Savage (Motown Records)

Outstanding Producer of the Year

Donald Lawrence
Hit-Boy
Jathan Wilson
Sean Keys
TM88

LITERARY CATEGORIES

Outstanding Literary Work – Fiction

Black Bottom Saints – Alice Randall (HarperCollins Publishers)
Lakewood – Megan Giddings (HarperCollins Publishers)
Riot Baby – Tochi Onyebuchi (TorDotCom Publishing, imprint of Tom Doherty Associates)
The Awkward Black Man – Walter Mosley (Grove Atlantic)
The Vanishing Half – Brit Bennett (Riverhead Books)

Outstanding Literary Work – Nonfiction

A Black Women’s History of the United States – Daina Berry (Beacon Press)
A Promised Land – Barack Obama (Crown)
Driving While Black – Gretchen Sorin (W. W. Norton & Company)
Long Time Coming: Reckoning with Race in America – Michael Eric Dyson (St. Martin’s Press)
We’re Better Than This – Elijah Cummings (HarperCollins Publishers)

Outstanding Literary Work – Debut Author

A Knock at Midnight – Brittany Barnett (Penguin Random House)
Greyboy: Finding Blackness in a White World – Cole Brown (Skyhorse)
Lakewood – Megan Giddings (HarperCollins Publishers)
The Compton Cowboys – Walter Thompson-Hernandez (HarperCollins Publishers)
We’re Better Than This – Elijah Cummings (HarperCollins Publishers)

Outstanding Literary Work – Biography/Autobiography

A Most Beautiful Thing: The True Story of America’s First All-Black High School Rowing Team – Arshay Cooper (Macmillan)
A Promised Land – Barack Obama (Crown)
Olympic Pride, American Prejudice – Deborah Draper (Simon & Schuster)
The Dead Are Arising – Les Payne, Tamara Payne (W. W. Norton & Company)
Willie: The Game-Changing Story of the NHL’s First Black Player – Willie O’Ree (Penguin Canada)

Outstanding Literary Work – Instructional

Do Right by Me: Learning to Raise Black Children in White Space – Valerie Harrison (Temple University Press)
Living Lively – Haile Thomas (HarperCollins Publishers)
The Black Foster Youth Handbook – Ángela Quijada-Banks (Soulful Liberation)
The Woman God Created You to Be: Finding Success Through Faith–Spiritually, Personally, and Professionally – Kimberla Lawson Roby (Lenox Press)
Vegetable Kingdom – Bryant Terry (Penguin Random House)

Outstanding Literary Work – Poetry

Homie – Danez Smith (Graywolf Press)
Kontemporary Amerikan Poetry – John Murillo (Four Way Books)
Seeing the Body – Rachel Eliza Griffiths (W. W. Norton & Company)
The Age of Phillis – Honorée Jeffers (Wesleyan University Press)
Un-American – Hafizah Geter (Wesleyan University Press)

Outstanding Literary Work – Children

I Promise – LeBron James, Nina Mata (HarperCollins)
Just Like a Mama – Alice Faye Duncan, Charnelle Pinkney Barlow (Simon & Schuster)
Kamala Harris: Rooted in Justice – Nikki Grimes, Laura Freeman (Simon & Schuster)
She Was the First!: The Trailblazing Life of Shirley Chisholm – Katheryn Russell-Brown, Eric Velasquez (Lee & Low Books)
The Secret Garden of George Washington Carver – Gene Barretta, Frank Morrison (HarperCollins)

Outstanding Literary Work – Youth/Teens

Before the Ever After – Jacqueline Woodson (Penguin Random House)
Black Brother, Black Brother – Jewell Parker Rhodes (Hachette Book Group)
Dear Justyce – Nic Stone (Crown Books for Young Readers)
Stamped: Racism, Antiracism, and You: A Remix of the National Book Award-winning Stamped from the Beginning – Jason Reynolds (Hachette Book Group )
This is Your Time – Ruby Bridges (Delacorte Books for Young Readers)

RiP Hal Holbrook, A Class Act Who Loved Acting, Nominated for an Oscar for “Into the Wild”

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Hal Holbrook, whose death at 95 came yesterday, was an actor’s actor. He loved it. When I really got to know him, in 2008, for “Into the Wild,” he’d been mostly a stage and TV actor. He had lots of awards and was in early 80s. He’d had a lifetime of acclaim, but “Into the Wild” — as independent films sometimes do–propelled him into the movie awards universe. He wasn’t going to win. The Academy had been so ginned up about “No Country for Old Men” that Javier Bardem was on a bullet train to the big finale. But Hal did all the press, was a total gentleman, and a pleasure to get to know. His long list of credits and bio can be found elsewhere. But those moments stick in my head. RIP Hal.

