Monday, December 22, 2025
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Katie Couric on Today Show Co-host Bryant Gumbel, Who Refused to Be Co-Anchor with Her: “He loved to needle me”

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Katie Couric’s memoir, “Going There,” is out today. We’ve already read her thoughts about Matt Lauer, Deborah Norville, Martha Stewart, and Ashleigh Banfield, among others. Katie’s book could be called “Throwing Everyone Under the Bus.”

But what about Bryant Gumbel? According to Katie, Gumbel refused to be co-anchors with her. She writes:  Ultimately, Bryant would have it written into his contract that he was the anchor, I was the co-anchor, and he would open every show. It was also understood that only he could throw to Willard Scott. That seemed strangely territorial to me, but I could live with it. The bottom line: I was going to be a key part of this broadcast.”

Gumbel, she says, always gave her a hard time on the set although she respected his talent and work ethic. Katie observes:

“Bryant…loved to needle me, and I had no choice but to smile gamely and play along. The guys in the control room sometimes encouraged him by piping a whip-cracking sound effect into the studio.”

Ultimately, though, Katie survived her six years with Bryant until NBC News president Andy Lack intervened on her behalf.

“I was on the way up, and Bryant was on the way out. After 15 years anchoring TODAY, the last six with me, he was moving on. Andy Lack would later tell me he’d informed Bryant that he wanted us to be 50/ 50 partners. When Bryant balked at the idea, Andy showed him the door. Although maybe Bryant was ready to go anyway. And there was something else: his heir apparent sitting 15 feet away. Matt was nine years younger than Bryant and born for this job. Also helpful was the fact that Matt and Bryant had become close friends, sharing an obsession with golf and an easy, jokey, locker-room rapport; both thrived in the boys’ club atmosphere at NBC. Once, when Michelle Pfeiffer was coming on the show, they went on and on during the commercial break about how hot she was; Bryant even said, “I’d drink her bathwater.”

“When we were back on the air, I teased the segment with something like “Also coming up, Michelle Pfeiffer— Bryant, didn’t you say you’d drink her bathwater?” He was furious. I thought it was funny. Another time, TODAY’s wildlife wrangler Jim Fowler was waiting in the wings with a primate. Bryant, Matt, and I were chatting on the sofa when I innocently remarked that Jim was backstage “petting the monkey.” They both burst out laughing like a couple of 13-year-olds.

Review: Elvis Costello Whips Up Stunning Show after Keyboardist Steve Nieve Has “The View” Type COVID Experience

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For some reason every time I go to a show at the Capitol Theater in Port Chester, New York it’s memorable.

Tonight was no exception, Elvis Costello and the Imposters were set to start two sold out nights with special guest guitarist Charlie Sexton. What happened? Minutes before the show started, master keyboardist and musical director Steve Nieve tested positive for COVID-19. He wasn’t allowed to go on stage. A big part of Costello’s show depends on Nieve’s wizardry.

So what to do? Costello ripped up the set list he’d planned, similar to the one he’d used in six previous shows in the States, and announced: “We’re just going to play every song we know.” Without Nieve, Costello dubbed the ‘new’ band — which consisted of Pete Thomas on drums and Davey Faragher on rhythm guitar — “The Layabouts.”

The Layabouts put on one of the best and most unique Elvis Costello shows I’ve ever seen. Nieve was missed, but the band played on. (And during a remarkable “Watching the Detectives,” Costello even ventured over to Nieve’s abandoned keyboard station for a little organ improvisation.)

What makes Costello a genuine artist is his versatility. He comes from a jazz and big band background thanks to his father. He entered our consciousness at the forefront of punk and New Wave. But he integrated country and soul and rockabilly, then classical music very quickly into his repertoire. And last night we heard a little bit of all of it, some songs he rarely or doesn’t play at all.

I don’t even know how these guys handled it, and I asked Faragher after the show. He just shrugged. They just know how to play 500 different songs in several genres at the drop of a hat. So we got a stunning cover of Sam & Dave’s “I Can’t Stand Up for Falling Down” and a full on “Don’t Let Me Be Misunderstood” (Eric Burdon & the Animals) tacked on to an unplanned “So Like Candy.” There were two spot-on country covers that let Sexton shine with “Crying Time” and “The Bottle Let Me Down.”

There was also a new song, coming out this week, “Magnificent Hurt,” that sounded like a winner. A really cool take on “American Gangster Time,” which hadn’t been heard in a while, another new song — “Farewell OK” — that’s dynamite, and a sensational cover of Bobby Charles’s lost gem, “I Hope,” which Costello should record. Almost nothing followed the set list I expected from the six previous shows on this tour, which was fine. The spontaneity was contagious.

There is something magical about the Capitol Theater. Two years ago I saw Neil Young and Promise of the Real do a show there that felt like it levitated. Steely Dan always sounds better there. It’s just rock and roll chemistry.

Elvis and the Layabouts are back Tuesday night. Don’t miss them.

