Saturday, December 20, 2025
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LISTEN The Weeknd (Abel Tesfaye) Dropping New Music: “The Dawn” is Coming, Maybe with Ariana Grande

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Abel Tesfaye is in “the zone.” He’s just having a hit after hit as The Weeknd. Right now he’s got a terrific remixed duet of “Save Your Tears” with Ariana Grande all over the radio. (It sounds like they sang over an old Orchestral Manouevres in the Dark record!)

The Weeknd is dropping new music this week called “The Dawn.” He posted a snippet to Youtube last night. His last album, “After Hours,” was famously snubbed by the Grammys. Now he says he won’t submit any more music to them. If I were the Grammys, I’d just enter it themselves and hit him with a bunch of nominations this time around.

This clip starts with a disco riff but ends with a melody and a good foreboding. I’m ready!

PS And still no new Adele, six years anniversary coming November 15th.

Jennifer Hudson Goes to Detroit And Wins Over Aretha Franklin’s Family, Friends at Private “Respect” Screening

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Jennifer Hudson went to Detroit Sunday and showed “Respect,” her Aretha Franklin biopic, to the Queen of Soul’s family and friends. Now, that’s brave.

On Friday she also attended the Martha’s Vineyard African American Film Festival, where the movie was screened before a very discerning crowd.

From both locations, I’ve gotten word that the movie went over very well. Hudson is unsurprisingly headed to another Oscar nomination, maybe even a win next spring.

The movie opens on August 13th.

Earlier in the day Sunday, Hudson made the rounds with director Liesl Tommy at the Detroit Historical Museum and the Charles H. Wright Museum of African American History. There are exhibits all over saluting Aretha right now.

People close to Aretha who saw it Sunday night tell me Jennifer is sensational, the singing if exceptional, and that Aretha would be proud. What I’ve also heard is that Liesl Tommy’s movie is not perfect. (Few movies are.) “It’s a little choppy,” I heard, but that may be because TV’s “Nashville” creator and “Thelme and Louise” director  Callie Khouri’s original screenplay was amended by Tracey Scott Wilson, who often collaborates with Tommy on her theater pieces.

But that’s not going to matter. Says one viewer: “It’s not about Aretha’s personal life or details of her love life. We don’t get a lot about her great sisters. It’s about her music and how she found her voice, and her style. That part works, and that’s all that matters.”

That is all that matters. I can tell you that’s all Aretha wanted from a movie, for it to cement her in the culture through film. She’s already there with the music. But she knew the power of cinema. And no one alive today could represent her on the big screen as well as Jennifer Hudson.

In the Detroit crowd: Aretha’s beloved cousin Brenda and husband James Corbett, the Queen’s sons Kecalf and Eddie, Aretha’s grandchildren, devoted niece Sabrina Owens and her husband Oliver, Cristal Franklin, her daughter Brooklyn, great sister-in-law Earline Franklin (who once made me the most delicious Southern lunch with Aretha in the Hamptons), head of security and friend Hilton Kincaid, Aretha’s hair stylist, Carlton Northern plus Aretha’s long time assistant Zoretha Coleman, and her favorite photographer, Linda Solomon.

The lieutenant Governor of Michigan was also there with two local congresswomen.

There’s a big premiere in Los Angeles next Sunday, and then shows begin on Thursday night the 12th with special preview screenings all over the country. I’m told the end of the movie is very emotional, as the real Aretha appears and sings, followed by a scrapbook of rare photos. What could be better? For everyone who knew Aretha well, we’re so happy she’s getting this tribute.

Of course there are plenty of stories to tell still about the magnificent Ms. Franklin– funny, sad, poignant. They’ll all be told in time, I’m sure!

 

Photo c2o21 Linda Solomon for Showbiz411

Billie Eilish Has Sold a Lot of CDs, LPs, and Downloads of Her New Album Since Thursday Night, Like 145K Copies

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Billie Eilish can breathe a sigh of relief. Even if it’s shortlived, her second album is a hit.

“Happier than Ever” was released at 9pm west coast time in Los Angeles and proceeded  to sell 145,000 copies through Sunday.

Two thirds of the sales were physical– LPs, CDs, and downloads. The rest was from streaming.

Ironically, no single has taken off from the album although the title track, “Happier than Ever,” has gotten as high as number 24 on iTunes.

This should be happy news for the 19 year old since she released five singles ahead of the album and three of them were strikes, not hits.

I tried the album and the only song I thought had some energy was “My Future.” But the album is not for me, it’s for teen girls.

The songs themselves wouldn’t seem to much potential life apart from the album. They’re personal in a specific way and don’t have much in the way of melodies. But it’s the power of a 19 year old speaking to her peers that’s selling the copies. And traditionally, you can”t beat that.