 

Fishy Fox News Floundering in Ratings as Maddow, O’Donnell Eat Hannity, Ingraham’s Lunch and Dinner

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Where did the Fox News audience go? Were they euthanized? Did they just leave town? Not pay the cable bill?

Again last week, Monday through Friday, Sean Hannity and Laura Ingraham, former ratings stars of the Fox News fictional line up, perished in the ratings.

Triumphant once again at 9 and 10pm were Rachel Maddow and Lawrence O’Donnell on MSNBC. On some nights, Maddow has opened a lead over Hannity over 1 million viewers.

On the face of it, this doesn’t make sense. The election is over, Biden is in office, Maddow and O’Donnell have nothing to rail against. Fox News, however, now sees its ideological enemy in power. You’d think their audience would be tuning in to hear how Biden stole the election and was now drinking the blood of babies.

But they’re not. The Fox News audience has either wised up or has just gone to bed early. But they’re not watching Hannity like they used to. On Friday night, Hannity pulled in 2.7 million viewers. But Maddow had 3.7 million. And the gap was wide like that every day last week. Tomorrow we’ll see how this week kicked off.

What’s next? The impeachment trial. MSNBC and CNN should benefit from huge viewership on that, while Fox either ignores the proceedings or tries to spin them.

Liz Smith and Elaine Stritch: Remembering Two Broads Who Shared a February 2nd Birthday, Missed Very Much

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February 2nd is a day we think of for ground hogs. I can’t even imagine what that stupid groundhog will say today, as the snow is still coming down.

But February 2nd is a day that lives in infamy. In 1923, my beloved friend Mary Elizabeth Smith was born in Ft. Worth, Texas.

Two years later, Elaine Stritch was brought memorably into this world in Detroit, Michigan.

One of them would grow up to be an award winning actress, a powerhouse, and a bit of a devil. The other, our Lizzie, would set the world on fire as a crusading journalist, a philosopher, a good hoofer, and a raiser of millions of dollars for literacy.

I miss them both.

Ladies, I know you’re in heaven with your pals Iris Love, and Elaine Kaufman, knocking back drinks and telling stories, and laughing.

Liz was a formative person in my life. I learned how to write columns by reading her. And even though she had people who assisted her greatly, like Denis Ferrara, a Liz Smith column had her unmistakable stamp on it. I have boxes of clips of stories I contributed or suggested, or had my name in them, all sent to me by Liz’s talented secretary, Mary Jo McDonough. And each clip carried a note from Liz, an acknowledgment that meant more than I can say. Who does this? No one now. It was another world.

Liz wrote about Elaine all the time. They were friends going back to the 50s. (Stritch also once had a short, hilarious stint as a bartender for the other Elaine.) Writing a daily column on deadline, Liz had her “people” and Elaine was at the top of the list. Liz knew talent, and supported it. The result was a column that was like a lush garden, tended by Liz and curated to the greatest effect.

I found these clips on YouTube of Liz and Elaine interviewing each other, and it made me feel a little better. I hope it makes you feel better, too. Below, my interview with Liz from the summer of 2016. Happy birthday, ladies!

Liz Smith is calling. It’s mid-July, she’s supposed to be on vacation, she’s 93 years old and it’s 93 degrees outside.

Liz: “Honey, I can’t find Denis, and I’m trying to find out who the publicist is for The Front Page. It’s opening soon.”

Me: “Liz, I don’t think it’s opening until the fall. [The revival begins performances in September.]”

Liz: “That’s all right. Do you have the number?”

And that’s the way it is for Liz Smith, the Grande Dame of Gossip, the great powerhouse behind Literacy Partners and Living Landmarks, a fixture in New York society and the entertainment world since the ’70s when her daily column ran at different times in the Daily News, The New York Post and New York Newsday. She is planning her fall schedule.

The Denis she speaks of is Denis Ferrara, her trusty aide and specialist on topics like Madonna and Liza and Cher. Ferrara now—after a couple of decades—shares her byline on their daily column for NY Social Diary and the 20 or more newspapers across the country where they are still syndicated.

In early July, Liz, Denis and Mary Jo McDonough took a break from the daily grind so Liz could move for the first time in around 40 years—from her famous perch at a large apartment she called home East 38th Street and Third Avenue to a new, smaller one on Park Avenue and 63rd Street

This forced them also to leave Liz’s beloved watering hole and meeting place, El Rio Grande restaurant, which features a Tex side and a Mex side. Forever the longhorn, Liz’s table is on the Tex side, where she and often old pal Iris Love like the margaritas strong and tangy. I have regularly been drunk under the table by these ladies, only to see them stand without wobbling and scoot away in a matter of minutes.