PS Of course, it all turned out to be a bad dream. Later, Nieve tested negative. The whole experience was like when two of the ladies on The View tested positive and had to leave the show while it was live on the air. It was a false alarm. But it did show how resilient Costello can be in an emergency!

Adele Booming At Radio, But Temporarily Knocked Off iTunes Top Spot by Moronic Anti-Biden Song

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Adele’s “Easy On Me” is booming away at radio. The single has been added to the largest number of radio stations in existence, and getting played more than any other record by the hour. This is all according to MediaBase, which tracks song plays and stations.

According to Buzz Angle, “Easy On Me” is now nearing 600,000 copies sold, mostly from streaming. That’s not the same numbers as Adele’s singles from 2015, but it’s better than any other record for sale today or the last year.

Meantime, “Easy On Me” was knocked off its perch at number 1 on iTunes after 10 straight days. The temporary displacer is a moronic single called “Let’s Go Brandon!” by Bryson Gray Tyson, an anti-Biden record for anti-vaxxers. Idiots are pushing this piece of crap up the iTunes chart, but no one in their right mind would spend money on it. It’s not a song, or a record, it’s just garbage.

Adele will be back at number 1 by tomorrow.

Alec Baldwin Will Have to Lawyer Up in Movie Set Death as Killed Woman’s Husband Works for Top Legal Firm

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Now that the shock of what happened on the set of the movie “Rust” is wearing off, it’s time to lawyer up over the death of Halyna Hutchins and the shooting of Joel Souza.

Alec Baldwin is represented by former New York City deputy mayor Randy Mastro, a close friend and partner at Gibson Dunn. That famous firm does not handle criminal matters. Mastro is a litigation attorney, which will come in handy when the civil suits start flying. Since Baldwin in an Executive Producer on “Rust,” the odds are there will be lawsuits from everyone including the film’s insurance carrier.

Mastro is a master of negotiating. When he worked for Rudy Guiliani at City Hall it was Mastro who dismantled the Fulton Fish Market in the South Street Seaport, among other hot button issues. He and Alec just appeared together two weeks ago at the Hamptons Film Festival where they are both very involved. They could never have guessed this would be their next mutual project.

What complicates the situation is that the husband of the cinematographer who was killed, Matt Hutchins, is an LA – based entertainment attorney. Last March he joined the prestigious firm Latham & Watkins in mergers and acquisitions. According to his Linked In account, Hutchins– despite graduating from Harvard law School in 2010 — has knocked around the Hollywood law game quite a lot over the last decade. (He was editor in chief of the Harvard Law Journal when he was a student there.) His longest stint was from 2011 to 2015 at Skadden Arps, another top firm.

If Alec needs a criminal defense lawyer, his first choice would probably be Alan Abramson, who’s worked miracles for him before in cases like Baldwin’s skirmish with a photographer outside his Greenwich Village apartment.

As I broke here on Saturday, Baldwin spoke at the private memorial service for Halyna Hutchins before returning to New York. It doesn’t seem like “Rust” will resume shooting, and Baldwin has no other movies or TV shows coming up. He will certainly be advised to be extremely low profile until everything is resolved.

What Year Is it? Beatles Sell 60,000 Copies of $117 “Let It Be” Box Set, Enter Top 5 Albums, Bestselling Book, Too

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What year is it?

1970?

The Beatles sold 60,000 copies of their “Let it Be” super deluxe edition box set last week. The collection enters the Billboard album chart at number 5, number 5 on the Buzz Angle chart, sits at number 9 on Amazon.

The set costs $117 and has 5 CDs. There are several versions, and they’re all over the charts as well. “Let it Be” was first released in May 1970.

Sixty thousand copies of a box set? These days, that’s like a million.

Adding to the box set success, “Get Back,” a companion back that Amazon is selling for $36, is on the New York Times best seller list this week at number 6.

The book is itself a companion to Peter Jackson’s three part documentary called “Get Back,” headed to Disney Plus streaming at the end of November. The documentary re-tells the making of the “Let it Be” documentary directed Michael Lindsay Hogg and released also in 1970.

And that’s not all: coming next Tuesday, November 2nd, is Paul McCartney’s “The Lyrics,” a two volume book collection of 154 lyrics with anecdotes. Amazon is selling it for $79.99 and the set is already number 46 on their best seller list with pre-orders.

The Beatles are never going away, thank god. They have turned into the classical music of our time. And remixed boxes of “Revolver” and “Rubber Soul” are still coming, I guess for 60th anniversaries. And so on.

Of course, all that”s left is the McCartney world tour celebrating his 80th birthday next June. And as touring ramps up with vaccine restrictions etc, there’s no doubt we’ll see Paul live again, soon. Count me in!

KPop Katastrophe for Sony Music: Mega Seller BTS Leaves for Universal Music, Taking Bread and “Butter” with Them

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Yikes.

Sony Music has lost a major recording deal to rival Universal. The Korean K Pop boy band BTS has made a gazillion dollar deal with Universal Music Group. They’re taking their bread and “Butter” — name of the massive hit single this year — to the world’s largest record company.