Hitsdailydouble.com think  “Happier” will go to 220,000 copies by Thursday night. Meanwhile, there are new albums this week from Prince, Julia Fordham, and the Bleachers that I’d rather be listening to.

Box Office: “Green Knight” (G’night), “Stillwater” Tanks, “Jungle Cruise” Sinks, “Old” Gets Old Fast

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People went to the movies this weekend but not in droves. And in one case just not enough.

That would be Disney’s ‘Jungle Cruise,” which took $34 million at the Box office and maybe $30 mil more on Disney Premiere Access. But it’s not enough! This movie cost $200 million. This is going to be a long slog. They’ve picked up $27 million abroad, but more, more, more! Not a hit by any stretch. Not a disaster, Yet.

“Green Knight” from A24 got a lot of hype but not much love from the audience. Just under $6.8 million weekend. Love Dev Patel but really have no interest in this. Since no one from A24 responded, I will venture into a theater this week for my Rotten Tomatoes review.

M. Night Shyamalan’s “Old” got “old” fast. Total take is now $30 million. Not surprised since this is not a movie anyone would want to see again, let alone the first time.

Really in worse shape is the G.I. Joe movie “Snake Eyes,” basically dead after 2 weeks at $27 million.

Kudos to Focus Features for wrangling $4 million so far from “Roadrunner,” the Anthony Bourdain doc that had some controversy surrounding the director inventing dialogue for the deceased globe trotting gourmand. That’s a much better showing than “Summer of Soul,” and at least this one was original.

Review: The Suicide Squad Rises from Wreckage of 2016 to Be the Best of All DC Comics Movies

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Stop me if you’ve heard this already: James Gunn has made a miracle of  comic book movie with “The Suicide Squad,” and Margot Robbie could actually get an Oscar nomination for playing Harley Quinn.

So what else? I laughed and cried with “The Suicide Squad,” not be confused with 2016’s “Suicide Squad” which lacked the article defining it as well as a sense of humor, rhythm, or focus.

Gunn comes to DC comics from his Marvel hits “Guardians of the Galaxy” and its sequel. Those movies had a new energy, an off the cuff, glib, knowing feel to them that made them seem fresh and alive. Gunn proved that he was adept at directing ensembles and delineating characters you cared about, even Groot and Rocket.

In “TSS,” Groot and Rocket — the Rosencranz and Guildenstern of “Galaxy” — appear in new forms. There is Weasel (played by Gunn’s brother), King Shark (Steve Agee, voiced by Sylvester Stallone), and two very animated rats (who don’t say anything but are very evocative).

To this group we add the Suicide Squad as assembled by returning Viola Davis (who you will hear use uncharacteristic foul language), representing the government. She’s trying to rescue the people of a small island nation off the coast of South America called Corto Maltese. From a motley crew (long story) of colorful characters she taps criminals, idiots, and losers including Harley (Robbie), Joel Kinnaman (Rick Flag). and some newbies including Idris Elba as Bloodsport, John Cena as Peacemaker, and Daniela Melchior as Ratcatcher 2. (Her father, Ratcatcher 1, turns up briefly in the person of Taika Waikiki.)

There is also David Dastmalchian as the Polka Dot Man, the first Freudian super hero in movie or comics history. He can only attack villains if he equates them with his mother, who haunts him the way Mae Questel hovered as the monster in Woody Allen’s part of “New York Stories.” PDM’s super power is dispensing explosive polka dots (I’m not kidding). He is completely bizarre.

There are others, including Pete Davidson’s Blackguard and Michael Rooker’s Savant. There are a LOT of characters, they come and go but all make solid impressions. You imagine the original screenplay must have been 300 pages. Gunn’s story is brimming with ideas but to his credit he cuts away all the fat and sticks to his main branch. Just when it looks like we’re going to get overcrowded with eccentrics spewing funny lines, Gunn pares back.

And there is a lot of humor. It’s a very witty screenplay with lots of humorous volleys back and forth among the Squad. Jon Cena’s Peacemaker gets one of my favorite lines when he admits “I am the Peacemaker and I’ll kill anyone who gets in my way to make peace.” (He’s getting his own TV series soon.)

I don’t want get too far into the weeds here. What you need to know is that for three quarters of the movie, Gunn holds the reins tight. Eventually we have to get to a huge final, crazy fight sequence with a gigantic blue starfish. (Don’t ask.) But his set pieces are top notch. There’s kind a mini masterpiece with Harley Quinn breaking loose from kidnapping to the sounds of Louie Prima singing “Just a Gigolo ” and “Ain’t Got Nobody”) that is the best use of music and visuals I’ve seen in a long time. Watch for psychedelic flowers.