I was summoned to El Rio Grande a few days before the move for one last rodeo. Liz swears she’ll return, but let’s face it—63rd Street is pretty far away even if you’re 63, forget about 93.

At 93, Liz, I am happy to report, is completely “all there.” People ask me, “How is she?” as if I will respond that she’s gone gaga. Far from it (although she gets a kick out of Lady Gaga). Being 93 and a grande dame is still hard work. Liz suffered a minor stroke last winter and recuperated at a friend’s apartment. She’s had falls, too, and uses an aluminum walker, reluctantly and only if admonished. She is truly unsinkable, though, a real combination of a sweet-as-pie, tough-talking Texan and an indefatigable New Yorker. Her honey blonde hair has finally gone to a soft gray, and her blue eyes are more incandescent than ever.

This summer has energized her as one of her favorite all time subjects has returned full force to the front burner: Donald Trump. Twenty-six years ago, Trump’s divorce from wife Ivana took Liz from Guilty Pleasure byline to Front Page Newsmaker. A photo of Liz and Ivana Trump at lunch in the middle of the storm over Marla Maples (mother of the lovely Wharton student Tiffany who spoke at the RNC two weeks ago) propelled them all into New York legend. It was bigger even than Liz’s long-time public feud with Frank Sinatra.

Looking around El Rio Grande, Liz lays out exactly where we are: “I think politics has become the new show business,” she says. She remembers when she called Donald in 1990 to inquire discreetly about rumors his marriage was falling apart. She wrote in her memoir Natural Blonde: “I liked the Trumps. They had three little kids, and I didn’t want to be the one to notify Ivana that her husband was playing around. It just wasn’t my style. I figured my warning shot would bring Donald to his senses. (Such fools we scriveners be.)”

But Trump’s indecision about fessing up led to front-page mayhem very quickly. Months later Ivana invited Liz to lunch at Le Grenouille.

The rest, as they say, is misery. Leaving the East 52nd eatery, Liz and Ivana were mobbed by paparazzi. They landed on the front page of the News. Stars were born.

Refilling her margarita, she reminisces: “Parker Ladd and Arnold Scaasi said, ‘You should go meet the Trumps.’ I said, ‘What are the Trumps?’ They said, ‘They’re very rich and aspiring to rise, and they will love you, and you will get a lot of money for charity.’ So he introduces me. Then I hang around with them for about a year. I liked her, but I couldn’t understand a word she ever said. I liked him because he reminded me of my brothers. I was amused by him. He would take me under the arm and introduce me to famous people. He’d say, ‘Isn’t she the greatest?’ He took me to prizefights and all this crap. I gave them their money’s worth, and I flew on their plane. I realized he thought he owned me. He didn’t own me. But everything for journalists is access.”

I ask, “Is this the Donald Trump we knew back then? What about when he calls Elizabeth Warren Pocahontas?”

Liz doesn’t miss a beat. “I would say yes. He [Trump] will do anything [to win]…He’s one of the great public actors of all time…He said he would buy the New York Daily News in order to fire me. It was the greatest thing. He made me world famous.” She is resolute that this is the man she knew all those years ago.

“I think we’re at fault in our innocence. We never saw anything like him. But he is exactly is like what he was. And his family was really nice. His mother, his father, his brother who vanished—Robert.” (Trump’s brother Robert, once married to Blaine and on the society pages every day, is AWOL from the campaign as is his sister, Judge Maryanne Trump Barry.)
Denis: “You had no idea the day after Ivana’s lunch at Le Grenouille you’d be on the front page of the Daily News.”

Liz: “It was like The Day of the Locust.”

The Trumps are far behind in the window of Liz Smith’s long ride through celebrity. Over the years she “made” a number of people including 60 Minutes correspondent Mike Wallace (who she worked for in the 1950s), actresses Elaine Stritch and Holland Taylor, director Joel Schumacher and Barbara Walters. For a quarter century, everyone wanted “to be in Liz.” A mere mention traveled faster than anything on Twitter or Snapchat today. By the time you arrived for lunch at the Russian Tea Room, the Four Seasons or Trattoria dell’Arte, the buzz was loud. Liz Smith created celebrities.

For decades, Barbara Walters walked on water in Liz Smith’s column. Then Liz lost her print outlet in The New York Post when Editor-in-Chief Col Allan (who inexplicably hated her) cut her from the paper in February 2009. Liz felt Barbara dropped her because her usefulness was over—even though Liz’s column was still online and still syndicated. Last spring Liz made some scathing remarks about Walters to a Hollywood trade writer.