BTS had been with Sony and The Orchard since they made their presence known in the U.S. Frankly, Sony’s done a great job for them considering all things. They turned their song “Dynamite” and its album into blockbusters, and “Butter” earlier this year melted all over everything.

But BTS’s company, Hybe, bought Scooter Braun’s company earlier this summer for a billion bucks. All Scooter’s deals are at Universal, especially Justin Bieber and Ariana Grande. Word is that Braun flexed his UMG muscle to help this deal along.

Sony is doing just fine without BTS. They’ve got Adele about to land like several armies, plus Lil Nas X, Kid Laroi, and Dominic Fike is out there somewhere. Plus Springsteen will arrive with an E Street Band album next year before his big tour. And Beyonce is hovering with a “surprise”album.

But wow, there is no loyalty in the music biz.

“Saturday Night Live” Ratings Remain on the Low Side

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“Saturday Night Live” is in a ratings decline and last night was no different. The household overnights were 3.7 million. Total viewers will come in not much higher.

The show itself was top notch, I thought. Jason Sudeikis was an amiable host with many clever sketches. His monologue was touching, and maybe designed to remind viewers how much the show has meant to our culture. (So start watching again was the subliminal message.)

Brandi Carlile was the best musical guest in ages. What a difference when the musical guest is musical. Her performances were knockouts, lovely, for the record books. What a soaring, gorgeous voice!

Kate McKinnon is still AWOL. And some of the newer players haven’t made their mark yet. But James Austin Johnson has jumped in as Biden and in other sketches hitting the ground running. It’s like he’s always been on the show.

But viewership just down by a million year to year.  The show needs an extra spark.

 

Pop Star Ed Sheeran Tests Positive for COVID on Eve of Album Release, “SNL” Gig Likely Canceled

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Talk about bad timing: pop star Ed Sheeran has tested positive for COVID in the UK.

Sheeran won’t be able to travel to the US for his November 5th gig on “Saturday Night Live.” The appearance was to promote his new “Equal” album coming next Friday, October 29th.

“SNL” could have him on live via Zoom or video link, but after the remote pandemic shows they were forced to do last year, it’s unlikely. Sheeran will have to reschedule.

So “SNL” needs a musical act to pair with host Kieran Culkin on November 5th. Adele is busy with CBS but there are plenty of people who need exposure, like Taylor Swift. We never see enough of her!

Sheeran wrote on Instagram:

“Hey guys. Quick note to tell you that I’ve sadly tested positive for Covid, so I’m now self-isolating and following government guidelines. It means that I’m now unable to plough ahead with any in person commitments for now, so I’ll be doing as many of my planned interviews/performances I can from my house. Apologies to anyone I’ve let down. Be safe everyone x”

The “Equal” album comes equipped with two big singles that have been filling the airwaves all summer: “Bad Habits” and “Shivers,” the latter he may have gotten from the COVID. Or from bad habits. Get well soon, Ed!

 

 

Box Office: “Dune” Spices Up the Box Office with Underwhelming $40 Million Weekend

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“Dune” was the movie that was always coming and never did, then finally arrived with HBO Max attached to it.

We’ll never know how Denis Villeneuve’s beautifully made epic did on the home box, but in theaters it made $40 million from Thursday through Sunday. That’s not chump change but it’s also a little underwhelming for a $200 million movie.

How “Dune” will fare going forward is unknown, but it may pick up speed as people get more comfortable being out and about and in theaters. If you’re already going to sporting events, and other large gathering, a theater shouldn’t be much of a deterrent. And “Dune” is worth seeing on the big screen.

Elsewhere “No Time to Die” is up to $120 million after 3 weeks, and heading toward a comfy $150 million. “The Last Duel” is completely dead, and heading to a $150 million write off for Disney.

RIP Jay Black, Hitmaker of Jay Black and the Americans, Dead at 82

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Jay Blatt, known to the 60s generation as Jay Black, has died. He was 82. Jay Black and the Americans were real hitmakers. “This Magic Moment,” “Come a Little Bit Closer,” were just some of their hits.

A Facebook post from around 12 noon today says: “Today, we mourn the passing of David Blatt a/k/a Jay Black and we acknowledge the great successes we had with him both as a partner and as a lead singer. We shared both wonderful and very contentious times, and much like an ex-wife, we are so proud of the beautiful children we created. We’ll always remember The Voice.”

In the late 60s, at the end of the Americans’ run, soon to be Steely Dan partners Walter Becker and Donald Fagen worked as their back up band. Fagen told me years ago that they mostly toured state fairs.

But for most of the 60s, Jay Black’s Americans were hometown heroes in the New York area who ruled top 40 radio. Some of their other hits were “Cara Mia” and “Coming to America.” Their first hit was “She Cried,” and most of their hits were written by the legendary team of Mike Stoller and Jerry Leiber. The group was inducted into the Vocal Group Hall of Fame in 2002.

Rest in peace, Jay. Thanks for everything.