Elba is outstanding as Bloodsport, who should be the Nick Fury of these movies. He’s an overnight sensation. Kinnaman is very, very good. The Agee/Stallone King Shark is a hoot, and kudos to the artists who worked on him.

As with all James Gunn movies, the music rocks. At the start, he explains the characters and their early fates so perfectly with Jim Carroll’s punk classic, “People Who Died” that I jumped for a minute. Who uses that song? James Gunn. Plus, Gunn almost breaks the fourth wall, using Easter eggs galore and nice scene setting title cards (very modern versions) to keep the story straight and always moving forward.

All the production levels are A plus. The main thing, you’ll want to see “The Suicide Squad” again, and again. I can’t wait to see it again. And more time: Margot Robbie, who’s played Harley Quinn in the original movie and her own film, exceeds all expectations. She’s the heart and soul of this operation.

“The Suicide Squad” is easily the best DC comics movie, one of the 10 best super hero movies ever of all studios. Previews are August 5th, opening day is the 6th, and I look forward to writing a great box office story that weekend. Try and see it on a big screen and not at home. Get a vax, wear a mask, and enjoy it the way it’s meant to be seen!

 

Box Office UPDATE: Disney’s “Jungle Cruise” Brings $35 Mil on $200 Mil Budget, Will Need Many More Passengers Quickly

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SUNDAY UPDATE: Disney is estimating $34.8 mil and $30 million from Premier Access. The latter number looks good, but that’s what we said about “Black Widow,” which made from Premier Access in its opening weekend. This cruise will need many more passengers, all booking state rooms and ordering Dom Perignon if they want to get near breaking even. 

 

EARLIER I can’t I remember being on the Jungle Cruise ride at Disneyland, but I know it’s popular. So why not make a movie about it?

I’ll tell you why not: no one’s going. The $200 million “Jungle Cruise” movie with The Rock and Emily Blunt is set to sink this weekend with just $32 million at the box office.

Now it is possible “Jungle Cruise” is massive hit on Disney’s Premiere Access for $30. Anything is possible. But it’s unlikely. And if The Rock’s deal is like Scarlett Johansson’s, he may be suing the Mouse House by the end of the week.

Some reviewers liked “Jungle Cruise” but not enough to get it above a 64 or so on Rotten Tomatoes. I’m sure the banter between Dwayne Johnson and Emily Blunt is fun, although it’s hard to imagine them having sexual chemistry or getting together at the end.

But Emily will never say a word. She’s too nice, and also, she’s made a mint with “A Quiet Place” and from it knows that silence is golden. Of course, she and husband John Krasinski are already suing Paramount over the short video window for “AQP2,” so who knows? Maybe courtrooms will take the place of red carpet premieres this fall.

Exhibitor Relations is predicting that “Jungle Cruise” will go the way of Warner’s “Space Jam 2” with Lebron James. That one started big with $30 mil, then pffed out to its current $57 mil. They should have used Sting’s “The Last Ship” as the song over the end credits because more trips on this boat seem unlikely.

Box Office UPDATE: Oscar Buzzed “Stillwater” Crashes in Debut with $5 Mil Weekend, Deep Sixed by Amanda Knox Complaints That Film Was About Her

SUNDAY AM: “Stillwater” was deep sixed by Amanda Knox. Total weekend, four days incl. Thurs previews, came to $5.1 million. Terrible. This is such a good film. Let’s not let it be ‘cancelled.’

 

SATURDAY: “Stillwater” struggled in its opening night at the box office. On Friday. the Tom McCarthy directed film starring Matt Damon took in just $1.560 million. Adding in Thursday’s previews, the total is $1,840,000 for the official “opening.”

The movie is in wide release. Not 4,000 theaters like a Disney film. But a healthy 2,500+.

With a huge opening at Cannes, and very positive reviews, “Stillwater” is pitched as an Oscar possible movie. The cognoscenti should love it. I did. It’s “our” kind of movie made for smart adults.

But that box office number is not promising. And one reason it’s not as high as it should be is Amanda Knox.

The movie is about a conservative Trump-like father from Oklahoma whose 20ish daughter is in a French prison for killing her roommate. Sound familiar? That’s because “Stillwater” is ripped from the headlines of Amanda Knox, convicted in real life of killing her Italian roommate. The case was overturned on appeal and she was freed.

On the night before the film’s opening, Knox posted a long thread on Twitter railing against the movie and the appropriation of her story. Now this morning The Atlantic magazine has published a version of that thread under her byline. It’s basically suggesting people to boycott the movie without using that word. It’s designed to warn audiences away.

But is that right? All 25 years of Dick Wolf’s “Law & Order” shows are “ripped from the headlines.” So are dozens, if not hundreds, of much awarded highly regarded movies, plays, and so on. McCarthy took a kernel of a story and refashioned it into fiction. It’s a well worn tradition in dramaturgy. Shakespeare wasn’t the first to do it, but he was the first most popular. If Amanda Knox can stop “Stillwater,” then Joan Rivers’ estate can put an end to “Mrs. Maisel” and to “Hacks.” It just doesn’t work that way.