“Barbara called me up after that, and she came over for dinner. That’s the last I’ve heard from her.”

With Liz out of the paper, it was lost on no one that Walters transferred her affections to the Post’s remaining gossip diva Cindy Adams, her new best friend. It may have been just as well. Adams is seen frequently assisting Walters at theater and other events since the 86-year-old former newscaster seems to have trouble walking.

So does Liz. But she says, “I feel great, I really do. I just can’t walk unassisted.”

Liz’s antipathy from Allan didn’t extend to other NewsCorp executives. Roger Ailes (now a pariah) was a steadfast friend who put Liz on his payroll and used her on TV as often as possible. Rupert Murdoch, though Allan’s boss, didn’t demand to keep her in the Post. But she ran into him last winter in Mustique when his romance with her old friend Jerry Hall was blossoming. They got along famously.

As for Cindy Adams, her forever rival, they are more frenemies than anything else. When Cindy’s late husband comic Joey Adams took a spill in public, Liz testified on his behalf. “I loved Joey,” she says, and she has deep admiration for Cindy’s perseverance.

But a lot of the Liz Smith world has changed. Stritch is gone; so is Arnold Scaasi who pushed her into Literacy Partners. “I raised $30 million for them over the years,” she says, which is true, and she poured herself into hosting and publicizing their events.

Her inner circle consists of Ferrara, as well as the irrepressible world-renowned archeologist Iris Love. To my observation, Smith—married twice to men, including one who just disappeared and had to be declared dead—and Love’s relationship transcends time and definition. They don’t live together. They squabble, purr and laugh. They are family.

Liz’s extended family includes her friend of 28 years, NBC correspondent Cynthia McFadden.

Liz met Cynthia pre-Court TV when she was a lawyer and working for TV producer Fred Friendly. Cynthia put Liz on a media panel with heavyweights like ABC News’s Peter Jennings and former Washington Post owner Katherine Graham.

“They asked me, ‘Where do you get your best tips?’ I said from other journalists, many from The New York Times. I said everyone who works there knows everything. They can’t print anything. Most of them are my friends. And Peter Jennings said, ‘We’re your friends!’ ”

The friendship with McFadden stuck and grew. How would she describe Cynthia? Liz says, “The most ethical person I know.”

Earlier in July, when the moving trucks were coming and the boxes were being assembled, the promise of a return to the daily grind seemed like it go either way. But on July 18, Liz and Denis roared back to life. The drum beats on with Ferrara working electronically from Hoboken and Smith operating her computer from uptown. Their sense of humor keeps them going. When the break was coming, Ferrara devised a snappy salutation in Liz’s name about leaving El Rio Grande: “No more of those delectable fresh tostadas or those gasoline-fueled margaritas. (If I were younger I might say that the latter deprivation is a good thing, but…I am NOT younger, and one only lives once, or so I am told. If this is not true, I’ll be sure to come back as—a margarita!)”

Review: “Judas and the Black Messiah” is the Brilliant Adjunct to “Trial of the Chicago 7”

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If you’ve already seen Aaron Sorkin’s excellent “Trial of the Chicago 7” on Netflix you know that early on, Fred Hampton– head of the Chicago Black Panthers– is killed after being of help to the men on trial. In this movie, Hampton is played by Kelvin Harrison, and you immediately miss him.

In Shaka King’s “Judas and the Black Messiah,” also excellent, we hear the adjunct story of Hampton and what led to his murder. Daniel Kaluuya, who made a splash in “Get Out,” is phenomenal as Hampton, the so-called Black Messiah. But he’s brought down, in a true enough story, by William O’Neal, a police informant who’s sympathetic to the cause but primarily interested in his own survival. LaKeith Stanfield is riveting as O’Neal, who the audience struggles to like.

With these two actors leading the story, we have an abundance of riches. Since everyone is focused now on awards season, I’d put Kaluuya in lead and Stanfield in supporting. They give two exceptional performances.

But there’s more at stake here than awards season. What we’re seeing is the dismantling of J. Edgar Hoover, the corrupt head of the corrupt FBI who used his power to try and destroy Black people and the civil rights movement. Racist doesn’t begin to describe him. Hoover’s already had many movies made about him, and he’s always a villain. But Martin Sheen, with a lot of prosthetic makeup, does his best to convey Hoover’s evil as he dogs the Panthers, especially Hampton, literally to death.

Aiding Hoover is FBI agent Roy Mitchell, who turns O’Neal and is proud of it. Mitchell is a villain, too, make no mistake, but Plemons– in his second terrific turn of the season (see “I’m Thinking of Ending Things”) makes Mitchell unexpectedly palatable.

“Judas”and “The Trial of the Chicago 7” are must see films now, especially for young people, in light of current politics, Black Lives Matter, and so on. This all happened in 1969, and not much has changed. That’s really what’s frightening.

 

Review: Robin Wright Goes Wrong with “Land,” A Beautiful, Well Intended Plotless Mess

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I’m a big Robin Wright fan, so there’s that.

But she chose “Land” to direct, Focus Features picked it up right away and Sundance took it as well. I see some reviewers are so in love with the idea of all this they’ve missed the problem. This “Land” is not your land.

Somehow Robin’s character Edee’s male model husband and gorgeous baby have been killed. She’s so bereft she’s bought a piece of property no one wants in the Canadian woods. This includes a shack without electricity and furniture. She brings her stuff and tells the caretaker to return her rental car, she doesn’t even want that. She wants to be alone.

I’m a city kid so these movies are not poignant to me. They are silly. The cinematography is beautiful– gorgeous woods and mountains and lakes. But now what? Robin’s character is a city kid, too, and she’s going to hunt and fish and make fire with two sticks because she’s grieving.

Well, we all grieve in different ways but there is no point to this set up. Eventually she makes herself sick. Lucky for her Damien Bachir and some native woman show up and bring her back to health. Now what? What have these people got against electricity? How will this possibly bring back the Marlboro Man and the kid? I didn’t get it. Plus, Robin has no food. So she’s hunting bears (yech) and trying to catch fish with her bare hands. She’s so contemplative she won’t go to the local supermarket.

I am cynical, yes. I can tell Robin Wright can direct. She’s smart. She has a good eye. But this material is a long cliche. Oh my god, a woman alone can survive! Is that it? I have no doubt she can survive. But why? It’s not like she’s forced to live there. She chooses it. And it’s impractical. And it doesn’t address the real drama of how her family died, or why. Also, sometimes Robin has dark brown hair and sometimes it has highlights.

Whether it’s a man or a woman, a survival movie has to have some greater point. And “Land” doesn’t. I’d like to see Robin Wright take on some juicy material. Did I miss something? Did Edee cause the deaths of her child and husband? I don’t know. Even if she did, everything about “Land” just seems self indulgent.

Maybe I’m annoyed because I suffered real tragedy this winter, and earlier in the year, with death all around me. I didn’t have the luxury of packing up for the Colorado Rockies to play Daniel Boone. I needed a dishwasher and indoor plumbing to get through it. So “Land” is clearly for someone who has time for this fantasy.

Number 1 on iTunes, 2 Million Views on YouTube: Mixed Message Right Wing “Fake Woke” Indie White Rap by Canadian Living in Los Angeles

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The number 1 song on iTunes since Friday is a mixed message right wing rap. It’s called “Fake Woke” by a Canadian living in Los Angeles, a former wrestler named Tom MacDonald.

It’s a bizarre diatribe that most definitely leans right and evokes a Make America Great Again ethos without mentioning Donald Trump.

The song attacks feminism, Black Lives Matter, Cardi B, criticizes Eminem for maturing, and goes after cancel culture (Cancel culture runs the world now, the planet went crazy/
Label everything we say as homophobic or racist)

On Friday and Saturday, “Fake Woke” sold 8,000 copies, half of them streaming. The video on You Tube has 2 million views. “Fake Woke” is dangerously stupid. But it’s a sign of what’s lurking in plain sight. I’m assuming there will be no radio play, even if to make fun of it. That’s how you normalize.

McDonald’s statement of purpose, I guess you might say, is included here from his social media.

An Australian student website called  Honi Soit, wrote: “MacDonald is insistent, however, that he is not racist and has not participated in ‘racist activities’, which he mostly boils down to “owning a slave” or saying a racial slur. “You’re making me the villain by demonizing my race,” he effectively screams in the song’s third verse. He presents an incredibly outdated and one-dimensional view of racism. MacDonald seems to be more concerned with defending white people from online-degradation than legitimate systemic racism.”

There’s no label involved. MacDonald just uploaded “Fake Woke” to iTunes and YouTube. But he’s managed to find 8,000 customers. That should worry everyone. MacDonald has 10 songs streaming on Spotify including one, “Everybody Hates Me,” that has 20 million streams. Other titles include “White Boy” and “No Lives Matter.” So far, “Fake Woke” hasn’t registered on Spotify or on Apple Music.