So go see “Stillwater” this weekend, and enjoy it for what it is, not to mention Matt Damon’s tremendous performance. As for Amanda Knox, she has a point, we get it, but she can make her own movie if she likes. That is how it works.

Broadway Is Returning But Shows Will Require Masks and Proof of Being Fully Vaccinated for Audience, Cast, Crew, Staff

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And so it should be.  The Broadway League has decreed that everyone who sets foot in a Broadway theater in New York City must be vaccinated. And show proof of it. And wear a mask in the theater. Everyone.

I don’t want to see and don’t care about the idiots who line up outside shows with placards protesting “Segregationists.” Frankly, you need to be locked up in Bellevue’s craziest ward in a straitjacket with a ball gag in your mouth. And sedated often. Don’t like the rules, then don’t come to shows.

PS As for the mask rule, there’s one guy at “Phantom of the Opera” who’s already kinda doing it. Follow his example.

Here’s the layout from the Broadway League. I thank them in advance:

The owners and operators of all 41 Broadway theaters in New York City will require vaccinations for audience members, as well as performers, backstage crew, and theater staff, for all performances through October 2021. Masks will also be required for audiences inside the theatre, except while eating or drinking in designated locations.

Under the policy, guests will need to be fully vaccinated with an FDA or WHO authorized vaccine in order to attend a show and must show proof of vaccination at their time of entry into the theater with their valid ticket. “Fully vaccinated” means the performance date must be at least 14 days after the second dose of a two-dose COVID-19 vaccine, or at least 14 days after a single-dose COVID-19 vaccine.

Theater owners and operators will begin notifying ticket holders for performances through October 31, 2021, with reminder messaging planned to ensure awareness of the new policies. For performances in November 2021 and beyond, theater owners anticipate a review of policies in September, and may include a relaxation of certain provisions if the science dictates.

Exceptions are being made for children under 12 and people with a medical condition or closely held religious belief that prevents vaccination. These guests must provide proof of a negative COVID-19 PCR test taken within 72 hours of the performance start time, or a negative COVID-19 antigen test taken within 6 hours of the performance start time.

For more information, please visit your show’s official website or contact your point-of-purchase.

New Aretha Box Set Revives Long Lost Duet with Dionne Warwick on “I Say a Little Prayer” from 1981

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Rhino’s wonderful new collection of 81 Aretha Franklin songs and performances has a lot of rarities and alternate takes of famous songs. No matter how the movie “Respect,” does the music lives on.

This set is notable for recovering a long lost duet. In 1981 when Dionne Warwick was hosting “Solid Gold,” the syndicated music show, Aretha made a guest appearance. The two legends look terrific and sound even better on a duet of the Bacharach-David hit, “I Say A Little Prayer for You.”

Dionne — Burt and Hal’s muse– had the original hit in the mid 60s. Then Aretha recorded it as an aside during a session. Her version took off, as well. They are the same song covered in two different ways that are equally good. Hearing their two voices together on the song is spine tingling.

Michael Miller produced the track, and the one and only Darlene Love is singing backup. The whole box set is beautifully produced and remastered. The original studio version of Aretha’s “Bridge Over Troubled Water” is only one of the gems included.

The version below is saved from “Solid Gold” but the sound on the box set is sensational, crisp and three dimensional.

Pop UPDATE: Kid Laroi Debut Album from 2020 Mysteriously Returns to Number 1 with Sudden Spike in Streams

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UPDATE This Kid Laroi album is NOWHERE on the iTunes top 100 or 200 this week. It was released a year ago and sold 1.1 million copies on the strength of a single called “Without You.” Why it suddenly spiked in streams this week is a mystery. Very weird and not too kosher.

EARLIER Scooter Braun can claim a couple of records for his debut album from The Kid Laroi. (Look at that mug in the picture. Isn’t he a gem?)

Kid’s debut album, “F**k Love,” came in at number 1 as one of the lowest selling albums ever to achieve that position.

And the title of album is the first I can think of to contain a four letter, unprintable word in the title.

So really, congrats. It’s like the Beatles or Madonna or something. What distinctions!

“F**k Love” sold just 80,315 copies but not really. Almost all of them came from streaming. Only 1,885 were paid downloads or CDs (not sure if they actually made cDs). Kid Laroi will be an oldies show in 2 years.

The actual number 1 selling album in downloads and CDs;? Why Paul McCartney’s “McCartney III Imagined” with 21,427 copies. Yes he was in the Beatles.

Numbers courtesy of Buzz Angle.