 

 

“Fake Woke”

I think it’s crazy I’m the one who they labeled as controversial
And Cardi B is the role model for twelve year old girls
There’s rappers pushing Xanax at the top of the Billboard
But if I mention race in a song I’m scared I’ll get killed for it
It’s backwards, it’s getting exponentially dumb
It’s more difficult to get a job than purchase a gun
Eminem used to gay bash and murder his mom
And now he doesn’t want fans if they voted for Trump
We’re ashamed to be American, you should probably love it
‘Cause you have the right to say it and not get strung up in public
[Video version: “Cause you have the right to hate it and not get stoned to death public”]
As children we were taught how to walk and talk
But the system wants adults to sit down and shut up
Cancel culture runs the world now, the planet went crazy
Label everything we say as homophobic or racist
If you’re white then you’re privileged, guilty by association
All our childhood heroes got MeToo’d or they’re rapists
They never freed the slaves
They realized that they don’t need to change
They gave us tiny screens, we think we free ’cause we can’t see the cage
They knew that race war would be the game they’d need to play
For people to pick teams, they use the media to feed the flameThey so fake woke, facts don’t care about feelings
They know they won’t tell me what to believe in
They so fake woke, same old, safe zones
They so fake woke, facts don’t care about your feelings

I think it’s crazy how these people screaming “facts” but they fake woke
Hate their neighbor ’cause he wears a mask or he stays home
Has a daughter but his favorite artist said he slays hoes
Picks her up from school, music slaps on the way home
Censorship’s an issue ’cause they choose what they erase
There’s a difference between hate speech and speech that you hate
I think Black Lives Matter was the stupidest name
When the system’s screwing everyone exactly the same
I just wanna spend Thanksgiving Day with food and my family
Without being accused of celebrating native casualties
We got so divided as black and white and political
Republicans are bigots, libtards if you’re liberal
There’s riots in our streets and it’s just getting worse
Y’all screaming defund the police, y’all are genius for sure
They’re underfunded already, they’re way too busy to work
Order food and call the cops, see what reaches you first
Segregation ended, that’s a lie in itself
That was a strategy to make us think that we’re trying to help
They knew that racism was hot if they designed it to sell
We buy up every single box and divide us ourselves

They so fake woke, facts don’t care about feelings
They know they won’t tell me what to believe in
They so fake woke, same old, safe zones
They so fake woke, facts don’t care about your feelings

Use violence to get peace and wonder why it isn’t working
That’s like sleeping with a football team to try and be a virgin
Politicians are for sale and someone always makes the purchase
But you and I cannot afford it, our democracy is worthless
If a man has mental illness call him crazy, say it silently
When countries going crazy we accept it as society
Get sick and take a pill when the side effects get you high
You get addicted like these rappers dying fighting with sobriety
Censoring the facts turns our children into idiots
They claim it’s for our safety, I’ll tell you what it really is
Removing information that empowers all the citizens
The truth doesn’t damage points of view that are legitimate
They’re tryna amen to a-men-and-women
How’d we let them make praying a microaggression?
Instead of asking God for the strength to keep winning
We cheat to get ahead and then we ask ’em for forgiveness

Feminism used to be the most righteous of fights
But these days it feels like they secretly hate guys
I don’t trust anyone who bleeds for a week and don’t die
I’m just kidding, but everything else that I said is right

They so fake woke, facts don’t care about feelings
They know they won’t tell me what to believe in
They so fake woke, same old, safe zones
They so fake woke, facts don’t care about your feelings

Sirius XM Adds Four Channels for Black History Month: Aretha, Jimi Hendrix. Motown, and Miles Davis

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Sirius XM has added four channels to their service and now I will never leave the car!

The new channels are dedicated to Aretha Franklin, Jimi Hendrix, Miles Davis, and Motown.

The Motown channel is a take over– I hope temporarily– of my favorite channel, Soul Town, 49.

Aretha’s channel is on Sirius app right now, and will move to the radio with its own channel soon, I’m told.

Jimi Hendrix and Miles Davis can certainly support their own channels. Check the Sirius website for more information. There’s also a free preview.

I’m already addicted to Sirius, and now that’s it. In addition to these channels, I always recommend Little Steven’s Underground Radio, the Beatles channel, 1st Wave, Siriusly Sinatra, and the talk entertainment channels up around 104 or so run by Roger Coletti.

But right now I have to run. “Rock Steady” is playing!

Here’s an Aretha flashback to June 28, 2004:

Friday night in Manhattan, at the smallest venue she’s played in probably 30 or more years, Aretha Franklin made history.

Like James Brown at the Apollo and Sam Cooke at the Copa, Miss Franklin, Queen of Soul, perhaps the greatest performer who can mix R&B, soul, blues and opera, took over B.B. King‘s in Times Square, sold the place out to the rafters and delivered a spine-tingling 95 minutes that no one in the place will ever forget for the rest of their lives.

It was the kind of show in which a waiter trying quietly to take drink orders in the front rows actually stopped his work for a moment and started clapping wildly. Aretha, only a few feet away, had overpowered him.

It was a hot night in B.B. King’s, too, because Franklin insisted on keeping the air conditioning off in order to protect her golden throat. The crowd, which came in en masse around 7:30, had already started fanning themselves during an unexpectedly fine set by Franklin’s son, Teddy Richards, who bravely accompanied himself on electric guitar through several otherwise unornamented numbers. With a voice that falls between Terence Trent D’Arby and Lenny Kravitz, and catchy songs full of potential for bigger orchestration, it was kind of a shock that he didn’t already have his own big career.

But then it was time for Aretha. The ticket prices ran from $150 for standing to $450 for the best seats in the house, with no “comps.” This meant also no celebrities (they don’t like to pay), but Franklin did introduce old comrades like Atlantic Records co-founder Ahmet Ertegun and famed music publisher Allen Klein, who controls the rights to the early Rolling Stones hits and the songs of Sam Cooke.

This may be the only report you read of this show, since there was no press to speak of and only two photographers, one from Corbis and the other hired by Aretha’s publicist. This stealth show had been rescheduled from April, with some thinking it might never happen.

It did, though, as Franklin, dressed in a bejeweled, flowing lemon yellow-colored caftan and sporting a hair cut with bangs and a flip, came to occupy the stage. She placed a rather large beige Louis Vuitton pocketbook under the baby grand piano, picked up the mike and warmed up her voice with a pair of standards including “I Want to Be Happy” and “Skylark,” the latter featuring a protracted scat call just to show she wasn’t fooling around. She dedicated the song to Bob Mersey, her first producer at Columbia Records in her pre-Atlantic days.

And then the gloves, as they say, were off. She slammed through the rarely heard “Jump to It,” her 1980 comeback single for Clive Davis; a moving rendition of “Have You Ever Been in Love”; and a breezy version of her signature, “Respect,” getting the big hit out of the way for more important things. At this point she was drenched in sweat.

“There’s no Kleenex or handkerchief up here?” she asked rhetorically. “A lady is supposed to have one in her pocketbook.” A fan quickly handed up a linen hanky, and Franklin patted her face.

She introduced Ertegun, and said, getting her bearings, “I’m having a senior moment.” She laughed. “No, I’m not,” she said, adding, “I hope my top is intact, but if it’s not, just imagine it.”

She was referring to her voice, not her bosom, though, and launched into the first of two Puccini arias, “O Mio Babbino Caro,” to which she added a gospel flavor. During a real gospel number, “Holding On to My Faith,” Miss Aretha boogied across the stage, dancing with abandon like it was 1968. She was so swept up by the energy that she sighed, “Alright,” and laughed when the song was over.

“If you want to hear your music played correctly,” she announced with glee, “give it to New York musicians.”

Her own musicians — son Teddy, Richard Gibbs on piano, Darryl Houston, et al, as well as the four New York horn players — did not let her down.

With Michelle Ponder, one of three backup singers, Franklin then turned out a classic she rarely performs, “Ain’t No Way,” written by her sister Carolyn, with Ponder ably providing the counterpoint that Cissy Houston is famous for on the original recording. Of all the songs from her legendary Atlantic catalog, it’s Aretha’s most transcendent. She raised the hairs on the backs of every neck.

“What else do you want to hear?” she asked the audience. There were shouts for “Until You Come Back to Me,” “Think” and “Jimmy Lee.”

“Jimmy Lee?” she responded. “I’m finished with him.”

Instead she sat down at the piano, giving Gibbs a rest, and fell into what can only be called a trance state of delight as she delivered her own composition, “So Damn Happy,” plus an extended bluesy version of “Dr. Feelgood,” and Sam Cooke’s “You Send Me,” the last rendered in the style of Natalie Cole‘s “This Will Be.”

There is almost nothing in the world to compare to watching Aretha Franklin on the piano. She is rarely cited as a musician, but she is actually a virtuoso, with an innate sense of timing and intonation on the keys. For a big woman, her touch is forceful but light. She actually looks like she’s driving the piano as if it were a Bentley through an obstacle course of twists and turns. Her joy is immeasurable.

And then: “We’re going back to the Grammys,” she said, returning to the mike. Several years ago Aretha had to perform Puccini’s “Nessun Dorma” from the opera “Turandot” live on the stage of Radio City Music Hall when Luciano Pavarotti refused to come down from his dressing room and join her, as planned. (He was being petulant in general, not specifically about her.) The joint went wild when she was done, and the aria has since become another unlikely trademark. At B.B. King’s, this was the number that forced the waiter to put down his pad and begin cheering wildly as Franklin completed the strenuous exercise of beauty.

A fan yelled out a request when the applause subsided. “What a Difference a Day Makes!”

“I’m telling you,” Aretha said, shaking her head, and wiping sweat from her eyes. It was about 100 degrees on stage. “Tomorrow I’ll be horizontal!”

She finished then with “Make Them Hear You,” a song about the civil rights movement from the musical “Ragtime” that she’s never recorded, but should as soon as possible. (It’s so moving, I’d be surprised if the Democratic National Convention doesn’t ask her to sing this for them in Boston.) Like Cooke’s “A Change Is Gonna Come,” this is a swooping, unsentimental anthem, with none of the fakery of a Diane Warren faux lament, but some very real emotions that Aretha — who marched with Dr. King — obviously feels down deep.

And what about the voice? So many people have asked me about it since Friday night. Can she still sing? Has her weight affected her voice? I’m telling you now, the answers are yes to the first and no to the second. Her voice is richer and deeper now, but her range is unaffected by time. On Friday night, sitting literally against a small speaker, I got to hear the real unadorned Aretha. Every bit of her textured, soothing contralto blossomed like a slowly opening rose.

When it was over, she moseyed off the stage. Would there be an encore? One of her assistants ran on stage and grabbed the Louis Vuitton bag from under the piano. That was it. Some people paid more than $100 a minute to hear Aretha Franklin sing on Friday night. I didn’t hear one of them complain when the show was over. All you saw were smiles.

Backstage, the Queen of Soul accepted a lucky few into her tiny dressing room, heated like a sauna about 20 degrees warmer than the stage. “I’m singing the national anthem in Times Square tomorrow,” said the living legend, “then I’m on vacation in Southampton.”

She took pictures with some fans, hugged Ertegun and then disappeared into the night, her legend intact.

 

RIP Dustin Diamond, 44, Troubled ‘Screech’ of “Saved by the Bell” Diagnosed 2 Weeks Ago with Stage 4 Lung Cancer

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Terrible story: Dustin Diamond, the troubled actor from the teen show “Saved by the Bell,” has died at age 44 from stage four lung cancer.

Diamond played Screech on the popular teen show from the late 80s and early 90s. The show went on to have a perpetual life in reruns but Diamond– unlike the other regulars– never found an adult career.

In recent years he was involved in scandal after scandal propelled by substance abuse. When “Saved by the Bell” was recently revived on the Peacock NBC network, Diamond wasn’t invited to join in.

A couple of weeks ago it was revealed he had cancer. Now a tragic life has come to an abrupt end. Condolences to his family and friends.

 

Actor Danny Boaz Abruptly Fired from “The Young and the Restless,” Possibly for Political Reasons

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Actor Danny Boaz exits CBS’s “The Young and the Restless” today after 100 episodes and about 16 months playing Chance Chancellor.

A few weeks ago, his character was married in a lavish ceremony but he wasn’t there. Instead, the real life husband/actor of his on screen wife played the part. Boaz was home quarantining after testing positive for COVID-19. He missed the biggest event of his character’s on screen life. Talk about timing.

Boaz said in his original Instagram post that he got the news on Christmas Eve. Ouch! Really? They couldn’t wait until Monday? He also said in the post– which was subsequently edited– that “4 or 5 contract players” would be let go because of the expense of COVID testing at the studio.

That may not be true.

Boaz wrote: “I’d love to say that this was my choice, that I’ve booked the next big project and [am] leaving of my own accord… but that wouldn’t be the truth.” In the original post, he added: “I invested a year of my life into a storyline and didn’t get to see it through.”

His character will just not be seen on screen for a while. He was told he wouldn’t be replaced. But it’s likely we’ll see a new Chance in a couple of months.

Several fans responded that Boaz’s right wing Republican leanings, his support of Donald Trump after the election, and so on led to his dismissal. They were not unhappy about it, just surprised by the abruptness. CBS will never admit that, if it’s true. But the star of “The Young and the Restless,” Eric Braeden, is a staunch liberal, and has been adamant about in his criticism of Trump and his cronies. Most of the cast has been, as well. Boaz was raised in Texas on football and beer. It’s a shame to discover he was a MAGA. But if so, it couldn’t have been an easy time on set.